Warning: This work has been rated 16+.
Sinking down into one of her
Over-stuffed-leather
Cherrywood-backed
Meeting-room armchairs,
I'm thinking.
As I stare back into her
Red, crystal-studded
Cateye glasses,
I'm thinking that this woman believes she gets shit done.
The room hums like a hive
With this thought.
I smell it in the musty, overflowing filing cabinets
Which loom like bodyguards
In each corner of the room,
In the precarious stacks of paperwork
That teeter and sprawl over all 15 feet
Of the black-granite-topped meeting table
Which she heads like a queen.
While my eyes hum with this evidence
Of her omnipotence,
She's staring me down,
The queen,
The doctor,
And I am experiencing an impending sense of doom.
(My blood is glutted with poison
That makes my eyes feel like they're sliding out of my head.)
This woman is
Overstuffed leather,
Hungry lion,
Leaning back and staring at me
As if I'm a piece of nicely-cooked meat.
I have to say something,
To keep myself off the platter.
"Why do you do that?" I say.
"Do what?" says the queen.
"Stare at me all the time."
"I'm not staring at you, I'm just looking at you."
She smiles serenely.
I notice that her teeth are very yellow.
"Well, it's giving me anxiety," I say.
"Ah." So understanding.
"Annabel,
Let me tell you a story," she says, "I
Used to work the night shift
At a psychiatric hospital. There was a man,
A break-skull man,
Terribly thin, and nearly blind.
He suffered from schizophrenia,
So it was hard for him
To sleep at night.
He spoke of a great shell
That rotated above his head in the dark, pink and sickly,
That wanted to suck him into its depths,
Where he would lie, contorted like an infant,"
She says, smiling, "When he spoke, his eyes drew circles in their sockets,
Tracing the spiral.
I would listen to him every night
Until his medicine pulled him under.
Break-skull man,
Every night,
Contorted like a child."
(I perch on the edge of the platter, teetering like an infant.)
She says, "I finished school and got a job as a psychologist.
I said goodbye to break-skull man.
He pulled on my sleeve before I left
And said, 'You are the only one who
Has ever looked at my eyes.
The other doctors don't care,
They never look at me. It is a beautiful thing
To feel your eyes, and know you care.'
He said that to me
And ever since
I treat everyone
Like a break-skull man."
The queen is glowing.
Her lion-yellow teeth glint off
The snapping, green lights
That she had fixed on my face.
(I am not break-skull man)
So, gathering my entire scattered soul
Behind my own lights, I shoot daggers
At the queen.
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This poem was rather intense and i love that i could feel the tension in the air as if this was actually happening in front of me. I have to honestly say though, i do not like "the queen" I would probably glare at her too. she has that overpowering omnipresent demeanor about her and i find it hard to sit still as i read this. I feel fidgety but that just proves the great imagery in this poem and just how deep this goes into a persons psyche and i find that exhilarating because not many poems can make a person feel that way which is great about this poem. It makes you feel like you are actually right there in the awkward tension of the confession, which is great. I definitely loved this poem because of all this and I cannot find anything wrong with it, it has that sort of deep disturbing feel about it and it's truly intriguing the way you phrased everything, keep it up. Great poem!
Andy here, with bananaman reviews!

Firstoff, I'm going to have to agree with Scoeri. This feels almost like a short story-not like that's a bad thing. Also, what type of poem are you trying for here? I'm nothing close to a poet, so forgive me if a flap around like a retarded bird. In the beginning, it seemed to flow really well.
"Over-stuffed-leather
Cherrywood-backed"
That part really seemed to flow, if you know what I'm saying. But, the lines before it and after sorta mess the "Rhythm" of the poem up, at least to me. Maybe you should try changing it a bit, to a more rhythmic style? Like;
"Sinking down,
her gaze not slack,
into the armchair;
over-stuffed-leather
Cherrywood-backed."
other than that, great poem! Don't stop writing these!
Andy of bananaman reviews.
I'm not sure what you're going for here. You seem to be trying to write a short story, but it looks as though you've kinda forced it into a more poetic format. It'd be better to try and conform to one or the other (either getting rid of the continuos new lines, or keeping it more structured) rather than keeping it a mix of both. Most of the problems I have stem from this, but there are one or two more. Like the break-skull man. What does break-skull mean exactly? And what are you trying to get across by having the antagonist of this poem-story of yours tell a story where she's the protagonist. On a similar note I'd like for there to be more explanations in general. It's quite confusing all over the place.
As for things I like, your imagery at the beginning of the poem is fantastic. I love how you formulate your decision to call the psychiatrist "the queen". Imagery is a powerful tool, and you should try to incorporate more of it wherever possible. In the meantime, try your hand at something shorter, and master that before moving on. Anyway, that's all I have, so keep up the good work, and fare thee well.
-Scoeri
Thanks for your review! I was sort of going for a free verse Kathy Acker-esque piece, but I agree, it's quite all over the place. I'll try to explain and formulate my ideas better in the future
Break-skull man is a term I'm using in reference to both the insane and the dangerous, because in the medical world there sometimes seems to be no distinction, which is something I take issue with. Thanks for saying you liked my imagery, I was worried about laying it on too thick. I owe you a review Scoeri!