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War of Dawn - Chapter 19

Chapter 19: Frigid Commandant, Warmhearted Queen

Date: 1003 After Dawn, December 30th

A month and half has passed since Hilda offered to help Paula with her training towards becoming a fully-fledged member of that Wraith-hunting brigade she's a part of. Sparring with her has turned out to be far harder than Hilda had expected, though. For instance, true to her warning, Paula has been waking her up in the very early hours of the morning. More often than not, Hilda has found herself in dire need of several cups of coffee and it still tastes awful. She won't complain, since this was her idea, but it certainly doesn't do much to leave her in a good mood.

That is actually desirable, though, as Paula demanded that they fight without any sort of restraint: "that's how sparring goes with us," she said. And she wasn't kidding, as Paula fought with aggressiveness she usually reserves only to the Valnr. Their very first match ended with Hilda having a black eye and five new scars throughout her body – she gave back as much as she took, at least. Through stubbornness and several visits to Dr. Matu, they both endured the repeated bouts and results slowly started coming to bear. Just a couple of days ago, Paula came to Hilda, ecstatic, and said that Julius himself had commended her growth. He'd told her that she was "pretty much ready" to at least start accompanying him on hunts. Seeing her eyes beaming with joy almost took Hilda's thoughts away from how exhausted she has been feeling – almost.

Still, she has been keeping up with her own training and sparring with Owen. She did tell him about what's been going on when he started questioning the appearance of wounds on her overnight. Her performance with him has slowed down a wee bit but he saw the necessity of it in order to help a friend. At least with Julius' seal of approval, things should finally be falling into place for Paula, which means Hilda will be able to go back to her usual routine.

At least that was the plan. As she's leaving the training grounds and towards the underground lake to clean up for dinner, Hilda passes by Eliza's office and hears some loud chatter coming from inside. She stops in her tracks as she identifies one of the mumbling voices as Paula, who sounds quite agitated.

Worried about what might be going on, she inches close to the door and pushes it just slightly open.

"I am ready! Even Lord Julius has said so!" Paula says with quite the angry tone, standing right before Eliza.

The commandant sits unaffected, as stoic as ever, her hands crossed together above her desk. "That doesn't make any difference. It is my decision to make, not his, and I say 'no'. You'll just have to keep being patient."

"I have been patient! For months – years, even! I have studied, trained and worked my entire life for this, my lady! Do you know how hard it is to not be out there with you and the others?!" Paula yells, closing in and staring right into the blank eyes of Eliza's mask.

Her voice charred with previously unseen anger, every piece of her small body is stiffened and tense. From the door, Hilda can see her clenched hands, trembling by her side.

"I sincerely hope you didn't just ask me about my understanding on the hardships of life, Paula...!" Eliza grunts, her own patience starting to fade.

Her voice is calm and firm but every word that seeps out of it bears a note of danger, the calm before the storm. Despite the indifferent face in her mask, the heavy, tangible pressure that fills in the air around her warns Paula that she's walking on thin ice. Hilda herself, looking from as far as she is, feels as though she is being crushed under a dozen rocks.

Yet, Paula is not intimidated, her eyes ablaze with indignation and fixated on Eliza. "That is not what I meant, my lady. All I've ever done was so I could share in your burden! Even if it's not much, I can and want to do my part! And it breaks my heart that you, time and again, refuse to even let me try!"

"And, time and again, I have told you that this is for your safety!" Eliza says, her tone rising further.

"Eu não preciso de segurança...! Tudo que eu quero é estar lutando ao seu lado!" Paula yells at the top of her lungs, stomping the wooden floor.

Eliza slams her hand hard onto her table, so much so that Hilda hears it crack a little. "Não me importa o que você quer! Eu já disse 'não'!"

Neither Scion says anything following that outburst, standing immobile and staring straight into each other's eyes like wild animals trying to make the other to capitulate. The room grows so quiet, it would probably be possible to hear someone's breathing; none are doing so, though. Only the faint sound of the wind outside breaks the silence. Time feels like it's slowed down to a crawl and, at length, Paula exhales sharply and turns away from the commandant and towards the window. Eliza lets out a deep sigh and sits back on her chair, watching as the girl starts sniffling.

"My lady... Please, reconsider," Paula moans, pain and frustration bearing upon every line of her uncharacteristically frowning countenance. "I'm begging you..."

Eliza crosses her arms and looks at her for a moment, having already recovered her composure. She seems to be thinking, as her right hand's fingers tap away at her arm like mad. Hilda can't tell what is going on inside her head with that mask – hopefully her nicer side is speaking up.

Wishful thinking, as it turns out. Eliza's fingers stop and she answers, firm as a rock. "My decision is final."

Paula lets out a whimper as though she's just been gutted. It is a faint sound, like a needle dropping upon stone, and yet it pieces Hilda's ears like thunder. Paula's head shakes back and forth as her desires clash with harsh reality, and, in defeat, her tense arms loosen and drop to her sides. Her eyes set upon the floor as she stands dejected and with another wound in her heart. With nary another word of defiance, she opens a portal at her feet and fades away as tears begin to form in her dark eyes.

When she leaves, Eliza brings her right hand to her face and slouches on her red chair. With a rueful whisper, she speaks something Hilda doesn't quite hear – in truth, she isn't trying to hear. Both Eliza's whisper and the little voice inside her head, currently telling her to calm down before she makes a huge mistake, are overwhelmed by how outraged she feels. She's just witnessed the commandant spit on her friend's hard work and dedication and she will not simply let that slide – not even from her.

Hilda places her hand on the office door and slams it wide open, glaring at Eliza with bared teeth and venom in her eyes.

"How the hell could you do that to her?!" she snarls.

Eliza doesn't answer, or even acknowledge her presence, merely staring at the ceiling. Her indifference further annoys Hilda, who stomps over to her, fists clutched with such anger that bits of electricity run across them.

"Do you have any idea how much she's been working, all so she could do more for your ungrateful ass than just being an assistant?" Hilda continues yelling at Eliza, who still ignores her and massages her own temples.

Hilda slams her hands on her desk in rage, her electricity charring pieces of the wood. "Everyone can tell that Paula looks up to you so much – maybe more than any other person here. And, still, you didn't give a damn about her feelings! Why can't she have a chance to prove herself? She—"

Hilda is interrupted as the sleeping bear awakes. Before she even realizes what is happening, she finds herself being dragged from behind. Strings of silver light wrap around her arms, legs, chest and neck and tie her to a slab of jagged crimson stone that materializes out of thin air. The commandant takes her gaze off the ceiling and towards Hilda, an aura of power – boiling with anger – emanating like golden waves that dance around her body.

"Håll käften...!" Eliza explodes, Hilda being taken aback as she yells in Swedish. "Who in blazes do you think you are? You've been a part of this for mere months and your grasp on Paula's situation is so thin, it may well be nonexistent! How dare you come into my office and try to tell me what I should or shouldn't do!"

Eliza's voice blows through her mask and strikes Hilda with the force of an anvil. In normal circumstances, she'd be paralyzed with fear of the commandant's wrath. Any sane person would. Hilda is far too wrathful to be sane, however. She wants to yell back but the strings of Eliza's spell wrap like coiled snakes around her neck and only allow the slightest streak of air to even pass through.

Hilda struggles against her bindings, trying to move from side to side and grunting like mad as the jagged stone cuts at her back. Still, the spell doesn't even come close to breaking. Eliza steps out of her desk and stands right in front of the girl, looking deep into her glowering eyes. Hilda looks right back, her heart racing as though she's trying to intimidate a beast that is on the verge of bearing its teeth down on her.

The commandant does nothing, however. With a sharp huff through the nose, she rubs the bridge of her masked nose as the myriad energies around her fade away. Confusion dashes through Hilda's countenance, as Eliza cocks her head at her.

"I can appreciate you caring for your friend... But this matter is hardly any of your concern, Hilda," she speaks, once more returning to her usual firm and calm tone of voice. "And if you've the time to waste snooping on others, then I can think of better things for you to be doing."

Saying that, Eliza opens her hand and a white Comm. Crystal floats over from her desk.

"Alexandra? Your assistants are out on patrol duty, right? I'll be sending Hilda Solberg to replace them. Feel free to call Owen Kendrick in as well," she speaks into it before tossing it aside.

As Hilda glares, her eyes darting between her, the spell and the crystal, Eliza places her finger around the string holding her neck and yanks it off. The entire spell fades away into thousands white and red sparks that drop to the floor alongside Hilda. The girl takes in a deep, strained breath as her airways are released – she didn't notice back then but she might've fainted had that gone for a while longer. Eliza isn't willing to give her time to recover, however.

"Go clean up and head over to Alexandra's office. You and your partner'll be working as her assistants for as long as she requires – hopefully that will help cool that hot head of yours," Eliza commands her, waving at the office's window and causing it to open up. "And consider this your only warning: spy on me again and there will be grave consequences."

Hilda raises her head, fury returning to her weary frown, just in time to see Eliza moving her fingers around and casting a spell. A gust of wind hammers the side of her body and blows Hilda straight out the window, rolling and stumbling out of control across the dark tundra soil around Valarheim. She eventually stops, about a kilometer away from the keep and with a lot of dirt covering her body and clothes in brown smudges.

Seething, Hilda sinks her hands into the ground and pushes herself back upright. Common sense would have called what she just did – yelling at her boss, one of the strongest warriors in the world – incredibly stupid. Part of her is forced to agree, face the cuts and bruises the whole thing gave her. Still, another, larger, part doesn't agree or regret it… not when she knows how much that rejection must have hurt Paula.

"'Kimenbusshin'... Yeah, right. Fitta,"she grumbles to herself and walks back towards Valarheim, her feet sinking in the deep snow that's settled outside.

As she approaches the portcullis, Hilda spots some recent additions: a pair of ornaments, three bamboos pieces surrounded by pine branches and bound together with rope. Ryouma told her a few days ago that he'd left those here in celebration. As she's learned over the past couple of weeks, while the Corps can't really afford to stop for the holidays - the Valnr don't - the Scions still find small chances for some semblance of merriment.

The keep has been ever-so-slightly emptier nowadays, as a handful of Scions were given leave to visit their families and spend the New Year with them. But while it is business as usual for everyone else, the local atmosphere is different. The regal, albeit austere, interior of Valarheim now lies bolstered by a vibrant mosaic of colors, as silver strings of beads, garlands and multi-colored cloths hang across the gold-framed windows and red wallpaper. A contagiously festive air has settled in its corridors, seen reflected in the common smiles born in the faces of the Scions.

In fact, Valarheim has become something of a display case for different celebratory symbols from across the world over: polished wooden crosses from the Christians, Jewish menorahs, the seven symbols from those celebrating Kwanzaa, celebratory marble carvings of the gods from the Altrians and more.

Even those who do not celebrate the end of the year at this point still have the habit of bringing in traditional meals and drinks to be served on tomorrow. There’s no time for outright celebration, Vanessa told her, but the dinner of December thirty first is the closest people get to a short party.

Hilda, herself, hasn’t had the habit of indulging in New Years’ celebrations for a while now – folks at Litnir couldn’t afford big parties, so the day simply meant Gustaff’s bar was busier than usual. Still, Ryouma wouldn’t have it so, two days ago, he went and brought in a few things to her room. Hanging from the doorframe, a wreath-like ornament made of a piece of rope decorated with white and red slips of paper and, oddly enough, an orange. Furthermore, he also placed a pair of stacked, different sized rice cakes on her nightstand – again, an orange stands atop the two cakes.

She didn’t have any idea of what these meant at the time – and still doesn’t – but Ryouma refused to take “no” for an answer. He insisted all these, together with the ornaments by the portcullis, help beckon good fortune for the upcoming year. Considering all the times Hilda went to the infirmary these past months, she figured it wouldn’t hurt to indulge his superstitions.

Making a quick stop by her room, Hilda switches into some clean clothes. Taking a closer look at them, however, it’s pretty clear the work over these past months have taken their toll. So many rips, tears and stains across some of her favorite shirts. Penny-pinching is the way of life she’s had for years now but Scions do earn a decent salary from the Corps. Maybe it’s time for her to put some of it to use. Regardless, she does have a black gi with yellow details Ryouma gave her during the holidays, so it’ll do for now.

Without any more time to waste, Hilda runs back into the main hallway and dashes towards Alexandra’s office. It wouldn’t do to keep her waiting, lest Hilda annoy another superior officer today. She arrives just in time to see Owen walking up to the door as well, and he greets her with a suspicious look.

“Alright,” he sighs and crosses his arms, “what did you do?”

Hilda frowns and bites her lip, knowing he was wholly unconnected to her mess. “Ergh… Eliza was mean to Paula and I might have… yelled at her…”

Owen doesn’t actually answer at first, merely raising his eyebrows and giving a quick, amused nod as if waiting for the other shoe to drop. At length, he closes his eyes and throws his hands up in resignation.

“I don’t know whether I should be appalled or impressed…” he says. “I suppose I’ll take solace on the fact that you had your heart in the right place when you made such an unwise decision. Come on.”

Owen knocks on the office door and Alexandra is quick to invite them in. As soon as both Scions step through the door, they’re hit with the visual equivalent of a punch to the gut. Two empty desks belonging to Alexandra’s assistants, bearing several piles of hundreds of documents.

The general herself greets with them with her usual beaming smile. “Happy New Year to you, children. And thank you for agreeing to this – I have been somewhat swamped after my assistants got reassigned for the week.”

Owen turns his head to Hilda, narrowing his eyes at her, and the best she can do is mouth a quick “sorry” for him.

“It’s… no problem at all, Your Majesty,” he answers, doing his best to compose himself, before bowing to her.

Alexandra waves for him to stop it. “I suggest you not worry about formalities right now. Why don’t you two take a seat? There’s much to be done.”

“You’re not kidding...” Hilda gapes, distressed, at the thousands of files. “Is it always like this?”

“Oho, indeed,” the general answers with a dry laugh, bearing the somewhat blasé eyes of one who’s been doing this for many years. “While I take pride in the many fine warriors that serve in my brigade, their numbers mean so, so much paperwork.”

“Can’t you just pass this stuff on to someone else, though?” Hilda asks, in hopes of convincing Alexandra and getting them both off this mess.

The lady is quick to shake her head, though. “I can keep most of these under control, though it’s always best to delegate some chunks to others. I have replacements but they are on a mission right now; I will be counting on you two until they arrive.”

Urgh… hopefully it won’t be for very long, Hilda thinks as she sits down on the table closest to Alexandra. With a sharp breath, she braces herself to enter Paula’s shoes.

“Now, the pile furthest to the left is comprised of reports of from Scions of Sarfis working in the north region. Sort them out according to type and the given priority, highest ones at the top, then…”

As Alexandra passes on a long string of instructions, Owen and Hilda start getting to work. Patrols, Prana distortions, enclave sightings, enclave disposals, hostage rescues, necromancer infiltrations, communiques from the locals… there are just so many reports to go through. And this is only the first region of nine! Alexandra’s replacements are taking their sweet time with their mission, as one hour passes; then two. The constant back-and-forth between the unsorted piles and the sorted ones builds up into giving quite the workout for Hilda and Owen’s arms.

Alexandra herself is taking it all in stride, though. Poking her head over the pile of documents, Hilda sees her reading through the ones she’s been given at blinding speed – just about two seconds to comb through a whole page. Do generals also enjoy an intelligence boost, she wonders.

Regardless, she works far faster than the two Novitiates can keep up and starts alleviating some of their own workload as hers starts petering out. Pointing at some of their piles of unsorted documents, she conjures a small platform of light underneath and floats them to her table.

As she does, Hilda once again notices the glowing mark at the back of her right hand. Considering how she’s always been curious about it and could use something to break the monotony of all this, Hilda decides to take the chance to ask about it.

“Um, ma’am… if you don’t mind, can I ask what that mark on your hand is?”

“Hm? Ryouma hasn’t told you about it?” Alexandra answers back with slight amusement, still reading through her reports.

“Well, I didn’t want to gossip about you,” Hilda mumbles.

The general lets out a brief chuckle and steps over to her table, letting her take a closer look at the ten-pronged star marked in her skin. Hilda had originally expected it to be something like a tattoo but now she sees that it is anything but. Instead of the usual paints used for such a marking, the star is formed by several crisscrossing streams of silver energy that give it a faint glimmer.

“It is called the ‘Rune of Sarfis’,” Alexandra explains. “It represents the covenant firmed between the Vanhanen bloodline and Lady Sarfis.”

Hilda looks back at her with a confused frown. “But I haven’t seen it on Ragnar’s hand.”

“It does not manifest on the Vanhanen men. Perhaps it is due to Grand Scion Eliina being the first but, since her, every single Vanhanen woman was born with this rune on the right hand.” Alexandra punctuates this by pointing to the painting of her family.

Hilda comes closer and really does see a small mark depicted on the child's hand – it doesn't seem to glow like Alexandra's but maybe that's due to her not being a Scion.

“The mark gives us a few perks, once we know how to make use of it… but it also stands as a reminder that our fate has been decided since birth,” the general continues, her eyebrows frowning with slight regret.

“How so?”

Alexandra steps closer and caresses the cheeks of her daughter’s image, as if she were standing right there. “Vanhanen women are bound to Lady Sarfis. Thus, at one moment or another, we will be taken into the Corps. It happened to me, my mother, my grandmother and it will happen to my child as well.”

“And Her Highness Eveliina was never too taken with that arrangement,” Owen sighs from his table.

“You know the princess?” Hilda asks, surprised.

Owen props his chin on his hand, meeting Eveliina’s image with a nostalgic gaze. “Somewhat. As a child, I’ve accompanied my parents on visits to Dartham Palace. We played together on a few occasions.”

He quickly sets his attention back to the documents in front but Hilda stands up and waves his attention back to her.

“Hey, hold on there. Weren’t your parents Welsh knights? You never said anything about them working for the royals,” she exclaims.

“Not just any knights, Hilda,” Alexandra huffs. “Aberthol Kendrick and his wife, Eilir, were renowned as ‘the Sword and Shield of Britain’. I count them as dear friends and fine warriors since even before my marriage.”

“My parents and I were born in Wales, though I spent most of my childhood in our manor in the London outskirts due to their duties in the military. It was during one of our court appearances that they introduced me to Queen Alexandra and her family,” Owen adds, allowing himself to display a proud smile on his face.

Hilda also cracks a grin, setting her chin upon her crossed hands. “Aw, I wish I could’ve seen what kiddie blondie looked like.”

“Oh, he was such an adorable child.” Alexandra chuckles. “Always with this knightly attitude; it made for quite the contrast with his chubby, rose cheeks and baby-blonde hair.”

“Your Majesty, please!” Owen yelps, burying his head in the piles of paper as his fair skin turns beet red.

Hilda laughs and tosses a small ball of parchment at him, now thoroughly enjoying her task. “Come on, don’t be like that. Tell me how it was like growing high class, why don’t you!”

“Hmph, you’d best not expect me to say I was pampered.” Owen pops his head back out, still frowning with embarrassment. “My father eventually retired from the battlefield and began instructing the next generation of knights. I was ten at the time, the bare minimum, so I joined in as well.”

“Carrying on the family tradition, eh?” Hilda asks.

“Hm. Furthermore, my parents had long since been putting me through rigorous training, teaching the fundamentals of the longsword and chakrams, so the base was already there,” Owen answers while carrying another pile of freshly sorted documents to Alexandra’s table.

“Yeah, I wanted to ask about that…” Hilda puckers her lips with curiosity. “I’ve heard that chakrams are used in India, so how come you got them?”

“Aberthol,” Alexandra speaks up before Owen can do so, her eyes fixated upon her papers. “When he was starting his career, he spent a few years in a British garrison in India. They regularly cooperated with local warriors, so he took to learning some of their techniques.”

“And, thus, he passed them on to me. Were I not a Scion, I’d prefer the sword but with all the flexibility our spells afford us, I’ve taken a liking to these once more,” he says, spinning one of his chakrams in his index finger.

Hilda goes and carries yet another pile of documents for Alexandra. “Your dad sounds like a cool guy. He’s still training people?”

Upon her question, Owen immediately clutches his spinning his weapon. A dark cloud sets upon his and Alexandra’s faces and, just by looking at his pursed lips, Hilda can tell what’s coming.

“He would, were he still alive… He passed away three years ago, accompanying us, his apprentices, in a supposedly simple mission to eliminate a bandit encampment,” Owen says.

“Ah… Sorry for dredging up bad memories. I had no idea,” she answers with sympathy.

Owen shakes his head, summoning back his regular, focused, gaze and meeting her eyes with a slight smile. “Pay it no mind. Everything that could have gone wrong in that mission did… Most of us survived but the problem was—”

His story is interrupted when someone pounds at the door. After Alexandra tells the person to come in, a young Scion man rushes into the room. He salutes Alexandra and hands her a small missive before showing himself out. As she reads the paper, her eyebrows get progressively tenser and Hilda can see a spark of anger flickering in her deep blue eyes. After reading it all, she crushes the missive in her hands and lets out a sharp harrumph.

“What is the problem, Your Majesty?” Owen asks.

“We’ve just received information that the small fishing hamlet of Usoluk, in the northeastern region, was just found in ruins. Its denizens are, at first glance, all dead,” she answers with a grave tone to match her furrowing brow.

Owen stands up from her chair. “Was it the Valnr?”

“It has to be.” Hilda nods somberly. “No one who lives here would care enough to destroy a whole town and Bandits aren’t crazy enough to risk walking around. Did an Atrium appear there, ma’am?”

Alexandra runs her fingers across her chin, closing her eyes and thinking aloud. “The speed with which the hamlet fell, and the state of it as described in the missive, all point towards the Valnr. However, their presence wasn’t felt and no Atrium has emerged… Yet another of our foes’ recent trend of unusual activities. ”

“Do you think it’s the Valnr responsible for the explosion at Bathurst?” Owen asks.

“If it is, we’d like to help with whatever we can, ma’am,” Hilda steps closer, looking at the general with determined eyes.

Alexandra herself looks back at them, her bent eyebrows showing that she’s not too sure about doing that. The two young Scions stand firm, however, and show no hesitation. She seems to like that, letting out a short puff of air.

“I’m not about to send scouts into an uncertain situation… And, considering Ryouma and Vanessa’s praise of you two, I see no harm in letting you, at least, accompany me. That said, I reserve the right to order you to stand down if what we find appears too dangerous, understood?” she smiles and declares.

“Yes, ma’am!”

“Yes, Your Majesty!”

Owen and Hilda salute and Alexandra nods in approval. “Good. Then grab your equipment and meet me in the Hall of Soldiers. Do not tarry, please.”

The two of them run off, leaving the general with a satisfied smile in her face. Both of them are developing as magnificently as Ryouma and Vanessa said – together, mirroring their patron Altr, they may well be truly fine Scions with some more years of experience.

Heh… I’m having a sense of déjà vu, she thinks.

Alexandra needs to be on her way as well but, before doing so, she makes a quick stop by her family’s portrait. She kisses her index and middle fingers and gently passes them over her husband’s lips and daughter’s cheek. A small ritual of hers, as what she does here is, above all, for their sake.

Things have been progressing nicely over these past decades: the Valnr haven’t been claiming territories, the Corps has more Outposts than in quite the while. More importantly, they have five generals – it has been centuries since this happened – that are progressively growing in strength. Fate willing, one of them will eventually catch the Altr’s gaze and break the seal of the soul. If that happens, and they can start dispelling Atriums, ultimate victory will be so very close.

After so long, the wind is starting to blow in their favor and Alexandra will be damned if she’ll let a newcomer Valnr Knight upset it all.

Comments & reviews · 3
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Megrim
Review
Megrim wrote a review · Sat Sep 17, 2016 2:35 pm

This was a decent chapter, and I think by itself I quite like it, but in the context of following a string of other slow, filler-feeling chapters, it's starting to feel like too much filler. I think out of the recent ones, this chapter could stand for the most trimming.

I really liked the tension with Eliza. I love how you described the power of her voice and presence as she's talking to Paula. I didn't expect Hilda to go in there (I figured Eliza would be the one to call her out on eavesdropping and make her show herself), and that was an interesting confrontation too. Neat spell she used there. I also quite liked the holiday touch, and the multiculturalism.

I liked learning more about Owen, because I like Owen. However, I think once we got to that section, things felt too drawn out. The conversation while they're going through the paperwork could be much, much shorter. Obviously we still need to learn some of this stuff, but I think you can boil it down to its essence more. Remember the iceberg: only the tip of the iceberg will show up in the narrative, and the rest is all things that you need to understand as the author, but may never get into the text. Often when cutting details like that, I stick them in a separate notes document for my own reference, to be sure they're not lost (and I can refer back to it to make sure I show/hint at everything I need to)

Plot-wise, I have a strong suspicion Alexandra is about to die. There's tons of foreshadowing for it here, between her thoughts about her daughter, the pointing out about how well things are going, and the mention of Owen's father dying on a perfectly routine mission with his assistants.

A few line issues - most readers won't know what you're saying in those other languages. If you're going to include them, it might be prudent to imply more about what's being said. Also there are lots of "indeed"s :P

Have you heard the term of something being "overwritten"? It's when something's overly wordy or ornate. Some lines stood out to me as overwritten, for example there are two instances of lines like this...

...letting out a short puff of air off her nose.


And there are some overdone descriptions such as...

A sliver of confusion dashes through Hilda's countenance


A great piece of writing advice someone once told me is this:
Years ago, when working on reports for a local newspaper, I wrote the weddings page. I was always in trouble for going over word count. The editor tried to teach me, he really did. One week I wrote, "The bride carried a bouquet of flowers...". The editor's red pen came out and the last two words were gone.

"You don't need them. She'd hardly be carrying a bouquet of sausages, would she?"

So now, in every piece of writing I do, I look for the bouquet of sausages and cut it out.

User avatar
Mea
Review
Mea wrote a review · Fri Aug 12, 2016 11:09 am

Well. That exploded. xD

While I wasn't at all surprised at the reactions of the two girls (though I hadn't expected Paula to stand up for herself like that), I was surprised that Eliza got angry enough to use magic like that. Don't get me wrong - I think it was a good move. It definitely shows another side of her character and provides shock value.

I think you should have a small scene break somewhere between after Eliza doles our their punishment and before they actually go there and carry it out. Because of the intensity of that scene, as a reader I felt like there needed to be a tiny break, a place where I could stop and go "whoah" instead of soldiering on. You don't have to actually skip much or any time, it's just the extra space.

I'm also not really sure why Owen had to go help sort through the papers too, since he wasn't the one who yelled at Eliza. Unless it's more of the 'they're teammates, they do everything together' mentality.

Something I'm going to talk about for a bit here are your descriptions and your prose in general. It's not very easy to read, and I'm really not sure why. It's almost too formal, maybe? I don't know, but your exposition seems to just slide out of my brain and your descriptions don't grab me. I don't know if you've read Harry Potter or not, but one of the magical things about it for me is how Rowling brings Hogwarts to life, with colors and scents and sounds and words that evoke emotion. But you don't describe the setting much at all. We've been in this place for several chapters now and I still don't have a clear picture of what the average hallway looks like or the overall layout or even what the weather is! (Honestly - I thought they were up north, though I could be wrong. Isn't it cold?) It's really making it hard to be grounded in the world.

Also, I've finally pinned down what's different about your dialogue - they all talk kind of (but not quite) like they're from a 19th century novel. It's not really the same, since they generally use different sentence structures, but it's that same sort of formal, overly precise feeling. Which isn't automatically bad because some people talk that way, but the way you're using it is just weird because every. single. character. sounds like this. And these characters are from all over the world. Not always, there are small differences, but I'm willing to bet I couldn't tell the difference between a line of Paula's dialogue and a line of Hilda's, which is a problem. Plus, a lot of your dialogue ends up being overly wordy.

And I'm also still just not clear on what the time period is. Maybe I missed something, but from what I thought it's a sort-of post apocalyptic? As in 'world was normal, the Valnr arrived, it broke a bit, but the Scions are now keeping the world safe.' But when did the Valnr first attack? They don't even seem to have guns, which just doesn't make sense no matter how broken the world was. If they had invented guns before, and now have this level of industry again, they should definitely have guns.

Anyway, sorry I didn't spend that much time on what actually happened in this chapter, but we're getting far enough in that the little things are starting to build up to a point where it's hard to give benefit of the doubt. I'm not sure exactly how many words this novel is so far, but readers should be pretty well settled into your world at this point, and in my mind there's just too many ambiguities.

Well, I described how the keep itself looks way back in the start of this (chapter 2, when Hilda first arrived). Wouldn't going over it again to refresh the image be repetitive, though? I had considered it but got a bit worried.

And I see what you mean about the dialogue itself but the problem is that most characters present in this chapter ARE rather well-educated, so I couldn't well have them speak too differently. Eliza is the leader of the Corps, Paula is her assistant, Alexandra is a Queen and Owen is a knight.

Mind, I have been trying to make for some subtle differences in the tone of their lines: Paula, for instance, speaks in a more relaxed manner when dealing with Hilda and Owen. Ragnar, Ryouma and Vanessa are in the middle, somewhat formal due to their status but more easygoing (Ryouma, in particular, I've written with quite the playful tone while Ragnar has a gruff "soldierly" tone). Is it possible you're just not remembering it with all the time that's passed since you read a chapter with them?

On that subject, I'm surprised you say you couldn't differentiate between Hilda and Paula's lines because the former speaks MUCH more casually than the latter. Her word choice is simpler, she uses a lot of contractions, her tone is rougher (though she's more polite with her superiors).

As for the time period, the history of the world was gone over when we first started this. Do keep in mind that this is an alternate version of human society, so you ought to be wary of trying to mirror our history with this.
Now, you COULD call it post-apocalyptic in the sense that the Valnr wrecked everything a thousand years ago but people have rebuilt since then - that doesn't mean that the pre-War of Twilight world was a technological marvel, no. It was rather high medieval before being set all the way back.

I've been keeping the overall technology level consistent to about the 1500-1600s in our world. I couldn't just outright state this in the story but I've done quite a lot of research to make sure pretty much everything is on that level.
With that in mind, there are guns around but they're those old one-shot types like the Matchlock - hardly advanced enough to be significant in the battle against the Valnr.

All the cities we've been through, the architecture and societal state, reflected this. Again, it's been a long while since you've read this, so maybe you've forgotten?

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Sins
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Sins wrote a review · Mon Jul 11, 2016 4:31 pm

Heyhey!

There wasn't heaps going on in this chapter, and on the whole it was pretty tame, but it was good on the whole. It was nice to find out more about Owen, though I must admit that all this finding out about other people thing just makes me super desperate to know more about Hilda. Nonetheless, you giving us more background on Owen is definitely a good thing. Paula and Hilda's reactions to Eliza's decision made them seem quite immature, though in a good way because my previous issues have included these two girls seeming like fully-fledged adults, and not the teenage girls they are. The way they reacted to being let down seemed suitable for their age, y'know? You left this chapter on a bit of a cliffhanger too, so kudos for that.

I don't really have any major critiques, just some small niggly things. I've noticed that especially recently, you tend to start chapters with a summary of what's happened over the past few weeks/months/however long. The issue with this is that it does feel a little 'telling instead of showing', but also just that it can make things feel a little monotonous because it makes chapters blend into one, readers get the feeling of knowing what to expect, can make things seem 'samey' e.t.c. Err, does that make any sense? It would just be nice to see things get mixed up a bit in the chapters where there aren't any big battle scenes or anything. Find fresh ways of starting 'filler' chapters, y'know?

On a similar note, you tend to end chapters like this the same way too, with a distancing from the characters and an outside narrator becomes apparent. What I said about you opening chapters applied to that too, really. We readers can be very picky, so we like a bit of change very now and then! Again though, it is generally just in the chapters where there's nothing extreme going on, where everyone is training e.t.c.

While I liked Hilda storming into Eliza's office like she did in terms of it showing her age a lot more than some previous chapters, part of me does feel like it was a little unrealistic and somewhat out of character. Hilda's been noticeably intimidated by High Scions, leaders e.t.c. in the past, so for her to just storm into Eliza's office and start shouting at her seemed a little strange. I'm not saying she wouldn't try to stand up for Paula, but maybe she'd approach it differently? Even if she just knocks the door, begins discussing it calmly, only for her to become agitated and start shouting. That would seem a little more realistic, if you get me, as opposed to her going in all guns blazing.

I'm a little confused by the mark on Alexandria's hand, well, I understand it and what it means, how it works e.t.c. but I don't understand its significance. You've done this a little in the past, where you'll add an element into things that you don't necessarily need to e.g. you give us a lot of characters to remember, some of whom may not come up again. Advice a lot of experty people give is to not include something into your story unless it's essential to the plot. Is Alexandria's family mark come up again? Will it play a notable role? Will the story be unable to go on without it? Sure, it adds another layer of interest to Alexandria, but her character is progressed well enough to not need it. This is a bit personal preference thing really, but yeah, just be careful not to overload your story with cool things purely because it's, well, cool! It can make it difficult for your readers to keep track of things.

Anywho, that's me done for the time being. Critiques aside, this was a solid chapter, and I look forward to reading more. As always, be sure to take what I've said here with a pinch of salt. I'm slightly afraid I've made little sense in a lot of this review... so yeah, if so, please do let me know.

Keep writing,

xoxo S(k)ins

Thanks for your comment, Skins. :D

Alexandra's mark will absolutely be important to the plot so I figured I should add a wee bit of info to it as things are getting started. Trust me when I say that I don't mention details like this if I don't plan on using it for something, sometime.
The good thing of having this plot cook in my head all these years is that I've already a clear picture of what most major plot points will be! :P

And while I get what you're saying about Hilda being intimidated, it's also been showcased (and mentioned by, say, Josette) a lot more that she'll flip out if those dear to her are hurt in any way. So, I don't think this is out of character to her...

I do see what you're talking about the similar ways I start and end chapters but they seemed better than the alternative. Following time-skips, it doesn't seem right to handwave everything that must've happened in the previous weeks/months, no?

As for the endings, on a few occasions where I ended without a small tidbit at the end, I've had people argue that it ended abruptly. It did somewhat strike me as that, too, so I decided to try to insert a little something to fade things out in a slower fashion.


I wouldn't call these "filler", mind, since that implies nothing is happening at all. This story is meant to be more about the characters growing in middle of a war than the other way around; so centralizing chapters on their shifting relationships is still significant to the overall plot.

If Alexanda's mark plays a sizeable role int he future, then yeah, ignore what I said! It was a 'just in case' kind of thing really. The other tings mentioned are just 100% opinion really, so of course, my view on it all may be entirely different to everyone else's :P Oh, and filler was a bad word choice on my behalf, so apologies there! I just meant non-action chapters, so my bad.



You can cut all the flowers, but you cannot stop Spring from coming.
— Pablo Neruda