Frilly white hems brushed my side,
Her mother’s call was stiff and stern
She hurried away, dazzled in mid-morning light
It had played with the upturned corners of her eyes,
Sliding off her eyelashes and sparkling down her cheeks
I was happy to meet a new acquaintance, I thought nothing more.
Her hands moved quick and expressive, but she’d quickly realized
And puppeteered them with the controlled grace of a patriarchal swan.
Her mother, briefly out the window pane gave me that look,
Pupils seething with coals ready to burst with flames,
Her eyes as gritty and plain as dirt, and I remarked in thought--
Hm. Perhaps she has buried earthworms in those eyes.
Then I went along, back to my master’s blooming infirmary garden.
Once he cloaked the door with vines and clusters of fat wine grapes,
But then came the town clerk who’d taken them by the basket,
The hog of a man had barely paid a penny, and as he left he called,
“Keep it tidy ‘round these parts. Don’t let those plants grow amok.
Good to keep appearances up on these busy streets.”
Master’s slight smile and quiet utterances had me mistaken,
I had thought of him as a gentle apothecary, a pushover even;
Only a hermit that’s been too locked up for too long with no wife or kids.
Yet, in the soil of his brown eyes faintly gleamed buried gems and precious rocks,
Too dangerous to unearth around greedy men who’d pluck them right out his skull.
No, he was a man of flexible steel, a young tree with century old roots.
He had kept me busy from afternoon to evening, and my thoughts wander,
Floating to the puffy clouds above, drifting from the dirt caked under my nails.
I was lucky enough to be able to wash away Nature’s stains in the creek,
But master would never be able to erase the wrinkles of age and scars on his face,
No, the hopes of sweeping off the sign pointing to his lonely street had long gone.
Coins of winking light drifted down the waters, but even I wouldn’t grasp for them.
Their light only reminded me of her; her lips upturned at the mention of master’s garden,
The smile she’d quickly forced away, but I saw no distaste concealed in her eyes
Her hair was wrapped tightly in a bun, yet a curled piece began to slip loose.
Socially acceptable, ‘kept’ appearances, politeness, I think she’s good at the game.
And when she returned in that white, lace dress down to her ankles
The garden snapped twigs sharply across her feet, it stained the perfect cloth
Its humidity frizzed her hair, but even then she was too absorbed to care.
I kept my voice low and upbeat, to make up for my peasant clothes, my scruffy hair.
Curfew kept her away from me most days, and I didn’t mind then
Because I knew eventually she’d come again with that taut smile,
The smile which sprouted stems budding with vivacious petals in the garden.
As master had taught me, I taught her each use, every color, every name
And soon we began to speak in the language of flowers,
From my rough hands I supplied her ripped yellow marqueriles,
Sometimes I’d scatter their breathless, warm petals outside her window
And others I’d find the windswept shreds of yellow caught on tangles of vine.
She lay wild roses over the fence of the clothe maker's shoppe,
I remember I held them cradled like a dead bird, I understood pain
But my heart ached the same, yet different, did I feel what she felt?
The yellow pansies I stowed away carried pieces of her smile,
The red pansies I left to bleed out on the rain-slickened street,
I left it to get its life crushed by the hooves of a noble’s stallion,
I thought its destruction would starve my growing dread.
You see, master had those eyes that drove a spear through my thickening cloud.
The sun had turned its back, its rays faded in grey skies
As it had to me, I faced away, harboring secret wishes to feel its glowing light.
The evening morphed into a drab, metallic night.
Its wings spread so far and wide that it encroached on any hint of summer season.
I slept lightly, and woke often. I turned and twisted, but I did not sweat
The early morning was shy, I ignored it and buried my hands in the Earth.
If I shoveled until the end of my days, I would never reach its molten core
I wanted to tell it I wish I could feel its burning passion, that I wish it didn’t hide
See, I don’t mind if you pluck every feather off me, I don’t care if you leave me bare.
My vision blurred at the bouquet of red tulips thrown at the door
I couldn't bring myself to squeeze the juices out of its vivid green stems.
Master had known then, and he hid the broil of pity and empathy
Then I understood. The tides of time, sweeping away youth,
grating away the pristine innocence of beige sands,
grinding bones to make carved seashells, and snatching them all away
Back to the eternal ocean, where as generously as it gave it quickly stole.
The seething look her mother casted was burnt into my mind,
As if the sight of a peasant by her daughter made her utter spells.
I heard faintly she’d moved and married to an older man,
That her mother graciously accepted a dowry enough for three cows.
Shame molds her final message etched in flowers,
Its fungus spreads and dries, it gives no seeds for me to bring to life.
Master never spoke in words, just as she did to me--
We suppress the grittiness of our souls with perfectly primed clothes.
I bury my arms in the soil, I dig holes big enough for my carcass to fill
I give birth to life, as Nature has given to me, I have done my part to return
She takes, coldly and indifferently. She gives to me, she grows my hope with sunlight.
My flesh will rot for her, my donation will be made to the dirt I try so hard to flourish
She waters my confusion, she feeds it, and when I am full she leaps to take.
See, Master is closer to Death than I ever will be now, and I know he thinks of it too.
The first and last time I saw her face, I wished to be her, to know her love.
As a boy I buried my head in dusted medicinal books, I wished to know more
I wanted to bond with Nature, I wanted to know all the secrets the old men knew.
The schoolchildren laughed at the absurdity of a man who wanted a woman’s job
And I had told her one day, since she loved the flowers so much, she could learn too.
She smiled softly, as she always had. We both knew she wasn’t allowed to as a woman.
I wonder as the days pass me by if I should feel grateful for the body I have,
Or if Nature continues to punish me for having blue eyes instead of brown.
Nothingness enfolded me into its sheets as a smile spread across my face.
UPDATED VERSION, THANKS TO THE REVIEWERS BELOW
Frilly white hems brushed my side,
Her mother’s call was stiff and stern
She hurried away, dazzled in mid-morning light
It had played with the upturned corners of her eyes,
Sliding off her eyelashes and sparkling down her cheeks
Her hands moved freely, but she’d quickly realized
And puppeteered them with the controlled grace of a patriarchal swan.
Her mother, briefly out the window pane gave me that look,
Her eyes as gritty and plain as dirt, and I remarked in thought--
Hm. Perhaps she has buried earthworms in those eyes.
Then I went along, back to my master’s blooming infirmary garden.
Once he cloaked the door with vines and clusters of wine grapes,
But then came the town clerk who’d taken them by the basket,
The hog of a man had barely paid a penny, and as he left he called,
“Keep it tidy ‘round these parts. Don’t let those plants grow amok.
Good to keep appearances up on these busy streets.”
Master’s slight smile and quiet utterances had me mistaken,
I had thought of him as a gentle apothecary, a pushover even;
Only a hermit that’s been locked up for too long with no wife or kids.
Yet, in the soil of his brown eyes faintly gleamed precious gems
Too dangerous to unearth around greedy men who’d pluck them out his skull.
No, he was a man of flexible steel, a young tree with century old roots.
He kept me busy from afternoon to evening, and my thoughts wandered,
Floating to the puffy clouds above, drifting from my dirt caked fingernails.
I was lucky enough to be able to wash away Nature’s stains in the creek,
But Master will never be able to erase the wrinkles and scars of age on his face.
The hopes of sweeping off the sign pointing to his lonely street had long gone.
Coins of light winked at me, but even I wouldn’t grasp for them.
Their brilliance only reminded me of her upturned smile,
The one she’d quickly forced away, as if it were a sin to be happy.
A curled piece of hair began to slip loose from her tight bun,
And she moved it modestly, as if she hadn’t even noticed.
Socially acceptable, kept appearances; I think she’s good at the game.
When she returned in that white lace dress,
The garden snapped twigs across her feet, stained the cloth.
Its humidity frizzed her hair, but she was too absorbed to care.
I welcomed her with a tender voice, to make up for my peasant clothes.
Curfew separated us most days, but I didn't mind
Because I knew she’d come again with that taut smile,
Budding vivacious petals as she set foot in the garden.
As master had taught me, I taught her each use, every color, every name
And soon we began to speak in the language of flowers.
From my scraped hands I supplied her yellow marqueriles,
Sometimes I’d scatter their breathless, warm petals outside her window
Others I’d find the windswept shreds of yellow caught on tangles of vine.
She lay wild roses over the fence of the clothmaker’s shoppe,
I remember I cradled them like a dead bird, I understood pain
To my twisted dismay, they’d grown no thorns to draw me away.
The yellow pansies I stowed away carried pieces of her smile,
The red pansies I left to bleed out on the rain-slickened street,
I left it to get its life crushed by the hooves of a noble’s stallion,
I thought its destruction would starve my growing dread.
Master’s eyes bore through me at the supper table,
His weathered soul drove a spear through my thickened cloud.
The sun had turned its back on me, its rays faded in grey skies
I faced away, harboring secret wishes to feel its glowing light.
The evening morphed into a drab, metallic light.
Its wings spread so vast it encroached on any hint of summer season.
I slept lightly, woke often, I turned and twisted but I did not sweat.
The early morning was shy, I feigned ignorance
I buried my hands in the Earth, its molten core refused to burn
I wanted to tell it I wished to feel its burning passion,
That I didn’t care. But God is distant and omnipotent,
So too is the lava heart that burns anyone who comes close.
My vision blurs at the bouquet of red tulips at the door
I couldn’t bring myself to squeeze the juice out their bright stems.
Master had known then, but he let the winds of my fate go freely.
Then I understood how the tides of time swept away youth,
Grating away the pristine innocence of beige sands,
Grinding bones to craft strings of seashells and then snatching them away
Back to the eternal ocean, where as generously as it gave it quickly stole.
The sunlight broils my hands, the repetitive pulling of weeds is dull
The woods whisper, they tell me of her marriage to an older man.
Shame molds her final message etched in flowers,
Its fungus spreads and dries, it gives no seeds for me to bring to life.
Master never spoke in words, just as she did to me--
We suppress the grittiness of our souls with perfectly primed clothes.
I surrender my arms to dirt, I dig holes big enough for my carcass to fill
I give birth to life as Nature has given to me, yet she takes indifferently.
She gives to me, she grows my hope with sunlight, she waters confusion
My flesh will rot for her, a donation to the dirt I work tirelessly to flourish
She feeds a young man’s faith, and when I am full she leaps to take.
The first and last time I saw her face, I wished to be her, to know her love
In the same fascination I’d had as a boy, head buried in herbal books
I wanted to bond with Nature, to know all the secrets the older men knew.
The schoolchildren laughed at the absurdity of a boy who wants a woman’s job
The taunts of a homosexual plagued me all year round.
I had told her one day, since she loved flowers so much, she could learn too.
She smiled softly, as always. We both knew she wasn’t allowed as a woman.
As days and nights pass me by, I wonder if I should be grateful for this body
Or if Nature continues to punish me for having blue eyes instead of brown.
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Canary word: Present
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This is an interesting narrative poem. I get the sense that the story of the two lovers has a wider meaning, showing the connection between people and nature. There's also a sense of the fragility of life with the master's mortality. I also see some commentary about gender and class and how these seem frivolous and irrelevant in the face of nature and reality.
1. My favourite stanza is "My vision blurred . . . as generously as it gave it quickly stole" because of the imagery. Each image is interconnected and everything is relevant to the main meaning of the stanza. The idea of life being fluid sneaks up on the reader, starting with "blurred" tears, then "juices", "broil" and finally "tides" is really impactful and emphasises the power of time and the speaker's realisation of mortality.
2. In terms of structure, my favourite lines are "I give birth to life, as Nature has given to me . . . and when I am full she leaps to take." These have a lot of symmetry, interweaving the "I" with the "she" and reversing their roles to create a sense of the cyclic and a pleasing aesthetic effect - it just reads nicely! It's also more concise than some other lines in the poem. The only thing more I'd like to see with these particular lines are more line breaks, because I think that would make them easier to read.
3. I like the sound effects of "frilly white hems" "stiff and stern" and "perfectly primed clothes". These have a lot of alliteration and repeated sounds that just match the image so well. "ST-iff and ST-ern" sounds harsh and "P-erfectly p-rimed" sounds crisp and neat. Aside from that, there's a nice half-rhyme in "I understood pain// But my heart ached the same . . ." The rhyme helps tie the poem together and give it more rhythm, just as in "light/night". I think a strong rhythm helps to carry a narrative poem, especially if it's long like this one.
4. I love the descriptions of light in this piece! "Coins of winking light" in particular is such a creative metaphor, and I love that you developed it into the speaker "not wanting to grasp" the drifting coins. Light "sliding off her eyelashes" is also really beautiful.
5. The prominence of strong verbs in this poem is great. "Puppeteered" is an unexpected one, which is good, because it makes the poem memorable and makes the girl come across as mysterious and intelligent to me. I also like "cradled" and "stowed away", because they convey a sense of fragility and preciousness that enhances the feelings in this poem.
As a whole, I do enjoy how you've used the tropes of a romance poem to create something unique involving nature, class and in such evocative language as well. I find it very close to prose poetry, if only because many of the lines could count as full sentences. Hopefully you find some of these comments helpful in writing your next piece or in taking this one further.
Cheers!
Liminality
Thank you for the help!
i have read this over and over and each time i feel like it means something else. in short, I loved it! A little lengthy for my liking but still beautiful. "the language of the flowers" , i loved that line . this poem had me feeling so in love with the boyfriend i don't have..lol To be honest though, you have so much in your head but i think you should really find ways of shrinking it while still being able to infer a lot between brief lines. thank you for blessing my day. loved it. keep writing
Thank you!
Hello Anamel! That's a whale of a poem you've got there!
First of all, I can tell you read. You have some great imagery, and your thoughts are organized and flow well together. You have a great start here! Let's look at some things you can change to make this better.
One of the first things I noticed other than your lovely imagery is your grammar and unintentional repetition of words. I want to get this out of the way so I can focus on the rest of the poem. Your punctuation choices seemed odd in some places, but I will let you fiddle with that. I will spoiler corrections below.
Spoiler
"quick and expressive" should be "quickly and expressively." You also use "quick/ly" twice in this line. Try to find a different word to avoid unintentional repetition.
wander should be wandered
Change the comma after politeness to a period or a semi-colon. Sorry, this one affects the flow of the poem.
Is this supposed to be "cloth" or "clothes?" "Clothe" is a verb, and doesn't make sense in the context that you're using it in.
"Casted" is not a word. You're looking for "cast," which is the past tense of "cast." English, am I right?
All right! Now that I've gotten that out of the way, let's talk about the whole of your poem. It tells a story, but how effective is it? There is a lot of extra stuff in there that can be taken out to give the truly lovely parts of your poem room to breathe.
My first suggestion is to cut the entire final stanza. I love the image of the narrator digging in the soil, and the connection with death. You don't have to tell us everything at the end. End it with the image of nature. It sews it up nicely since you've used dirt as a connecting image throughout the rest of the poem. Trust the reader, don't hit them over the head with the moral of the story.
There aren't any whole stanzas that you should cut, but less is more in poetry, and I noticed some lines that don't really serve much of a purpose. I'll list some below.
We don't really need this line because even if this is the beginning nature of the relationship between the two, it quickly changes into something else, and acquaintanceship is never really hinted at again.
You can remove this line because a) you do a great job in the next line describing her stare, b) this description of eyes is a bit cliche and c) it actually contradicts the flat stare you describe in the following lines.
This line is not necessary because it's telling the reader too much. Take it out. Let us be among the painful flowers. Give us the images, not the inner monologue so much, and let us draw our own thoughts from those.
I think the reminder of the look is enough, since you used such a strong image (earthworms) to cement it.
I don't know why I dislike this line being here so much, but I think it needs to go. Perhaps it's because the line is so mundane in a lush world of fantastic fairy-tale-esque imagery that you've woven? It doesn't live up to the drama of the earth and the master turning against the narrator.
If you take out those few lines, and change the lines around them to accommodate the new syntax, you're already going to have a better flowing poem that trusts the reader to make the correct connections.
The last thing I'm going to talk about is wordiness. You definitely have a great style that gets the point across, but I found myself getting a little bogged down in it. It's already a long poem, so wordiness on top of that is going to turn readers off a little bit. Let's take a look at a stanza and how to streamline your poetry so it's a little clearer.
First, let's take out all unnecessary words. We're going to add back in later, but this will show us how the phrases are functioning, and what we can take out and move around.
All right. We already have a little progress. It's fresher, but it's not quite there. Now let's change some words so we can condense even farther.
So if you notice, the words that I took out were mostly adjectives. I'll add back the ones that show us something about the image, but the ones that didn't help the phrase, I'll leave out.
That's the process of streamlining! Try doing that to the rest of your poem and see how much less stuffy it will sound! Here's a tip: adverbs are not your pal. Instead of adverbs, use a more descriptive verb!
Altogether, I enjoyed reading this, and the story that you've shared with us. Thank you! I hope this review proves useful to you! If you have any questions, please ask me! Happy poeting!
Jeezus you%u2019re extremely helpful, you%u2019re like the peer editing college professor that could save anyone%u2019s essay lol
Thanks
Gotta use my English degree somehow
RIP
haha well it's certainly served you right