Resurgent

by TinyDancer

Published January 24, 2014

In Poems...or food for the soul

Today we study the Thrush
and the seamlessness between gone and yet to come.
Leaves whisper under the authority of the professor
who weaves idea with meaning
and outside, plummeting spirals of ice
drip from gutters into puddles
half-frozen.

I beg the noonday sun
Make me new.

The professor is now asking if the poet saw
the world’s darkness or his own
when the bird sang
and everyone has the answer but me and Hardy.
Still I search for solidity in the emptiness
where ice used to be
but all I find is the sun

And she reminds me
Newness is born of the past.

A lesson in patience was not the priority
but as Hardy’s bird escapes his paper cage
he flies through the classroom window
alighting on the lips of the sun
to echo her message in music

And I tell them all
The thrush saw life beyond the dying past
and that is why he waited.
That is why he sang.

Comments & reviews · 4
User avatar
Rook
Review
Rook wrote a review Review · Jan 26, 2014

Hello!

I think the coolest thing about this poem is that it is a real poem. I can't really explain it, but I've written poems like this before, it's the kind of poem that you're not even fully aware that you're writing, but there's paper in front of you and a pen in your hand and you have nothing else to do, so you write down the words that are fluttering in your head. Usually when I do this, I come up with a really horrible poem, but I love this one that you wrote. Maybe it's because if *I* wrote this, I would hate it because I knew where all of these little fragmented ideas came from, but when another person writes it, I don't know, and it's all still mysterious.

Okay, well now that I got that out of my system...

I like how you alluded to another poem, but didn't mention it expressly. I also like that the season in the other poem matches the season in this one.

I like how you ask and answer some deep questions, all in the same poem, and all in a very casual, train-of-thought style.

You had some nice imagery, but the best-- in my opinion-- is in the fifth stanza.
But really, it's all really astounding imagery.

I think the only thing that could really make this poem better is maybe getting a more focused tense/plot/whatever. It all reads a little bit confusing-ly. The reader isn't quite sure where the line is drawn between metaphor and reality, between what is being taught and what is just your thoughts, between the world and the alluded poem. And maybe this is a good thing. This makes it feel like the world is a place that naturally houses deep questions, and naturally can be metaphorical.

I have a little bit of a problem with these lines:

who weaves idea with meaning


I'm not quite sure how a person "weaves idea with meaning," and to me, it just sounds like overly-poetic wordiness. I feel like it's the kind of line that people who don't enjoy poems just roll their eyes at and cite in their reasons for why they don't like poetry: just, poetic overkill. Of course, that is purely my opinion.

I think it would be nice if you could trim down this poem just a bit to focus on one or two metaphors. If there's too many, the reader can get lost in them.
The ones you have (that I can see) are:
-The ice that is both outside and inside (I don't quite understand this one, it would be the one to cut if you ask me.)
-These deep questions requires the mental strength of a nicely rounded-out metaphor from the reader. The interesting things about deep questions in poetry, is that the reader has to search for the answers and more additions to the question, and how the question relates to the rest of the poem, all the way through the poem, just like a metaphor. (I understand that all these other metaphors all tie into the questions, but still.)
-This thing with the sun
-This allusion to the other poem and all the details that entails.

And there are other, smaller ones that only take up one line. It'd be nice if one of those could be nicely removed so the reader can have something to really focus on.

Although, (being the devil's advocate against myself here) the complexity of this adds to its appeal.

Anywho, I really enjoyed this. I hope my ramblings helped you somewhat. ^^;
Keep writing!
~fortis

Thank you so much for your helpful insights! I'm currently revising and considering all your suggestions :)

User avatar
Magenta
Review
Magenta wrote a review Review · Jan 26, 2014

Hello TinyDancer! This is Magenta here to review your poem that you have submitted, Resurgent! I understand that there are several different writing styles in the world of poetry and that some of the errors are deliberate. But here is what I noticed. These are just some of my comments and suggestions that I make for you as you continue on in your writing career.

"Today we study the Thrush
and the seamlessness between gone and yet to come.
Leaves whisper under the authority of the professor
who weaves idea with meaning
and outside, plummeting spirals of ice
drip from gutters into puddles
half-frozen."

I would add a period to the end of the word "meaning" where you would then have to capitalize "and" in the next line. I just think that it would look better, don't you think so? I'm also not sure if thrush needs to be capitalized. I love the description here too! :)

"And I tell them all
The thrush saw life beyond the dying past
and that is why he waited.
That is why he sang."

I don't think you should italicize the last three lines because italics are usually to point something out or to add emphasis to something. By making it all italicized, it does not create the emphasis you need or want. It just make the sentence all the same. Instead, just bold or italicize one word or the important part of the sentences.

"The professor is now asking if the poet saw
the world’s darkness or his own
when the bird sang
and everyone has the answer but me and Hardy.
Still I search for solidity in the emptiness
where ice used to be
but all I find is the sun"

Place a comma between the words "but" and "be" so that it is punctuated correctly. Also, is the word "hardy" capitalized forms reason? I think so, but I ask anyway.

Other than that, great job!

~ Magenta

Thanks so much for all your help. Just to clear up confusion though, I used the capitals to reference another poem so I'll probably keep them in there. Thanks so much for your suggestions!

User avatar
EllaBliss
Review
EllaBliss wrote a review Review · Jan 26, 2014

I love it! Here are a few mistakes though:

Today we study the Thrush
and the seamlessness between gone and yet to come.
Leaves whisper under the authority of the professor
who weaves idea with meaning.
And outside, plummeting spirals of ice
drip from gutters into puddles
half-frozen.

I agree, there is a seamlessness between gone and yet to come.

I beg the noonday sun,
"Make me new."


The professor is now asking if the poet saw
the world’s darkness or his own
when the bird sang,
and everyone has the answer but me and Hardy.
Still I search for solidity in the emptiness
where ice used to be,
but all I find is the sun


The world's darkness or his own. Amazing! This lyrical piece blows my mind.

And she reminds me,
"Newness is born of the past."


This line has so much meaning. Newness is born of the past... so true!

A lesson in patience was not the priority,
but as Hardy’s bird escapes his paper cage,
he flies through the classroom window,
alighting on the lips of the sun
to echo her message in music.


This is my favorite paragraph.

And I tell them all,
"The thrush saw life beyond the dying past,
and that is why he waited.
That is why he sang."

Woah. Uhmm. Woops?

Thanks so much for the suggestions! I'll keep them all in mind when editing. :)

User avatar
delta121 Comment
delta121 commented Comment · Jan 25, 2014

i love it it shows what we really do when we sit by the window in school.

Thank you! :)



There has never been a sadness not cured by breakfast food.
— Ron, Parks & Rec