The telephone rang for the first time in months this evening. It was the gas company. Or it might have been the electricity company. I don’t know. I don’t remember. They told me my bill was overdue. I told them I hadn’t any money (but that was a lie), and even if I did I wouldn’t give it to them. The told me they would shut off my power (or gas – I don’t remember). I told them I didn’t care (another lie. Sort of). As I spoke I stood and picked the mortar off the flaking walls. These apartments seem to have sprung up over night, only to be forgotten by the builders in the morning.
I sat out on the balcony, smoking a cigarette. I watched people coming and going. I saw a couple exiting the theatre across the street. She was pretty, wearing a red and white striped dress. He was a Frenchman, and altogether unremarkable, except I did recognize him – he often sat on his own balcony, smoking his own cigarettes, on his own side of the street. I don’t know why, but I felt like calling out to them. But the setting sun was now level with my eyes. I went inside to escape the glare.
***
My paramour visited this afternoon. She wore a blue skirt and matching jacket, with a red and white spotted headscarf. The fashion of Algiers always seemed to be one or two seasons behind that of Paris. She still had her crucifix around her neck, and I crinkled my nose. She noticed, and grimaced with disapproval. She asked me if I believed in God. I said I didn’t. She asked me if I’d read the bible. I lied and said I had, but didn’t remember any of it. I told her it didn’t matter anyway. The sun was pouring through the window, so I half-drew the curtains. As I did I saw a group of Arab men gathering in the street below.
***
I went down to the ocean at around midday today. The sun glimmered off the surface of the water like a ballerina, but assaulted my eyes like a charging bull. I saw the woman in the red and white dress swimming in the surf (she was no longer wearing her red and white dress). Her French consort was nowhere to be seen. She exited the water and patted herself with a white and pink towel on the beach. I walked towards her and introduced myself. I told her I was an acquaintance of her Frenchman. She asked where we met. I said I didn’t remember. She invited me to join them for coffee that afternoon. I declined, citing a prior engagement (a lie), but I would call tomorrow.
I never did call, and I didn’t see the Frenchman smoking cigarettes on his balcony after that either.
***
My mother called this morning. She asked if I wanted to visit her. I told her I didn’t care. She asked why I hadn’t come last week. I told her I forgot.
My paramour visited again. She wore a yellow dress I had given to her, once vibrant, now faded by the sun. She asked me if I had read the newspaper today. I told her I hadn’t (the truth). She said a Frenchman had murdered an Arab. Shot him five times in cold blood. I joked that it couldn’t have been in cold blood; nothing in Algiers is ever cold. She didn’t laugh, only gave a cold half-smile.
***
I went to an execution at dawn today. The man under the guillotine was a murderer. The crowd screamed with rage, but the condemned man showed no emotion. It occurred to me that it wasn’t that he was hiding his emotion – he just had none to show. My paramour asked if I approved of the death penalty. I told her I didn’t care (a lie).
Points:
Time spent:
Canary word: Present
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Original Text:
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nope. not letting you pull that one.
ooh, but thank you audy for pointing out the awesomeness of that cold, not cold, cold thing. that's cute.
otherwise, i am pleased while reading this and left with nothing afterwards.
i want to say more about it, but i don't know what to say, so this is a comment, not a review.
K,
Hehe, you're absolutely right though I love existentialism. I'll be honest though, it's been -years- since I've done a proper read of Camus (omg--since like highschool!) and yet, his influence in this is not lost on me.
Thank you for your thoughtful review
This line by the way:
Is my favorite. Seriously. Totes amazing.
The lie/truth thing was pretty interesting. I don't recall Camus doing that (did he? I don't remember) but I think it shows so much depth to the character when you piece together the ridiculous things he lies about all boils down to indifference/apathy - but it's almost like the way that this is executed, apathy itself becomes something that is self-imposed rather than let's say a condition. Apathy being something that someone chooses to do. I thought that was an interesting take on it - I can't exactly remember what Camus' take on it was, but I'd say you've nailed the whole style and execution ^^
Overall, I thought this a revealing piece. Something to mull over in my mind, because I have very different opinions when it comes to apathy, so this was interesting. As for crits. Ehh. I dunno if I'm just feeling lazy today or what, but I honestly cannot think of how I'd improve - I'd say to do a quickover backwards and see if you can spot some of your typos/grammar things. I found a couple of little nitpicks here and there like in your first paragraph: "...The(they) told me they would shut off my power.." but nothing major. And then, I would probably try to even condense it down even further
My biggest problem with this? I wanted to read more :3 I guess not what you would call a problem, eh?
Take care, K.
~ as always, Audy
I really, really liked this. I think the parallel storyline with The Stranger is absolutely brilliant, and very well executed. I love the way that you've expanded the universe of the original book, flipped it, and inserted me into it again from a different vantage point, and I love the fact that the main character of this story is so similar to the main character in Camus' book, seeming to emphasize even more the absurdity and danger of human indecision in light of the profound consequences, as if the only thing that keeps him from the same fate as his neighbor is dumb luck, his context, lack of opportunity. Also, the way that you reveal that the Frenchmen is the murderer, I think, is great: "I didn't see the Frenchmen smoking cigarettes on his balcony after that." I typically enjoy writing that demands acute deduction on the part of the reader; it keeps me focused and interested, and this piece definitely did both of those things. Although one thing did confuse me, and I hope I'm not bursting any bubbles here, but why didn't he recognize the Frenchman at the execution? Or was I wrong to assume the Frenchman was the killer? OR am I wrong to assume that this is the same execution as described in the book? This is going to bug me, so please explain. I really like this, and I don't want something like that pulling on my attention ha. Well done. Oh, one more thing. You spelled "striped" wrong.