Ghost Man (4/4)

by Elinor

Published April 3, 2018

16+ Mature Content

In Short Stories

Warning: This work has been rated 16+ for mature content.

It finally came and he picked me up late that morning. When I got in the car I could tell he was masking his reaction to my face. “How are you doing?” He asked as he began to drive.

“You know, I’m alright.”

Over the next hour and a half we drove into the mountains and we chatted about everything and anything. Most if it didn’t matter, but it was nice to have my mind off of everything for a while. But the mere being around made me not think of everything else. I wasn’t deformed. I was just me.

When we finally got into the mountains, it was around sixty degrees and cloudy, the perfect weather for grilled cheese and chocolate. I’d gotten the jalapeno and bacon, he’d gotten the gouda and tomato (he always fancy to a fault) and we’d driven up into the park and found a quiet bench beside a beautiful overlook. Below was green mountains and in the distance was a waterfall that poured down into a mighty river. It was only us and nature, and it took my breath away. It was all perfect.

“Jean’s working programming for the film festival in Santa Barbara,” he said. “Did I tell you that?”

I shook my head. Why did he have to mention Jean now?

“It’s next week. But they’re showing Love Lost.”

“Why?”

“Because it’s a damn good film,” he said. “And because we wanted to honor you.”

“I don’t need to be honored, Rod,” I replied.

He sighed. “Look, when you were in the hospital, I--” his voice cracked, and I could see a tear forming in his eye. “I’m sorry.”

He extended his hand toward mine, and I took it. The feeling of his grasp was electrifying. 

“I’m in so much pain, all the time,” I said. As I spoke, he looked right at me. It was just me, the feeling of his touch and his bright green eyes. Nothing else existed in the world. Nothing else mattered. “I doubt I’ll ever act again. I can’t go anywhere without people staring. Maybe I should have died that night.”

“No,” Rod said. “It wasn’t your time.”

I exhaled. Rod was a big believer in the idea that everything happened for a reason. I could see how it helped him but it wasn’t for me. Life just happened and we had to make the best of it that we possibly could. “Maybe,” was all I could respond.

“I’ll always be here for you, Monty,” Rod said. “I’ll always be your friend.”

I took a deep breath. I wanted to kiss him; that would be the only thing that would make this moment better. But I couldn’t without feeling guilty. “Are you happy?” I finally asked.

He nodded. “I’m going to ask her to marry me, I think.” He let go of my hand and we both turned back in front of us. 

“That’s good.” He said nothing, and I kept talking. “I’ve always wanted a family. A big one. But I never met any girl I’d want to marry. And besides, who would now?”

“Liz, if you asked.”

I laughed. “That wouldn’t feel right.”

“You know, I told Jean that I like men too, that I’ve… been with men. And it didn’t make any difference to her.”

“That’s different,” I said.

“Only if you tell yourself it is,” he replied.

Shortly after he drove me home and he hugged me before I got out of the car. “You’re going to be alright. I know you will.”

“Thanks Rod.”

A week and a half later, I remembered what Rod said about Love Lost playing at the film festival in Santa Barbara. I checked the paper. It would be playing at two that afternoon. It was just past eleven. If I left soon, I could make it in time. I dressed as inconspicuous as I possibly could and brought a wide hat too.

I arrived that the theater and bought my ticket just in time. The film had just begun, and my heart was pounding. I was terrified someone would recognize me, but they were all intently watching. I used the darkness to my advantage and took a seat in the back row.

It was Frank and Donna’s scene now. I wouldn’t be on again for a bit yet, and I let myself be absorbed as a viewer in a way that I never had when we were making it. In the movie, Donna and I had just married and we were already having problems. Frank played an ex who was trying to get back to into her life. Nothing had happened between them yet, and although it was never said, Donna’s performance clearly showed she was torn between him and I.

The scene changed. I watched a young man lying on a couch, dressed in an untucked t-shirt and slacks, his socked feet propped against a pillow. His wife was talking as she washed dishes, but the young man wasn’t listening. He was staring intently at the wall in front of him. It was December of 1941, they were newlyweds, and the young man hadn’t yet told his wife he had enlisted. His age was never given, though he was probably too young, too inexperienced to make an important decision such as marriage, but the world had become a terrifying place. It was now or never.

In real life, the young man was carefree and the world was at his feet. He’d arrived in Los Angeles three years before, a starry eyed boy from the middle of nowhere. After working odd jobs to make ends meet, he was cast as George in a production of Our Town. A talent scout had seen the play and signed him a contract. He appeared in small parts at first.

One day on a lunch break he’d been sitting on a curb outside of the soundstage. It was a western and he was an unnamed cowboy, and all he could think about was how cool he felt in his attire. Behind him, he saw a petite dark haired young woman walk by. She was in a black and purple jumpsuit and her skin was green. He’d seen her around, sans green skin, but they hadn’t spoken.

“Let me guess, the commissary food?” He’d asked.

The young woman laughed. “Not exactly.” She hesitated before gesturing forward. 

“Galactic duties call, cowboy.”

He was almost finished with his food and stood up. “I hear the wild west is the same direction as outer space.”

The young woman laughed again. “I’m Liz.”

From that moment they were inseparable. Shortly after, Liz took him to a lounge and and introduced him to her friend, a singer with soft green eyes and the voice of an angel. He felt nervous around him in a way he never did around Liz. Yet, the three of them went everywhere together.

With Love Lost came his first substantial role, an Oscar nomination and the attention that came with it. Liz was away on the night of the ceremony and so he’d asked Rod to be his guest. While he didn’t win, he and Rod had spent that night together and nothing was quite the same after that. But it wasn’t meant to be. Rod was always away on tour, and the young man’s career was just beginning. Still, they would remain friends.

There were so many things I wished I could tell him now. I remembered how, when the cameras stopped, he joked about the stupidest things to everyone else. How once, when they were waiting for a camera setup, he’d entertained Donna and Frank with imitations of various celebrities. I envied his innocence, I envied how he’d only pretended to know true suffering. I wanted to tell him to slow down and truly appreciate everything he had. But I couldn’t. He was gone.

An hour ticked by as I watched the young man go to war. He kept a picture of his wife in his pocket through it all, and she gave him the strength he needed to come home to her. When he finally did, he took her in his arms, kissed her, and the small crowd broke out in applause. Then, he faded away as the screen went blank and the lights came up.

As everyone exited the theater, I pulled my hat further over my brow so no one would notice. I realized my back was hurting and I needed to go home to take my medication sooner rather than later. But I couldn’t move. I thought about how much I missed being the carefree young man who got to do what he loved most in the world, and I realized I was crying.

I had been told countless times over how lucky I was to have survived. But it hurt to be alive. If I was dead, at least I wouldn’t be in pain.

An usher entered the theater, startling me. He saw me right away and I could tell that he recognized me. “Sir, we have to clean up.”

“Yes of course,” I responded. My entire lower body was in pain, and I really needed to get home and take my medicine. I held onto the seat in front of me for support as I stood up.

“Did you enjoy the show?” He asked nervously.

I nodded. “It’s a good one, isn’t it?” 

My eyes were still welling with tears. Gone though he was, the young man would always be a part of me. I thought about what Rod had told me the other night. It wasn’t your time.

Maybe he was right. Maybe that had to count for something. 

Comments & reviews · 4
User avatar
Lauren2010
Review
Lauren2010 wrote a review Review · Apr 22, 2018

And here I am again! <3

Man, I adore that final scene where Monty goes to watch himself in the movie. That's fantastic. I kind of wished it ended there, with Monty watching himself lying on the couch staring into the distance. The backstory with Liz and Rod is nice enough, but I don't think it's necessary in this scene (maybe earlier?) since it kind of distracts from what should be this moment of a huge swell of emotion in Monty. Even if that emotion doesn't get resolved, this scene feels perfect for bringing that conflict within him to a head and then BAM end scene.

Otherwise, this is the only thing that kicked me out of this part of the story:

“You know, I told Jean that I like men too, that I’ve… been with men. And it didn’t make any difference to her.”

“That’s different,” I said.

“Only if you tell yourself it is,” he replied.

Like, WHAT. This is a big reveal to put right at the end of the story, considering Monty's sexuality is never before and never again brought up as something he is struggling with or concerned about. I love it, don't get me wrong. It puts an interesting spin on this group dynamic, but I think it needs to be more prevalent in the story if it's going to be there at all.

Finally, as you move toward revision (and I hope you do revise this piece!) I encourage you to think about structure. There are a lot of scenes in this story, a lot of which are pretty brief and mostly summary and don't necessarily advance the story. Once you pin down Monty's internal and external conflicts (I'd recommend: internal is getting over the shock of his injury and external is trying to preserve his role in the movie) I'd take a look at each of your scenes and whether or not they're moving the plot forward. Short stories have to be super tight and clean, and use every scene to it's absolute fullest to be successful. And I think you have a fair number of scenes that can be combined for greater effect.

What I'd start with is the beginning, middle, and end. These should be your three biggest scenes and should track that arc or conflict of the story through them all. Then consider if you need any connecting scenes to get between those three. To me, it seems like you have a really clear start to those three scenes:

Beginning: Liz picking Monty up from the hospital and taking him to the diner.
Middle: Liz and Rick coming for dinner
End: Monty watching himself at the movie theater.

As much as I adore Rod, I'm not positive his scenes are super relevant for what I'm seeing as Monty's main conflict. This could be wrong, of course! But if Monty's conflict involves Rod, I think there's some more work you'll have to do to make that more clear.

I think you have a really excellent start to something here, so I hope you'll keep playing with it! My door is always open to chat <3

Thanks so much for sharing! Keep writing!

--Lauren

User avatar
Hattable
Review
Hattable wrote a review Review · Apr 7, 2018

Hey, Elinor!

So the final part of this story, eh? This part was done pretty well, and I like how the story picked up from last time, then lead us through to the end.

But yeah, I'm gonna do my usual grammar stuff, then try to touch on content at the end.

It finally came and he picked me up late that morning. When I got in the car I could tell he was masking his reaction to my face. “How are you doing?” He asked as he began to drive.

Ooof-- So, like, if this were attached to the previous part, without the break in parts, then it would be okay, but given that you've posted it separately, it's not a very good opening. I had to pause and check how the previous part left off so I could see if “It” made sense.

I realize that posting these works as separate parts is probably more to keep them each at certain word counts (SAW, right?) and that they would all be a single piece otherwise, but for the sake of this being its own part, I think this first paragraph could use some independence from the end of the previous part.

Even with them all looped together as one big piece, I think it would read nicer if this were written as such. So instead of “it” you would go with “The weekend finally came”, and you'd specify who “he” is (even though I know, having read the other parts). That would help your flow and all, so yee.

Over the next hour and a half we drove into the mountains and we chatted about everything and anything. Most if it didn’t matter, but it was nice to have my mind off of everything for a while. But the mere being around made me not think of everything else. I wasn’t deformed. I was just me.

Typically this is phrased as “anything and everything”, but that's rather nit-picky.

“Most of”*

And I'm confused by the third sentence-- “But the mere being around made me not think of everything else.” What are you meaning to say here? Does Monty mean being around Rod, and a word's just missing? I'm not quite sure, but whoops, you can probably fix that easily!

I’d gotten the jalapeno and bacon, he’d gotten the gouda and tomato (he always fancy to a fault) and we’d driven up into the park and found a quiet bench beside a beautiful overlook.

The parentheses here also seem to be missing a word or two. “he was always fancy to a fault”, I'm guessing you meant?

Below was green mountains and in the distance was a waterfall that poured down into a mighty river. It was only us and nature, and it took my breath away. It was all perfect.

For the first sentence here, you'd say “Below were green mountains”. The “was” in reference to the waterfall is correct. For the last sentence, I'd recommend adding “so” (“It was all so perfect”), but just because that feels a bit stronger, whereas “It was all perfect” sounds kind of resigned to me? I dunno, but I thought I'd point it out.

“Thanks Rod.”

Comma, comma!

A week and a half later, I remembered what Rod said about Love Lost playing at the film festival in Santa Barbara. I checked the paper. It would be playing at two that afternoon. It was just past eleven. If I left soon, I could make it in time. I dressed as inconspicuous as I possibly could and brought a wide hat too.

This paragraph goes by really quickly, and some of the things could probably handled more carefully? The jump from remembering to checking the paper to-- It feels like a list? And I feel like some more liveliness – more of a scene – would be nicer to read? But it's entirely up to you!

I will add that the sentence “If I left soon, I could make it in time” feels like a sudden, slight pull to present tense. The rest of the paragraph is fine and sticks to the past tense, but here it gets wobbly, so you might wanna try and fix that.

I arrived that the theater and bought my ticket just in time.

Oops, *at

I wouldn’t be on again for a bit yet, and I let myself be absorbed as a viewer in a way that I never had when we were making it. In the movie, Donna and I had just married and we were already having problems. Frank played an ex who was trying to get back to into her life.

For the first sentence, I think saying “I let myself become absorbed” would be stronger language than “I let myself be absorbed”. The “when we were making it” bit at the end of the sentence feels worded a little oddly, but it's nothing terrible.
Also, you've go an accidental “to” here: “Frank played an ex who was trying to get back to into her life.”

Behind him, he saw a petite dark haired young woman walk by. She was in a black and purple jumpsuit and her skin was green. He’d seen her around, sans green skin, but they hadn’t spoken.

“dark haired” should be hyphenated. ((Also, Gamora? She-Hulk?))

Shortly after, Liz took him to a lounge and and introduced him to her friend, a singer with soft green eyes and the voice of an angel. He felt nervous around him in a way he never did around Liz.

You've got two “ands” in the first sentence, and the second sentence could probably use some clarification now that there's another person. I can read it clearly, but it could be misinterpreted as the singer being nervous around the cowboy, etc-- Just wanna help you avoid confused readers!

An hour ticked by as I watched the young man go to war.

Maybe restate it as “the young man on screen go to war”, since it's been a few paragraphs since the character was mentioned. Just helps the flow and clarity somewhat, and I think it might also benefit the scene, reminding us that Monty is in a theater, after the long flashback.

If I was dead, at least I wouldn’t be in pain.

I believe this should be “If I were dead”.


And done! That was a nice ending. It didn't go out the way I was expecting it to earlier on in these separate parts, but it was still real good. I honestly can't say how I expected it to go differently. There's not much of a way to conclude the issue of his scarred face. So nice job!

This part had quite a few more grammar issues (mostly typos) than the others, but it was written really well otherwise. The pacing faltered a couple of times (such as the part right after Monty went out with Rod), but it was good throughout, those moments aside.
The characters were good, both in this and throughout the story as a whole, and Monty's apparent acceptance of his new life (with no acting) here at the end was done nicely.

The flashbacks could have been executed better, but they were still pretty good, and a nice look into the history of the characters, as we'd never seen that far back before.

I feel a bit bad for Monty, what with losing his career and all the stuff with Rod. I hope life picks up for him after this ending.

But anyway, overall, great work!


I hope this review was helpful. If you have any further questions, feel free to message me!

- Hatt

User avatar
Lightsong
Review
Lightsong wrote a review Review · Apr 5, 2018

Hey! It's me! I'm going to finish this, yey! :D

It finally came and he picked me up late that morning. When I got in the car I could tell he was masking his reaction to my face. “How are you doing?” He asked as he began to drive.


'It'? Also, understandable yet sat how Rod's concealing his true feeling seeing Monty's face. Or maybe Monty's just being too negative. But then again, if I'm in Rod's shoes, I might do the same thing, though it doesn't mean I'd care about Monty any less.

I wasn’t deformed. I was just me.


Aww, this is a good thought. This is Monty having happy moment. I'm glad for him.

[...] quiet bench beside a beautiful overlook. Below was green mountains and in the distance was a waterfall that poured down into a mighty river.


Quiet bench, beautiful overlook, mighty river. I think you can describe all of these rather than just giving them adjectives. That being said, I don't worry about them so much. I do the same, and I'm more to reading where the plot is going to lead me, which I'm very curious about.

The feeling of his grasp was electrifying.


#relatable

"Maybe I should have died that night."


No, Monty, don't think like that. I know you're going to feel that way, but think of how much you can have in life. I know you're a good person, and you just need someone like Rod to help you show people that.

Rod was a big believer in the idea that everything happened for a reason.

Life just happened and we had to make the best of it that we possibly could.


Bottom line: everything that happens has a reason, and we just have to find ways to benefit from it. Monty's thought seems like an elaboration to Rod's belief, if anything else. Maybe you might need to rephrase it to display the contrast of their thoughts.

Alright, so the play (it's a play right?) confuses me. I know Rod says it's made to honor Monty, but it's told in some paragraphs that I don't have the time to really absorb what's happening. I also feels like it's too much details to be condensed in paragraphs, and I would rather have it delivered longer. I think I start to understand it during it's second half. That's half of the issue I have with this part.

The other half is the ending. I think it can be stronger, like if someone comes up to him and take an interest on him? Maybe a loyal fan that can be more? Whatever it is, I was expecting more. Even the part where Rod's words are repeated again don't have the same intensity to them as they were before. Like, he might be right, but why? The why part bugs me because I really want to find the clues that would lead me to the answer I very much needed. Without the answer, I feel like there should be more.

Sad Rod only sees him as a friend, but it's better than the other possibility where he cheats on Jean just because he also likes men. I prefer this closure - it's bittersweet and realistic. I'm sure Monty would find the right one someday.

And that is all! I enjoy the story very much as a whole, so I hope to see more of your works! :D

User avatar
Nobunaga
Review
Nobunaga wrote a review Review · Apr 4, 2018

Well, here we are.

I don't know what to say. I said I didn't know where this was going, but I didn't expect it to end so bittersweet. Honestly, towards the end there, I thought he was going to kill himself. I mean, he was flashing back to better times in a way that made me feel like his life was "flashing before his eyes". I was truly worried for a second lol

And a part of me was really hoping he and Rod would've run off into the sunset or something stupid and fluffy like that. But I think I get it now. This is just... life. Not everything wraps up with a nice pretty bow. Not everyone is happy, but everyone does, eventually, move on.

I'm leaving this with a very somber, heavy feeling in my chest. I don't know, I feel like I just barely missed out on something. Like I was grabbing at something and it slipped away at the last moment. Lol why am I so sad??

I did love that whole part where Monty was referring to himself as "him". I loved reading that. Namely, I love how you forced Monty out of the picture so it seemed like we were viewing this from very far away. Like I said, I was also worried he was about to end it all, but I think that just means you did a good job with the tone.

I wish Monty wouldn't view his "old self" as gone. He is still very much that same young thriving actor. He just needs time to heal and rediscover himself, but that part of him isn't gone. I wish I could hold him and tell him that.

This conclusion does leave me wanting but... wasn't that the point?

Elinor replied · Apr 4, 2018

Oh hi there.

[quote]I did love that whole part where Monty was referring to himself as "him". I loved reading that. Namely, I love how you forced Monty out of the picture so it seemed like we were viewing this from very far away.[/quite]

Oh, I'm glad that part worked for you. I wasn't sure if it would or not. c: I posted on your wall with my inspiration for this story, if you're interested. But thanks for your review! I'll definitely be continuing to work on this story going forward.



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