Hello, love!
First, on the first stanza: I agree with Anna, the wording is off -- maybe something like 'against windows of lighted rooms'? And then, the line below I like, but the fact that there is no transition bothers me. A lot. Though you don't need it necessarily, and probably left it out on purpose, I really want to throw a 'that' in there.
I'll also agree with Anna that you don't tie the stanzas together by much more than a thread - and that being 'Tonight I watch her form through the pane' in the second stanza. If you want to connect it more and not change/add anything, I'll use 'that' instead of 'the' since it connects the speaker's experience with the observation in the first stanza.
And, because I'm me and I trim everything until there's nothing left (sorry!), in the first stanza, to get rid of the repetition of 'secret' since I don't think it's particularity effective here, since it's not the focus of the poem, maybe something like this? '..than you or I,/kept safe...' maybe? I should probably get out of the habit of simply taking poems and, er, 'fixing' them. I do it because I love, though! <3
Oh! Possibly a way to tie-in the 'her' in the poem that I can't be annoying and give you a suggestion for would be to mess with the title, so the reader knows to expect something more than what you present in the first stanza, and thus isn't as thrown off by the second and third stanzas. This does feel somewhat unfinished, like we're missing a movement (er, stanza) somewhere. Is that a possibility?
I love the last stanza, love it. And I'll go out on a limb and guess I know at least in part what this is about, and simply say well done; for everyone else, maybe elaborate a bit more? I'm taking my clues from 'She removes her hair and pulls on her hat--
A reminder of how close we came to losing her.'
those two lines, and then the fact that I know you. So if that's what you were aiming for, I got it for sure. No hair from chemo treatment, cancer, how the speaker came close to losing her.
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