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i'll cut my hair as a sacrifice; i learned that love never comes without a loss

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๐˜บ๐˜ฆ๐˜ด๐˜ต๐˜ฆ๐˜ณ๐˜ฅ๐˜ข๐˜บ ๐˜ฎ๐˜บ ๐˜ฅ๐˜ข๐˜ง๐˜ง๐˜ฐ๐˜ฅ๐˜ช๐˜ญ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ข๐˜ด๐˜ช๐˜ข๐˜ต๐˜ช๐˜ค ๐˜ญ๐˜ช๐˜ญ๐˜ช๐˜ฆ๐˜ด ๐˜ฃ๐˜ญ๐˜ฐ๐˜ฐ๐˜ฎ๐˜ฆ๐˜ฅ

๐˜ต๐˜ฐ๐˜ฅ๐˜ข๐˜บ ๐˜ ๐˜ธ๐˜ฐ๐˜ฌ๐˜ฆ ๐˜ถ๐˜ฑ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ฏ๐˜ฐ๐˜ท๐˜ฆ๐˜ฎ๐˜ฃ๐˜ฆ๐˜ณ'๐˜ด ๐˜ด๐˜ถ๐˜ฏ๐˜ณ๐˜ช๐˜ด๐˜ฆ ๐˜ฅ๐˜ข๐˜ฑ๐˜ฑ๐˜ญ๐˜ช๐˜ฏ๐˜จ ๐˜ฎ๐˜บ ๐˜ธ๐˜ข๐˜ญ๐˜ญ, ๐˜ค๐˜ณ๐˜ฆ๐˜ฆ๐˜ฑ๐˜ช๐˜ฏ๐˜จ ๐˜ต๐˜ฉ๐˜ณ๐˜ฐ๐˜ถ๐˜จ๐˜ฉ ๐˜ด๐˜ฑ๐˜ข๐˜ค๐˜ฆ๐˜ด ๐˜ฃ๐˜ฆ๐˜ต๐˜ธ๐˜ฆ๐˜ฆ๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ด๐˜ญ๐˜ข๐˜ต๐˜ด ๐˜ฐ๐˜ง ๐˜ฎ๐˜บ ๐˜ฃ๐˜ญ๐˜ช๐˜ฏ๐˜ฅ๐˜ด.

๐˜ช ๐˜ฎ๐˜ข๐˜ฌ๐˜ฆ ๐˜ค๐˜ฐ๐˜ง๐˜ง๐˜ฆ๐˜ฆ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ช๐˜ต ๐˜จ๐˜ฆ๐˜ต๐˜ด ๐˜ค๐˜ฐ๐˜ญ๐˜ฅ.

๐˜ช ๐˜ด๐˜ต๐˜ช๐˜ญ๐˜ญ ๐˜ฎ๐˜ข๐˜ณ๐˜ฌ ๐˜ฐ๐˜ง๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฅ๐˜ข๐˜ต๐˜ฆ ๐˜ฐ๐˜ฏ ๐˜ฎ๐˜บ ๐˜ค๐˜ข๐˜ญ๐˜ฆ๐˜ฏ๐˜ฅ๐˜ข๐˜ณ,

๐˜ฎ๐˜ข๐˜บ๐˜ฃ๐˜ฆ ๐˜ต๐˜ฐ๐˜ฎ๐˜ฐ๐˜ณ๐˜ณ๐˜ฐ๐˜ธโ€™๐˜ด ๐˜ต๐˜ฐ๐˜ฐ ๐˜ง๐˜ฐ๐˜ณ ๐˜จ๐˜ฐ๐˜ฐ๐˜ฅ ๐˜ฎ๐˜ฆ๐˜ข๐˜ด๐˜ถ๐˜ณ๐˜ฆ,

๐˜ข๐˜ฏ๐˜ฅ ๐˜ค๐˜ฉ๐˜ข๐˜ฏ๐˜จ๐˜ฆ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ธ๐˜ข๐˜ต๐˜ฆ๐˜ณ ๐˜ง๐˜ฐ๐˜ณ ๐˜ฎ๐˜บ ๐˜ฅ๐˜บ๐˜ช๐˜ฏ๐˜จ ๐˜ง๐˜ญ๐˜ฐ๐˜ธ๐˜ฆ๐˜ณ๐˜ด.

๐˜ฑ๐˜ณ๐˜ฐ๐˜ฎ๐˜ช๐˜ด๐˜ฆ ๐˜ฎ๐˜ฆ ๐˜ชโ€™๐˜ญ๐˜ญ ๐˜ฃ๐˜ญ๐˜ช๐˜ฏ๐˜ฌ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ช๐˜ต ๐˜ธ๐˜ช๐˜ญ๐˜ญ ๐˜ฃ๐˜ฆ ๐˜ง๐˜ฐ๐˜ถ๐˜ณ ๐˜ด๐˜ถ๐˜ฎ๐˜ฎ๐˜ฆ๐˜ณ๐˜ด ๐˜ญ๐˜ข๐˜ต๐˜ฆ๐˜ณ?

โ˜…โ˜…โ˜…

๐˜ช ๐˜ง๐˜ช๐˜ญ๐˜ญ ๐˜ด๐˜ช๐˜ญ๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ ๐˜ฃ๐˜บ ๐˜ค๐˜ฉ๐˜ฐ๐˜ฌ๐˜ช๐˜ฏ๐˜จ ๐˜ฐ๐˜ฏ ๐˜ธ๐˜ฐ๐˜ณ๐˜ฅ๐˜ด ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ฆ๐˜ฎ๐˜ฑ๐˜ข๐˜ต๐˜ฉ๐˜ฆ๐˜ต๐˜ช๐˜ค ๐˜ง๐˜ณ๐˜ช๐˜ฆ๐˜ฏ๐˜ฅ๐˜ด ๐˜ข๐˜ต ๐˜ฅ๐˜ช๐˜ฏ๐˜ฏ๐˜ฆ๐˜ณ ๐˜ต๐˜ข๐˜ฃ๐˜ญ๐˜ฆ๐˜ด,

๐˜ธ๐˜ฆ ๐˜ด๐˜ฑ๐˜ฆ๐˜ข๐˜ฌ ๐˜ข๐˜ฃ๐˜ฐ๐˜ถ๐˜ต ๐˜ฉ๐˜ข๐˜ญ๐˜ญ๐˜ฐ๐˜ธ๐˜ฆ๐˜ฆ๐˜ฏ ๐˜ค๐˜ฐ๐˜ด๐˜ต๐˜ถ๐˜ฎ๐˜ฆ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ต๐˜ณ๐˜ช๐˜ค๐˜ฌ ๐˜ฐ๐˜ณ ๐˜ต๐˜ณ๐˜ฆ๐˜ข๐˜ต๐˜ฆ๐˜ณ๐˜ด; ๐˜ช ๐˜ฅ๐˜ณ๐˜ฆ๐˜ด๐˜ด๐˜ฆ๐˜ฅ ๐˜ถ๐˜ฑ ๐˜ต๐˜ธ๐˜ช๐˜ค๐˜ฆ, ๐˜ข๐˜ด ๐˜บ๐˜ฐ๐˜ถ๐˜ณ ๐˜ฅ๐˜ฆ๐˜ข๐˜ฅ ๐˜ฎ๐˜ฐ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ข ๐˜ด๐˜ช๐˜ณ๐˜ฆ๐˜ฏ.

๐˜ธ๐˜ฆ ๐˜จ๐˜ฐ ๐˜ต๐˜ฐ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฎ๐˜ข๐˜ญ๐˜ญ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ง๐˜ฐ๐˜ฐ๐˜ฅ ๐˜ค๐˜ฐ๐˜ถ๐˜ณ๐˜ตโ€™๐˜ด ๐˜ด๐˜ฐ๐˜ฅ๐˜ข ๐˜ง๐˜ฐ๐˜ถ๐˜ฏ๐˜ต๐˜ข๐˜ช๐˜ฏ,

๐˜ชโ€™๐˜ท๐˜ฆ ๐˜ญ๐˜ฆ๐˜ข๐˜ณ๐˜ฏ๐˜ฆ๐˜ฅ ๐˜ช ๐˜ญ๐˜ช๐˜ฌ๐˜ฆ ๐˜ต๐˜ฐ ๐˜ฎ๐˜ฐ๐˜ฏ๐˜ฐ๐˜ญ๐˜ฐ๐˜ถ๐˜จ๐˜ฆ

๐˜ข๐˜ฃ๐˜ฐ๐˜ถ๐˜ต ๐˜ฎ๐˜ช๐˜ด๐˜ด๐˜ฆ๐˜ฅ ๐˜ด๐˜ช๐˜จ๐˜ฏ๐˜ข๐˜ญ๐˜ด ๐˜ญ๐˜ช๐˜ฌ๐˜ฆ ๐˜ฃ๐˜ญ๐˜ฐ๐˜ธ๐˜ช๐˜ฏ๐˜จ ๐˜ฐ๐˜ถ๐˜ต ๐˜ค๐˜ข๐˜ฏ๐˜ฅ๐˜ญ๐˜ฆ๐˜ด,

๐˜ธ๐˜ช๐˜ด๐˜ฉ๐˜ฆ๐˜ด ๐˜ญ๐˜ช๐˜ฌ๐˜ฆ ๐˜ต๐˜ฐ๐˜ด๐˜ด๐˜ช๐˜ฏ๐˜จ ๐˜บ๐˜ฐ๐˜ถ๐˜ณ ๐˜ฌ๐˜ช๐˜ด๐˜ด๐˜ฆ๐˜ด ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฎ๐˜ข๐˜ญ๐˜ญโ€™๐˜ด ๐˜ง๐˜ฐ๐˜ถ๐˜ฏ๐˜ต๐˜ข๐˜ช๐˜ฏ.

๐˜ชโ€™๐˜ญ๐˜ญ ๐˜ค๐˜ถ๐˜ต ๐˜ฎ๐˜บ ๐˜ฉ๐˜ข๐˜ช๐˜ณ ๐˜ข๐˜ด ๐˜ข ๐˜ด๐˜ข๐˜ค๐˜ณ๐˜ช๐˜ง๐˜ช๐˜ค๐˜ฆ; ๐˜ช ๐˜ญ๐˜ฆ๐˜ข๐˜ณ๐˜ฏ๐˜ฆ๐˜ฅ ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ญ๐˜ฐ๐˜ท๐˜ฆ ๐˜ฏ๐˜ฆ๐˜ท๐˜ฆ๐˜ณ ๐˜ค๐˜ฐ๐˜ฎ๐˜ฆ๐˜ด ๐˜ธ๐˜ช๐˜ต๐˜ฉ๐˜ฐ๐˜ถ๐˜ต ๐˜ข ๐˜ญ๐˜ฐ๐˜ด๐˜ด.

Comments & reviews ยท 3
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James565611
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This is concise and nice I love it

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rubbersoul
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rubbersoul wrote a review ยท Thu Aug 14, 2025 3:54 am

hey there! :]

I've always enjoyed the theme of impermanence in poetry, and it is really intriguing when juxtaposed with the real-life implications of growing up. The narrator seems stuck in a transient state, e.g. their continuous marking of days on the calendar, paired with tending to dying flowers, reflects their struggle against understanding / reconciling with their impermanence. Growing up has always scared me as well--especially since adulthood is so exaggerated--and this poem really shows how stuck the narrator is within their ways / what they know as true. The very domestic and mundane acts show that even further, and that is really realistic imagery since it's so commonly understood by so many people.

The mundanity does feel repetitive though; the cooling coffee and the marking of the calendar is relatable, but I feel that the accumulation of similar domestic actions can become redundant over time. If the narrator is feeling stuck in their youth / almost rejecting the act of moving in time, that could personify itself in other ways besides these very banal images. That could be one half of who they are, but the narrator exists in a plane beyond these simple rituals. I would've loved to see expansion on the other figure as the other reviewer mentioned for this reason as well, since it could expand on *who* the narrator is without this framing. I could understand if it is purposefully vague, but it feels more natural to explain in subtext.

Thereโ€™s potential to deepen the contrast between private and public self in general, especially since the 'missed signals' monologue feels rich yet underexplored. I am picking up on the idea that the narrator is having issues in social contexts because of their fear / alienation from the feeling of moving on and possibly changing. Their friends could pick up on that--especially if they are close, which it feels--and it would open up the narrative to shift into something more emotionally vulnerable on the idea of growing apart. I'd suggest to expand on what the missed signals are in reference to, and you could write about how they change the perspective of the narrator / those around them. Time passing changes everyone, either for worse or for better, and that is the theme after all; everyone goes through this eventually.

I hope this helps!

lina

Thank you!

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Calamity
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Calamity wrote a review ยท Thu Aug 14, 2025 1:52 am

Hi LadyBug!

Exploring the idea of the passage of time through love/loss is powerful. Coffee getting cold, flowers dying, cutting hair. I think they're all great images of how time never stops and things do eventually come to an end (or at the very least, change). The selection of imagery all pinpoints exactly the message I think you're getting across.

๐˜ข๐˜ฃ๐˜ฐ๐˜ถ๐˜ต ๐˜ฎ๐˜ช๐˜ด๐˜ด๐˜ฆ๐˜ฅ ๐˜ด๐˜ช๐˜จ๐˜ฏ๐˜ข๐˜ญ๐˜ด ๐˜ญ๐˜ช๐˜ฌ๐˜ฆ ๐˜ฃ๐˜ญ๐˜ฐ๐˜ธ๐˜ช๐˜ฏ๐˜จ ๐˜ฐ๐˜ถ๐˜ต ๐˜ค๐˜ข๐˜ฏ๐˜ฅ๐˜ญ๐˜ฆ๐˜ด,

Love this line!

I also really love the title! Hair is often seen as a very personal, identifiable characteristic to one's identity, and cutting it as a symbol of loss works so well. This title is what initially drew me to this piece, and it's very much a universally understood analogy to loss that works well in the context of this poem.

I like that the final line is the title of the poem, too; however, I almost wish it was saved for that and the title was different, to make it more impactful? It didn't feel quite as unexpected as it could have been to me personally. I feel, too, that the title current reflects your general theme but only touches upon the hair imagery, not the other descriptions you have throughout the poem. It could be worthwhile playing around with this -- more hair imagery earlier on, to lead up to the end, or broadening the title to align with the other imagery you have going on, etc. All just some ideas!

Something that also stood out to me was the introduction of the "you" in the second stanza; it wasn't completely unexpected, but I do feel like it would be interesting to expand upon the speaker's relationship with this person. We get hints with the mention of Halloween, the mall, and dinners -- I wonder if there's more that could be unpacked? I really like the exploration of this relationship and would love to see more of the emotional side of it. I also like the idea that you could tie the speaker's hair into the relationship itself (eg, the person braiding their hair, dyeing it, etc) to depict its involvement and evolution throughout the piece and their time together.

Overall, this was an illustrative, angsty piece. I relate deeply to the speaker which is why a lot of the descriptions here hit home for me!

phantasm

Thank you!



Sea and Sky- both blue. Once, in proposal, Sea turned red. Sky's father- Sun forbade so she wept as rain, uniting the lovers in defiance.
— AlexWrites