Farcry:2

by Satira

Published January 15, 2017

E - Everyone

In Stories...

Thanks for reading! As the name implies, there is a first part to this, so feel free to check that out  as well :)

His father is thrilled when he sees the little fish in the basin meant for washing, crouches above the water with his son's same catlike quality. “

You know, once, Naz,” he says, “We did not live beside the water.” Many of his stories start this way, tracking to a time that his son nor he himself had ever known. Naz settles into a stool at the table nearby to listen, kneading his knees. “Our people…” Papi dips his finger into the water, sending the fish scurrying away, circling, circling. “Our people were not fishers. We are not meant to stay still like the clay beds, waiting patiently for our livings to creep up to us.”

“We were hunters,” Naz says, because he knows this part.

“That’s right, we were hunters. When we needed food-“ Papi flutters his hand, and sparks of water fly up from the basin. “we grabbed it—“ “Out of the air.” “Right out of the air. We saw birds on the horizon, we snatched them by their wings before they could blink their eyes, and we ate them before the life was gone out of them, and that life swirled in us till the day we died. And--"

"Alive?" Naz interrupts, eyes widening. He did not know this part.

"The only way to gain their soul was to suck all out from their hearts before it leaked out. Otherwise it would escape. And we-" "Not us," Naz said, shaking his head away from the image of his father, his gentle, bright-eyed father, with a bloody, flapping bird halfway into his throat. "Not you. Or Mami."

"No, not Mami," Papi repeats, smiling softly at his son, who has her eyes. "Mami has earth person in her, remember. Her soul is big enough for herself." He brushes his hands off on greying pants, and begins unwrapping the glinting fish that he'd caught this morning. "Roasted or boiled?"

"Roasted," Naz says, because he does not want to walk to the well for water.

"We, you and I, we are always hungry," Papi continues, bending near the entrance to the house for the roasting twigs. "Always looking for a little more life to keep inside of us." He skewers the fish swiftly without a sound, painlessly. "I'm going to go outside, build the fire. Get the matches for me?"

Naz is happy. He likes when his father says we, like one could possibly compare to the other. He nods, and begins fishing through the things in the hut. He can never find anything, even in such a sparse room as theirs, and having to crouch to check the low places is not making it easier. He finally finds the matches nestled, cozier than he remembers being, in a coarse pile of fabric that may be one day be a net, or a dress for his sister, or perhaps bodybag, but right now is just an oversized match sweater. Naz tries to refold it after its vandalism, but finds he is unable to and instead arranges it in an artful, if creased, loop under the table where he found it.

He eyes his fish at the window, now just a fuzzy bruise in the moon of the dim basin. Perhaps it is wary, perhaps it could one day become a big, black elder.

The only way to gain their soul was to suck all out from their hearts...

No.

The fish is small, so small, and he grasps it with his bare hands,and he crams it, wriggling crazily, in his mouth He swallows with his eyes closed for the vain notion that the black in front of his eyes would also hush the tickle crawly feeling banging his throat.

It is cold for a long time inside him, and a long time he stands there, trying to feel a difference. Is his heart fuller now? Is the fish swimming around and around inside him still, guiding him, adding to him?

He doesn't feel like it. He feels a little nauseous and still very hungry-- it had been a very small fish.

When he comes back outside, his father has a fire built already, and smiles readily.

Handing Papi the matches, bracing for the rare shock of pride, he asks "Papi, couldn't you just eat a fish, like the birds, and gain their souls too?"

"Good question."Papi trades a skewered fish for the matches. "What do you see when you see this?" he prompts. This does not sound like a question with many answers, so Naz studies it and searches for the right one.

The mouth is open, it is a slimy and cold thing, and the twig sticks through an oozing eye. It is still staring at him, in that cold, shocked way.

Naz's heart drops. In his mind's eye, he sees the little fish in in his stomach, swimming around and around it, looking for a crevice to hide in and only finding smooth acid walls. "Fear."

"You don't want that soul inside you, dear," Papi says. "That would be very bad for you." He lights a match and the fire meets him easily, like a friend.

The cold is still inside Naz, though, long after it warms his face and dries the black mud all over him, to chip off slowly reveal a wet, frightful creature inside. 

Comments & reviews · 2
User avatar
inktopus
Review
inktopus wrote a review Review · Jan 16, 2017

I'm back to do another review. I'll start with my first impressions of this chapter.

1) The dialogue is a little disjointed. It has the makings of some really powerful, interesting stuff but the execution is awkward. Reading your words aloud can really help this. Can you imagine a real person saying this? Ask yourself that question often. All you really need is to smooth it out, make it sound more natural.

2) I think you do a pretty good job of showing rather than telling us what's going on. However, I found one instance where you just flat out told the audience that Naz is happy. Don't tell us that; show Naz's emotions through his actions and words. I especially like all of the imagery you use, but be sure that you don't get overzealous with it and obscure the meaning of what you're actually trying to say.

3) Where is Naz's mom? She wasn't really mentioned and then she's suddenly a character. What has she been doing? Where is she right now? As far as I know, it's the end of the day and she isn't home yet, so why isn't she home? I'm not sure if only I'm wondering this, but I think Naz's mother needs an introduction.

Final thoughts:

Overall, this is a pretty solid piece of writing, though I think you probably could have combined this and your first chapter without any issues. I also think you made a typo in your title; your first chapter was called Farcry while this is called Facry. You may want to fix that. I'm itching to get to the actual conflict in this. So far there's no goal for Naz; readers may get bored with all this introduction. I think the biggest issue is that the writing needs some ironing out; like a wrinkled garment it's all there is just needs to be smoothed out. I like this, and I'll be sure to read and review the next chapter.

Satira replied · Jan 17, 2017

thank you! especially for alerting me to the typo in the title lol.

User avatar
Hikarufire64
Review
Hikarufire64 wrote a review Review · Jan 15, 2017

Hey pumpkinhead, Hikaru here with a Review for You now lets get started!

Now here's the first thing i noticed.

"His father is thrilled when he sees the little fish in the basin meant for washing, crouches above the water with his son's same catlike quality."
It seemes like your going for a present tense narrative view on this story which is pretty cool but pretty hard to do, ive tried present tense before but in first person and I myself found it difficult to stay in present tense with a first person view and not use any past tense at all. Now there isnt anything wrong with this sentance but I just wanted to recommend an easier way of writing since present tense seems a little weird and hard to write in for a few peope I know and writing in a past tense makes it feel more natira. But i have heard of ways to write in past and present tense at the same time but i dont really know how exactly.

As Im reading the story it sounds a bit like first person at some points though i know you were going for narrative but honestly again present tense is kinda new to me so this story seems very unique in its own way, which is cool and all but just remind other people that review this that none of these sentences are jumbled between past and present by mistake.

All in All this story caught my attention by how well you used present tense and I hope you keep using present tense as well as you do know, there are alot of stories with past tense and yours really stands out so keep up the present tense work.



We always talk about the "doers" and "dreamers" but I'd like to give a big shoutout to the "tryers".
— Hannah Hart