Imaginary Friends - 16: Hole in the Head (part 1/3)

Hole in the Head

(Part I: What You Calling For?)

Straightaway something felt wrong. Sara would never knock, not in her own house.

Knock, knock! Again at the back door, this time louder and more persistent.

I turned away from the stairs, darted across to the small mahogany hall table and slid open the little drawer, wincing at every sound it made. From this I withdrew a letter opener, grateful for Sara’s interest in the démodée. Little more than a second passed before the same terrifying thought struck me and Mercy.

‘Could it be...’ she whispered. The sentence didn’t need to be finished.

I wanted so much to tell her no, to reassure her, but all I had was, ‘It’s entirely possible...’ This caused Mercy to let out a little ‘oh’ of realisation. I hated being right sometimes.

With shaking hands I clutched the letter opener, holding myself rigid despite knowing my best chance was to get moving. My stomach felt hollowed out, empty, but at the same time stuffed full. That nagging butterfly feeling which I had worked so hard to put behind me was back. I scanned about me for possible hiding places (old habits), only managing to move my head around.

It looked like everything that I’d tried to forget was about to be refreshed in my memory. The reasoning behind the painful reminder boiled down to little more than the satisfaction that could be gained from it.

Chillingly, that was the moment that the back door creaked. How long did we have? My distress gave Mercy leave to take action.

‘Something has to be done! I’m gonna do it if you won’t’, she said, holding my hands out in front of me to show that she’d wrested control. ‘If it is him, I’d rather confront Doc than let him find us. I’m not afraid’, she maintained, slipping the letter opener into her boot.

‘So that’s it – you’re just going to walk right in?’ I asked. Mercy’s gutsiness was admirable, but I worried that she had more guts than sense.

‘Better to burn out than fade away’, replied Mercy. ‘Let me try for once. He hasn’t met me… he hasn’t seen anything yet.’

In this inert form there was little point in arguing with her any further.

Mercy marched toward the kitchen, haughtily swinging her hips as she walked. She said nothing. Only the minute stumble in her step, the slight rise in her heart rate and the hitch in her breathing betrayed what her pride had been masking as she flattened herself against the wall.

Peeking gingerly round the doorframe, all was confirmed. We didn’t need to look anymore, didn’t need to see the pair of shoes again to recall their squeaking on linoleum, or the misleadingly gentle voice of their owner.

“There you are, madam”, the doctor called. I could imagine him pointing right at us, like it was some kind of hide-and-seek game. “Come on out. Come home…”

The stupid, childish name burned. Madam is something you call a difficult little girl if she decides to have a paddy. I should have long outgrown it.

Mercy leaned sideways into view and addressed him with her best quizzical look. “Sorry, were you talking to me?” she asked cynically, “because I have a bloody first name that everybody else uses. You ought to say your prayers, my dear doctor – I’m the other Miss Watts, Mercy, but I don’t do forgive and forget very well.”

“You’re unreal...” He stared at her blankly for a second, looking equally close to both laughing at and striking her.

“Aww, did I steal your thunder?” Mercy asked, with a pout that was perceptibly drenched in derision.

“Don’t flatter yourself –” Doc apparently loathed the thought of being beaten by her. “My dear, I’ll not insult your intelligence. You know what you’ve done and why I’m here. Now must we make a big scene out of it?”

“Oh, I’ll give you a scene”, she interrupted. “Why can’t you just leave us alone?”

“Hmm… you just admitted to something I didn’t even ask about.” Aiden counted a point on his fingers. “Furthermore”, he continued, “something that does no favours for your questionable sanity.” He counted himself another point.

Keeping score, huh?

Mercy snorted. “What kind of a sane person treats anyone as infernally as you treat Layla?” she retorted. “You fling insults and torture around like they’re nothing, until she’s cracking at the seams. Most times, you make her cry when you come near her, but you wouldn’t know that because she’s been forced all her life to keep her feelings to herself! She cries no less, simply because no one hears her but me.” Mercy paused like she was going to stop, but she’d decided she would make the most of Aiden’s attention.

She wasn’t done yet… she had been lying low far too long, planning this.

“If you had any sense of remorse, you’d have asked yourself why Layla left in the first place! It was not so you could waltz in and try to – to – seduce in her into going back!” Fury radiated from every word out of her mouth. “I suppose there’s just no pleasing some people”, she finished dryly, folding her arms.

Both had more to say, but the conversation felt over. Finality hung in the air, and the outcome seemed almost inevitable. I hoped for both our sakes it wasn’t.

During the sharing of her thoughts on Doc’s treatment of me, Mercy had pulled herself up straight, trying to be as in his face as possible. Now he was enacting counter-moves, as one would in any attack.

As Aiden stole into her space, Mercy took compensating steps back toward the wall, until she bumped it with a second nauseating wave of finality. This was when the deep-seated urge to push this man away, to keep him at arm’s length where I could see his hands, flooded in. Being unable to act on it was almost painful for me. I had grown to embrace the concept that if he was too close, it wasn’t really a matter of me letting him in.

Before either of us knew it, Mercy was entrapped by his hands resting on the wall, just shy of her shoulders, putting her in a most definite state of discomfort.

He smiled. “Don’t fear, I’ll return you to your place. Or have you forgotten?”

My place. That place. Maybe it was because the sound of my breath catching at the notion and its connotations (what does it matter if I wasn’t ‘breathing’ as such?) was so clear, but Mercy echoed it exactly. At this point Aiden was staring directly into her eyes, so intently that I could almost believe he was looking right at me through them.

“Go to hell!” Mercy yelled, with a sudden new surge of ferocious vehemence.

With startling conviction, she struck out with the letter opener – strange – when had she pulled that out? I could only guess that she’d barely thought about the action herself.

Nimbly, Aiden sidestepped the blow, leaving a gap and an opportunity for us.

‘RUN!’ I screamed, grateful when Mercy listened and sprinted from the wall. Her instincts were the same as mine would’ve been.

In the midst of her flight, she had to let her weapon clatter to the ground, her arm ruthlessly twisted from behind. There was virtually no time between registering that and the next pain.

Mercy’s small cry of surprise alerted me as well as if I’d felt the sting responsible myself. I knew that cry. As Mercy whirled her head round, I caught sight of the syringe in Aiden’s hand.

‘Correct, he stuck me, wherever the hell he got that syringe from. Well done.’ Mercy’s tone was sardonic.

Everything blurred out of focus for a moment, like being underwater and looking up at the surface. All I was aware of was the motion of lurching forward. I could well imagine the dizziness Mercy must have been feeling by now.

Her attention shifted back to the door as she staggered in its general direction. The anaesthetic’s work was quick. Clearly, it was too little, too late. I knew it was over as she dropped like a stone to her knees. Mercy was doubled over, the effort of supporting herself too great, but Aiden slid his arm in so she was bent over it, to prevent her from hitting the floor face-first. She looked up at him with something like disappointment. And that was the last thing we knew.

Lights out…

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Deanie
Review
Deanie wrote a review · Sun Aug 30, 2015 12:31 pm

Hi Bella!

Happy review day!

And finally I am all caught up with reviewing your novel! I hope there will be another chapter coming out in no time. I see what you've done with the ending of this one, and linked it up to the future chapters that we have been seeing going on. I really loved Mercy's involvement and how she took over Layla's body to have a bit more of a confident confrontation with Doc. Yes, it did give him a couple of things that he wanted to know but she really did give him a good telling, which is probably something Layla wouldn't have been able to do with all the fear she had stocked up. It was a good argument but there were a few other things I would've liked to see included.

At the beginning you mention the knocking and you act like it is a huge deal instantly. Yes, it couldn't be Sara. But for all she knows it could be Doc - and yet, other people would knock too! The mail man, a neighbor... whoever it is would knock. So maybe it's not too suspicious? Honestly, if someone was knocking at the door I would just answer it because there is a possibility it isn't him. Now, I know you like the building of suspense but maybe it would be worth setting this scene at night. And if you did intend for it to be at night or happening pretty late, remind the reader of this at the beginning. If someone is knocking at night it is much more suspicious because basically no one does that, and if we have anything established we already know it isn't Sara.

I would also like to see a description of Doc when we get to see him for the first time. We have had the description of his appearance before, but it's the first time the reader gets to see him again from some time away. Layla probably remembers every detail of his appearance, so let her look at him since then and see if anything in the slightest has changed. As well as that, the reader will get a quick reminder.

I found it a bit odd that Layla never took the time to think in her mind about how the doctor could possibly have found her. Sure, it doesn't have to be something she focuses on completely, but I do think her mind would drift towards that at some point. From the pounding on the door, Doc knows this is the right place. But how?

Also, when Mercy is speaking she mentions that Layla feels weak and lost when Doc is around and puts on a brave front. Yes, that's all fine and everything, but how does Layal feel about that? Maybe she never wanted that said so that Doc could never know how much he really effected her? Maybe she feels a bit miffed that that has been given away. I know we're in the middle of an argument there, but don't be afraid to inject her feeling between the speech.

Nitpick time!

I scanned about me for possible hiding places (old habits), only managing to move my head around.


I think you should make the third word 'around' instead of about because it just flows naturally that way. Also, it doesn't seem so important to mention that she was only moving her head? We get that she has to do that to find a hiding place. But if you say something like 'only moving my head to make sure I was making minimum noise' then we know she is only moving one part so she doesn't alert Doc as to where she could be. It gives meaning to mentioning that movement in such focus.

Straightaway something felt wrong.


I think this moment is one where you really tell instead of show, and that could be changed. I would rather hear about how her fingers twitched from the knocking and an uneasy feeling swept through her body, instead of just being told that something feels wrong. Remember to keep an eye out for those moments and use them to your advantage!

It looked like everything that I’d tried to forget was about to be refreshed in my memory. The reasoning behind the painful reminder boiled down to little more than the satisfaction that could be gained from it.


I was really confused when I read that paragraph because there was no focus on what she was talking about before. What had she tried to forget? Had she tried to forget Doc, or the moment when she felt betrayed by Sara or the fact that she could never quite remember what happened the night she came back home with blood on her hands? And what was the reminder that she was receiving? I was so lost, and I think that part needs a bit more explaining and grounding on specific moments.

The stupid, childish name burned. Madam is something you call a difficult little girl if she decides to have a paddy.


I am being a bit picky here, but usually when I think of madam I actually think of a grown woman. Madam as in the match to sir, I am thinking. But you should probably choose a name that everyone would immediately think childishly of, not one that someone could take to mean the opposite. I am thinking more along the lines of the name 'Missy' here, and I think it would be perfect for your purpose.

I also don't know what a paddy is? I think maybe replace that with tantrum, which again is something generally most people know.

That's all I have to say! You've really ended on a suspenseful high when it comes to this chapter, and I cannot wait to know what is going to happen next. All the drama is coming to a boil! Make sure you keep me updated so I know what there is more.

Deanie x

All I can say is wait for the next chapter. Oh, it is coming to a head! Some of your questions will be answered...
Thanks for the review!
PS. You said it, a paddy is a tantrum. British idioms? :)

User avatar
TriSARAHtops
Review

Heya Bella! So I've been meaning to review this for a while, and here I am, for the July Review Day!

It's been a while since I read the original draft of this so I kinda remember what happened, but not so much so that I could really tell any differences, so I'm just going to treat this review as if I hadn't read the draft.

Action scene was gooood. Fast-paced, exciting, it had just the right amount of tension for it to work really well. I think you handled that bit fantastically, and I was definitely impressed.

I'm not sure about how I felt about the dialogue between Mercy and Aiden. In some ways, I thought it was very accurate to the way that they both speak, however I did feel like sometimes it was a little too over dramatic to quite be believable. It just felt a little too sassy heroine vs scheming villain for my taste, and I don't think it really did the story justice. I love the fact that Mercy lets rip at him, and I think if you kept her dialogue but toned down the sinisterness of Aiden's it might work, but at the moment it just felt a little over the top for my taste.

The letter-opener seems to be a thing that keeps getting brought up, but I think that it wouldn't be an issue if you made it a more heat of the moment thing, for Mercy to grab - perhaps during the confrontation. Like, she's scrabbling to grab something, anything to use as a weapon, and that's the nearest thing. It's only because they do have those few moments of preparation that it feels like an odd choice of weapon.

From this I withdrew a letter opener, grateful for Sara’s interest in the démodée

Sometimes, there's kind of the feeling that maybe your own vocabulary is mixing with Layla's, and this is one of those times. Considering she's spent most of her life in an institution, Layla wouldn't have had all that much in the way of education, so for her to be using a very intellectual-sounding word like 'démodée' kind of sticks out. Maybe if you stress the fact that she did a lot of reading at Luneswood - as I believe you've called it? - it might make it easier for the reader to buy her advanced language, but as I read it, it feels a little unnatural.

As always, I enjoyed reading this, and look forward to the next instalment. Any questions, you know what to do!

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Noelle
Review
Noelle wrote a review · Sun Jun 28, 2015 11:54 am

Hi there! Noelle back again for another Review Day review!

Straightaway something felt wrong. Sara would never knock, not in her own house.

That's kind of obvious...

From this I withdrew a letter opener,

She wouldn't dive for a knife instead? I would've grabbed a knife if someone I didn't know was at the back door. That would cause more damage than a letter opener.

Chillingly, that was the moment that the back door creaked.

Wasn't the door locked? How'd he get in without Layla unlocking it?

The time between the first knock and the door opening was a long time. I know exactly why you did it that way, though. It built up the tension. However, I feel like it was a bit too long. I was also confused by Layla's actions. If she had an idea of who was at the door (aka Doc) why wouldn't she just have ran and hid? It's obvious that she isn't ready to face him. So why is she just standing there waiting for him to come in? It's quite a strange reaction and not very believable, if I'm being perfectly honest.

Yeah! Go Mercy! ^_^ It's really cool how she steps up and defends Layla like that. Not only does it show all of the anger built up inside of from observing all of the crap, but it also helps with character development. Sometimes it would seem that Mercy doesn't care all that much about Layla because of the way she's sarcastic and snaps at her a lot. But when it comes down to it, Mercy would do anything for Layla. She really does care. A lot.

With startling conviction, she struck out with the letter opener – strange – when had she pulled that out?

There doesn't need to be a closing dash after 'strange' because strange is how Layla describes not knowing when Mercy pulled the letter opener out. The closing dash there separates the reaction from the reason for the reaction.

We're right back into the action aren't we? You know, there was a bit of me that hoped/expected there to be someone different than Doc at the back door. I guess that was just the hopeful side of me trying to take over. I knew it was Doc all along, because there wouldn't be that much tension or build up if it wasn't him. He's just as sinister as I remember him and I'm not surprised he already found her.

The fight scene was written well with Mercy struggling and Layla struggling because she couldn't struggle since everything was left up to Mercy. I really would've liked to have seen more of a fight out of Mercy though. Like when Doc pinned her up against the wall I had expected her to struggle or try to find a way out. Instead she just stood there and took it. That doesn't seem like the Mercy we've come to know. Oh, and with the letter opener. How was Doc able to dodge it like that? He was looking at Mercy, bracing his hands against the wall -- which meant he was super close to her to begin with -- and wasn't paying attention to anything else going on. I feel like the opener would at scratch him or something. There's no way his reaction time is that fast.

I noticed that this is part 1 of 3 of a chapter. However, after reading through it in its entirety, it feels more like a single chapter rather than a part of one. There's the suspense, the action, the villain, the fight, and then they lose. It's one complete scene, one complete thought, if you will. Maybe I'll change my mind when I read the other two parts, but as of now it feels like just one chapter.

Overall I really enjoyed this chapter. We had a nice break from any evil there for a while, but now it's back and Layla and Mercy are being forced into the situation they hate all over again. I wonder how long it'll take for Sara to notice they're gone and put two and two together and go after them at the institution. I really hope she comes to her senses soon. I'm not looking forward to Layla being back in the institution.

Aw, now I have to actually wait for the next chapter. *pout* xD I'm looking forward to it!

Keep writing!
**Noelle**

Thanks for the reviews!
See you next chapter

Thanks for the reviews!
See you next chapter

User avatar
ChimeraMania
Review

As Aiden stole into her space, Mercy took compensating steps back toward the wall, until she bumped it with a second nauseating wave of finality.

"As Aiden strolled into her space,"

Well that's the only mistake a saw while read this part. I was so into the last bit of this that I couldn't even comment or like the other chapters, but I'll go back and do that.

I kind of figured he'd show up but I was so hoping he wouldn't. I was hoping it maybe a friend of Sara's. The next chapter I hope she realize that Layla was taken and not that she kept running away.

So that's all I have for this.
~Sharrae out, tottles

Again, "stole" was the word I wanted. It's kind of a slow, sneaky movement.
I think you'll be interested to see Sara's role next chapter(s)

You make it sound like I won't like it

You might not...
No spoilers!

Man that's a spoiler right there, but I still can't wait for it. Well I have to because I won't be on for a week, but still.

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TimmyJake
Review

Timmy here!

I'm trying here to keep this review as far away from technical errors possible, and focused more on the big issues. Let's see if there's enough here for me to talk about. xd With your writing, something tells me there won't be. This chapter is just so so so good!

Okay, first. The doctor. Why does he want Layla and Mercy so much - in fact, so much that he's gone after her... and why? You must have explained it in past chapters, but I've always been a bit confused as to what they actually do with the girls, and why they're so important to the Doctor that he'd actually go and hunt them down. You know, rather than just finding a new one off the streets, which would realistically be much simpler. Perhaps that's something I missed in previous chapters? - something about them that makes them special to the doctor? I just think you could spend a bit more time on the World building, structuring your plot and the energy behind the doctor a bit better. You could make him seem more... I suppose realistic? And in order to do that, you need to make his character have more of a purpose. So show us what he does, how he does it, why Layla is more important to him, etc.... And then this scene would make more sense, and we'd understand why he goes to such an extent for Layla and Mercy.

From this I withdrew a letter opener


This, to be honest, is boring. On occasion, your writing falls into this (not too often, though), where your narrative becomes almost stagnated, and it doesn't move the reader like it should. From this, I withdrew isn't cliché, isn't incorrect - it's just... dull. Bring some life into these moments! I'll throw out an example or two. When she pulls out the letter opener, let her finger the blade - how sharp is it? Maybe even she cuts her finger a tad on the blade. Make her clench it in her fist, feeling the steel pressed against her palm. Sensory detail in moments like this is imperative to relay both an emotion and the feel of the piece and character to the reader.

IS THERE A PARTICULAR REASON THEY DIDN'T RUN

So that part just didn't make sense to me. >> Towards the end of the piece, Layla and Mercy run for it - dropping the letter opener and bolting for an exit. Buuut why didn't they do that in the first place, when the Doctor was knocking on the door? Seems like an idea that would come to Layla immediately, because she's good at that kind of thought, and while Mercy would be the one to want to rush in and show the doctor who's boss, I'd think they'd both make a run for it? It just seems so... stupid to allow Mercy to take charge and come out and show the doctor where they are.

Now he was enacting counter-moves, as one would in any attack.


This part of the chapter felt very... disconnected, like we were reading it from a documentary or viewing it from far off. We need more sensory detail here to become attached to the story - more that helps us see and feel it. One thing you must try and never do it tell the reader something is about to happen, or something is happening, and then go and describe what happened. Skip the introduction - get right into the real meat of the action. It comes right down to show versus tell in the end. Make sure you rely more heavily on showing in the action parts, because that's what draws the reader into the scene - feeling it. Not being told how it all is. ;)

she struck out with the letter opener – strange – when had she pulled that out?


Cut the second half of this. Beginning with strange, it should all be swept away. Why? - it draws the reader away from what's important and disconnects them from the action. Bring in more sensory detail, shorter sentences, and focus more on what's happening now in those moments, rather than posing questions making note of things.

Everything blurred out of focus for a moment, like being underwater and looking up at the surface.


PERFECT <3 The visual is amazing.

I loved this chapter so much. And it's only beginning. D: Man, you've done so well and written these past chapters so fast, I know I'm going to get another one soooooon. So excited. Aiden is back, things are getting horrible for Layla and Mercy once again. What could be better? xd
~Darth Timmyjake

Thank you for the review...
There's more coming. Aiden's motives will be explained - I'm coming round to them! Patience...

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BellaRoma
Comment

Hi, guys! What a busy bee I've been :)

So, this is the start of the future chapter rework. Not a lot has changed on this one.
Can you please be mindful that Noelle hasn't read the first draft of this, so try not to spoil what's coming for her (I'm sure you know the things I mean)?

I hope to get part 2 to you soon...



Do. Or do not. There is no try.
— Yoda