I feel like I’m teetering, in a moment of unrest. At the edge of a precipice, higher than Everest. The air is fresh, fragrant, yet oh so cold. It excites and stings at the same time, like a jumpscare to the bold. The adrenaline hits, but you can laugh it off and vent. Perhaps a more accurate comparison, however, would be a large personal event. Change is impending, an irreversible prophecy, real as this chasm. It’s not inherently negative, but so much to fathom. It leaves you with that bubbly feeling. A bit excited, a bit nauseous, unsure if it’s harming or healing.
A long fall awaits just over the edge, that’s assured. I cannot gauge how severe, for the ground is obscured. It’s a foggy, shadowy veil of pure uncertainty. I may catch a glimpse, but never enough to know definitely. There could be water down there, that may break the fall. There could be jagged spires, forming an inescapable thrall. I know whatever falls likely won’t be seen again, that is the gist. Just like the water and spires that may or may not exist. That murk could claim any offering in the same way. Therefore, I try to hold tight and not let my vision stray.
But I am very guilty, for that I cannot lie. Sometimes I bring offerings to the peak, up high. Things I hold dear, packaged with love and selfhood. You could call them my children, you really could. I engage like a barbaric practice or satanic pledge. I’ve held them—a sacrifice—over the edge. My fingers would twitch with anticipation, awaiting my choice. I could hear them begging for mercy—or was that my own inner-voice? Sometimes I let go, sometimes I just can’t. Every time I wonder; what am I trying to appease, and can I still recant?
I don’t know the answer to the riddle, I don’t have the key. Perhaps I am appeasing something inside me. A demon of sorts, knocking at my mental walls. Perhaps, contrarily, I am appeasing others’ calls. Who, I don’t know, but I can feel them pry. As I stand here again and again, I try to justify. For you see, these children are deeply flawed, there is no fixing it. I have already tried for so long, my fingers are numb and teeth still grit. Day, by week, by month, by year, by decade strong. I still see mistakes—perhaps these children were the mistake all along.
But no, this darkness is not all that I am, it has not set. It is strong within me, but a light shines yet. One of mercy, telling me to bring them back, don’t give into woe. Instead, hold tight, and never let them go. If I were to lose my grip, I would regret it forever. So I spare them from the murk, my will I sever. I must covet them, until time unravels us in expiration. I grasp at the reasons; for flaws are inherent, a part of all creation. It will not change that these children are cherished. If not by others, then by me, who could not see them perish.
But something is amiss, as I covet all these children so dear. A weight pulls at my very being, descending into fear. First in my body, draining my strength, my resolution. Then in my brain, darkening and blinding my vision. Finally, the worst is in my heart, a plague of disappointment and apathy. Because I know they deserve better than this slow atrophy. I work as hard as I can, but the obstacles grow larger, numerous, combative. I’m loath to admit, I don’t have much more to give. Yet the children have already withered, so frail and incomplete, no unique voice. I wonder, will I have to make a choice?
With light and darkness swirling inside, I return to the precipice with woe. I feel its icy chill again; heavens unexplored above, depths uncharted below. I pick the weakest ones first, so typical of nature. I let them hang over the edge, the wind cutting like a razor. I feel their eyes on me, wondering if I will truly let go. I honestly don’t know—have I sunk so low? My precious creations, whom I would bless. Like God made man, I made them in my likeness. I built them with shards of myself, but here I stand with no more to give. Here I stand with their world in my grip, and no time to forgive.
I am not a heartless person, make no mistake. Of course they’re not truly children, but they are entities that I've made, they’re not fake. Through love and hate, and everything in-between, every spark. They are a part of me—good and bad, light and dark. Their mark runs so much deeper than my skin. I do love them as others love their kin. I don’t take their fate lightly, this precious sort. But at this stage, they are all on life-support. Their plugs run into my chest, and I cannot power one more without unplugging another. I know if I try, I will short-circuit and see them all suffer.
For my own sake and theirs, I have to pull some plugs, let the lifelines cease. So I finally unclench my fingers, my grip I release. One, two, three—they fall into the depths of the murk expanding. It’s a very long drop with a soundless landing. Maybe they hit water, and will climb back in time. Maybe that’s false hope and they’re truly gone, past their prime. At the edge, I stand for a long moment. I feel tears flowing, regrets gnawing, like they were really mine and present. My kin, my blood, a part of me. But I know, and I have to accept that I cannot salvage the entirety.
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Damn, I'm utterly speechless with this work of yours. The topic you chose hits home to every writer and poet, really. As someone new to this platform, it felt a long read for a poetry but it was so worth it. And until I began reading, I wasn't even sure if it was poetry.
Specifically love the writing format you chose. I don't know anything about types of poetries, so forgive me if I sound dumb. But just when these paragraphs make the reader think it'd be a free verse at most, you suprise them with a consistent and intricate rhyme. Idk why these paragraphs even felt easier and effortless to read in rhyme, when compared to the typical pattern. They're rather comfortable to skim through. To me, it gives the vibe of a genius-rebel. Can I write poetries that rhyme? Absolutely. Can I nail them? Hell yeah. Will I style them in typical one liners with ends that harmonise? I think not
Another thing, I can't compliment you enough for is maintaing the flow of the poetry. Getting all your rhymes working is one mountain of a task in itself, that some poets choose to compromise on the flow of the story (including me on a bad day lol). You managed to keep the wheels turning and nail the rhymes on the bullseye each time- the perfect combination. Bravo!
Comparing the works of a writer to children and we making them as God made us- You really sum it up rather well.
Your piece made me drive down roads of nostalgia, all those poetries I did not complete for they didn't feel alive. Sometimes things turn out too different from what we wanted them to be, so much so that they don't feel right- you just need to let them go. Some of those children but I destroyed of my own insecurities when I suffered a bad day. But all our works, complete or not, alive or torn, all have a special place in our hearts forever, for as long as we live.
Hello, thank you so much for giving this a read! I'm glad you were able to relate to this piece. Likewise, welcome to YWS! Especially for a new member, this review is amazing lol.
this is so unique. i have to say this. this has to be one of the most intriguing forms of poetry i have ever come across.
i also love how deep and strong the emotions in this poem is. every word, every metaphor just enters my soul and echoes into every cell of mine. the line - 'my kin, my blood, a part of me' - gave me goosebumps.
i also love how there is no rhyme scheme. i just love it. amazing work, want to see more.
Thank you very much for giving this a read! Your kind words are appreciated
Hello! This’ll be my first review wish me luck ahh
I really love this piece!! It is not a common style at all, rhythmic and non-metrical prose, but I had a wonderful time reading it. I fell in love with your language from the beginning, and it reminds me of epic poems long ago like Shakespeare or Poe did except it isn’t in iambic pentameter. If you wanna feel like you’re dying, then here’s a challenge: put this all in iambic pentameter! But I appreciate the lack of form as it keeps this prose piece from straying too far from the sentimental value attached to it, if that makes sense. Liberty on a piece like this is important.
I read this piece aloud to myself and noted the breaths, how easily I read it. It had a lovely flow and it really did take me to that mountain!
“…unsure if it’s harming or healing.” — loved that line!
Sorry if there are any blasphemous typos, I’m on mobile and it’s a bit weird. Anyway, loved the piece, thank you for sharing!
Thank you so much for checking this out! Likewise, for a first review, this is awesome! Sounds like you really have a knack for reviewing poetry (and I know plenty of poets on here who will be happy about that lol)!

Anywho, thanks again!