Tryal's Curse 11.2

by Pompadour

Published November 27, 2015

In Tryal's Curse--Novel~

When he opened his eyes it was to mist lightly snaking along his forearms. He was clammy all over and his tongue felt heavy. Looking around him, he realised that he was standing in bleary nothingness--if you could call swirling grey clouds nothingness. Yet, beyond the mist, there were strange shadows of what appeared to be … mountains? Or perhaps some other structures? He got to his feet, shaking. Rubbing his arms, he stumbled forward. It was so cold that he could see the breath issuing from his nostrils, look at the patterns it created when it curled through the air…. His teeth chattered. He tucked his hands into his sleeves, but it didn’t make the smallest amount of difference.

‘Lira,’ he croaked. ‘Lira.

But there was no one there. Nothing to keep him company but the patterns his foggy breath drew on his skin.

-

He sat there for what seemed like hours. Somewhere between wondering why he had not frozen to death yet, he looked down and realised that he was in a cloud. The realisation was fuzzy and he shrugged it off, his mind numb. He stared at the space between his feet.

That was when he heard someone say his name. He froze, staring at the bottom of the cloud, then got to his knees and pressed his face into it. His breath came in quick, short gasps, and he inhaled the cold air deeply despite the way it seemed to tear down his windpipe.

‘… one Evian Threshold,’ he heard the voice say. It was crackly, not clear as the voices had always travelled through the orbs in the Office, and he strained his ears. ‘Fi-ih-ihnd him,’ a deeper voice was saying. And then there was quiet, and then there was a deeper, more tangible silence.

Something shattered the blockage and Evian was forced to clap his hands on his ears. Someone was yelling his name, blaming him for something—for a war? Someone had inserted his name in a poetic verse. Someone was murmuring his name—was it Edith?—and talking about perseverance. Everything everyone had to say about him came slamming into Evian like a tidal wave, and he screamed. His skin was burning now; each and every cell in his body felt like it had been doused in oil and set aflame.

Evian, Evian. Mr Threshold!’

He closed his eyes. He gasped when he saw flames climb along his eyelids, too, higher and higher like pillars.

He smelled something burning. His nostrils were clogged with tissues of smoke and his fingers felt brittle.

Mr Threshold!’

Eyes snapping open, the first thing he registered was Lira standing above him, shaking him. Her face was pale, but when she saw that he was awake, her frown turned into the widest grin he had ever seen from her. He tried smiling at her, but the moment he tried to lift his head, he groaned. Pale light sifted in around them, all in pastel colours of green and yellow. Curling above him were wisps of smoke.

‘Where are we?’ he mumbled, rubbing his head.

‘I—we keep shifting places,’ Lira whispered, as if she was afraid to speak any louder for fear something else would happen. ‘Right now, I can see mountains. And maybe a village. There’s a red house that towers above the rest, as high as a mountain. Though’—she squinted into the distance—‘maybe the mountain is painted red? I can’t tell which is which.’

‘Can we walk from here?’ Evian asked. ‘Can we go where we want to go?’

‘I don’t know.’ She lapsed into silence. ‘I’ve never tried,’ she continued in a quieter voice.

There were many things Evian could have said in that moment. ‘You have a lot to explain’ sounded like a decent option, as did ‘in the name of all that is akiel and torrid, what has happened to my life?’

Instead, he pushed himself on his elbows and looked at her seriously, sincerely, throwing all the unsaid encouragement he could muster into his gaze. ‘Try,’ he said.

So Lira folded her arms around herself, inhaled deeply and puffed out her cheeks. Then, exhaling slowly, she made a few clumsy movements with her hand; it looked like it was supposed to be graceful, but she stumbled through it, sometimes pausing for a while to glare at her palms.

Evian watched as her figure went rigid; her eyes turned pale and unseeing—cold and untouched by emotion, like large coins on an unattended till.

The smoke around them solidified. Evian yelped as a wisp of smoke turned into a thick layer of grime and enveloped his wrist; it was hot against his skin. He tried scratching it away, but realised what a futile act it was to try: the moment his nails dug into the grime, more of the dark, oozy substance settled on his hand.

He watched, helplessly, his gaze flitting between his hand and Lira's face. Her mouth sagged open slightly; her shoulders began to shake and her hands shook, still suspended in air as if she was reaching out for something. The grime did not settle on her--instead, it created a black halo around her head, splashing around and forming strange shapes in the air.

It was when she clutched her chest and crumpled that Evian realised he had made a mistake. Her face fell against the grimy ground--could it even be called that? It felt like a black box. A cage. A carriage floating from point A to point B but rotating along an undetermined axis of 'x's and 'y's and 'z's.

Lira continued shaking. The blackness fell in dollops along her spine.

'Lira,' Evian gasped, struggling to get to his feet--but the grime was thick and heavy on his legs. It seemed to be pouring in on them from everywhere, like a tangible darkness trying its best to suffocate them, to bury them alive. He tried to push against it, but to no avail. It was thick on his chest, on his hands, on his feet. It had encased Lira's arms and legs completely; all Evian could see of her now was her reddish-brown hair.

The next few minutes were difficult; Evian tried to breathe, to stay calm as he considered the possibility of dying in the middle of nowhere--that was nevertheless somewhere--and never seeing Edith again. She would never know what happened to him. He wondered if him dying would make any difference at all in the world, and decided that it wouldn't. He was not important enough to remember. He had never been someone to leave his mark on the world--no one was important enough, really, he thought, to be remembered forever.

We exist not to be remembered, but to remember, he thought dully, as the grime settled onto his lips. It had a pungent smell and slithered into his mouth; he tried not to swallow.

The world exists to leave its mark on us.

His eyes fluttered shut as the blackness settled on his face, heavy and excruciatingly cold against his skin.

~*~

Around midnight, a man and a young girl walked out of the Forest of O'Gluhm, their clothes sticking to their skin, their faces gleaming with sweat. The girl shivered as the cold air pricked at her face and the man held out his hand to her. She grasped it tightly. He threw her a look, one that she could read quite clearly: You're not off the hook. You have to tell me what's going on. 

She nodded, almost imperceptibly; the shadow of a smile flickered across the man's face.

Together, they walked along the train track.

They walked until the moon kissed the night goodbye. 

Comments & reviews · 4
User avatar
Rydia
Review
Rydia wrote a review Review · Mar 19, 2016

Specifics

1. I don't have any...?

Overall

There are some nice sentiments/ philosophies in here that make me want to like Evian.Not enough to actually like like him but I understand and agree with some part of his world view.

I think the whole part with them being on a cloud or not a cloud is very confusing and you lost me completely. I'm also not sure if the slime transported them somewhere or if Lira found a way to beat it off, especially since they still seem to be on the train tracks but is this further down the tracks?

There are no explanations in this chapter and while I enjoyed the character interaction, I'm left feeling a little befuddled.

I think you need to fill in some of the gaps and give us a better understanding of Lira's magic. The mystery was nice at the beginning but now that we're becoming acquainted with her, I feel we need to at least understand what she has done, even if we don't know how she did it.

Well that's the gaps filled in, though I can see you have some new sections now as well. It's going to be odd to jump forward in the timeline again...

~Heather

User avatar
steampowered
Review
steampowered wrote a review Review · Feb 20, 2016

Hello, steampowered back with another review!

Overall, I thought this was a well-written chapter. This novel definitely has me hooked again, and you’re building a lot of mystery around Lira which is awesome. I’m really looking forward to seeing some of these mysteries explained, especially after the weird grime incident which has left me feeling just a little mystified.

They walked until the moon kissed the night goodbye.


I loved this line; it felt like a very poetic ending, almost peaceful despite what the pair have been through. You have a really nice way with words, and I’m hoping this implies that things will be a little easier for those two for a while afterwards! (Although who am I kidding, I love to see characters suffer)

The thing that annoyed me about the ending of this chapter was how you wrestle these characters into a near-death scenario, then just do a section break and fast-forward to later on. It makes me feel a bit cheated, because you haven’t explained or even alluded to how Lira and Evian might possibly have got out of that situation. She’s obviously used her magic or whatever it is, but I feel like you can’t just have Evian conveniently passing out then flashing forward, even if it is going to be explained later. I’d at least make some mention of what’s just happened in that last section of yours.

Other than that criticism, I really enjoyed reading it, and I’m looking forward to finding out what happens next!

-steampowered-

User avatar
Vervain
Review
Vervain wrote a review Review · Feb 12, 2016

Hey, Pomp!

Let's see, how to begin this review. I think I'll begin it by repeating that I feel your dramatic timing on how you cut the scenes and chapters could use a quick revision; while the beginning of this first scene of the second part isn't so bad, remembering how the last part ended, that would weaken it considerably. Dramatic timing is your best friend when you're splitting chapters up like this, and I know sometimes it's weird and difficult to slice things up in good segments while still achieving the length and impact you want, but that's what editing is for, yeah?

As for the rest of the chapter, I felt like it was very nicely handled with your usual poetic language and description! I'm back to that point where I feel very comfortable with your writing, and it's quite a nice feeling to be able to read so easily.

One thing I am concerned about is your point of view. Lately, since you've been hovering very close to Evian, I'm growing fearful that when you start head-hopping and writing more 'omnisciently', for lack of a better word, it'll feel jolting and out of place. The end of the chapter, while omniscient, wasn't so bad in this respect—it might happen, it might not, so all that's left to do is for me to find out.

As usual, I love your writing and I can't wait to find out more about your characters!

Keep writing!

User avatar
Noelle
Review
Noelle wrote a review Review · Nov 29, 2015

Hi there! Noelle here for a Review Day review.

I always love reading your novels because your talent for poetry really shows. There is so much figurative language and flowing descriptions that make those piece flow so well.

I shall try to give the best review since I haven't read any of the previous chapters.

Also please excuse any random mistakes in my review. I'm typing this out on my phone and you know how auto-correct likes to be in charge sometimes :3

Yet, beyond the mist, there were strange shadows of what appeared to be … mountains?

I'm not a huge fan of the use of an ellipsis like this in third person narration. Especially past tense because this has already happened. It gives off the impression that the narrator isn't quite sure what's happening. And that makes me second guess the reliability of said narrator. You can just as easily say "what appeared to be mountains. Although he wasn't quite sure that's what they were." Something along those lines to show that the narrator understands the confusion of what the man is looking at.

The first paragraph could be broken up a bit. Reading through it, I found three places where there should be breaks just because of the sheer flow: "He got to his feet, shaking" and "His teeth chattered". There's not really a subject change at those places, but it just feels like time for a break for a new paragraph. Like I said, there's such a flow to the story and the first paragraph is a bit off within that. Just something to think about.

I wish we would've gotten a better description of this cloud. The sensory images are all there, but the physical ones aren't quite. Then again it's always possible that clouds have been mentioned before and already described so there would be no point in describing it again. So this point may be completely pointless :3 If that's not the case though, maybe try lingering on that detail for a bit, give the readers a bit more of that image and feeling.

‘Fi-ih-ihnd him,’ a deeper voice was saying. And then there was quiet, and then there was a deeper, more tangible silence.

I wouldn't use the word 'deeper' here to give two different descriptions. It's used first so literal, then it jumps into figurative language. There's a mixed idea here when we see the word a second time. From first read, I thought there was going to be a deeper voice since that's where you had gone with the last one. If these descriptions were a paragraph or two apart it would've worked better. But they're so close together that it gets confusing.

He tried smiling at her, but the moment he tried to lift his head, he groaned.

Would someone really have to lift their head to smile? I only point this out because iys obvious that Lira is important to him. So a smile from him would affect her as well as him. It might be a quite different outcome.

Pale light sifted in around them, all in pastel colours of green and yellow.

Here you use the same description close together. First it's Lira's face being pale, now it's the light being pale. This isn't as problematic -- for lack of any other term because I can't think of the word I really want to use right now -- as the previous one I pointed out, but it's still a bit juvenile -- again, couldn't think of the stupid word I'm trying to say so now I sound so pretentious, ugh. You're a poet. You have an unlimited list of synonyms in your brain to us at any given time ;P There are so many other ways to describe the lights. To be honest, saying they are pale doesn't give that much of an image in my head. I just imagine colors that look like a layer of fog. Most likely not what you were going for.

So going back to where Evian raised his head when he tried to smile. Why is it that he groaned? It sounds like he's in pain, but the only thing mentioned is the fire that had been burning his skin, which I have reason to believe was all part of a dream of some sort. It has to take a lot to stop someone from smiling if they really want to. Yet that's not explained. And then he goes on to be perfectly fine and sit up to look around.

I really enjoyed reading this! The way you write is just so soft and welcoming. I think I might take the time to go back and read the chapters leading up to this one so I know what all's going on. Great job with this, Pomp.

Keep writing!
**Noelle**



Meet me in Montauk.
— Charlie Kaufman