Porcelain

i like the shape u gave to the relationship .truly all the fake relationship should scatter o0n the carpet of time. they are fragile as porecelain and could easily be joined by a glue but for once. it can resist only a single blow og distrust not more. the second and migtier blow can shatter it.
but i like thye way u instead of regretting said that the pieces of glass shoul not be pickede. that has 2 meanings one is that u want not to forgive and another u want not to foget it. i love the satire. you are a very sensitive person to hold this issue in a remarkable way. keep writing.

I really like the simplicity of this poem, but within it you make the big idea your relaying much easier to consume, and that's something a lot of writers have issue with; making it simple enough. I like the metaphor of comparing innocence to porcelain, and the idea that once there's a crack, or I suppose in the context, a sin of some sort, you cannot return to being perfect or innocent. It's an idea that a lot of poets like to stress in work, but you do it much better than the majority I have seen by making it so straightforward. Sometimes with a topic like this it's hard to not extend it, but you were able to keep all the major parts while also keeping it short, sweet, and to the point.
I applaud you for that.
If anything, I do have one issue overall.
Why is the third line in the first stanza there? I get the use of the phrase at the end after something has happened, but at the beginning, what is its purpose? Does it stand for fact that, yeah, while you're innocent for a short time, you can't stop reality from making you imperfect, so you're screwed from the get-go? That's kinda what I assumed from the context clues given in the rest of the piece. If you are trying to do that, I would suggest maybe adding a fourth line in which you point that out, because that could be misconstrued as you just wanting to throw the f-bomb in early for shock value or something. I don't know, it's just a suggestion, haha.

Well, I hope you continue to write!
Great job
~Maddie

The thing that grabbed my attention was the warning for language as most of the writers on here are afraid to use cuss words, and I have been warned a couple of times by the moderators to "cool my language down". Anyways, the use of alliteration really draws the reader in in the first stanza and creates a nice image. The third line, however, shatters that image. I imagine that was your intention and could be representative of the cracks in the porcelain. If this is the case, I would suggest taking the line out:

The first crack shocked me