Thursday, 11:00, route 40 westbound
Mr. Pyus snores in the front of Rick’s bus, one arm draped over a mound of paper grocery bags. One of his bags has been balancing and bouncing on the edge of the seat for several minutes now, but by some miracle, it hasn’t fallen down yet.
Outside, thin metal fences loop around the sagebrush and sand, marking out freshly planned shops and suburbs. Even the vague crisscross of roads has already been cleared. It seems the old Talisman estate may be gone before summer starts.
At the command of an orange construction sign, Rick slows the bus to a crawl and bumbles over a section of gravel where a new main road is supposed to intersect. The jostling sends Mr. Pyus’s wayward bag tipping over the seat cushion, but Mr. Pyus blinks awake and reigns in his bag without a semblance of panic.
“Lucky catch, eh?” he asks. “Thank the One God for that one.”
Rick grunts and presses on the accelerator. “Pretty sure only people who live on Catkill Street have that kind of luck,” he says under his breath. Thankfully no one else is on board to hear him complain about a passenger.
Somehow, Mr. Pyus hears anyways. He gestures grandly with the hand that ought to be holding his groceries together and closes his eyes like he’s daydreaming. “Only the One God can make miracles. No place or person can endow humanity with the same gift.” One of the grocery bags falls off the seat, and Mr. Pyus scoops it up in mid-air, eyes still shut.
“And here I thought everyone in Franklin City knew about lucky Catkill Street,” Rick mutters.
Mr. Pyus raises his non-grocery hand and points at nothing, probably about to argue, but he is cut off by a thump that sends a shockwave rocking through the bus. Something huge and shiny and lavender crashes to the asphalt right in front of Rick’s window.
Rick slams on the brakes, and the ensuing squeal is so sharp it can make ears bleed. A clatter of aluminum cans and crinkly paper rolls through afterwards, but Rick can barely hear the cacophony inside his bus. Instead, he trains his focus outside.
Atop the purple beast is a blur of tan and black and blonde. A woman in leopard print clutches the scales on the beast’s neck with one hand. Her other arm flies free behind her, a small box peeking through the fingers. Rick immediately thinks of the rodeo.
The purple beast swooshes its head around to face the bus, and Rick gasps. A dragon’s slit-pupil eyes glare through his front window, and curling smoke from the dragon’s nostrils are enough to make Rick quiver.
Then, without warning, the dragon screeches. Its cry is a chorus of untuned piccolos, abrasive and sharp. Purple scales gleaming, the dragon thrashes and flaps its iridescent wings. More smoke spews from its mouth, shooting into the air and drifting to the ground in sleepy, lethargic clumps. Just when it seems the dragon might collapse in defeat, another tremor rumbles through the bus.
A loud, clanging thunk slams the top of the bus. When Rick turns to look, he swears there are four little dips in his ceiling.
New flashes of bright red draw his attention back to the fight. A tiny dragon clambers over the purple one, crimson wings shuddering as it scrambles upwards. Dust clouds mingle with the misty smoke, but the red dragon is a beacon to the eyes. It pulls itself to the top of the purple beast and bellows a deep, raunchy note, unbecoming of its stature.
“Shut up, you dumb beast!” the woman screams. “It’s mine now!”
With another fog horn roar, the red dragon charges the woman. Its black claws burrow into the shoulders of her coat, and its open jaw, full of white, jagged teeth, presses towards her face. They both teeter on one edge of the purple dragon’s back before smashing into the asphalt and sending tremors through the ground.
A few moments later, the purple dragon beats its giant wings, chasing away the smoke and dust. By some miracle, both the woman and red dragon are alive and scraping themselves from the road. In the little dragon’s mouth is the woman’s package, crisp and tan and untouched by the madness surrounding it.
The woman scowls at the long tears through her faux fur coat and whips out a hand to point and shout accusations, but the colossal head of the purple dragon dips behind her, and with the firmness of a mother cat, the dragon lifts the woman up by the collar of her jacket. Then, in a breath-stealing gesture of apology, both dragons bow their heads towards Rick for a second before launching back into the air. Their beating wings send a quiet breeze rustling over the hollow metal of the bus.
Rick is a statue in his seat, mouth hanging open like a codfish. His right foot stays locked on the brakes.
“Hey, Mr. Pyus,” he starts, swiveling under his seat belt, “did you see that?”
Mr. Pyus seems to pause a second longer than usual before delivering his aloof reply. “See what? Do you need me to pray for the One God to rid you of some awful vision?”
At this, the cars stretched out behind the bus honk in applause, and Rick bolts to hit the gas pedal. He wishes for a moment that retirement wasn’t still a million miles away.
Points:
Time spent:
Canary word: Present
Possible AI signals:
Original Text:
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So, first it's Willow, then Divinity, and then Rick (though I initially thought it would be Mr Pyus - sneaky). The time perplexes me, however, since it exposed a major flaw in my theory concerning the dragons. Ah, but I'll get to that momentarily.
Notes
1. Even if you are focusing on something, it is still rather difficult to blot out the noise of a bus full of panicking passengers. I advise simply saying that the din dimmed.
2. When you describe the little red dragon's roar, you say it is "unbecoming of its stature". "Unbecoming" has a negative connotation, so while it isn't an incorrect choice, I wouldn't say it's the correct one either.
Impressions
1. The Talisman Estate must be huge if entire suburbs, not to mention the planned shops, can be built upon it. Good grief, what do you do with so much property? (If it's privately owned, mind you.)
2. Mr Pyus is still as annoying as ever, but his relfexes are oddly fast, and catching the grocery bags with closed eyes is (though I am loath to admit it) impressive. I believe the word for him is "sanctimonious". (I'm reasonably sure I've used that word to describe him before.)
3. Why would cats want to live in a street that mentions their murder? It's tempting fate, if you ask me.
4. It's amusing how Mr Pyus caught his groceries the first two times they were about to fall, but that it takes a dragon landing in the road to make him fail the third time. Rick's comparison is hilarious, though.
5. I seem to have a higher tolerance for the piccolo than most, but it is a generally unpopular instrument. I'm guessing the large lavender dragon is a mother and the smaller crimson one her son, due to the surprisingly deep roar it issues.
6. Despite the havoc the two dragons caused, their apologetic bows indicate honour that one would rather expect from Eastern Dragons than the Western variety. I would have guessed that this was Drake and his mother, but it's eleven o' clock, and since there is no PM, it's still morning. Unless the school closed really early, it can't be him, so I have to settle for a younger sibling. Wait, Drake is an only child... Nope, then I'm lost.
7. Typical Mr Pyus to pretend he didn't see the draconic struggle. Well, who cares what he thinks anyway?
This mysterious leopard lady continues to pop up in the most peculiar of scenarios. I look forward to discovering what her motives are.
Note 1: Oops. I must have forgotten to mention that Mr. Pyus is the only passenger on board. I'll fix that immediately.
As for Impression 1... well, you'll just have to find that out for yourself, won't you?
Mysterious... >_>
Can I just say how much I love Mr. Pyus? Because I do, and I just said it.

Getting Bugged Down, Buggie
It's apparent in this chapter that while your description is creative and colorful, it tends to detach things a bit. When reading the 'fight scene', it doesn't feel like I'm reading action. The description seems more fit for describing a landscape or slow, elegant moment, not a drama-infused... fight scene? To be honest, it's hard for me to call it a fight scene. Movements seem a little disjointed because there's more content on one moment than the transitions between said moments. You told me about this problem of mine a few chapters back, so now I can pass it back to you
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Alright, let's lay down this chapter's impressions and comments.
1. Dragons? ... Drake?
2. Oh gosh...Untuned piccolos? I don't remember hearing that too much in band, but I have heard untuned oboes. I don't want to imagine things worse than that.
3. These leopard-print people are everywhere. One chapter we're going to have an actual leopard waltz in and it wouldn't even be out of place.
I thought Rick might see this scene as if he's watching a movie that goes into slow motion, so maybe that's what you're picking up on. Since the characters in the bus are detached from the action, I wrote it to sound as such.
Thanks!
Also, no spoilers.
Hi Buggiedude! Niteowl here to review for the Inkmasters this fine Review Day!
Note that I make comments as I read, then sum up thoughts at the end.
This is a weird description. Piccolos seem awfully high for the voice of a dragon.
So...I'm confused. Was Mr. Pyus supposed to be asleep through this whole exchange? Because it seems like he was definitely awake and should have seen that. Or is he being sarcastic? I really can't tell.
Overall, I think the fight scene was written very well. I'm sorry this review is so short, but I think the world you have set up seems really interesting, where the fantastic collides with the ordinary. Keep writing!
Thank you for the review! Mr. Pyus has an odd tendency to never see the weirdness around him, but I suppose you wouldn't know that.
Nice work.
I am a fan of dragons in modern day settings so i find this story quite tantalizing. Not only that but some of your descriptions are absolutely lovely to read.
Each of these images are so striking and vivid that they spring off the page.
As for the story its self. This is an interesting chapter, I have not read the previous ones so it is difficult for me to comment on plot or character development. The only thing I really can think of to point out is your dialogue. I hesitate to even mention this because it is an area I really struggle with myself.
So here is your problem. Your dialogue adds nothing to your story. Seriously, if you left Mr Pyus asleep on the bus it would make no different to you story. Dialogue needs to move a story along or further develop your characters and as far as I can tell yours does neither.
As for grammar and spelling I didn't notice any obvious problems. This was easy to read and not too crazy long. I like it.
Keep up the good work.
DG
Ah, yeah, the dialogue mostly serves for consistency's sake in this chapter, so it's like you said: kind of pointless.
Anyways, thank you very much for the review! I'm glad you liked the descriptions.