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The Chronicles of a Public Bus (part 3.07)

Sunday, 12:30, route 38

By Sunday afternoon, a large portion of route thirty-eight is flooded. The street has always had perennial gutter issues, but Everett can’t remember ever getting enough snow for the subsequent melt to matter.

A teenage boy and his dog muddle through a gigantic puddle at an intersection, and Everett wishes there weren’t so many cars in the inner lane. He slows to a crawl and winces when the bus sends up a spray of water. The poor boy’s jeans are drenched.

“Please tell me no one is getting on between here and Franklin High,” Everett mutters. “I don’t think I can handle people who are both angry and sopping wet.”

Because of a wall of sculpted decorative evergreens, he can only see to the next stop, but that one, at least is empty. As he sloshes through the lake, he leans over the steering wheel to look for the Catkill Street stop, scrunching his nose when the crunch of the bus’s wheels quiets. He’s probably driving on the half-decomposed leaves clogging the drain.

When Everett is at last back on asphalt, he relaxes. The bushy evergreens turn onto a different street, and he can spot cars pulling back into the outer lane several blocks away. The closest bus stop sign passes in a blur of grey and orange, and Everett squints at the road ahead.

Three blocks down is the next stop, and to Everett’s relief, the shimmery puddle ends a few seconds before he pulls up beside the trio of women waiting for the bus. They make an interesting picture, lined up on the curb in order from tallest to shortest and most blonde to least.

The tall lady embarks first, scowling as she drops three coins into Everett’s change box. She smirks as she short-changes him, and Everett is so terrified that he spends too long deciding if he should call her out. When he turns around to request the full fare, the other two women are already onboard, and shouting out “ma’am” will get confusing very quickly.

Sighing, he lets go of the issue and makes a mental note to ask Mr. Bartram about dealing with problematic passengers.

Just as Everett taps on the gas, the blonde woman takes her seat across from the other two, right up at the front of the bus, and unbuttons the top of her coat. She slides her gaze to the others and pulls her phone out of her pocket, keeping it in her lap as she dials a number. Then she raises the phone to her ear and lifts her head, eyes trained on the two women across the aisle and a slight smile curling her crimson lips.

She squashes the smile into a snarl moments later and jabs at the phone again. In the back of the bus, another phone vibrates, its buzz muffled by the cushions squeezing from either side and drowned by the humming engine.

The blonde woman repeats her act, then encores and adds a tag ending, each time adding a crescendo to her curses and mumbles. Across the aisle, the shortest woman cups a hand over her mouth and leans toward her friend.

“Why doesn’t she just leave a message?”

“I don’t know. Maybe it’s boyfriend issues.”

“I am so glad I don’t have one then,” the short woman says. She giggles, and the taller lady curls forward like she might join in, but they freeze a moment later.

The blonde woman glares at them, fur coat bristling, angry lines carved around her knife-sharp nose. “It’s rude to eavesdrop, but thanks so much for the advice anyways. Voicemail definitely hasn’t been around since the freaking eighties.” Eyes still pinned to the other women, the blonde lady raises her phone to her ear and waits for the tone.

“Wow,” whispers the short woman. “Makes me wonder what she was doing with our neighbor. Does she know he’s an alchemist?”

The taller woman shushes her and starts talking about a new superhero movie that her latest boyfriend wants to see, and the shorter one frowns but keeps quiet. With some effort, they manage to keep their glances at the blonde woman to a minimum, trying to allow some privacy as she records her message.

“Sir?” the blonde lady begins. “I’m sure you know who this is. Five words: I sold your stupid chessboard.” Then, with a smug huff, she jerks the phone down and presses a red button to hang up. Her cheeks are flushed from her earlier outburst, but the color fades in seconds. After adjusting her coat and redoing the top buttons, she rests an elbow on the windowsill and watches an old park pass by outside, humming a jolly piano sonatina.

The two other women watch her, their fake conversation forgotten.

“I don’t think that was boyfriend issues,” ventures the shorter lady. Her friend agrees with a slight, quick nod.

In the back of the bus, the lost phone pings, its screen lighting up to notify an incoming voicemail.

Comments & reviews · 5
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EnderFlash
Review

Hello there! I'll drop this off before we go on a band trip to Anaheim for a festival <3 Super excited.

Notes

Because of a wall of sculpted decorative evergreens, he can only see to the next stop, but that one, at least is empty.
This sentence is a little chunky in multiple parts. I'm not so sure how much I like the use of two long-ish adjectives on the same noun, and the phrasing of "the next stop, but that one, at least" is rather stilted. It would roll off the tongue much easier if it was rearranged to "but at least that one is empty" or something of the like.

I'm wondering if the beginning of the chapter could've had better description. Yours gives an excellent picture, but not so much the... feel, you know what I mean? Er, maybe not. What I mean is that you could emphasis the uncomfortably wet environment by having Everett ponder his own dry state, as well as use certain words to press that idea. Perhaps the boy's pants are clinging to his legs, highlighting his knobbly knees, and he tries to roll the wet fabric up to dry. Pulling random stuff out here. I doubt you want too much detail in this irrelevant stuff, so my example probably won't work well, but just saying.

---

Thoughts/Impressions

1. I'm really loving this blonde lady now because she seems angry in pretty much every chapter she shows up in xD

2. That phone concerns me in more than one way. Will someone else pick it up and receive the voice mail (notably, the kids)? Does it affect Talisman that he gets her message or not? I'll be reading the next chapter on the bus as soon as I can.


Whoop, it's about time to leave for a class. See you!

Sometimes I read a piece of advice and I'm like: shouldn't I already know this? More than likely, I forgot to use words that are loaded with emotional connotation as well as physically descriptive in that first section, and that's what you picked up on. Thanks for the reminder!

Also, why do you have classes at eight in the evening?

Finally back. And, yeah, my writing class is at eight in the evening...? Is that really late in your terms?

It's not like, really late, but I feel like eight is too late to go out of the house.

User avatar
Songmorning
Comment

Oh my goodness, Mr. Talisman's phone!

User avatar
FeatherPen
Review

Happy review day Buggie dude,
Disclaimer I have not read all of the previous story so this review will only be taking this chapter in to account.
I like the idea of a story that follows the bus route and your starting description of the weather set the scene excellently.
It feels like this chapter is a minni story of its self which must link into the overarching plot as each character goes about their daily lives. This made it enjoyable to read this chapter even though I haven’t read all of the others.

his his dog muddle through
double his, and did you mean muddle or something else?
It struck me that you are using “he” a bit too much, but I don’t think this will be fixed by switching it to his name. You are following just one character at the beginning and writing in present tense so it is hard to avoid. However try reading through your sentences in particular in this paragraph.
Because of a wall of sculpted decorative evergreens, he can only see to the next stop, but that one, at least is empty.
and see if you can cut down on how often you repeat he, him or Everett. Eg as “As he sloshes through the lake” can become “as the bus sloshes through...”
Everett is the bus driver, so you could use “the bus driver” occasionally for variety.

I agree with Kaila that trying to keep track of the people on the bus got a little confusing, perhaps there is something else that differentiates them other than height? Like colour of clothes, dangly earrings or shoe type if you don’t want to use nick names.

The first mention of the missing phone I thought it must belong to one of the other ladies
In the back of the bus, another phone vibrates,
if you want it to be more obvious I’d suggest saying something like “on an emply seat”.
However I got a thrill as I read the last line and realised that the phone that is lost belongs to the man the grumpy lady is trying to phone. Well done for showing and not telling here.

Your choice of tense surprised me but reading back over I believe it works well.

Having read this chapter I am going to have to have a look at the rest of the story.
Keep writing, Feather Pen

I've heard a number of people also advise on not using titles for named characters. Perhaps there is a balance somewhere in the middle for me to find.

Anyways, I'll fix that first little nitpick. Thank you for the review!

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StupidSoup
Comment

disregard this

User avatar
Kaila
Review
Kaila wrote a review · Sun Feb 28, 2016 10:05 pm

Hi Kaila here for a quick review!

Before I start off, you should know that I haven't read any of your other chapters (I might later but since it's review day I don't really have time) so feel free to disregard any of my comments if they don't apply since I haven't read all the other chapters yet.

Okay, so I want to start with saying that I love your idea of telling your story from a bus driver's perspective :D It's an interesting and original idea, so congrats on that!

I really like the line "they make an interesting picture, lined up on the curb..." I think it's funny and really puts me in the moment. So yeah, just wanted to say that I liked that :) :)

I also loved the line "shouting out 'ma'am' will get confusing very quickly" this is also funny. It shows me that, as a writer, you have wit. That's something special.

So you've showed me that you can be witty, so I think you should use that to your advantage to address the people on the bus. Give them funny names. This would amuse the reader and keep them from being confused about who is who (as I was). For example, you could change "the blonde woman" to "bitchy blondie" instead, making her more distinguishable for the reader, at the same time giving them a laugh.

Also, this is just a little nitpick, but the sentence "I don't think I can handle people who are both angry and sopping wet" seems a little chunky to me, especially the "people who are both" part...

I would also try to keep your sentences a little shorter as they can get too big and confusing on occasion. Believe me, I've had this problem with my own writing. At first, shortening sentences may make them seem less interesting and / or fancy, but it will also make your writing easier to read.

Ok, one final comment: this may be just because I haven't read your other chapters, but are the people on the bus important? In my opinion, all chapters should be concentric to character or plot, if not dually focused. But with this chapter, I don't see a focus on much character or plot, just some seemingly random interactions among seemingly random strangers.

Anyways, I thought that overall you did a good job of making me feel like I was really in your story, so nice chapter :) I hope my review was helpful.

-Kaila

I have done nicknames, but that was with a different narrator who has seen this blonde woman more often. I guess I should be a bit more free with name-calling.

Anyhow, thanks for the review!



In three words I can sum up everything I've learned about life: it goes on.
— Robert Frost