Rushing

by Cspr

Published May 23, 2012

In Poems

Rush-rush-rush,
it’s all you ever do
shooting for the horizon,
shooting for the moon.

Your head’s on fire,
your heart’s on ice,
and your thoughts are squirming out a vise.

They’re trying to be rockets,
your thoughts.
They rush-rush-rush.

But the world is slow as a pebble’s erosion.

Yet it’s all too fast, too brief, too once.

The world moves slow, but you die fast.

Those thoughts never to all be out,
unless you splatter them
fast across
paper and people.

But, always, always, always, another rocket shall come.

Death’s greatest trick--taking
before you can give,
before you’re done.
Comments & reviews · 3
User avatar
Rydia
Review
Rydia wrote a review Review · Jun 24, 2012

Hi! So it's review day which means I'm searching through those pieces that don't have many reviews and I came across yours. Long story short, I'm gonna review this :)

Stanza one: Love the half rhyme of moon and do and this sets the poem up nicely. We can already see that's it's going to be a pretty whimsical poem with an up-beat tone. Good work.

Stanza two: Fire and ice, shooting for the moon. Okay so none of this is stuff we haven't heard before and I think you meant vice, not vise. I'm not sure that I'd place this as more than a chilren's poem at the moment. It isn't the use of the cliches so much as you're not doing anything new with them yet. I'm reserving judgement though so go ahead and surprise me ;)

Stanza three: I like how you've changed the syntax around here and mixed it up a little. There's certainly nothing I can fault you on rhythm-wise, it's very smooth and very fun.

Stanza four: Alright a change in tune. I think these three lines need more to them. I love the first but the second could do with an image tied to it before you move to that very final sounding 'the world moves slow, but you die fast'.

Stanza five: This feels almost like you've taken two poems and slotted them together and I'm not sure what to think of it. There's none of the rhythm here that you had earlier and the vocabulary has stayed simple but without the fun onomatopeia and all that lovely playing with sound and rhythm. I'm surprised at myself but I'm actually going to say I liked the first parts better.

Stanza Six: I don't understand the tying of the rocket in with death. It was a positive image before, the first time you gave us it so this was a very confusing twist. I like that you've returned to the rhythm and those final three lines while dark are very strong. I think you should keep those but everything from the end of stanza three to here needs work. I think you should keep some of the rhythm from before because dropping it altogether leaves your reader feeling shaken and unsure what's going on or if this is still part of the same poem. By all means have the twist to the darker side, but make it a smoother transition.

Overall

I'm not sure what to think of this. I liked the end and I oddly like the beginning. Admittedly more in a 'this is a nice children's poem' way so I'm not sure how you feel about that but it was certainly an interesting piece.

Heather xxx



Those thoughts never to all be out,
unless you splatter them
fast across
paper and people.

But, always, always, always, another rocket shall come.

Death’s greatest trick--taking
before you can give,
before you’re done.

Rydia replied · Jun 24, 2012

Silly lack of edit button. Sorry, those lines weren't meant to be posted at the end. I always have the poem in the box with me to read as I make comments and then delete as I go by but somehow forgot to here.

User avatar
04piegirl12 Comment
04piegirl12 commented Comment · May 23, 2012

Hey,

This a very beautifully written poem, and I understand exactly what you are saying. Thanks for writing a poem I can relate to!

Your fellow writer,

04piegirl12



A man hears what he wants to hear and disregards the rest.
— Paul Simon