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for those who do not recognize the names they have been given.
the monster in the maze was born from a tumor,
what the doctors called an abnormality. a grudge
metastasized. it was not always in the maze,
but they called it ungrateful for refusing milk,
as milk was not what it needed, because a thing born from a tumor
does not grow but rather festers, does not feed but rather devours,
and it took the doctors only a little while to realize it wanted
blood.
that is where the maze began.
it needed pastures and blood. and kings only have
so much of each but what kings do have
is people, and that's when it became the monster in the maze,
when it began taking other mothers' children,
which is how it counted the time since the sky
had been turned into stone: fourteen bodies
make one year,
and another,
and each year after that it was forced to see.
but a monster in a maze may be a misnomer.
some say mazes only become such when they have something to hide.
others say that heroes need battles so perhaps
it was only when the boy came that it became a monster.
or perhaps it was when the blade ran through and death followed,
but monsters should not find their deaths a relief, so then it must have been
when the hero returned alive and tragic
and they needed a thing to make his tragedy alright:
at least there was a monster to vanquish.
yes, that must be it.
but when you ask the bearer of the tumor
she says he used to fit in my arms. and when you ask its sister she says he’s just
another who was left behind,
and when you ask the all-seeing stars, they respond they witnessed no monster
but only a child.
and the inventor?
through the bars of his cell he shows you his hands and says:
the monster is the blade of my chisel,
and the blocks of stone i cut, and the first brick i laid.
the monster is the maze, and above all,
it is the scar on my thumb that aches when i carve.
these names will outlive us, he says, as do all the things we make,
and all we can do is ask for the grace of time.
the ghosts of children are our reminders of sin, and all we can do
is ask the world to be forgiving.
The author has a reflective tone, contemplating themselves and their creative journey, often looking back on the past with a sense of nostalgia and showing growth over time. Their writing carries a gentle humor and self-deprecation, making it feel relatable to readers. Cultural elements and works, from Greek mythology to K-pop and Percy Jackson, are woven into the author’s perspective.block blast
Woww it was very good the meaning is still layered in between many complexities but still it felt good
Hai :3
Ahh this is stunning!! It's like a a dark, twisting descent that reads like a myth. I’m absolutely hooked on the way you’ve woven the classic story of the Minotaur into something so introspective!! It doesn’t just tell a story; it unearths one, piece by piece, like chiseling away at stone. There's a perfect balance between violence and sorrow ~~ Like, that brutality comes like second nature, and it's so haunting!!
the monster in the maze was born from a tumor,
what the doctors called an abnormality. a grudge
metastasized
the monster is the maze, and above all,
it is the scar on my thumb that aches when i carve.
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