You Oughta Know
I launched the picture at the bed, but it fluttered down lazily despite all the force I’d applied. It didn’t even land on the bed.
The bangles still lay in an overlapping heap on the carpet by Sara’s dresser, so I picked them up and placed them there, as intended, instead of retrieving the photo. I wanted a moment looking away from my unnaturally threatening duplicate. Having skimmed the other documents on the bed, I got the feeling that the file was a mini investigation into me.
‘What are you going to do with it?’ asked Mercy.
‘Take it’, I said on impulse. ‘I’ll read it in my room. We can’t lurk in Sara’s room anymore. Let’s find out what she knows and how bad it is…’
I left the room with the file tucked under my arm, politely turning off the light and pulling the door to as I went. Sitting cross legged on my bed, I set the folder down in front of me, opening it with a painstakingly minimal grip.
My chest tightened. The first piece of paper I came to was that haunting newspaper clipping, the one which had been there tripping me like an extra stair since the day it was published. What a colourful picture the black-and-white print painted!
“Why can’t you just leave me alone?” I asked it, unsure why I felt the need to say this out loud.
‘Uh, Layla… you’re talking to a piece of paper”, Mercy remarked.
‘Wow, I had no idea –’ I began, before it hit me.
Sara had read all this, and she’d chosen to create the file. There must have been a reason, something she thought wasn’t right, that led her to… what conclusion? I became gripped by the rest of the pages, dragged through their terrible version of events.
‘I can’t believe that Sara had all this in mind while I was talking to her earlier’, I said, horrified. ‘Just supposing she doesn’t trust me anymore? It kills me to imagine her thinking me capable of murder.’
‘Maybe she doesn’t think that’, replied Mercy. ‘We both know she hates to jump to conclusions. If I were her, I’d probably be just as confused as you are right now. For her, you’re caught in the no man’s land between Crazy Girl and the girl she used to know.’
‘Back to square one, is what you mean’, I grumbled. ‘Labelled as something I’m not – just the reality I’m on the run from…’
‘It’s up to you to change the label. Don’t just sit back if you don’t like it!’
‘I tried with Aiden, and look how that turned out’, I snapped.
Mercy was persistent. ‘Sara’s not Doc’, she retorted.
The war of conscience between me and myself raged on late into the night. After the nightmares, I could easily wake up and make the wrong choice, which was why I kept fighting sleep. Somehow, I didn’t hear Sara come in…
The next morning, my mind was made up.
‘Jeez’, remarked Mercy. ‘I’m about to be smothered with tension. How can you stand it?’
I told myself that this was a morning like any other, made myself eat breakfast and everything, but that was as long as I could keep up the charade.
“We need to talk”, I began. Sara said the exact same thing, in harmony with me. “Really, really need to talk.”
“I’ll start”, said Sara. “What were you doing in my room last night?”
“Putting back the bracelets you let me borrow. That was all I was doing, until I found this.” I held up the file for her to see.
“That’s… just me trying to tie up a few loose ends your story presented”, Sara replied. “It doesn’t mean I’m judging you solely on what’s there – that would be like putting together a jigsaw with half the pieces missing. On the other hand, this is part of the story, and I recall you neglecting to mention it.”
“How did you find all of this stuff?” I asked. “You can’t have got it from just anywhere.”
“At work, there’s a database for practically everything, including mental patients, for want of a more delicate term”, admitted Sara. “The file consists of all I could obtain without a warrant.”
“I’M NOT MENTAL!” If nothing else, I had to get that point across. “Of course, that depends on your perspective”, I finished acidly, backing away from Sara.
“So put it in perspective for me, Layla!” Sara thrust an open palm towards me in a typical go-on-then gesture. “You should know better than I of the gaps that remain in your story.”
‘The floor is yours’, said Mercy with mock grandeur.
I prepared myself by taking a deep breath, a nervous twitch in my hands. “That day in the newspaper article, I – I might have had something to do with it…” I faltered, hanging my head in shame.
Sara dropped her hand from in front of her mouth. “Tell me you didn’t kill that man.”
“Long story short, I can’t”, I replied.
“Don’t spare me any details.” Sara’s tone fluctuated between the two meanings of her statement. “What do you mean, you can’t? We have plenty of time for that long story.”
“I blacked out on the way home that day”, I told her. “No matter what they tried at the institution, I never remembered a thing. Consider it the million dollar question.”
“How convenient.”
“Do you think for a second that I’d have let Aiden keep me as long as he did if I knew?” I asked, hardly believing the suggestion. “The premise only worked because it was nothing more than his word against mine.”
“Fair enough”, said Sara, “but why couldn’t you tell me this when you first arrived? Why let me get the wrong idea on my own?”
“In my defence, I didn’t expect you to go behind my back and dig up my past”, I protested. “I thought I could trust you.”
“You don’t realise what that file means, how it makes me feel. What I don’t know is hurting me.” Sara’s speech quickened the more she said. “It’s like there are two people I’m dealing with: the Layla I know, and this – this other person the file alludes to. I am trying my best to wrap my head around whether you are both, or one, or neither. And you’re worried about trusting me!”
Sara had very efficiently countered me. Once again, she’d unintentionally related to my secret, as I realised how often I thought along similar lines when I stressed about Mercy.
In response, I couldn’t help but tell Sara what I’d learned from my experiences. “Logic won’t help you now, Sara. It won’t do anything about this”, I said, indicating myself with a flourish of my hands.
“What do you think you’re doing?” asked Sara as I turned my back on her to walk out.
“Leaving”, I said over my shoulder, ignoring the fact that she was following me. “I think I need to get out for a little while.”
Sara reached in vain for me. "Layla, wait -"
Just the same, I zipped up my boots and pulled the hood on my jacket up. Then I was ready to leave, without even knowing where I was going to go. Pushing the handle, I threw open the door, expecting to hear it slam as I ran in the direction that took me. I presumed Sara had been fast enough to catch the door when there was no such sound.
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Hi Bella!
I am so so late but I am finally here! I don't think there is too much I can say when it comes to this chapter because the previous reviewers have all done a wonderful job with pulling out the majority of things. But I am going to focus on some nitpicks and one plot point which I think could've used a bit more focus. Otherwise, this was a good chapter. And I like how you can see that both of them are feeling pretty torn. Sara doesn't really know who it is she is looking after and wants to know if Layla actually killed someone or not, and then Layla doesn't even know herself and isn't sure if she can trust Sara anymore. Both are right in feeling the way they do! And then the inner conflict they are both feeling starts the outer conflict. Very interesting, and I think you have handled that incredibly well here.
The one thing I wanted to see in this chapter was a bit more about facial expressions. Especially Sara's. You have them saying all these things to tell us about the argument but I wanted to see it shown as well. I wanted to know how Sara had known she had been in the room. Was there a look of shock, or guilt, or something else on her face when Layla showed her the file? Had she noticed it was missing and been expecting to have it shown to her later on? I think her face expressions could've helped to portray that. Also, I wanted to see a bit more of the emotions of Layla. We're getting a lot of dialogue and not enough on the emotional level as I think could be included in here.
Another thing is, whenever it comes to the heat of an argument it really seems like it is only Layla fighting and Mercy seems to be forgotten. She watches everything and doesn't say anything to Layla until afterwards. Maybe she would be the voice of reason, or maybe agreeing with Layla but we just don't get to see it because she is forgotten. I wanted to see Mercy included in the argument as well.
Nitpicks now!
I didn't really like the repetition of the word 'bed'. But I know what you wanted to show here, so maybe you should change the second sentence to 'It frustrated me all the more that it didn't even land where I wanted it to.' That also shows the frustration she is feeling at the moment.
Got should be gotten.
I know what you mean to say, but no one would say it like this. It would be I'm not crazy or maybe I'm not mentally disturbed/ill or something.
This sentence is just phrased awkwardly. I rewrote it: You should know better than me what the gaps in your story are.
That's all I can really say because this chapter in itself was so good, and had a lot of drama in it. I am curious to know where Layla is intending to go or do now that she has left the house, and what Sara is feeling in these moments. I will be back for the next chapter soon!
Deanie x
Hi there! I'm here!
finallyIn unison, not harmony
It took me a while to come back to reviewing this because there really wasn't much I had left to say after reading. So expect this to be a shorter review.
I'm a little confused as to what's actually going on when Layla finds the file. There's a lot of confusion on her part and feelings of betrayal, as well as the conversation with Mercy, and then Layla is throwing things and putting stuff back. It's a lot to take in. I think the wording is just a bit off. You might want to read over that beginning scene again.
The part about the reasoning for why Layla was in the institution was shocking. I'm sure that's what you were going for and it was played out rather well. However, I have to agree with Sarah in the review below me when she says that she wants to see more allusions to this crime. We've been reading this novel thinking that Layla is completely innocent and just ended up being thrown into this institution for no reason -- at least that's what I've been thinking. Now it's being brought up in chapter 14 that she actually did something. Foreshadowing would've really worked with this. Drop us little hints in the previous chapters that maybe Layla isn't as innocent as she seems. After learning something happened, I can't decide if she's innocent or not. It really gives us a different view of her. That's great character development by the way. The most drastic of kinds.
Sara has definitely become someone different than from when we first met her. She's still the nice, caring aunt, but she has secrets just like Layla and she's pulling out all the stops to get them. This seems to be the chapter of changing characters. First Layla, now Sara. It's refreshing.
Well, that's it for me. Hopefully I can give you a better review for the next chapter
Keep writing!
**Noelle**
Thanks for the review!
We are going to keep coming back to the crime... It is kinda important.
See you next chapter!
Hey Bella! I've gotten into the groove of reviewing today, so I think I'll keep at it. And then I'll be caught up!

Oooh, I liked the way this chapter developed. It was definitely time for some angst and tension, and this delivered nicely. Very enjoyable to read, and I think you showed a very good understanding of your characters, because everyone reacted in a way that felt very natural for their personalities.
On that note, I have to commend you for your development of Sara. There's a gorgeous complexity to her that really came to the forefront in this chapter. What I was really impressed by was the fact that even though she was angry, her caring nature was still there, and we could also see the more professional, investigative side of her. She is so well-rounded and nuanced that she does feel like a real person, and for you to have achieved that in a first draft is pretty cool.
My main criticism for this chapter has to do with the fact that a lot of what they are talking about hasn't really been brought up before. I get that you might have been going for suspense and shock, but I think it would have been more effective if there had been some more allusions to why Layla (and I suppose Mercy, by extension) ended up in the institution. There didn't have to be any outright statements or whatever, but this feels like the first time that the exact reasons that she was there has been discussed. Up until this point, I'd assumed it was just about Mercy, and whilst I love love love the fact that you've added more depth and mystery to the story by adding these details in, I think that something to consider when you go back to rewrite this after you've finished would to be adding some mentions of why Layla ended up in the institution, even if they are vague. I get that you may not have known these details when you started, but it's still worth thinking about.
Aside from that, I really love where this chapter has taken the story. Very excited about the next chapter. Can't wait!
Thank you for the reviews.
I hope things clear up next chapter. I'm trying to go into motives for Layla and Sara.
Timmy here!
So I'll just get right into it and let everything sort themselves out~
First, let's talk about your narration - how you give us the actions and descriptions. From a distant glance at everything, it reads okay, and everything flows together and there aren't too many real hitches to speak of. But let's pare away all the words, all the description, all the dialogue until there's nothing left but the format you use in your sentences.
Read over this sentence, taking note of the formatting and how you wrote it.
Now do the same for this sentence. Do you see the similarity? Many, if not most of your sentences follow the same format, like they're cut from the same pattern. They all have different colors, like you're making shirts - but each of them looks the same. In a way, it's redundancy. Each sentence is a copy of the one before it, but with different words to describe the new things that's going on. Try sentence variance as you go through. Write like you're driving down country roads. None of them are the same - they all roam around corners, have their straight runs and then dive down a hill, over a creek. Make your writing the same way, without a pattern. Have them all have their own mind, and allow them to explore where they want to go. In some places, you have it done well and all I can do is read in admiration and enjoy myself, but in many places it'd be good if you went over it and thought about how you could improve them.
Mercy didn't seem the same in this chapter. She had a bit of her old fire, but not nearly as much as I wanted to see, or how much I expected. I thought we'd get a blast of it every time she talked because of what they were discussing, but there wasn't much at all. >> Can I call an out of character moment? Especially since it doesn't make sense, them being in such an intense moment and all.
Okay, so this confused me. >< What newspaper clipping? I have no idea what you're talking about here, and either I am lost in this story and you've talked about it before... or you skipped over an important thing. Perhaps edit and smooth over those edges?
Why didn't Layla put the file back so Sara didn't suspect her? Seems like the only intelligent thing to do, and they're both veryyy smart - Layla and Mercy.
Man, Sara is a smart person. I love how you had her do that, learning about Layla to figure out what kind of a person she is. Most people would listen to her story, sympathize, and then forget, I think. But you worked on Sara's training and what she does for a living... and boom, we have someone who can open the doors and pull the strings, someone who can figure it all out. And Layla was not pleased with that. xD Not at all. But it was a wonderful scene to read, the awkwardness and tension in it all - as well as their stilted conversation. The end where Layla stormed out the door was perfect <3
Really, this writing is amazing.
One more thing I think you could do better is the dialogue. Not the actual words themselves, because those are perfect, but the structure around them. Again, you seem to have a platform you base everything off of and use for your structure, and that's not the best. Like the narration, you need more variance. I'd say in your case, less taglines and more visual descriptions of what they're doing as they talk. So lets say Sara says something - what are her hands saying, the curves of her eyebrows, the slouch in her chair? Little pictures like that as we go along mean everything to the reader, because they continue to build the scene and also tell us how they feel, but visually. Your dialogue does a good job displaying their feeling throughout the piece, I think, so what you mostly need is a bit of description and action instead of taglines to break things up. Otherwise, it reads a bit like a talking head interview and those are kind of boring. >> I'm not saying this was boring - not at all. This was amazing to read. xD But remember that the more you use taglines (especially if there are like five in a row with not much else), the picture begins to fade and all that's left are the talking heads.
More like that ^^ Good action to display what the words felt.
I don't have much else to say. >> This furthered the plot along wayyy more than the previous chapter, and gave me a lot to think about. This is something I have to take in slowly and savor, allowing the message and the words to sink in. It's not too much, though, and I thought you did an excellent balance of information and narration - equaling everything out so the plot was pushed along but we didn't become lost or bored in the narration. And, as always, your writing was so lovely.
Keep it up, and keep writing this. Looking forward to your next chapter.
~Darth Timmyjake
Thank you for the review.
I did think about the sentence structure a bit, but that's more the way I write (which I'll work on next time).
Sara definitely would want to know. Just not in the evil-sounding sense you portrayed. The irony is, neither of them have lied, per se. Not to mention that Layla doesn't really give Sara anything.
Oh, the newspaper clipping! From the day of the murder. A certain psychotic doctor brandishing it to terrorise her...
PS. When I said evil-sounding, I was talking about the reference to pulling strings and stuff. That doesn't sound like Sara.