Look.
Do you see me?
No, not the flower-
Soft and tender is she,
Beauty showing in every curve,
Every petal.
No, not me.
.
Look again.
Do you see me?
No, not the tree-
So strong and proud,
Graceful, and held by the wind,
Solid and firm.
No, not me.
.
Look once more.
There, in that corner, see?
Now open the box-
But where’s the key?
Buried away in the far reaches of eternity
Is where you’ll find that.
And should you survive this endless endeavor,
Unlock that steel cage
And glance but once, if you dare.
And what will you find within?
A velvet case.
Reach inside, and take out-
A bundle of silk.
Unwrap it slowly, please be careful!
At last, at last,
Resting in your hands
Is a stained glass ball.
This is me.
.
Delicate, so fragile.
Speak softly, move slowly-
I break so easily,
Shattering beyond repair.
Don’t touch the shards,
They cut so ruthlessly.
.
So many colors, so many pieces,
None really belong.
Each fragment
Is a broken memory,
Each seam,
A wound in my heart,
And all the different colors you see
Are all the different stories of me.
.
Round and smooth,
A perfect circle-
No matter how far you travel,
You’re always here.
But let me go for just one moment,
And I’ll roll forever,
Always running away-
You’ll never catch me.
.
This is me.
My life is a broken mess,
Carelessly strewn together.
But look one last time-
What do you see?
The sun casts rays upon the stained glass ball
And every color glows, radiant and shining.
Among this heap of shattered glass,
Can beauty rise with the sun, like the coming dawn?
Points:
Time spent:
IP address:
Canary word: Present
Possible AI signals:
Original Text:
Are you sure you want to delete this comment? This cannot be undone.
Mark this comment as a review? Points will be awarded to the poster.
Your comment was posted, but it wasn’t long enough to count as a review. Reviews need about four complete sentences (at least 250 characters). Try writing another review that explains your thoughts in more detail — the author will appreciate it, and you’ll earn points for it.
It seem I have competition.

Nah, you don't have to worry about me.
Your poems blew me out of the water.
Hello! Here I am with my promised review!
I loved this poem, it was absolutely stunning. That said, there are a few things that could be fixed. First of all, the whole poem is a bit spacey, and that's just a weird thing of YWS. If you try doing "shift" + "enter/return" (like you're trying to do a capital enter) then you should be able to narrow the spaces between your lines and the reader won't have to scroll as much.
I love the first two stanzas. They were practically perfect. The one problem I had was that these things are outside, and the box seemed like it would be inside. I imagine that before this poem takes place, a voice calls to someone asking them to find them. I don't imagine that they go from outdoors to indoors, so maybe instead of saying that the box was "in the corner" you could say that it was in some location outside, or instead of saying the flower and tree, you could say too objects that are inside.
I have a problem with this part
First of all, the second line sounds awkward. I would say "it" instead of "that."
Also, if the key is so well hidden, how did they end up finding the key?
I understand that this line touches somewhat on that question:
but you never specified what the "endless endevor" was. It's obvious that it's finding the key, but you can't really say "this" unless you have specified something before. I suggest making another line in which you say something along the lines of "go quest a million miles to find it" or whatever floats your boat. If you don't want to add another line, at least change "this" to "the."
This line threw me off guard for some reason, probably because I was imagining a box kind of like this:
Spoiler
Then there's the part about all the different wrappings the orb is in. I think this could be cut to make the poem shorter, but I do see the purpose in having it. I just think it makes the stanza unnecessarily lengthy.
I like
That's just such a simple and beautiful image.
I love the next stanza except for one word. "Ruthlessly" seems so long and hard to say that it kind of sticks out of this stanza. I also have a strange vendetta against adverbs. I don't like them. I would suggest changing the line to something with out an adverb. "They don't hesitate to draw blood" (that's kinda too long too) or "They will cut you to pieces" or "Their edges are razors" or something like that.
I love the next stanza too! Except (always the except, huh?)
this sounds very cliche and doesn't make very much sense to me. Aren't seams supposed to kind of be healing things? That's the connotation to me anyway. I'd just ditch these lines if I were you.
I love the next stanza, no except.
And the next stanza. One thing confuses me though: is the ball actually broken, or is it just talking about itself as if it is, but it's not really? I would make this SUPER APPARENT. That's a kind of necessary thing you have to have for this poem to make sense to readers.
Other than the things I've said, I love this poem! It's wonderful, the imagery is amazing and you should be proud of it. Great job!
Keep writing!
~fortis
I love your reviews.
But I was thinking about this other poem I'd written that mentioned locking myself in a cage, so that kind of influenced my word choice a bit. I guess my point was that I'm not just hiding, or being put aside, but actually locking myself away in an indestructible, impenetrable little world of my own.

Okay, so, about that first thing you pointed out- I was thinking about the person maybe looking out of a window at the tree, and seeing a flower on a table, like a decoration or something, but now I can see your point.
The second bit you mentioned, I kind of had this rhythm in my head as I was writing, but I guess not everyone will read it the same way.
I hadn't really noticed the next part, so thanks for pointing that out.
Sorry to crush your dreams about the steel box.
I don't really know why I put in the part about all the wrappings, but it just seemed kind of incomplete when I considered deleting it... I guess that was because of the rhythm I'd been going with.
About that next bit you mentioned: again, it fit in my mind. The way the rhythm flows in my mind, that was pretty much the best, most perfect line of the whole poem. I liked it so much.
I don't read a whole lot of poetry, so I hadn't realized those lines you mentioned next were common. And I always thought of seams as flaws or imperfections, or maybe a clear indication of something that's wrong, or maybe kind of like a scar- a wound that's never healed properly and continues to be something bad from a long time ago.
About your last point: The ball is not broken, it's just saying that all the pieces seem to be thrown in randomly and without a thought as to what the result might be. Like, it's not actually a handful of shards, but it was once. It just kind of got glued together, but it still isn't really perfectly smooth like most people.
Wow, I just realized I'm sounding really defensive... I should probably just stop talking now...
Thanks for pointing out all those flaws!
I love your reviews.
But I was thinking about this other poem I'd written that mentioned locking myself in a cage, so that kind of influenced my word choice a bit. I guess my point was that I'm not just hiding, or being put aside, but actually locking myself away in an indestructible, impenetrable little world of my own.

Okay, so, about that first thing you pointed out- I was thinking about the person maybe looking out of a window at the tree, and seeing a flower on a table, like a decoration or something, but now I can see your point.
The second bit you mentioned, I kind of had this rhythm in my head as I was writing, but I guess not everyone will read it the same way.
I hadn't really noticed the next part, so thanks for pointing that out.
Sorry to crush your dreams about the steel box.
I don't really know why I put in the part about all the wrappings, but it just seemed kind of incomplete when I considered deleting it... I guess that was because of the rhythm I'd been going with.
About that next bit you mentioned: again, it fit in my mind. The way the rhythm flows in my mind, that was pretty much the best, most perfect line of the whole poem. I liked it so much.
I don't read a whole lot of poetry, so I hadn't realized those lines you mentioned next were common. And I always thought of seams as flaws or imperfections, or maybe a clear indication of something that's wrong, or maybe kind of like a scar- a wound that's never healed properly and continues to be something bad from a long time ago.
About your last point: The ball is not broken, it's just saying that all the pieces seem to be thrown in randomly and without a thought as to what the result might be. Like, it's not actually a handful of shards, but it was once. It just kind of got glued together, but it still isn't really perfectly smooth like most people.
Wow, I just realized I'm sounding really defensive... I should probably just stop talking now...
Thanks for pointing out all those flaws!
Hello DragonLily,
*Blushes* My Box Exercise inspired you to write this?! It's beautiful!! It captured my interest straight away! Not once did my attention linger! The start is simple but effective, and well written. I find nothing wrong in this piece at all! You've done a brilliant job.
Except a suggestion:
" Each seam,
A wound in my heart, "
Could be:
" Each seam;
A wound in my heart, "
But that's just a suggestion.
You've woven the words together, and the images are clear and your descriptions well written. I had vibrant pictures in my mind, and all of them beautiful. I love how the reader has to find a key to open a box they've found, and then they find the velvet case, and in the case they find the silk, then the glass ball. It's really well done!! Bravo! You are certainly a skilled writer, Lily.
Keep on keeping on!! (Always wanted to say that X3)
Basil.
Thanks for reviewing! I was hoping you'd see this poem.
Oh I love it!! I'm glad you put the link on the work. It is brilliant!
Haha!! How could I NOT like this??!! It's amazing!
Hello there, friend! First of all, I really really like this poem's concept. It's very poignant and I enjoyed reading it. My only complaint is that it seems like the poem loses its rhythm about halfway through. In the first two verses, there is a very obvious inner rhyme to it, that I liked very much, but as the verses got longer, you lost that. I would suggest possibly breaking the longer, later verses into shorter, more rhythmic ones? I think this would help you keep the reader's interest, and make it a much more fun poem to read.
Overall, I really enjoyed this! Keep writing, and good luck!
Thanks for reviewing!
Hey, you requested that I review you and here I am. Sorry if this isn't as good as you wanted but had reviewer's block for a while. I am going to review this in sections.
Look.
Do you see me?
No, not the flower-
Soft and tender is she,
Beauty showing in every curve,
Every petal.
No, not me.
-This tells us that this isn't how you see yourself. It describes the flower but it doesn't describe you (or so you tell us)
Look again.
Do you see me?
No, not the tree-
So strong and proud,
Graceful, and held by the wind,
Solid and firm.
No, not me.
-Now you are saying that you aren't like a tree. This gathers up mystery (at least for me) about who you are
Look once more.
There, in that corner, see?
Now open the box-
But where’s the key?
Buried away in the far reaches of eternity
Is where you’ll find that.
And should you survive this endless endeavor,
Unlock that steel cage
And glance but once, if you dare.
And what will you find within?
A velvet case.
Reach inside, and take out-
A bundle of silk.
Unwrap it slowly, please be careful!
At last, at last,
Resting in your hands
Is a stained glass ball.
This is me.
-Finally we know how you see yourself as. But why lock yourself up with a key so far away and almost impossible to get? I like how you said to be careful.
Delicate, so fragile.
Speak softly, move slowly-
I break so easily,
Shattering beyond repair.
Don’t touch the shards,
They cut so ruthlessly.
-You are delicate and fragile, so easy to break beyond repair. A new incite on how you see yourself
Round and smooth,
A perfect circle-
No matter how far you travel,
You’re always here.
But let me go for just one moment,
And I’ll roll forever,
Always running away-
You’ll never catch me.
-More about yourself. Now we know if we hold you we should never let go.
This is me.
My life is a broken mess,
Carelessly strewn together.
But look one last time-
What do you see?
The sun casts rays upon the stained glass ball
And every color glows, radiant and shining.
Among this heap of shattered glass,
Can beauty rise with the sun, like the coming dawn?
-Ah, the final question, the one that makes you think. So does beauty rise with the sun? Well it is a matter of opinion and I saw yes. Everything is beautiful, some are just late bloomers.
Great job with your poem. I saw something wrong with it (well, they were already pointed out anyways) and it was beautiful. Good job.
~lost
Thanks! I really appreciate you taking the time to read and review this!
Hello DragonLily, Cheetah here to review your piece for you today.
Wow, just wow. You blew me away with this. The way it was structured, it could have been prose, but this format suits it well. I loved the description and the way you associated yourself with the glass ball in so many ways. Well done!
There are only a couple small things I want to point out.
It might be better if you replace the 'that', show here, with the word 'it'. It provides a clearer image for the reader.
Toward the end:
Running away sounds a little out of place after you just said you would roll forever. Perhaps you could change that line to say simply 'Away-' or 'Far away'. It's your choice, really.
That's about it! I want to praise you one last time and say that you are a fantastic poet. Thank you for sharing and keep writing!
Thanks so much for taking the time to read and review this! I really appreciate it!
You're welcome!