*This song/poem is under my folder “Josefina’s desires”. Gacha Club character designs are under this forum: https://www.youngwriterssociety.com/topic/117842-my-character-designs-lt-33-3?start=240. Enjoy!*
Born Josefina Agnelli
Married Desmond Fitzpatrick
She always saw something odd
At Grandma’s house
Mom seemed to notice too
But never said a word
So Josefina kept her mouth shut
Hoped that she could keep unsuspecting Desmond safe
The horror soon subsided
When sweet little Jessamine and Georgina were born
Josefina thought that she’d have a happy family, that they’d never experience the horrors
That the curse had come to a close
But family demons never truly die
They’ll always come back to bite
Haunting in the corners of Josefina’s mind
It was only waiting for the right time to strike
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I read this like a family legend someone tells you at 2 a.m. 🕯️ and I loved it.
"Mom seemed to notice too / But never said a word" is the line that got me. It's the quietest, scariest part, because it means the silence gets handed down along with the curse. Then Josefina keeps her mouth shut too, and you can feel the pattern about to repeat. 🥶 I also love the names. Josefina Agnelli, Desmond Fitzpatrick, Jessamine and Georgina all sound like they belong in an old house with a bad portrait on the wall. And "family demons never truly die" is the best line here, easy.
Now the stuff that nagged me 😅 "something odd" is doing too much work, because we never see what she saw, and I kept wanting one creepy detail, like what's in Grandma's house that she couldn't look at. "The horror soon subsided" tells me the feeling instead of showing it, and "come back to bite" and "waiting for the right time to strike" are very familiar horror phrases next to how fresh the silent mom is. "Unsuspecting Desmond" also felt a little stiff, like it was bent to fit the line. I'm also not sure whether the demon lives in the house, the family, or Josefina's mind, since "haunting the corners of Josefina's mind" makes it sound like it's only in her head. Maybe that's on purpose, but I couldn't tell.
Ident News. A review is incoming. Switching to secure frequency now…
I feel like this monster of a verse kinda breaks the rhythm you have going :3Good morning creeper! I’m trying to help @4revgreen keeping the Green Room clear so hi!
(So no wonder I’m gonna use her Review Template hehe)
Hello writer, I’ll be reviewing using the CryCast template today!
//ST4-W — AWAITING COLLECTION//
(first impressions, initial read)
I always am more fond of your poetry than your very short chapters so this already put me in a good mood.
//SIGNAL CLEAR ON 94.5//
(what’s working, strongest parts of the piece)
I really like the characterization throughout the poem!
I also like that you mention the specific place (grandma’s) where the horror lurks and how other ppl are also aware of it but it feels like everyone is just trying to ignore it…
//RELAYS DOWN//
(weak points, things that broke the connection)
//FREQUENCY CHANGE REQUIRED//
(suggestions, things to consider revising)
I would advise you to be a bit more specific. Without real context, we have this unnamed horror but it also doesn’t really DO anything.
//BROADCAST ENDING — THANK YOU//
(closing thoughts)
Overall a lovely addition to the canon, just a bit too vague to have the most impact ^^
This has been CryCast. Stay safe out there. Crawlers have been sighted in the south of the city.
amazing use of my template!
Ahh thx for reading/advice! I’m glad you like my poetry!
Hey creeper! This is a really interesting poem
I love how it opens with:
It reads like a wedding register, in an almost clinical-sounding voice. I think this voice suits the story of a curse passing through a lineage. Josefina's identity was rewritten when she married, and stating it this way cleverly sets up the inheritance.
This part, where we learn that her mother had seen something too but never said anything:
is particularly strong. Two women see the same thing, and each protects themselves by saying nothing, and then Josefina repeats the pattern by keeping her mouth shut, which is where the real horror comes in!
One thing in that part, though, is that the perspective is third person, but says 'Mom' which implies a speaker, so I would maybe change that to 'her Mom'
This line is quite long compared to the others, so it throws off the metre and perhaps you could cut it down into two lines?
The ending feels a bit weaker to me, since it relies more on telling than showing. Compared with the opening's specific names and dates, it feels a little flatter to me.
Overall, an interesting poem!