I.
Muted colors
swooning on a new summer wind,
air so humid that I drink the moisture.
As the summer liquor pours,
I take the glass it offers me.
Just one more sip.
Top off my glass.
I am feeling very thirsty today.
Through my nectar-muddled euphoria,
I know.
II.
He is a scribble.
He is rough edges,
burnt, inky paper,
and uncertainty.
Perhaps he might be finished one day.
He might be someone's masterpiece.
But now, he is a sketch,
scratchy pencil lines
and warped proportions.
Who says beauty must be perfect?
III.
A day so extraordinary,
I will remember it through smudged perception.
I don't need him,
but I want him.
I want to taste his smile,
feel the warmth of his skin,
breathe the air he exhales.
We munch cheap food
and listen to bland radio stations.
Yes, I know you play hit songs,
but I'd rather not hear that one again.
Won't you try something new?
The sun bids us a hesitant farewell,
and with my salty lips,
I touch his salty lips
and try something new.
IV.
Light slipping down my spine,
trickling through my wrists
and the bird-bones of my ankles.
There is no air,
there is only breathing.
There is no time,
there is only now.
there have been others before this,
but this is a first.
It is only a kiss,
but I know it is also an end.
And in the tired sweat of summer
with my windows rolled down all the way,
I sing nonsense as I drive home.
V.
My sheets are clammy,
much chillier than they should be.
My scrubbed toes feel filthy against the cotton.
Think of the memory.
The memory is a lullaby.
I do,
but I can't help but understand its frailty
because summer has died
and I haven't spoken to him in days.
I have used the memory too much,
worn it out,
and like the blue jeans I recently discarded,
it is overly frayed
and becoming a useless thing.
VI.
Swamped in guilt.
Did I hurt him?
Should I have been someone else?
Was I lying to myself?
Rain is here,
an autumn rain,
fingers of ice stretching through waterfalls.
puddles on damp concrete,
trees slack with weariness.
I had to defrost my car windows.
To cry and not understand why
is the most pointless,
infuriating,
irrational behavior I know of.
And yet here,
in my lukewarm car flanking the gas pumps,
I have no meaning.
VII.
Maybe I hate him.
I sip my bitter coffee,
mouth a spoonful of stale cereal,
and think a new thought.
Maybe I hate his smile
and the easy way he walks
and the deep smell of his skin.
Perhaps I loathe his arms,
the way his jaw curves like cursive writing
and the awkwardness of his voice.
I must hate him.
My chest bleeds beneath my unwashed t-shirt.
There is no way around it.
So I rinse the words over my teeth
and test them.
"I hate him."
There.
It's out.
But if I detest him,
why are there teardrops in my cereal?
VIII.
It is time to stop thinking of him.
I take down the picture on my wall,
and, because I can't bear to throw it away,
I accidentally drop it behind my dresser.
I sleep with both pillows behind my head,
not with one beneath and the other cradled in my arms.
I don't need to fill the space where he should be.
I play music that only I like,
not the kind we both sang to.
Waking up stings,
but I am getting better.
I am still empty,
but I am no longer numb.
I might be able to make this work.
IX.
I am different.
Before him,
I desired unfailing emotion.
If I love you now,
I'll love you always and forever.
How sickening.
We were not forever,
but we weren't meant to be.
Some things aren't.
Like piano music played by wandering fingers,
or guitar chords strummed in random sequence,
one moment, they are miraculous,
but playing them back is an impossibility.
You can't remember how to remember them.
But it's fine to think of the way the notes sounded,
played without reason,
blending with the your heartbeat.
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Hello there!
First of all, I'm going to go section by section so I can go through it thouroughly.
I. I like the way you put words together and keep things consistent. I especially like your use of swooning. I do have two suggestions. To help the rhythm of your piece, or-- well, I don't know, but it would be better if you omitted "new" in front of "summer breeze." Also, you should change the line "I am feeling very thirsty today" because it doesn't take advantage of the vivid language you were using in the rest of this selection. You could say "My tongue is parched today." But of course, you're the poet, and you know best.
II. I love that first stanza. Wonderful. The second stanza is pretty good too, although I would omit "perhaps" or "might be" because the way you have it now is a little redundant. "Perhaps he'll be finished one day" or "he might be finished one day" is a more concise and clear way of saying what you want to.
III. Ah. Good. I like this. Good vibes from this one. I would watch out for the last three lines of the second stanza, though. They're a little bit cliche.
IV. Argh. Ouch. I know the feeling. That hurt. Nice. You use lots of nice imagery in the first and last stanzas, but I think you should add a little more in the middle. Other than that, this one's good. Really good.
V. Whoa. "My scrubbed toes feel filthy against the cotton." Holy cow. Yes. I have nothing. And I love that. "The memory is a lullaby." How often have I thought back to kissing somebody to lull me to sleep? You must know me.
VI. These sections are only getting better.
VII. Watch out for cliches in this section. I've heard "the easy way he walks" before. Also, "the awkwardness of his voice" doesn't sound like the complement the rest of these lines are. Try to find a better word that describes both awkward and endearing. Omit the "writing" after cursive. It feels better without it. Also, I feel like it would be better to say "tears" instead of "teardrops." Don't ask me why. I just feel like it would sound better.
VIII. I like the bit about the pillows. However, I feel like the other sections have had more powerful imagery in them, and this section could do with a little more image saturation.
IX. TYPO ALERT: there's a "the" in the last line that shouldn't be there. Anyway. Wow. What a way to end this. I love the second to last stanza. Wonderful. I think the beginning of this section could use some strengthening. All the other sections could stand well as individual poems, but I almost feel like this one could only be read after the other ones. Or at least, it wouldn't have as much meaning. So perhaps work on the intro and incorporate more of your wonderful imagery.
Altogether quite a wonderful work. I feel like it could almost do with another description poem, like in the beginning. Since the beginning was summer, and obviously time has passed, you could make it in the spring, with a similar structure to the first section. It would bring it full circle, and spring is the season of new beginnings. But don't write it if you don't feel it. It's just what I would do, and you're not me. So.
Seriously, though. You're awesome. Happy writing!
Thank you so much for your input! What an awesome review!
I love this transformation. I can't describe it. It's just very lovely.
Neva
Thank you, Neva! I'm happy that you liked it.