12+ Violence

War of Dawn - Chapter 22

Chapter 22: Personal Crisis

Date: 1003 After Dawn, December 31st

The New Year is less than a day away and while a tangible excitement fills Valarheim over these final hours, Hilda finds her mind gripped with concern. Not for Virrath itself – she's confident in the generals to handle that – but with Paula. She spent her free hours yesterday searching for her and, yet, no one had seen the girl. Eliza and the generals remained secluded in their Hall, so she couldn't ask them either.

In the end, curfew dictated she end her search and try to get some sleep. "Try" being the operative word, as doing so is easier said than done. The past day had a lot happen and her mind is busily replaying those events in her head in an endless procession, despite how exhausted she feels. It also does not help that her bandaged hands are itching like no one's business. It takes several hours of tossing and turning around her tiny bed for said exhaustion to overpower Hilda, nailing her heavy eyes shut and finally causing her to fall asleep. Yet, it does not last.

The darkness from her slumber fades away soon and she finds herself in her old straw bed in one of Gustaff's guest rooms. The sunlight that shines through the lone window strikes her face with its warmth. It's time to get to work. Hilda stretches her arms far and wide, breathing in the familiar smell of the mines' furnaces as they're carried by the northern wind. Still sleepy, she drags herself off her bed and towards the bowl by the window. The cold water does wonders to shake her awake.

Hilda moves to the small wooden cabinet by the door to get herself dressed: dark woolen pants, a white woolen shirt and a gray apron. Same clothes as ever. As Hilda prepares to head downstairs and help Gustaff and Edda get the bar ready to open, she takes a quick look at the tiny mirror hanging by her door. There's a small gray smudge, the size of a grape, on her left cheek – odd, as she thought she'd washed properly.

So, Hilda grabs a piece of cloth, dips it in water, and tries cleaning the smudge off. It doesn't go away. Actually, it seems to have grown a bit. She rubs it again and, this time, it has definitely grown. Hilda inches closer to the mirror to take a look and, when she does, the smudge on her reflection's face starts spreading further and further. Her reflection cringes and frowns in pain as pieces of her turn gray. Bit by bit they droop off, exposing a corroded flesh underneath that bubbles as though it is being boiled.

Hilda reels back from the grotesque sight but cannot get away – her image reaches out through the mirror with a gangly, rotten hand and grabs her right arm. Sharp nails dig into her flesh, sending a piercing pain all the way up to her shoulder. She hasn't time to cry for help, as she's yanked into the mirror and finds herself suddenly outside. Gone is the ground, Hilda's decaying doppelganger holding her over edge of the deep Litnir quarry.

There she dangles, helpless and dazed, pummeled by a blizzard that strikes like an anvil. Sharp gusts of wind slice at her skin and the cold alone feels like it could kill. A small source of intense heat washes over her naked feet and keeps it from fully closing its merciless grip on Hilda.

Her gaze shifts downward and, at the bottom of the quarry, she finds the source of the heat – the top of a blast furnace. The ore within its bowels, molten into an orange and yellow paste, churns in a storm of sparks that reflect off her terrified eyes.

Her continuously rotting copy pulls her closer, beckoning Hilda's gaze back to her, sunken lips twisted in a dreadful grin of darkened teeth. A faint whisper echoes across the ether, coming from nowhere and, yet, everywhere: "Det var ditt fel."

Upon those words, she is let go, plummeting towards the top of the towering furnace. Hilda's limp body cuts across the hot air, the heat grows stronger and stronger and sears her exposed skin like scalding water. Still, there is no pain – not even fear anymore. Hilda takes one last look at her distant doppelganger, as it now falls apart and fades into blackened sludge, and closes her eyes as the fire engulfs her.

Hilda wakes up back in Valarheim Keep, letting out a small gasp as she shoots up from her bed and realizes where she is. The silence around her bedroom is broken only by her pounding heart sending ripples across her bones and her strained breathing, as though she'd just finished a round of sparring. Sweat droops off her brown, joining with the stream of tears that flows from her eyes and staining the red blankets around her legs.

"My fault", huh...? Tell me something I don't know, she thinks, running her hands over her face in a semi-successful attempt to dry the sweat and stymie the tears.

Her nightmares, ever dutiful visitors of her subconsciousness, had been rather tame during these past couple of months; however, it seems they saw fit to make one final appearance in this year. Maybe it's due to her encounter with Virrath, or the myriad questions she has about how this next year will be – for her, her friends and for the Corps in general – but this one struck deeper than usual. Like a voice that gets louder if you start to block it out, it was a lot more intense. Her arm aches where her doppelganger grabbed it and the heat of that furnace felt just as she remembers it.

Hilda rises off her bed and steps towards her mirror; it is too early to worry about appearances but she feels compelled to make sure there are no gray smudges on her face. There aren't, thankfully; her sleepiness is all but gone, though. Checking to see that no one is out in the hallway, she steps out in her red night gown and takes a look out the window. Judging by the moon in the clear night sky, there are still plenty of hours to go until curfew lifts. Still, she really does not care to spend those staring at the ceiling of her bedroom – she needs to do something to get her mind off that nightmare.

She can't well train just yet so, instead, she decides to take to the roof. Rather than observe the stars and risk Vanessa spotting her again, however, Hilda moves atop Valarheim's tall spires. Guards are posted within, keeping a vigilant eye of the Keep's surroundings. Still, it's possible to get to the top without drawing attention by sneaking inbetween the windows carved into the towers walls.

The Alterium used in the construction shifts as her hand approaches, providing a firm handle for her to grip on. One at a time, she pulls herself higher and higher until she reaches the tallest edge of the spire. Hilda immediately sees that it was well worth the effort: an unobstructed view of the snow-covered tundra around Valarheim.

There is almost nothing around the Keep, it standing alone amid a white surface that stretches to the horizon. The snow of this time of year has all but buried whatever faint vegetation there was on the ground and most animals are well hidden away at this hour. Sound is basically nonexistent beyond the slight swooshes of the soft wind and, other than the stars above, the only light source comes from the barrier glyphs set on the ground. Faint circles in the snow, glowing the colors of each element, revealed only when the moonlight strikes just right. These enormous third tier spells, set by the generals, surround Valarheim and stand poised to attack any Valnr that gets too close.

Normally, Hilda wouldn't care much for the whole lot of nothing going on around here but, right now, this peace and quiet is just what she needs. She did see fit to bring in a small box of chocolates she got from Vanessa during Christmas, though. Leaning back against the hard construction of the Keep, Hilda simply lets her gaze travel across the expansive view while she indulges on the candy.

Some of the chocolates go down better than the others, though. Strawberry ones were always her favorite as a kid, when folks at Litnir could still afford such things; their incredibly sweet taste just fills her with nostalgic joy, like she's six years old again and raring to play with her friends. Meanwhile, the likes of the dreaded coffee ones are so sour that they go down like a punch to the gut.

It's taking a long time for that 'acquired taste' to set in, Edda... she huffs inwardly.

Regardless, it does help Hilda relax. Half an hour later, she feels more at ease to get back in bed. The descent from the spire is quite easy once she's past the lookout's windows but, as her feet are just about touching the ceiling, something flashes in the corner of her eye. Far away from Valarheim, a few kilometers east, she sees something of a glowing mass of dark blue energy amid the tundra – a shade of blue she recognizes, actually.

"Paula...?" she wonders aloud.

Now, leaving the bedroom during curfew and coming to the roof is one thing but outright leaving the Keep at this time is a graver transgression – punishment could be severe. Hilda knows that and, yet, the thought vanishes from her mind in about the same second it enters. She has been worried sick over her friend for hours now and that light seems to be similar to the one during Paula's training with Julius. She needs to go check it out and, more importantly, she won't be able to sleep without doing so.

Following a quick stop by her room to get off her nightgown and into something easier to run in, Hilda jumps out the window and on the other side of Valarheim's moat. Carried by her Haste Glyph, concern barking at her ears, she breaks across the deep snow like a proper bolt of lightning. The dark blue light starts growing with each step forward until, a few minutes later, she reaches it. Indeed, it is Paula, sitting cross-legged on the white earth and surrounded by five dark elemental spears.

Hilda approaches slowly, looking on in silence at whatever her friend is doing. The spears begin charging towards Paula, crashing against the Shield that manifests around her. One by one they strike, erupting in dark blue sparks as they fail to penetrate the barrier. More emerge as fast as they fade away, always attempting to skewer her – first five, then ten, twenty, thirty. Paula endures the nonstop barrage, holding her arms out towards the Shield as if it to stop a collapsing structure from breaking apart. Her grunts grow louder with every attack, as her body trembles under the pressure, being pushed down into the layer of snow.

The fortieth spear proves too much for Paula. It smashes through the Shield and slashes her arm. The barrier of darkness trembles and crackles - the spell is failing. The forty-first spear, strikes at her stomach. The forty-second cuts her neck, her bleeding injuries painting the white earth with sharp streaks of red. Paula's pained groans stab at Hilda's eardrums as the forty-third spear appears. It's aiming at the heart of the reeling girl.

Hilda's mind goes blank and she charges forward, the Haste glyph materializing the second she lifts her foot. Paula recovers her focus in time to open her eyes and see Hilda jump in front of her. A glowing violet Shield of electricity

in her hand, she blocks the incoming spear. The dark energies crash against her spell and, with a shove, the spear is blown away to roll and vanish against the snow.

With a relieved huff, Hilda shakes her now tingling hands – hopefully that didn't make a mess of her healed burns – and turns to Paula. She meets her with satisfaction in her smile but her friend does not share in the feeling. Her eyes bear a sour note, as she looks back with narrowed, tense lips.

“You didn’t need to do that,” she grunts with a tone as cold as the night air – were it any more so, she’d be spitting icicles.

Hilda’s smile fades all but immediately, her eyebrows curving in surprise. “It’s good to see you too. I’ve been looking for you since yesterday.”

“Well, you’ve found me,” Paula snaps back and shimmies away from her, sitting on a fresh patch of snow. “If you don’t mind, I’m training now.”

“Huh? Of course I mind. Was that spear there, the one that almost ran you through, ‘training’? And you’re welcome, by the way.” Hilda raises her arms, confused as to why she’s being met with such attitude.

Paula shakes her head in anger before turning her back to Hilda and gathering more of the dark elemental in her palms. “Fine – you’ve my thanks, Hilda. Now, please, leave me be.”

Hilda isn’t sure what’s going on but she is not taking this sitting down. She stomps through the snow towards her, narrowing her eyes and biting her lower lip in an attempt to curb her temper.

“Hey!” She raises her tone before crouching right before Paula’s crumpled face. “Why don’t you calm down and tell me why you’re being like this? Did I do something to piss you off?”

Her friend lets out an angry huff and, as she waits an answer, Hilda’s eyes assess her battered condition. Paula has obvious seen better days, in more ways than one, as decently fresh injuries can be seen all over her body. Arms, legs, waist, chest and face have lost their tawny color in several spots, replaced by a mixture of red and deep purple left behind by the mosaic of cuts, stab wounds and impact bruises present. Most aren’t outright bleeding, showing traces of elemental energies within – they received some quick, but hardly thorough, healing. The wide bags under Paula’s eyes tell that she’s been at this for quite a while, too.

“Urgh… No, you did nothing,” Paula groans, scrunching her eyes shut and clutching her brow with both her hands – a headache wouldn’t be too unlikely, all things considered. “This is all about me and my inadequacies. I’m sorry but I really wish to be alone right now, alright?”

Much as Hilda doesn’t want to antagonize her, she can’t well let her be like this. She sits down in the same way Paula is and crosses her arms, seeing the storm of emotions running through her face.

“‘About you’… Don’t you mean this is about your fight with Eliza? Are you training to get her to change her mind?” she asks.

Paula’s eyes widen the second her words are heard, meeting Hilda’s gaze with a slight tinge of annoyance and a lot of surprise. “Lady Eliza… and how do you know about that?”

“I was passing by her office and heard the yelling. You wanna talk about it? I could help you train again.”

Hilda thinks back to that look Ryouma gets on his face, filled with so much kindness and fortitude within that she can’t help but confide in him, and tries looking at Paula in the same way. Eliza is always a sensitive spot for her and one she always keeps under lock and key; if anything, Hilda wants her to open up a little bit in order for her to help.

However, either Paula is even more reticent than her or Hilda’s eyes aren’t as trustworthy, as her frown deepens again, looking back with a clear message for her to back off. “I appreciate your concern but, again, don’t worry about it. This is my problem and I will deal with it myself.”

“Come on, don’t be like that.” Hilda inches closer and gently grabs her shoulder. “We’ve always helped each other, no? I’m sure I can—”

“No, you can’t, Hilda!” Paula snaps and shoves her arm away. “You have absolutely no idea how I’m feeling right now, so don’t patronize me!”

Paula jumps to her feet and with an angry wave of her hand conjures a portal at her feet.

“No, Paula…!” Hilda says under her breath, bringing her right hand back and drawing a Restriction glyph. She took the time to learn it after falling to it a few months ago – a circle with a single line within, swerving in a snake-like pattern. If the girl won’t willingly stop this self-harming training and explain what she’s doing, then she’ll have to pin her down until she does.

“This isn’t your problem, Hilda. Please leave me be,” she says as her portal glows, her body vanishing in its light.

Hilda fires off her spell but it is too late. Paula is already gone when the currents of electricity erupt from her fingers, traversing through the remains of the portal to crack like a whip against the ground. It’s loud snapping sound cuts across the silent tundra, as if to inform all of its pointlessness. Hilda dismisses the spell with a frustrated huff, eyes fixated upon where Paula sat. She expected her to be in a bad mood after getting told off by Eliza but this was far worse – she’s never seen the girl even half as cross as this.

Hilda lets out a deep breath and considers combing the area for her. She decides against it, however: as Paula is right now, finding her again is probably only going to end with her running once more. To say nothing of the fact that searching would be a challenge in itself: there is no light and she has no idea how far that portal could have taken her. Part of her is still yelling “no, go after! Find her now!” but she holds back, knowing from experience that there is nothing that can be done until she calms down a bit.

Fine, have it your way… Hilda massages the bridge of her nose and takes one last look at the empty tundra around – there isn’t any sign of life whatsoever across its white plains. Next time I see you, though, I’m not letting you run off that easy.

Dejected and tired, she brings out one last Haste glyph and rushes back to Valarheim, lest she further risk someone discovering her little escapade. Hilda has no hopes of a good night’s sleep after all this, however; theories about what Paula could be going through roaming about her mind like a crazed flock of birds.

As she reaches the Keep, the first order of business is getting back to her corridor’s window without alerting anyone. The moat is easy to jump across with the speed of her spell. After that, it is only a matter of manipulating the Alterium in Valarheim’s walls to create small steps for her to ascend to the proper floor in the living quarters. In through the corridor’s window and stepping very lightly to keep the creaking wooden floor as quiet as can be, she makes it back to her room undisturbed.

With a weary sigh, she runs her hands over her face and looks over to her messy bed – looks like she will be spending these next hours staring at her ceiling after all. As she gets closer, however, she notices something placed atop the pillow: a piece of folded parchment. Conjuring a small sphere of electricity to light up the room, Hilda squints her eyes and sees what it’s about.

Can’t leave Valarheim after curfew without authorization. Greta and Owen have a lot to do for tomorrow’s dinner, so why don’t you help them? In the kitchen, seven in the morning, it reads, signed by doodle of Ryouma’s grinning face giving her a thumbs’ up.

"Hrrrmm... jäklar..."Hilda moans, falling, defeated, onto her bed. Can she not have anything go right today?

Comments & reviews · 3
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User avatar
Megrim
Review
Megrim wrote a review · Wed Sep 28, 2016 6:25 pm

Onward we go, and this chapter I both like and dislike. At its core, I love what it's trying to do. I love the quiet, character drama chapters. There's good conflict here between Paula and Hilda, and I especially like the changes we're seeing with Paula. She's undergoing some serious trials, it seems. It fits well with the atmosphere of out in the snowy tundra late at night.

On the downside, I do feel like this subplot is getting too drawn out. I expected this chapter to have more meat in it, but really it's just a stepping stone (a lot of words for a stepping stone!). I was also a little disappointed that this was all self-inflicted, as it makes Paula seem overly pouty. I assumed, at first, it was hardcore training with Julius. Her dealing with her insecurities isn't quite *enough* for me. I want it to tie in more with the big events, the developing mystery, and the other characters. Then dealing with her insecurities on *top* of that.

I wish we'd gained more ground in this chapter. This feels like where the confrontation ought to happen. It's been built up sufficiently in previous chapters. The bait-and-switch here leaves me unsatisfied, and makes me wonder what the point of the chapter was. If it were me, I'd have Hilda chase her and they have The Talk after she catches up the second time. I think drawing it out more hurts you more than it helps you. Plus, condensing this subplot will help you with wordcount, so that's a bonus too.

For my "little thing" today, I didn't get a good grip on Paula's frame of mind as Hilda approached. I automatically pictured her as focused and determined. I didn't realize she was struggling/tired/injured until a paragraph or two later when it was finally described. I recommend mentioning her expression/grunts/whatever right away, then move on to describe more of the other things.

I confess that I felt forced to end the scene where I did simply due to the circumstances: Hilda can't catch up and make Paula talk since the girl can essentially teleport away at will. I wrote myself into a corner there...

This won't be drawn out for much longer, though. Very soon, the stage will be set for Paula to come clean on what's in her mind. It goes beyond mere insecurity, too, and tiees into other characters, though I haven't been overt on that thus far. I just needed to get things in the proper place to start going down that road.

User avatar
BluesClues
Review

The thing I love most about this story so far (having just come in at this chapter) is your women. They’re warriors, physically tough but also still capable of emotion and weakness, which is often a failing of strong female characters. Often, they’re physically awesome but also either hypermasculine (i.e. women are only strong/cool if they’re acting like men in all ways) or else they’re not allowed to be physically superior to the men in the story. To be fair, I haven’t seen any of these characters interact with men yet, but so far this is great. You did such a great job balancing their physical and mental characteristics. It reminded me of Suki, that Kyoshi warrior from Avatar: The Last Airbender, when Sokka says he was thinking of her as a girl when he should’ve been thinking of her as a warrior, and she replies, “I am a warrior. But I’m a girl, too.” So fantastic job with that.

You also did a great job with the non-English in this chapter. Rather than saying “Det var ditt fel (“xxxx”)” or “Det var ditt fel,’ which meant xxx” or any variation of that, you told us what the translation was very smoothly, through Hilda’s thoughts a couple paragraphs later.

"My fault", huh...? Tell me something I don't know, she thinks, running her hands over her face in a semi-successful attempt to dry the sweat and stymie the tears.


Similarly, you let us figure out “jäklar” from context. We might not know precisely what it means in English, but we don’t need to. We know Hilda’s day hasn’t been the best and that its general awfulness has just been added to, so we can surmise what “jäklar” might mean. It was a great way to add this language to the story; it gives more of a feel of the characters actually living in a Norse (right?) setting, because the translations come so naturally, and it neither confuses the readers nor comes across as condescending or awkward. It was handled so well.

I think your main issue with this chapter was dialogue, and even that wasn’t terrible. Two notes about that dialogue.

1. Sometimes your characters used phrases that seemed to be at odds with the setting and most of their vocabulary, like this spot.

She raises her tone before crouching right before Paula’s crumpled face. “Why don’t you calm down and tell me why you’re being like this? Did I do something to piss you off?”


“Something to piss you off” just seemed like an odd phrase. But that might just be me, so it depends on if other readers feel the same way about the dialogue or not.

2. Some of the dialogue was also really on the nose. As in, the characters said precisely what they mean in a really straightforward way. Obviously some people are just like that, but most people aren’t, and what is not said is often as important as what is. Like this spot.

“I appreciate your concern but, again, don’t worry about it. This is my problem and I will deal with it myself.”


This is actually fairly subtle in this line, and I realized looking back it doesn’t happen as often as I felt like it did in the actual dialogue, but you can check your narration, too, and see if you can spot where it happens. ANYWAY, in this line, for example—it’s just kind of unnatural, because Paula speaks entirely properly and isn’t as abrupt as I’d expect her to be from the overall attitude we see in this scene. She’s angry right now—mostly at herself, it seems, but she obviously doesn’t want Hilda’s help. She might not exactly be angry at Hilda, but that wouldn’t stop her from snapping at her. This line could be cut down to one or two short sentences, either

Don’t worry about it. This is my problem.


Or even just

I’ll deal with this myself.


Instead, she sort of explains herself to a further extent than I would expect from her general attitude at this moment in the story. Plus, consider the different characters. While one character might speak this way regardless of how she feels at any given moment, not all of them will. So if all the characters are always talking like this—explaining themselves more than necessary or usual—it’s harder for readers to differentiate between them. Different people are going to react to things in different ways and show their emotions in different ways as well. That should come across in the dialogue. Think about how different characters get angry. Paula seems like she can’t exactly hide it but sort of bottles it up, snapping, “I’m fine” or “Don’t worry about it” or “It’s not your problem.” Hilda might put on a happy face and pretend everything’s hunky-dory. Lady Eliza obviously prefers to get angry out in the open and yell at people. Each character’s dialogue should sound sufficiently different.

A good exercise to see how you’re doing with this is to take all the lines in a scene—especially a scene with three or more characters, where it’s harder to tell—remove all the dialogue tags, and have a reader try to guess which character says which lines. The reader doesn’t have to know the characters’ names; she just needs to label each line or group lines together under Character A, Character B, and so on. If your readers can group most of the lines together correctly, you’re probably okay. If they tend to mix up the speakers, you know you have a problem.

(It’s kind of fun to do yourself except that you probably KNOW who says what. Less effective that way.)

User avatar
Mea
Review
Mea wrote a review · Tue Aug 16, 2016 2:31 am

Back again.

I'm curious to find out what's going on with Paula. I like that they have this friction - it makes things more interesting, and it does a good job of showing the stress Paula is under. I'm concerned about her wounds, though - how is she even up and moving if she's injured like that? I feel like Hilda would want to tell someone about that, just to make sure the wounds are getting proper care.

Ryouma's note made me laugh. A lot. xD

On to more technical critique!

The first part of this chapter drags. If you think about it, it's a creepy dream, but it doesn't feel creepy, and that's a problem. Your tone and sentence structure doesn't change much from other chapters when she's just walking around talking to people. This is what's causing the problem. Nightmares are generally accompanied by a strong, sometimes irrational feeling of fear - focus on that fear. Shorter sentences help. Read your work out loud - when things are intense, there should be a lot few pauses per sentence, which generally means fewer commas. I can't stress reading it aloud enough. If as you're reading it, you feel the urge to speed up and read faster, that's how you know you've done tension right.

For example:

Dangling, helpless and dazed, her body is pummeled by a blizzard that strikes like an anvil, sharp gusts of wind cutting her soft skin like a storm of unseen daggers. The cold alone feels like it could kill in an instant but a small source of intense heat keeps it from fully closing its merciless grip on Hilda. It comes from below, and assaults with searing caresses against the soles of her naked feet.

Refrain from using "-ing" so much. It slows the pace. Don't use so many metaphors - you run the risk of purple prose. Use stronger verbs instead.

Instead:
Hilda dangles there, helpless and dazed, pummeled by a blizzard that strikes like an anvil. Sharp gusts of wind slice at her skin. The cold could kill, but a small source of intense heat washes over her naked feet and fights the chill.

Same sentiment, a lot fewer words. You don't need to say the heat comes from below - that's logical if she feels it on her feet first. I'd like to think it's more intense as well, but although I can tell when a scene drags, I'm not that good at fixing it. :P

So, full disclosure: I'm currently reading The Elements of Style for school, which is a very good book about the basics of grammar, and one of the big things the author stresses is brevity. Brevity makes your writing cleaner and usually clearer, and it's something I need to apply to my own writing. I think you could edit this with that in mind too. Go through it and ask yourself if there are any unnecessary words in any sentence or any unnecessary sentence in any paragraph. Ask yourself if there's any way to re-word something to make it more succinct.

Another example:
The fortieth spear proves too much, as its head traverses the Shield like a glass pane and slashes her arm. The forty-first spear does the same, striking at her stomach, whereas the forty-second cuts her neck, her bleeding injuries painting the white earth beneath in sharp streaks of red. Paula’s pained groans hit Hilda’s eardrums with equivalent force to those very spears, watching as the forty-third spear appears and points at the reeling girl. It’s aiming dangerously close to her heart.


Could be re-worded like this:
The fortieth spear proves too much for Paula. It smashes through the Shield and slashes her arm. The forty-first spear strikes her stomach. The forty-second, her neck.

Blood paints the snow. Paula's pained groans stab at Hilda's eardrums as she watches the forty-third spear appear. This one aims at Paula's heart.

Again, short but powerful sentences. Notice how I broke up the paragraphs - that's another thing that helps in tense scenes, though it seems counter-productive.

I know I'm harping a lot more on technical things than the actual story, but to be honest that seems to be going fairly smoothly, even if it is slowly paced. (That's another reason I recommend brevity - with how slowly paced this is, you don't have words to waste. Out of curiosity, what's your current wordcount, do you know?)

That's all I've got this time. Good luck with finishing this!

I'm glad the story itself is to your liking. And I see your point, regarding the technical bits. We're almost nearing what I'd consider to be the end of the first book (though the story itself is far from finished), so I think I'll do a thorough overhaul on that aspect when we get there.
Mind, I'll make some more superficial edits tomorrow on this chapter and some of the previous ones.

And, right now, we are at about 108k words! :o



Forgiveness is the fragrance that the violet sheds on the heel that has crushed it.
— Mark Twain