Alison blew a kiss to the oak tree. This would be the last time she ever saw it, and she wanted take a minute to acknowledge everything it had meant to her. It seemed silly, to get so emotional over a tree. Sean and Rosalie waited impatiently at her side. They were too young to understand, but maybe one day she'd tell them.
“Grandma and grandpa used to take me to this park on picnics when I was young. We always sat under this tree,” she'd say. “Your father first kissed me here, under this tree. He proposed to me here as well. That was before the war. Before the Depression. We were so young and we felt as though our love would triumph over every problem that we faced. You know, he really loved you both very much.” The thought of telling her children this, the thought of them growing to be the wise and beautiful children she'd know they be, the thought that their father would never be there to see it made Alison start to cry. She'd been holding back ever since she'd gotten the letter. She wanted to be strong for her children. But now, she couldn't help herself.
Rosalie slipped her hand into her mother's. “Do you miss daddy? I miss him too, mommy.”
This made Alison cry even more. She knelt down and hugged her daughter. For a seven year old, she was so mature, so wise. Looking over at her son, she saw that he too was trying not to cry. She knew how much Sean adored him, aspired to be like him, even enlist in the army when he was old enough. But he was twelve and his mind and maturity were starting to develop. He probably thought it was embarrass to be seen crying in front of his mother and younger sister. Still, Alison pulled him close, and surprisingly, he didn't resist.
It was hard to think that their father had been home less than six months ago, for Christmas time. It seemed so long ago, yet so fresh in her memory. She'd surprised her children with his visit on Christmas morning, made cinnamon rolls as she always did. Those few days were so happy. It was as if nothing had changed. It was as if the world was not at war.
Now the war was over and her husband, the father of two beautiful children, was dead. Nothing was going to be the same. This town was too full of memories, and that was why Alison had decided to move. There was a cheap apartment she had found in downtown Chicago. There they could start a new life. There, the fact that she was a widow wouldn't constantly be gossiped about.
It was time. Alison stood up, gently letting her children out of her arms. “Let's get started.” They turned around and faced the turquoise car, waiting patiently to be parked.
The war was over. A new era dawned. Maybe there was hope yet. As Alison got into the driver's seat, she took one last look at the tree. “Thank you,” she whispered. “For everything.”
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This was a nice story. I think the premise was sweet and the writing was clear. However, the dialouge was a tad bit unbelievable. When the mother gave that speech at the beginning, I didn't really believe that a mother would actually say that to her child. It seemed to planned and artificial. It is also rather dry. You need to but more into it. This is a good for outline for a fantastic story. I suggest that you take this and turn it into something amazing!
Hi Ellie, Stella here!

So, I really liked your concepts, but I do have a couple of things to say about delivery
This sentence seems very run-on, and there's some tense mix-up in the middle there. Generally just not a great sentence, a Stella sentence if I ever saw one (I pride myself on writing terrible sentences).
I think Mommy and Daddy should be capitalised.
It seemed weird and a little awkwardly phrased that she considers her seven year old mature and her twelve year old still maturing. Some rephrasing wouldn't go amiss.
So it's... driving itself?
Okay, so I think that what I really would like to see from this story is some more meat
Firstly I think that the description of place could be worked on. This is a story about a tree, and the tree itself barely gets a mention. Is it bigger than it was when she first went there? Or does she remember it being bigger when she was a kid? What time of year is it? What are the leaves doing?
As well, post-war America, you have so much *setting* to work with, I'm actually jealous of it. There's grief, of course, which you deal with nicely here, but there's also giddy relief and peace and maybe guilt and maybe sadness. And worry. The historian in me got a bit annoyed at the end when she talked about moving to Chicago- on what money? Was she going to get a job? Because remember all the soldiers were coming home, and it was going to be hard for her to work. If it was on a widow's pension or something, that might be worth a mention.
I also think that her husband really needs some more development. A wise teacher once said to me never to kill a character off in a short story because your readers don't have time to get attached. Now, I disagree with that! But I think you really have to try hard to make us care. I mean, what do I know about Alison? She loves her kids, she's lost her husband, she has a car. And we know even less about her husband. To make this effective, you really have to develop them, and show us their relationship, and how it grew and blossomed.
It's a nice piece of flash fiction that you can easily flesh out into something a lot more solid, and more moving!
Hope I helped, drop me a note if you need anything!
-Stella x
Hi, there, Elinor

Well, I must say this was really nice to read. It's very emotional, yet far from being pathetic, and I liked it. I liked how she thinks of what she would tell her child.. Well, I liked it all, really.
I'm not used to writing reviews this short, but I must tell you I don't really have much more to say.. It gave me a sweet, sad-ish feeling, and I wish to get to know them all better. I don't suppose this is only a part of something bigger, but if it was, I'll gladly read whatever more you have
Kind regards,
Aria