INT. CAR - DAY
Alison pulls up in a parking space in front of a small, squat building, tears in her eyes. The landscape is cold, gray and lifeless. She leans forward and kisses Jim, letting it linger. She pulls away and stares into his eyes, putting her hand on the car door, but she slides it off and kisses him again with more passion than before. Alison notices Sean and Rosalie squirming in the back, and pulls away, sighing. She opens the car door.
ALISON
Get out and say goodbye to your father.
They exit.
EXT. CAR - DAY
Alison opens the truck and hands him Jim his bag. He leans up against the trunk. There are tears in his eyes, but they are less pronounced; he's fought them hard. Sean and Rosalie both run up to him and he holds them tightly.
JIM
Be good. Listen to your mother when she tells you to do something.
After a while, he lets them go, and they stand by the car. He approaches Alison, takes both of her hands and looks her right in the eyes.
JIM (CONT'D)
Be strong. For them.
ALISON
I will.
JIM
I'll be home before you know it.
They kiss for a long time.
ALISON
Goodbye. Write as soon as you can.
JIM
Of course.
Alison gets in the car. Sean and Rosalie follow. She slowly drives away, waving to Jim for as long as he remains in their sight. After they are gone, Jim takes a deep breath and approaches the building, gathering all of his courage.
INT. KITCHEN - DAY
A car pulls up in the driveway at the end of a silent, simple breakfast. Alison takes the dishes from Rosalie and Sean and puts them in the sink. She takes her coat, draped over her chair and puts in on.
ALISON
Be good, kids. You remember how to get to the bus stop?
SEAN
Yes, mom.
She kisses both of her children.
ROSALIE (CONT’D)
Why is Mary driving you?
ALISON
Because it's my first day and she wants to help me get started since she already works where I'm going to work.
ROSALIE
Oh.
ALISON
Goodbye, I love you both.
She moves towards the door.
ROSALIE
Do you think we'll get a letter from daddy soon?
ALISON
Soon, honey. It takes a long time for letters to get all the way across the sea.
She opens the door, and leaves.
INT. LIVING ROOM - DAY
Rosalie and Sean sit beside the radio, listening to a broadcast about the war. Alison enters.
ALISON
Hi. How was school?
They answer without turning away from the radio.
SEAN
It was good.
ROSALIE
Yeah.
ALISON
Look at me.
She realizes that what they are listening to is about the war, and turns it off.
ALISON (CONT'D)
You don't need to be listening to that anyway.
ROSALIE
We want to know about Daddy.
ALISON
They're not going to talk about your father on the radio.
She reveals a letter from her pocket.
ALISON (CONT'D)
But look what I have...
Their eyes widen, and they turn around as Alison kneels down, eagerly opening the letter. They read it.
JIM (V.O)
Hello from Tunisia (all the way in Africa!) It's awfully hot and already I miss the sight of snow. At camp last night they played Christmas songs on the radio, even though Christmas is over, but it made me think of celebrating Christmas before I left. There are a lot of other daddies here who love and miss their families like I do you, but the harder we fight the sooner we can come home. I will write as much as I can, because I will never stop thinking about all of you. Until then, make sure you are doing chores and listening to Mommy whenever she tells you to something. She has a lot to do and she's doing all for you. Love and miss you, Daddy.
They set the letter down.
ALISON
That was nice. Should we write him back?
They nod.
ALISON (CONT'D)
I'll get pen and paper and you two can tell me what you want to say to him.
They do so, and eagerly craft their reply.
As the months go by, they read and respond to letters. Alison knits socks with Mary and Patricia. Mealtimes grow simpler. Radio and newspapers detail the turning tide of the war. A year later, near Christmas, they receive a package in the mail, with a letter attached.
JIM (V.O)
With Christmas time approaching I miss each one of you so much. I have been in Europe for over six months now, and I hope that you are each doing well in school and being good to Mommy. It hasn't been easy, but all the daddies have been there for each other while we miss our families so we can still fight in the war. We had the time to buy gifts for our families, so I hope you like them. I believe that next year I will be here to celebrate it with you. I can't wait to see how much you've all grown. Love, Daddy.
The months continue to go by. Radio and newspapers continue to detail the turning tide of the war. After each allied victory, they await each of Jim's letters optimistically, but are let down. Their life goes on, work, school, mealtimes, letters until another year later, again near Christmas, when a letter from Jim arrives.
JIM (V.O)
It saddens me more than you know to write that once again I must be away for Christmas. We are winning, but the war is not over yet and we must not give up until the Germans have surrendered. It won't be too much longer now. I'm sorry I could send gifts again this year. Merry Christmas (early). Love, Daddy.
Alison tosses the letter to the floor, and walks out of the room in silence.
INT. DINING ROOM - NIGHT
Alison, Rosalie and Sean eat a poorly prepared Christmas dinner.
ALISON
Would either of you like to go see a movie?
ROSALIE
Tonight?
ALISON
Sure. After dinner?
ROSALIE
What's playing?
ALISON
Check the paper. I'll let you and Sean pick, okay?
INT. MOVIE THEATER - NIGHT
Alison, Rosalie and Sean sit in the theater as the movie begins, first with a newsreel. It details the ongoing Battle of the Bulge; Alison watches uncomfortably, shielding her children's eyes.
INT. FOYER - DAY
Every day for a month, Alison returns home from work and takes in the mail. She sifts through it, hoping for a letter from Jim, but each day, she is disappointed; Rosalie and Sean sit in the living room, doing homework, and she shakes her head before moving on her way.
INT. LIVING ROOM - DAY
One day, Alison returns again disappointed, and joins her children in the living room, pulling them close. They sit there for a long time, in each other's arms.
INT. FOYER - DAY
Alison returns again from work, and her hands shake when she notices a letter from the army.
INT. LIVING ROOM - DAY
She takes it into the living room, where Sean and Rosalie sit.
SEAN
Dad?
ALISON
No...
She opens it, shaking. She reads, and goes numb before descending into tears.
INT. KITCHEN - DAY
Alison, Rosalie and Sean, all dressed in black, sit down to breakfast.
ROSALIE
What are we going to do now, Mommy?
ALISON
I don't know.
ROSALIE
Are we going to move?
ALISON
I don't know.
ROSALIE
Will we have to go back to school?
ALISON
I don't know.
SEAN
I wish Dad were here.
ALISON
I do too.
She rises.
ALISON (CONT'D)
Let's go. I'll clean up when we get back.
INT. FOYER - DAY
They return from the funeral. As Alison sets down the car keys and takes off her coat, she pauses.
ALISON
How would you two feel about moving?
INT. CAR - DAY
In early spring, they drive on an open road, the passenger's seat and back of the car filled with boxes. Rosalie and Sean are uncomfortably squeezed in the back.
SEAN
Why do we have to move so far away?
Alison sighs, tightening her grip on the steering wheel and then loosening it.
ALISON
Because I found work in Chicago. And we found an apartment that we can afford.
SEAN
I don't want to start a new school.
ALISON
I had to drop out of school after the eleventh grade. You are lucky to be going to as good of a school as the one we found.
SEAN
What was wrong with my other school? I had friends there, and now I'm never going to see any of them again.
ALISON
Sean-
She fumes.
ALISON (CONT'D)
Not another word.
SEAN
Moving isn't going to change the fact that Dad is gone.
Alison's eyes widen in anger, and and pulls over to the side of the road, removes the keys from the ignition. Exiting the car, she opens the back door on Sean’s side and slaps him. He cowers, and Rosalie does as well.
ALISON
Don't ever speak to me that way again. Understood?
SEAN
Yes, mom.
ALISON
Rosalie, the same goes for you.
ROSALIE
Yes.
ALISON
Now, I don't want to hear another sound from either of you until we get there.
INT. CAR - NIGHT
They drive, still silent.
ALISON
I'm sorry I yelled.
SEAN
That's okay.
ALISON
Do you understand why I was upset?
SEAN
Yes.
ROSALIE
We understand.
ALISON
We have a chance to start over. I'm excited and I want you two to be too.
SEAN
We are.
EXT. APARTMENT - DAY
They pull up into a parking space in front of a plain, but otherwise inviting building in the midst of downtown Chicago.
They exit the car, standing at the edge of the walkway. Alison stands in the center and holds Rosalie and Sean in each arm.
ROSALIE
I like it, Mommy.
ALISON
I do too.
INT. APARTMENT - DAY
It is a beautiful spring day in early May. Their apartment is small, and still lightly furnished. The front door opens to a small living room, and further down is the kitchen, a dining table, and a hallway that leads to their bedrooms and the bathroom. Many pictures of the family adorn the walls. Sean and Rosalie sit on the couch, each doing homework.
ROSALIE
What are you working on?
SEAN
Science.
ROSALIE
What are you doing for science?
SEAN
Mind your own business.
ROSALIE
I'm writing an article.
SEAN
Good for you.
ROSALIE
It's about Daddy.
SEAN
Oh?
ROSALIE
Our teacher is having us write an article about something that's important to us. I'm thinking of showing it to Mommy because I think I did a good job.
SEAN
Don't do that. It'll just make her sadder.
ROSALIE
I want her to be proud of me.
SEAN
Do you want to do, Rosalie. It's not going to make her come out of her room.
ROSALIE
Hitler's dead, so the war can't last too much longer. Maybe that will make mom happier.
SEAN
I don't know, Rosalie.
A slip of paper falls out of Sean's notebook. Rosalie bends down and grabs it.
SEAN (CONT'D)
That's mine! Give it back!
ROSALIE
Who's Laura?
SEAN
Nobody.
ROSALIE
You're bright red.
SEAN
Shut up.
They hear an indistinct roar coming from outside.
ROSALIE
What was that?
SEAN
(exasperated) I don't know.
ROSALIE
Whatever. I'm tired of being in the house all day. It's so nice outside.
SEAN
Do you want to go to the park? I need to take a break from this anyway.
ROSALIE
Sure.
SEAN
Tell mom.
ROSALIE
Okay.
Rosalie walks down the hallway, and approaches the door to Alison's bedroom. She knocks, but there is no answer. She knocks again, but this time hears the sound of uncontrollable sobbing. Rosalie sighs, and goes back into to the living room.
ROSALIE (CONT’D)
I think she's resting. Let's leave a note.
SEAN
Okay.
EXT. APARTMENT - DAY
Rosalie and Sean walk to the edge of the block when they see massive crowds of people cheering in the streets.
SEAN
What's going on?
Then they realize what it means.
SEAN (CONT'D)
It's over.
INT. APARTMENT - DAY
Alison, and Rosalie and Sean sit around the radio, eagerly listening to the details of Germany's surrender. Alison's eyes fill with tears, but a bittersweet look of joy has crept onto her face.
ALISON
It's over.
She rises, and approaches a photo of her and Jim together.
ALISON (CONT'D)
It's over, Jim.
EXT. PARK - DAY
Sean and Rosalie rest atop a hemispherical jungle gym, staring up at the sky.
SEAN
Why do you think so many people are so sad?
ROSALIE
I'm not sure.
SEAN
Every time something seems like it's going to better, it gets worse.
ROSALIE
How do you mean?
SEAN
I thought that with the war being over, things would get better. But every time I see a soldier come home, it makes me miss dad even more.
ROSALIE
Me too.
SEAN
Why do they get to be happy?
ROSALIE
I just wish Mommy would smile again.
SEAN
I'm starting to forget what it feels like to be happy.
ROSALIE
Sometimes I have dreams about Daddy coming home.
SEAN
I do too.
ROSALIE
Do you think, maybe one day, we won't feel so bad?
SEAN
I hope so.
Points: 28237
Reviews: 363
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