My story begins with them laughing at me. They always are. The boys, mostly. The pack of boys, wild and scruffy as a wolf pack, running around the Anglian countryside. I shut my eyes and listen. Well, listen isn't quite the right word. Strain to detect something else, something otherworldly. Feel. Reach out, not with my mind, but with my soul. It's the only way it works.
"Gypsy girl! Gypsy girl! Says she dreams of other worlds!"
"I only dream of one other world," I whisper. I mean to say it louder, but I'm distracted. I came to this empty, icy meadow for a reason. I can feel the other place very strong here. The place has strange machines that don't work by fairy enchantment. And everyone has them. Everyone has strange clothes and it seems they're all human. Thick as humans have grown in this world since they entered it thousands of years ago, we are still only one race in so many. I can hear the boys taunting me, but one has the rasping voice of a crow. He's a fairy. He changed into a crow last week and hasn't managed to change all the way back. Another boy is huge and burly and his voice carries for a mile if he yells, which he is. Scaring birds. I can hear the crows flying over us. Anyhow, the loud boy is an ogre. Full-blooded. Though, with human and nonhuman matches being legalized a few years ago, that may not be so common soon.
"Come on..." I whisper. I can feel it so close now...I may even be able to push through, break the barrier between the words...Why did I think words? Worlds...
"Gypsy girl! Gypsy girl! Says she dreams of another world!"
My eyes snap open. My father's rage is in my blood. He was the strongest warrior in this shire before he died, and no one beat him. Plague did. Mother and I only recently returned to England. We've been traveling the countryside all over Europa. Now it's cold and ice covers the dead grass and damp soil. The trees circling the meadow are leafless. Only a new smell in the air reminds me of spring.
"I tell one story at one fire on one night with one of you there--" I point an accusing finger at crow boy--"and I hear of it for months on end! You do wrong to treat with me in this foul manner. I cannot help my dreams. I see another world, but it does not change yours. Stop making mine a plague."
Two crows fly overhead, cawing again and again, adding to the tumult in my mind. My soul may be at peace and curious about the Otherworld, but my mind remembers my father and refuses to be content. Where did he go? He had fairy blood. His parents didn't tell the priest that my grandmother was a fairy, and they were married against the law. She probably still is a fairy, if the extreme people haven't managed to kill her. if you're not human, you have no soul. When you die, you cease to exist. But Father was only half fairy, so where is he now? Is he anywhere? Have I a soul to call my own?
"Gypsy girl! Gyp--"
I'm dangerous now. When I'm cool, I am dangerous. That was the way with Father, they say, but it is with Mother too. I think I inherited her coolness. I want something from her. I want all of me to be from her, so I'll go somewhere after I die. Heaven. I believe and obey and love and everything, and I want Heaven, not because of what it is, but because of what's in it. Even so, I can't help wanting to inherit Father's righteous rage. He fought the goblins just before the plague. He would have spread it among them, but he didn't want the innocents to get it. Goblins have innocents, just like us.
"Gypsy comes from Egyptian," I say coolly. "I'm not Egyptian. Gypsies once came from Transylvania, which is now part of the Black Forest."
"You're cursed." It was a ginger said it, a tall stocky fellow in the back of them all. "Your land, your family, your father--"
"Do you not understand your thoughtless cruelty?" I tilt my head, incredulous. "Because my father was strong, and I have some of that strength, you think I don't feel?"
"You feel less." His eyes are harsh bluish-green, glaring at me. His ears are large and pointed, and his eyes are large. He must be part goblin. "Look at you. You look at us as you look at the crows. We're harmless to you."
"One of you is half crow already," I laugh. "Did my father slay yours? Don't look to me for recompense. I never killed any goblin--or anyone, actually."
The ginge turns furious and throws a stick. I deflect it with my arm easily, but he picks up a rock and runs at me. I turn and run, not looking for a hiding place, but for better ground. I need a place that I know well, somewhere I can lose them. I will prove to these country churls that I know the wild better than any of them ever will.
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Hey there!
I do more grammar-based reviews, so I'm just gonna jump right in.
The repetition of “pack”, so close together and in the same sentence, even, really bothers my head when I'm trying to read this. I'd suggest changing one of the instances of “pack” (probably “The pack of boys,” as “wolf pack” is pretty good), because repetition is no fun and stunts the flow of your story.
Typically dialogue has its own line, with a tag and maybe another sentence or two, but having a whole paragraph trail after it looks weird. You might want to drop a new line, either after “I whisper” or after “I mean to say it louder, but I'm distracted”. Either works.
It's just that with the dialogue and then the paragraph it looks like an awkward chunk, and readers glancing over it may be deterred or dread getting to that point, which is especially bad for it being so early on in your story.
I'd also recommend a paragraph break between these two sentences. “I can hear the boys taunting me, [...]” is a deviation from the subject we were on previously, so a new line isn't a terrible idea.
It also gives you a nice variety of paragraph lengths. I usually try to avoid longer paragraphs so early on in my stories.
“Which he is” - I take it you mean to indicate that he's yelling? But the wording is awkward and could confuse some readers. “Scaring birds” is a dependent clause all on its own. I'd recommend either dropping it completely, or merging it with another sentence.
Also, “Anyhow” brings me out of the story. The explanation of the character's world versus the other that she can sense is done in a neutral style, without “comments” from her, making us feel less in her head. But this, and other snippets, suddenly fling us back into her mind. If you want to keep things like this in there, then I'd suggest reworking the rest of the story to match this style, because right now it feels like two styles. The difference is vague, but it's there.
It's been legalized, so there will be less of it? Unless you mean to say “that may not be so uncommon soon”.
I don't want to be too harsh, but this is... cringe-y. “Why did I think words?” makes me feel like I've stumbled onto a trashy fanfic where the MC gets distracted by whatever spiel their brain picks up on, and forces the reader to endure their random thoughts. I'd recommend a complete overhaul on this portion.
This has that fanfiction-y feel to it. It reads like a slight info-dump - hastily done, rushed through. I'm sure you could find a number of other ways to word this without having it prod the reader out of the story.
This dialogue and the MC's thoughts within the prose are two very different ways of speaking, but I actually like the dialogue in this. It gives the world some life and enhances the tone of the story. My only note here is that the second comma should be a period, starting “You think I don't feel?” as its own sentence.
*a harsh bluish-green, perhaps?
You could also probably include the fact that his eyes are large in the first sentence, or omit it entirely, unless it's imperative that we know how big his eyes are – I just don't want you piling too many details or adjectives on the eyes, especially in one sentence, but having the description of him go from eyes to ears to eyes is weird.
Did you mean to type “ginger”, or is “ginge” a kind of slang for it that I've never heard before? Just pointing this out in case it's a typo!
And that's all!
For a short story, as this is tagged, it doesn't really give a satisfying end. It feels more like a chapter. I'm not sure if you mistakenly tagged it as a short story or what.
The pacing was good, and I liked the glimpses you gave of the world between what was happening “right now” with the characters. You MC has potential, and I really liked hearing about her father and his conquests as half-fairy.
If this were a chapter, I'd say I'm looking forward to the next part, but I'm unsure what you meant for this. There's not really an ending to the story – it leaves us hanging on how things will go for the MC, or the pack of boys, should she wreck their biz.
Anyway, nice work! I hope this review was helpful, and wasn't too harsh!
- Hatt
hey lelu! Inky here for a review today, so let's get to it!
Your first paragraph is very choppy, you only have one long sentence, and I think the paragraph suffers from the lack of flow. Sometimes it's desirable to have short, choppy sentences, but too many and it begins to read awkwardly. It's like putting emphasis on every sentence, but doing that makes the emphasis lose its meaning because it's applied to every sentence.
I think you mean Anglican. I looked up what Anglian meant, and it said it was a Germanic people who settled in Britain in the post-Roman period, which I don't think works here.
I don't like this dialogue very much. It's very formal when compared to what you've written so far. It feels out of place. I also don't understand what the boys are making a plague of. her life? The other world? Her dreams? I think you need to specify here.
She doesn't cease to be a fairy after she's dead. She doesn't exist anymore, but when she's remembered by people, she'll be remembered as a fairy.
I don't know how Gypsies coming from Egypt and Gypsies coming from Transylvania are related at all. (Also, from my research about the Romani people, commonly called Gypsies, their genetics point to origination in India, but that can't be certain).
To be honest, I didn't follow the plotline at all. It seemed to be more of a snippet in a larger story than a self-contained short story. Her story doesn't begin with the boys laughing at her; it begins before that, and her story doesn't end where the writing does. When writing a short story, you want it to have a clear beginning, middle, and end. This story doesn't follow a structure at all. That's fine if your intent was for it to just be a snippet, but if you wanted to create a self-contained story, then you need to include a clear structure.
The writing itself was solid. I enjoyed reading it, and I was impressed with your descriptions because they managed to give a clear picture of the setting and characters without overwhelming the reader. My only suggestion would be to describe the main character a bit more as we never got any word on what she looked like.
Overall, I think this works better as a snippet from a larger story than a short story on its own. I don't know what the intent was, but that's what I found.
If you have any questions or comments, feel free to ask me in a pm or a comment below!
~Inky
Oops, sorry about the gypsies. I was thinking of Romania. I should have remembered about India. Thanks!
Hiya, I'm Jessica. This is an interesting tale you have here. I have a few critiques so I'll just get into it.
This short part I think has the wrong grammar, because it doesn't sound right.
- You don't seem to have a general setting which confuses me a bit. Maybe use more descriptions to make it go deeper. The audience will feel really there.
- You have a main reciting of "Gypsy girl! Gypsy girl! Says she dreams of other worlds!"
I don't know if you meant for this but the second one says, "Gypsy girl! Gypsy girl! Says she dreams of another world!" I don't know if you wanted them the same or different.
-Last thing
"You're cursed." It was a ginger said it," I think you meant "It was the ginger who said it"
Anyways it's very good and I hope you continue! Happy writing!!
Thanks for your reviews, Jessica! You're encouraging while still being informative about what could be better!