The chair exhaled as she sat in it, a deep, growling sound which further stirred the ecstatic butterflies in her stomach. She was at the medical surgery, impatiently waiting to be seen by her family doctor.
“Calm down, I’m sure you’re fine.” Her mother was trying to calm her, gingerly rubbing the side of her arm. “If the tests had come back with anything major, the doctor would’ve rung us right away.”
Her mother had a point. If she was dying, they wouldn’t have wasted precious time waiting for the evening appointment, they would have ordered her into the emergency room a-sap. Still, the sweat kept coming, soaking unflatteringly into her shirt arms, and her heart kept beating. At least, she thought, there’s no doubt that my heart is working.
She just felt like something was going to go wrong. Today wasn’t her day, and there was a foreboding chill in the waiting room. Already, she’d tripped on the sidewalk, lost a button on her cardigan, and bitten her lip. She could still taste the lingering iron tinge in her mouth.
“The doctor is ready to see you now,” the receptionist piped up, not even bothering to make eye contact from behind the desk. The receptionist could have been talking to anyone, except that she was the only patient left. Everyone else was long gone.
“C’mon then, honey.” Her mother held out a hand, and she took it gratefully. Her mother’s hand was cold, like death, and the thought sent the butterflies reeling once again.
Down the hallway. White walls, pale floors, white light illuminating the night outside. White like death. But her heart pumped vigorously, a boom boom boom in her chest like a giant’s footsteps. She was alive, even though thoughts of the other side filled her imagination. She had to be positive, her mother was right: if the blood tests had been bad, they would have phoned right away.
“Well, the majority of your results have come back fine,” the family doctor beamed at her. “You can relax.” The room was white, and she couldn’t relax. Her heart kept practising karate, beating without pause or consideration for her comfort. The butterflies continued fluttering for their lives, unable to escape from the confines of her stomach no matter how hard they tried. The single painting in the room, of a hunting dog and a deer, made her think of thousands of deadly bacteria, hunting the healthy cells in her body. She thought of death, illness and her streak of bad luck.
“Honey, you look pale.” Her mother rubbed her back, trying to calm her down. But if she was pale it was because she was dying. The tests confirmed it. The majority had come back fine, but that still left a minority, and she knew from history class that a minority could be extremely, dreadfully dangerous.
“I’d like to add an extra blood test to the list...” the doctor continued.
She had just reopened the small wound on her lip, unknowingly digging her canines into it. Blood dripped down her chin, and she wiped it on her sleeve, not caring if the blood stained. If she was dying, there would be no shortage of blood on her clothes.
“Just to rule out anything else. I’ll phone the lab now and see if they still have your blood sample.”
“It’s pretty late,” her mother said to the doctor, “wouldn’t the samples have been destroyed by now?” She watched as the doctor shook her head, pigtails scraping across the shoulders of her yellow jumper. How could someone dress so cheerfully when she was dying? Funeral garb would have been more appropriate: black, black, gothic lace and some extra black.
The doctor was dialing a number on the phone, her fingers skipped over the buttons as if she’d done it a hundred times. She probably had. Confirmed a hundred deaths. The doctor didn’t care, she was just another dispensable patient, another strain on the healthcare system, another corpse waiting to be buried.
Her heart beat in time with the beeps of the phone. Beep boom beep boom beep boom… it was hypnotising, she felt herself relaxing slightly. Maybe she was finally dying. The white walls seemed to engulf her, swirling around the edge of her vision. The painting of the dog leaked into the real world, it was coming to hunt her, and she tasted the blood of the deer, her own iron-tinged liquid. Beep boom beep boom. She felt the butterflies burst out of their prison and they flew all around her; an assortment of colours and shapes dancing in front of her eyes. The cardigan, button lost, slipped off her shoulders and she felt weightless; gravity had no effect on the dead. Beep boom beep beep boom beep… beep… beep… boom. Her heartbeat faded, she heard people talking but couldn’t make out their words. All she could hear was the beep beep, then she entered the void of death.
“Welcome back,” her mother said. “You fainted back there, did you take your anxiety meds this morning?” She was in the car, buckled up in the passenger seat with a pillow behind her head. This wasn’t the afterlife; they didn’t take you on car rides in heaven. And they definitely didn’t provide you with pillows in hell. So she wasn’t dead.
The bacteria are killing me slowly, she thought. They made you faint first, gave you a taste of what was coming. Then they let you enjoy life for a little while, got your hopes up, gave you time to think that maybe things were getting better. Then death would hit you when you least expected it, like a truck at a busy intersection.
The night was pitch black, not even the man on the moon could smile tonight. The headlights were the only source of light, but they showed nothing but bricks. Red bricks, the colour of blood, which she noticed she could still taste in her mouth. But that didn’t matter, she was yet to taste a lot of blood in the lead up to her death.
“Where are we?” She didn’t bother to answer her mother’s question, she couldn’t even remember herself. Why bother with using your brain when it’s going to stop working soon, anyway? What she wanted to know was the sort of building those blood-red bricks represented.
“But do you feel okay now, honey?” Her mother was avoiding questions, too, it seemed. She did feel better though, those bastard butterflies hadn’t followed her. Their magnificent colours and other-worldly shapes weren’t visible in the darkness which enveloped her. Her heart… she couldn’t feel it. That was normal, she supposed, her perhaps just a side-effect of her impending doom. The bacteria works its way through your capillaries, is absorbed by the blood-stream, then it attacks the vital organs. That’s what she’d read, that’s what was happening. But it didn’t bother her much.
“Yeah, much better,” she answered. A light turned on outside. She could see a door amongst the bricks. The room behind it was glowing, but the glass was frosted and she couldn’t see inside.
“We’re at the blood lab,” her mother finally explained, “to get that extra test added. They wouldn’t answer the phone, but the doctor was sure someone would still be here. Luckily they were right.” The door opened and she watched as a robed man emerged from it, pulling a trolley behind him. That was more like it, this man knew how to dress when someone was dying. His robe was black, with gothic lace scraping against the ground. His hair, too, suited an undertaker; sleek and dark. Maybe he was an undertaker, and he’d come to measure her for a coffin.
“It looks like all the blood samples are in that trolley,” her mother observed from the driver’s seat, dimming the headlights so as not to blind the undertaker. “We better grab yours before it’s binned.” The trolley was hit by the white light, and it seemingly burst into existence, a paint palette of red, burgundy and black. It was full of blood bags, a cornucopia of bacteria and viruses, human life and foreboding death.
The undertaker spotted them, seated comfortably in the car, and a surprised expression crossed his face. She felt her heart beat slightly… boom boom. She felt her panic rising, the butterflies returning, as she realised that he didn’t want her there. He hadn’t come to measure her for a coffin; she’d go to the grave cold and unclothed, not adjourned in jewels, not in an intricately carved bed.
“Who are they?” Her mother said, her eyes fixed on a group of figures emerging from the darkness. Boom boom boom. She didn’t feel safe there, something was off, and not the blood. The blood was alive, full of living bacteria just waiting to get back inside her veins. It was the people. They were pale as ice. Boom. Their eyes were red as the fiery sun. Boom. Their hair black as night. Boom. Their feet just sweeped the ground, they flew like ghosts. Boom. Their teeth were as sharp as knives. Boom. They were dressed for a funeral, but not her’s. Boom. They radiated death. And she knew… boom… they were vampires!
“What the…” her mother gasped, but she paid no attention to the frightened woman beside her. The scene unfolding in the headlights held all her attention, not even the returning tickle of butterflies could take it away. The people shook hands with the undertaker, greeting him as a friend. And they picked up the bags of blood, of sweet, red wine. They raised them to their mouths, pricked the bags with their teeth, and sucked. She tasted the iron tinge of blood on her tongue; she was biting her wound once more. But not with the ecstatic glee that the vampires bit those bags of nectar with. They tore into the vessels like the dog in the painting; delighted with the fruit of their hunt. The vampires were drinking the blood samples. She was dying; her heart was exploding! But that didn’t matter anymore, it didn’t even frighten her. Because there were vampires. At the blood lab. And they were consuming the samples, they were tasting death.
The world faded to white, then she felt two strong hands on her shoulder. Slowly, her vision returned, and she was no longer outside the blood lab. The vampires were gone, their fangs and black garb just a memory. The darkness was gone too, she could see a shining orb in the corner of her eye. Was this death? But no- the orb was just a lamp, and the white walls surrounding her belonged to the doctors surgery. She noticed that painting on the wall, the unsettling hunting dog and deer.
Then her mother’s concerned face blocked her view. “Are you back, honey? You left us for a minute there.”
The doctor’s hands let loose their grip on her shoulders, and she saw the nauseating yellow of the woman’s cardigan as her pulse was felt. “Just a panic attack, you’ll be okay. Your results are normal, there’s nothing to be concerned about.”
She tried to register this, to believe the doctor’s words. But she wasn’t really back yet, her mind still lingered on the vampires at the blood lab. The way they feasted on those samples with such passion. The way bacteria were probably attacking her cells right this minute. She felt her heart, it was beating again. She focussed on the beats, on breathing in and out, in and out to its rhythm.
She straightened her posture, forced a smile, and lied for perhaps the hundredth time. “Yeah, I know, I’m fine.”
Points:
Time spent:
Canary word: Present
Possible AI signals:
Original Text:
Are you sure you want to delete this comment? This cannot be undone.
Mark this comment as a review? Points will be awarded to the poster.
Your comment was posted, but it wasn’t long enough to count as a review. Reviews need about four complete sentences (at least 250 characters). Try writing another review that explains your thoughts in more detail — the author will appreciate it, and you’ll earn points for it.
Hi! Finally here for some reviewing. I'll do more than one to make up for it.
So there's a lot I liked about this short story, especially the unifying theme of her thoughts of death and the bacteria coming for her etc etc. It had a really great atmosphere for the most part, and really got into the character's POV. One area that wasn't so strong was the occasional mixed message on what the tone is supposed to be, really. Sometimes it seemed lighthearted or humorous, but then most of the time it seemed dark. Especially near the beginning (one example being where it's just "not her day"), there was a mix of lighthearted metaphors and comments etc, alongside the doom and gloom.
I also wasn't too thrilled about the ending. I was soo expecting to find out what was really wrong with the MC; it was a promise that was set up and then not quite fulfilled. Unless she's turning into a vampire? Or did the doctor send them there as bait? Actually, I'm pretty confused about the whole situation. Generally the doctor would call up for the add-on to the test (and he wouldn't have waited for the people to bumble all the way into their appointment--he'd have just done it), and then tell them the results, or maybe have her get blood re-drawn if they needed a different type of sample. So I *really* don't understand what's up with the drive in the dark, and why this "lab" they go see sounds more like a morgue. I think overall I was too confused about why anything was happening, and I lost my suspension of disbelief, so that made it harder to appreciate what you were going for.
I was really hoping it would come back to anxiety. Like nothing is actually wrong with her, she's just imagining all this stuff because she's so anxious.
One definite change I'd recommend is get rid of that exclamation mark after vampires. Some famous author or other described them as like laughing at your own joke. Best only used in dialogue and avoided in narrative--the tone of the sentence itself should carry enough weight.
I'll be off to do a few more for you tonight! Cheers.
Heya, Dracula! Story one of your Nano, so let's get to your review!
The first thing I noticed was just a grammar nit pick-
These two things don't seem to have anything to do with each other. I would suggest separating them with a period instead of a comma. Anyway, to the next thing.
Here I was expecting her to either die or die and be brought back. But instead you have her faint, which doesn't really work well with the,"void of death." I would suggest something different, but this is up to you. On to the next point.
Overall I like how you described the protagonists character. Obviously she's clumsy, a worry wort, and she over analyzes everything. Easily able to relate to, so props for that. Oh, the only thing I didn't like about your character description was how bland the mother seemed to be about everything. She wasn't really worried about her daughter, and from what I've seen mmost mothers(when it comes to something that might be life or death) are extremely worried about their kids. More worried thaan the child themselves, I mean.
One thing I didn't like was how the plot unfolded. It jumps. Like.. The bacteria bit. We didn't know anything about the bacteria until she thought the symptoms were caused by that. I would suggest allowing the plot to either unfold slower, and not jump in that manner, or allowing things to be said(important things like that) earlier on in the story.
Another thing I'd like to ask about was one of Mea's points. We can't exactly tell if anything, or if most or some, is in her head. Why is that? I'd like to read this and know what's going on, but when I read this I was like,"Okay, so is this happening or not happening? Is this real or fake?" Basically, your short story here raises more questions than it does answer them. I understand this is just style preference, but something I thought was worthy of pointing out.
Anyway, that's all I have to say about this one. On to the next. I hope this helped.
Keep on doing what you're doing, and keep on keeping on.
Sincerely, Matthew Casanova Aaron.
...I don't quite know where to begin with this.
I can tell there's a thought-provoking, intense story hidden here, but I'm not quite sure how to bring it out.
It's oddly surreal. The vampires were about as random as I can imagine. The whole story feels bizarrely dream-like. I had a hard time figuring out what was actually happening and what (if any) of it was just in her head.
This isn't automatically a bad thing - surreal stories are practically a genre unto themselves - but they feel coherent in a different way to simple 'oh, the description is clear and the plot make sense.' In the best surreal stories, there's some kind of thematic element tying it together, even if you just can't quite see it.
So guess what you're missing is foreshadowing? Because I didn't realize you'd categorized this under 'supernatural,' so I thought it was just a story about her illness. And there was no hint to the supernatural element - no strange-looking person with possibly pointed teeth sweeping past, nothing to say this is anything other than a girl finding out the results of some blood tests.
So yeah, foreshadowing and thematic ties would help pull this story together a lot. I quite like the last line - I think it hints at what maybe you were intending, a connection between her being scared of possibly being deathly ill and these vampires drinking blood, that connection to life, and thus tasting death. I'd make that more explicit if that's what you're going for. Short stories can get away with being a lot more blunt about their themes.
Things that don't make logical sense: What is actually wrong with the girl. This was the central conflict, what was first set up, and the doctor just keeps dodging the question and so we never actually know if she's dying or not. Maybe the point is that she's overreacting, but it feels odd. Also, I'm pretty sure if she fainted at a doctor's office, she wouldn't have woken up in a car, she would have woken up in a hospital bed or at the very least being fussed over by a nurse.
But the biggest thing that was strange was why they went to the blood lab themselves, expecting to be allowed to take one of her blood samples back. That's just not how it works, they wouldn't let just random people demand that they do a few more tests on a blood sample that's about to be binned. It does serve the purpose of getting them there so they can see the vampires, but it feels quite contrived.
I don't know, I'm not sure what your goal is with this story, what direction you're trying to take it.
Thanks for requesting a review! I'll look through some of those other works in that folder and see if there are any more I want to take a shot at.
Thanks for the review! Maybe I shouldn't categorise it as supernatural then... because it's all happening in her head. She did faint, and she didn't wake up in the car. She's still 'fainted?' while this is happening, it's all in her head. It's her anxiety and fears going out of control.
Okay, all that makes a lot more sense now.
I think that aspect, the way you her fears out of control, works really well. I was just confused about what's actually happening.
This is really good. I fell in love with the story by the third paragraph, simply because you use such amazing description. Your work isn’t filled with simplistic words that could easily be changed, and the plot isn’t hard to follow. I like your repetition of the word “another” when she is describing the doctor dialing the phone. The ending was amazing. Good work!
Thank you so much for those two reviews! I really appreciate the feedback and I'm glad you enjoyed them.