It wasn't really my mother I was worried about... I didn't even know why. I guess I always figured she could take care of herself - and I never was really all that close to her anyway. Besides Johnny, I didn't really have a close bond to anyone.
Plopping down on the chair, I tried to do what I'd seen my mother do before. After many bad and stressful days at the law firm, she'd sit in the kitchen, and just state random facts. Whether it was to calm her down, or keep her sane, I never knew. Maybe she was slowly drifting away into madness, and me and Johnny just never realized it. Whatever it was, I decided to try it out anyway.
"Uh," I muttered, not knowing where to start. "The sky is blue, the grass is green... My name is Magdeline West, and I have a little brother named Johnny." It's weird how all of my thoughts ended on that bright little boy. "He's amazing with these airplanes, like, not real ones - just ones made of paper and stuff. Just this morning, or, yesterday or something, he showed me ones made of tin foil.
I remember when he was first learning to make one from a book I had gotten at the Learning Center, he never could get it right. He always used to defaults away in the trash," I paused tracing lines over the table. "But he never knew I always got them out and kept them in my own room.
I always knew he had potential, and I thought maybe one day he'd grow up to become an astronaut or something. Like, he's got so much talent, and he's only six years old." I chuckled to myself. "He'll be seven this coming August, actually... I never could get a hang of airplanes. There were too many folds, and it took super long to get them to actually fly.
But Johnny, he can make them do more than fly. They could loop around in the air, and do a bunch of amazing tricks. I remember when he made one that you could fly over a pond, and when it landed, it would just float along like a boat..." I leaned back in the chair, laughing again. "It was the funniest thing, all the fishermen watching his little air-boat float right over their heads, and then float on the water - and, you know? The world needs a lot more little boys like Johnny. They need his innocence, his intellect, his one little dimpled smile... They need Johnny. I need Johnny."
Once again, I stood up, looking for an exit. Maybe there was something I had missed before... But of course, there wasn't. I was thorough with everything I did.
A loud clang made me whirl around. Someone, no, two people, one tall, and one short collapsed in a pile on the floor. When the shorter one got up, he ran over to me.
"Johnny!" I ran off the chair and knelt down to his level, embracing him in a hug. I fell onto his shoulder, not wanting his presence gone. "Johnny, I've missed you so much..."
"Maggie," he whimpered, squeezing me tighter. Finally, I looked up at the taller man. Martin only nodded, his expression unreadable.
"Um, what about," I whispered softly, and hoped Martin knew who I was talking about.
"She - she wasn't there." He seemed uncomfortable, and oddly fidgety. I furrowed my brow, and closed my eyes tighter, trying to block everything out. My mother. My mother. Surprisingly, I couldn't think of anything else that she was to me. But it didn't matter what I thought about her; she was gone. After a while, Martin spoke. "I hate to break this up, I really do, but we must keep moving."
I had stopped hugging Johnny by then, and looked back to look at him. Other than a scratch on his forehead, he was fine. Sighing, I turned to him. "I've already checked. There's not a way out, Martin." Martin was already up on the table, looking upward. Following his gaze, I nearly slapped myself. There was a large wheel, like one on submarines. He felt along the ceiling, and finally pulled a latch which was a little further away from the wheel.
"You have to turn the wheel now, Maggie. It'll get us out of here. You climb out, and there'll be a button on the wall to your right. If you press it, the door will stay open without me holding the latch, okay?" The plan seemed far-fetched, but then again, so did everything else that had been going on.
I kissed Johnny on the top of his head, and clambered onto the table. Swinging the backpack over my shoulder, I twisted the wheel. It took a bit of elbow grease, but it was working. Finally, with nothing more than a soft click the wheel slid inside the ceiling, and weak evening light filtered through. "I have to get a boost up," I said as I grabbed the chair, and set it up on the table with me. After I had climbed on top, I was able to get through the opening.
As soon as I was up on solid ground, a pair of hands sent me careening to the far wall Martin had mentioned. I struck my arm against it, shocked. My backpack flew off as I fell to the ground. A hooded person stormed over, and pulled me up by the throat. The other hand glinted silver. They held a small knife up to my throat.
"Who are you, and what are you doing in the burrow hole?"
End of chapter
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All good things to report here! The grammar was better (except that ome spot where you use "defaults"?), the plot is getting really good, I felt a lot of emotions about Johnny, and I can almost begin to pick up on how this is connecting with the prologue. Wow! Did you take a writing course between the last section and this one? Lol. The others weren't bad, but this is something else.
It feels like I've taken decades to get to this, so I'm really surprised it's actually only been a few days. How peculiar.
BUT HEY.
This confused me a bit because Johnny's a small child, not a man, but you refer to him as one at the beginning here.
Okay, so we've got some action going on here, yay! I was hoping you wouldn't spend too much time in the safety room because it's a pretty empty room with not much to do, so it could've gotten a little boring. I love how Maggie's mum is nowhere to be seen too, as it adds a massive bucket load of conflict and mystery because we've no idea what could have happened. All of this stuff helps keep your readers' attention, so kudos to you for that. I liked the introduction of more background information now, and you're revealing it to us well. You're not drowning us in it all in one go, but filtering bits out occasionally to keep things fresh. Anywho, I really do think you've done a great job with this chapter/part overall
This is more a suggestion than anything else because it may not be an issue for all your readers, but when Maggie finds out her mother wasn't at home when Johnny escaped (or however he ended up with Martin), she got over it kind of quickly. A bit too quickly. I realise Martin wants to hurry them, but I think just a little more time spent on Maggie's internal dialogue after this revelation would be beneficial. At the moment, it's kind of just like uh-oh, that sucks, now let's go climb this table and spin some wheels. The mere fact Johnny is here and not her mum would throw me, if I were Maggie. Wouldn't Johnny know what happened? He was in the house with their mother last time we saw him, so her disappearing would've been pretty noticeable for him, surely? and if she was taken, or something bad happened to her then why was Johnny spared? These are questions that can easily be answered in the future so I don't expect answers now, but maybe have Maggie consider some of these things? Or just generally dwell on her mother for a little longer than she currently does.
The main thing that bugged me with this part was the pace because it all seemed very fast. I realise it'll be pretty fast because a lot of stuff is happening, and it's all very dramatic, but I think it could do with a bit more fleshing out. I think I particularly get this feeling because the last few chapters/parts (the tunnel scenes) were rather slow in pace. With that pace suddenly speeding up so dramatically here, it threw me a bit. The previous suggestion I made about Maggie pondering over her mum for longer would help with this issue, and it's a good example of a way to calm down the pace. You could also make Johnny and Martin's appearances less perfectly timed, too. Have Maggie think about things a little after she's done her stating facts thingymajiggy, and then have them appear. Elongate the process and time it takes for her to get out of the safety room and all that jazz. Things like this could be good ways of neutralising your pace, methinks.
The only other thing I have to say is just another suggestion, as opposed to a real critique. I can't remember if I've noted this before... I might have, hm... But anywho, basically I want more tension. Some shorter sentences would be bomb. Not for the whole part, of course, but for the dramatic scenes i.e. Johnny and Martin falling into the room, Maggie clambering out of the room. When the pace of tense/dramatic scenes like this have the same consistency as the rest of the chapter, it can make things feel a bit monotonous. It can lack any climax, y'know? I want to be nervous for Maggie as she's leaving the room, I want to be as shocked as she is when her brother appears with Martin, and a good way to create that feeling is through creating tension. Like I said, it's only a suggestion, anywho! I like dramatic things, what can I say?
I apologise if I've rambled here because I fear I have... As always, this part was a fun read, and I love that you've left it on such a cliffhanger. Please do let me know when you post the next part because I'd certainly love to read it!
Keep writing,
xoxo Skins
Hello SnazzyPencil!!! I'm here for review(obviously). I love how you focuse more on the backround characters on this one, like how her mom stated random facts when she was stressed, and the story with the paper boat. It really helps the reader to focuse on something else besides whats happening outside of the hole thingy, helps them get more information on the main characters personal life. The ending I especially like because they were acting so much like Hein, if you've read my own books, and how cautious she is arround strangers. A lot of my book ideas start with the last sentice, well, besides the part about the burrowing hole. Anyway... LadyRanicorn out!!!
:):)
Aw, this was a sweet chapter.
Anyway, unfortunately for me, this is yet another chapter without need of grammatical and/or spelling corrections and typos. So, this is barely going to be counted as a review and I apologize for not being able to be helpful, especially in my previous "reviews". :/

Keep 'em coming.
Well, besides the end, but, you know.I really loved it when Maggie was talking about her little brother. For some reason it just makes me all warm inside.One thing I'm going to nitpick on is that immediately after Maggie got finished with her little exercise--which I thought was really smart, by the way--Johnny and Martin showed up. To me, this seems a tad bit unrealistic, but I'm extremely picky about stuff happening too fast. Perhaps if you added a single paragraph in between her doing the exercise and when they arrived would be better. Again, I'm really weird when I comes to stuff like this, but I think another paragraph of something--anything really--would help with the passage of time.
The last paragraph felt kind of rushed to me, and slightly confusing. Perhaps I'm just dense or I read WAY too fast, but I actually had to go back and reread it to get a full understanding of what was happening there. Either way, it's still rushed, maybe slightly forced, and I think practicing writing smaller sentences, especially in a crucial, exciting scene, would help a lot. Shorter sentences equal more to-the-point sentences and, frankly, are more appealing. Just a suggestion though.
Can't wait for the next chapter.
- BookWolf