Tomorrow-Chapter Six

In the centre of the room there’s a tall, thin man. His hair is jet black and his face is ugly without hilarity. His nose is large and hooked with a bump over the bridge. A long scar runs from his left eye down to his misshapen mouth, tugging the left corner upwards. The scar is deep and dangerous. His face is pitted and chunks are missing. Over his right eye, he’s wearing a black eye patch. He’s wearing a gold nose ring on his slightly crooked nose. He’s dressed in black from head to toe. When he sees me holding Eddie’s hand, he smiles. Most of his teeth are gone.

“So glad you could join us.” He shouts. His voice is deep and gravelly. Eddie and I stand in the doorway. I look around at the large crowd of people surrounding the scarred man. They look about my age, some are older, and some are younger. They all turn to look at us. A blond girl at the back glares at me. “Well, what’re you waiting for; the grass to grow?” The man shouts again. Eddie tugs my arm and we walk over to join the group.

“As I was saying, we have a new member and now that she has decided to grace us with her presence, I can introduce her.” He says, grinning at me, “Why don’t you come up here, Elizabeth?”

I walk towards him. “Leave lover boy behind.” I flush, realising that I haven’t let go of Eddie’s hand. The crowd laughs. I glare at the scarred man and drop Eddie’s hand. I push my way through the crowd until I stand next to him. I can’t see the faces of the people in the crowd but I glare at them anyway. Someone somewhere laughs. The scarred man laughs. “Everyone, this is Elizabeth, our newest recruit.” Everyone claps. I cross my arms.

“I want one of you to make sure she goes to the right places today. Any volunteers?”

Eddie’s hand shoots into the air. The scarred man glances at him. “Anyone else?” The blond girl at the back raises her hand. She smiles at me. It looks more like a grimace. “Brilliant, Isla, you can take Elizabeth round today.” Everyone claps again before starting to walk off. Isla makes her way towards me.

She’s the sort of person that other people would think is pretty but really, she’s not. Her face is too harsh and pointed. I decide that she looks like a rat; a drowned rat. I don’t trust rodents. Her hair’s nice, though; it’s blonde and wavy. Once she reaches me, she sticks out a tanned hand. “Isla, Isla Pocket.” I look at her hand. She grabs my hand and shakes it once before dropping it like its poisoned. We stand there, observing each other, like two rival stallions eying each other up before a fight. Someone laughs. Isla sighs and grabs my forearm, pushing her way through the crowd of teenagers. She needn’t have worried; they all move out of her way when they see her coming through. She drags me along the maze of corridors until we get to the gymnasium. It’s empty. I eye Isla warily. Somehow, I don’t want to be alone in a room with her.

Instead, I walk over to one of the treadmills. I sit on the end, staring at Isla, who stares back. I don’t like that girl. Suddenly, one of the doors is flung open. I jump and leap to my feet, glancing around. Isla looks at me questioningly. I look over at the door and sigh. I am in the company of the delightful Charles Grey once more. Several boys and girls crowd into the room after him. I walk over, hoping that he doesn’t see me, and stand at the back of the crowd. Sadly, I’m tall.

“Ah, Elizabeth, I see you’re without a gym kit.” He says. I look around at all the other people. They’ve all swapped the jumpsuit and boots for a black t-shirt and shorts and a pair of white trainers.

Charles looks me up and down before walking over to a shelf at the side of the room and picking up a pile of clothes and a pair of trainers. He hands them to me. I look down at them. I glance around the room, looking for somewhere to change. Seeing nowhere suitable, I look at him questioningly. He smiles slightly before pointing to a door leading off the room. I walk over to it and open the door. I step inside and quickly change into the exercise gear before re-joining the group.

Charles is explaining what we’re going to do. He says something about running. I tune out in the hope that someone will explain what we’re doing to me later. I gaze around at the room. It’s big and spacious. It’s emotionless. It has no sense of character; no history. Instinctively, I hate it.

“Elizabeth?” A voice says. I look around. Charles is staring at me. “Would you come over here please?” It’s not a question.

I nod and walk over to him, ignoring the stares of everyone else in the gym.

“Today, you’re not going to do what they’re doing. You’re going to do an assessment, ok?” He pauses whilst I nod before continuing. “Follow me.”

I sigh and walk after him. Why is it that I always get lumped with him? We walk through another door and into a room next door. It’s a mini version of the room next door; there’s a treadmill, a punch bag and in the corner there’s a shelf with weights and other equipment. Charles walks over to the shelf and picks up an armband which he wraps around my arm.

“This is going to measure your heart rate, ok?”

I nod. I look down at the number on the armband. The numbers higher than usual. He looks down too and smiles. I glare at him. He clears his throat and continues. “I want you to run on the treadmill until I come back for you in about half an hour.” He walks out of the door, slamming it behind him. I look at the treadmill and shrug my shoulders. I don’t know how to start it but I’m sure I’ll be able to work it out. I hop onto the treadmill and gasp when it starts up automatically. Guess I didn’t have to worry about not being able to start it.

It starts of slowly but it gradually picks up the pace until I’m running so fast it feels like my lungs are about to burst. As I run, I keep thinking about how much I want to stop but then I see Charles’ insufferably smug face and I know that, whatever I do, I have to carry on. So, I keep pumping my arms and legs until, at long last, the door opens. Charles walks in. I hate him but, right now, I’ve never been so happy to see him. He walks over to the treadmill and presses one of the buttons. Gratefully, I slide off the treadmill. I reaches over to my arm and looks at the number on the armband. My heart rate goes up by another couple of beats.

“Did you keep running?”

I nod.

“Good. I hope you’re not lying because, if you are you should say so now. I’ll find out anyway.” He says, staring pointedly over my shoulder at a small hole in the wall. There must be a camera or something. Great, this place is spying on me. Suddenly I remember my Dad telling me years ago that Big Brother’s always watching. Wish I knew who Big Brother is.

“I’m not lying.”

“No, I didn’t think you were.”

I glare at him. I can lie if I want to. In fact, sometimes, my lies are so convincing that, I even manage to convince myself that they’re the truth. Sometimes, I don’t even know how much of my life is true, what with all of the lying I do.

“Ok, can you walk over to the punch bag please?”

I shrug my shoulders and walk over, taking care not to walk into the side of the treadmill. I stand in front of the bag, my hands hanging limply by my sides. I look back at Charles. He laughs. The guy seems to spend half his life laughing at me.

“You have to punch.”

I glare at him and turn back to the bag. I look at it and imagine that it’s Charles. I punch it once. It swings violently to the left. I punch it again and it flies to the right. I punch it in the centre and it flies backwards. I aim for different parts of his anatomy each time; his nose, his stomach, his mouth, his arm. I keep punching until my naked knuckles feel like they’re on fire. I glance down at them. They’re bleeding. I look at Charles, trying to see if it’s time for me to stop. He nods at me and looks at the number on my arm again.

“Ok, we’re going to head over to the shooting range now, ok?” He says.

“That’s cool.” I say, following him out of the door.

We walk out of the gymnasium, which is now empty, and into the corridor. We turn left and walk straight ahead until we reach a heavy oak door. Charles pushes it open and we step outside. It’s the first time I’ve actually been outside since I arrived. It’s nice. The grass is lush and green. I look down towards the sparkling lake. I can see the tiny figures that must be people lying in the grass beside it. I follow Charles down a gravel path which leads to the forest. We turn left down another path just before we reach the tall and oddly comforting trees and walk until we reach a line of targets. They’re basic but I assume it’ll get harder as I go on. Everything always does. If life was easy, it’d be boring. That’s what my Dad always used to say.

Charles walks over to a table next to the line of targets and hands me a pistol. I look at it. I hate guns. A gun killed my family and many more. He hands it to me. I take it and feel its deadly weight in my hand. I want to hurl it into the lake but I fight the urge. Nothing good ever comes of listening to random impulses. I appease myself by simply staring at the contraption with a look of utmost loathing. Charles nods at me and I raise the gun. It’s heavy. I look down at the range and close my eyes as I pull the trigger. The pistol goes off with a sharp crack. I open my eyes and look at the target. I don’t think I hit it. Suddenly, Charles is next to me.

“You shut your eyes, why?”

I say nothing and raise the pistol again. I try not to shut my eyes but, when I squeeze the trigger, I can’t help it. I hear the dreaded crack. I don’t open my eyes until I’ve fired all the bullets in the gun. Then, I open my eyes and peer at the target again. It’s perfectly blank, just like it was when I first got here. I reach for more ammunition.

“Put the gun down.”

Without thinking, I put the gun down. Instantly, I feel happier.

“Come over here.”

I walk over to where Charles is standing. He sits down on the emerald green grass. He pats the ground beside him and I sit.

“What happened to you?” He asks.

“I don’t like to talk about it.”

“Neither do I but sometimes, you have to.”

I stay silent, gazing at the slightly smoking gun on the table. I hear him sigh.

“Fine, I’ll do you a deal, ok?” He waits until I nod before continuing, “I’ll tell you my story if you tell me yours.”

I nod.

“Ok, for starters, I’m not really called Charles Grey but I suppose you’ve already guessed that. My name is Sebastian Brixton and I was born on the 5th of October 2541. I lived in a small town by the coast. When they brought over reinforcements, my town was one of the first places they took. They burnt down our houses. Ours went first because we lived nearest to the coast. Then, they rounded all of us up and marched us to a quarry in the woods. They killed my father first because he was the mayor of the town. I watched whilst they tied a piece of cloth around his eyes. Then, a huge man raised an axe and…” he trails off, closing his eyes as though, if he closes them, the past will be undone. I reach over and squeeze his hand. His eyes fly open. I nod at him to continue. “Once they’d killed my father, they rounded up the rest of the men from the town and lined them up. One man tried to run so they stoned him to death with the heavy stones in the quarry. The rest of them died bravely but, just before the guns opened fire, one sunk to his knees, crying out the name of some girl he’d loved once. They killed my mother next and then my sister. Before they could kill me, I crept into one of the bushes. It was dense and the holly leaves hurt my skin. I crawled through the undergrowth until I reached an opening. I walked through the woods for days, barely sleeping in case they found me. Eventually, I reached a town. I slept at one of the bus stations for the night. And that’s when they found me. Ever since then, I’ve worked for the Occidere Occidi.”

He looks at me and smiles wanly. “Your turn.”

I pick up his hand and start. “I am, sorry, I was Rebecca Grace Parker but, you already know that. They reached our village in the middle of the night. We were all still sleeping and we only realised they had reached us when they started to drag us out of bed. They took us to the field where we used to play games in the summer. My Dad pushed me into a bush on the way to the field and, in the confusion, I suppose they didn’t realise. They were too busy loading up their guns.” I add bitterly. “I crept through the bushes until I could see what was going on. They lined everyone up. They raised their guns. My father died first, then my mother and finally my brother. He was only eight. My village was quite small but, there were puddles of blood. I stayed in the bushes until they started to burn our homes then, I ran to the woods and made my way to the city. Sometimes, when I’m sleeping, I see my father’s eyes catch mine from across the field but, I know that I’ll never see him again…” I close my eyes. I see my father, tall and proud. I see my mother, her lips moving in silent prayer. I see my brother’s head lying in a pool of blood. Then, I see the men in black. They’re coming towards me, crowding around me. I scream and my eyes fly open.

Charles reaches over and this time it’s his turn to squeeze my hand. I smile. “I guess we’re both pretty messed up, huh?”

He grins, “I guess we are.” We smile like a pair of Cheshire cats for a few moments before a voice breaks the silence.

“Well, I’m sorry to interrupt the love birds.” A deep voice says. I drop Charles’ hand and wipe the grin off my face. I whip my head around to see the scared man standing behind us. Charles leaps to his feet and walks over to the table. He picks up a pistol and fires five shots at the target. They all hit the same spot in the middle. He walks back up to the cottage. “Elizabeth, you’re needed in the test facility.” The man says. I nod and stand up. The scared man marches me back up the gravel path and towards the grey stone building. It’s beautiful in an artistic, rambling way. The man pushes open the main door and I follow him inside. On my left, there’s a small door. He opens it and pushes me inside.

I’m in a small, dark room. In the centre, there’s a desk. There are two chairs, one on either side of the desk. A blond woman is sat in one of the chairs. In front of her is a clipboard and two wires, as well as a bag of something. She stands up as I walk in.

“Julie.” She says, holding out her hand. I shake it and she smiles warmly. She indicates to the chair and I sit down, wondering what she’s going to do with the wires. “Okay, Elizabeth, I’m going to attach these wires on either side of your forehead. Then, I’m going to blindfold you, okay?” I nod and she starts pushing back my fringe and taping the wires to either side of my forehead. Once they’re in place, she picks up a black blindfold and ties it around my head. Suddenly, I’m plunged into total darkness.

“Okay, I’m going to give you a series of things to smell and you’re just going to say the first thing that comes to mind, ok?” She says. I nod.

Julie places something under my nose. It smells slightly mossy, like the earth. It reminds me of the field I used to keep my horse in. I used to lie under the tree by the river and smell the sweet, fresh earth. I haven’t been there in years. I should go soon. Then, I remember what happened the last time I was in that field and suddenly I don’t want to go there too soon.

“Field.” I say.

Julie removes the smell and I hear her fumbling around for the next one. I know what it is as soon as it wafts up my nostrils. It’s ginger. It smells familiar but I just can’t place it. Perhaps my mother used to cook with ginger? I don’t remember her ever doing so but where else could I have smelt it?

“Cooking.”

She places something else under my nose. It smells rusty and oddly metallic. I remember that smell. I remember smelling it from underneath a holly bush. I remember it made me drowsy. It stopped me from running. Oh yes, I remember that smell very well indeed.

“Blood.” I say, fighting to stop my voice from trembling.

I hear a smash and then the sound of Julie swearing. She must’ve dropped something. She shoves something else under my nose. It smells sweet, too sweet. It should be a nice smell but it’s oddly repulsive. It makes me feel nauseous. Suddenly, I remember where I smelt it. I was covered in it when I ran from the field. It’s the smell of sweat and fear.

“Fear.”

“Okay, Elizabeth, you can pull the blindfold off now.”

I pull the black fabric off and look around the room. It seems oddly bright considering I thought it was gloomy a few minutes ago. I look at Julie. She looks concerned. She reaches over and peels the wires off my forehead and smooth’s my fringe back down. I glance at the sheet of paper on the clipboard. It’s covered in neat, slanted writing. Julie sees me looking and snatches the clipboard and hugs it to her chest.

“When will I find out the results of my test?” I ask.

“In due course. They will be sent to him first and then to Charles.”

“May I leave?”

She nods and I stand up. I push open the door and stand in the large entrance hall. I’ve never really looked around the cottage. I glance around. There’s no one here. The hall is large. The floor is made from checked black and white tiles and the walls are grey stone. Portraits of people from times gone by line the walls. There are two staircases leading up to another floor, as well as a large door in the centre and several smaller doors. I walk over to one of the staircases and begin to climb. I pass several portraits as I go and I stare at the pale, haughty faces of the ladies and the odd hairstyles of the men. I climb until I reach a landing. On one side of the landing, there’s a railing. I look over the edge. Below me, is a large dining hall. There are five tables lying vertically across the hall with a large oak table at the top. The tables are set for a meal and, already, people are starting to mill about. I’m not hungry.

I turn away from the railing and walk along the landing. There’s a door on my left. I try the handle. It’s locked. I move on to the next door. It’s unlocked. I push it open and walk inside. In the centre of the room, there’s a large table with thousands of papers piled on top of it. In the corner, there’s a filing cabinet. One of the files is sticking out, like someone was flicking through it and had to put it away hastily. I detach it from the other files and flick it open. I am confronted by the face of my father. Intrigued, I flip over onto the next page. It’s a basic fact file, telling me his name, date of birth, family members and place of residence. At the bottom, it says ‘Agent Number: 765’. I flip over the page. I didn’t know my father was an agent. The rest of the file contains the details of his missions. I flip through idly until I reach the final page. It’s a picture of my father lying face down in a pool of his own crimson blood. Across it, printed in large red letters is the word ‘TERMINATED’. I slam the file shut. A high-pitched cackle erupts from somewhere. I cover my ears and run from the room. I run along the landing to a door at the end. Inside, I find a flight of stairs. I hurriedly scramble up them. I reach a spiral staircase. I hurtle up it until I reach a trap door. I push it open and find myself standing on top of a very high, windy tower. I look out over the battlements and see the forest. I long to go in there and explore but that would involve walking back along the landing. I don’t want to do that.

Suddenly, what I just saw hits me. Did these people kill my father? Did they kill my mother and brother too? Did they mean to kill me? Are they going to kill me? Suddenly, I’m transported back to the day they died. There was a man there who appeared to be in charge. Once he’d rounded everyone up and herded them into the field, he pulled off his mask and laughed. I remember how the moonlight caught the scar which ran down one side of his face. I shiver. I remember how he picked up a gun and aimed it at my father. I remember how the bullets made holes in my father’s body. I remember how he fell onto the ground. Yes, the man with the scar killed my father and now I will kill him.

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User avatar
Deanie
Review
Deanie wrote a review · Sat Sep 20, 2014 6:55 am

Hi there 90skid!

Deanie here ready to keep reading your story and review! This was a longer chapter than most, but it was still perfectly fine to read. We go through a lot of things here. We get to meet her training group/leader, as well as see her being assessed. I like how we got to see more of Charles and his past as well, which seemed so similar to Elizabeth's as well. I think this will only add on to how well they get along, even if they will keep up the whole love/hate relationship! I feel like this chapter was about the characters mostly, which is good because we do need to get to know them better as well. I am looking forward to seeing what the next chapter is going to hold for us.

Over his right eye, he’s wearing a black eye patch. He’s wearing a gold nose ring on his slightly crooked nose


You repeat the words 'he's wearing' in close proximity, when it could be easy to avoid the repetition all together. Just phrase the second sentence something like this 'A gold nose ring glints on his slightly crooked nose.' See how I reworded it to have the same meaning but avoid the repetition?

I glare at the scarred man and drop Eddie’s hand. I push my way through the crowd until I stand next to him. I can’t see the faces of the people in the crowd but I glare at them anyway.


Here's a bit of an example of a place where you have a whole lot 'I did this' and 'I do that'. It gets a bit redundant in places and doesn't make it fun to read anymore. What you should try and do to avoid this is to use more 'my' and try and not start each sentence with 'I', even though it could use it later on. An example of a my sentence that is taken from one of yours could be something like 'My eyes narrow as I glare at the people in the crowd, even if it is hard to make their faces out.' Look at how I made sure to only use 'I' once, and yet we get the same essence as you do in your sentence. Try and follow this for more of your sentences throughout the chapter.

I've also noticed in this chapter that you use a lot of short sentences. I do believe I mentioned it in a previous review and then it improved, but you could work at changing up the lengths of sentences in this chapter as well. Having a mix just helps the story flow better when it is read, instead of reading lots of choppy, short sentences.

I also felt like we didn't get to know Isla enough. She doesn't say much. We just to get to see her appearance, figure that Elizabeth doesn't like her, and then she is gone for the rest of the day. It seems strange that Isla was even assigned to Elizabeth when it always seemed to be someone else guiding her to what she needed to be doing. So yes, I don't really see the point of why we met Isla just now. Maybe wait until a moment when we get to hear more from her? Or perhaps make them have a conversation in the gym so that we get to know her personality a little bit better.

Also, I want to know more about Elizabeth's thoughts! How does she feel about knowing she is being assessed? Nervous? Does she worry that if she doesn't pass their tests, they will find someone new to do her job instead? I know I would dwell on the fact I was being tested a little bit if I were her. Also, her first test is running, which is something she is used to. Is pleased with this, because then she thinks the test can't be too difficult or challenging? Or does she still approach with caution, hoping that she will be able to keep going for such a long time?

Suddenly I remember my Dad telling me years ago that Big Brother’s always watching. Wish I knew who Big Brother is.


Comma needed after the word 'suddenly'.

Also, does she wonder who Big Brother is in general, or simply in this case? Because I feel like Elizabeth is wise enough to understand the general idea of Big Brother. Which means you would need to make the sentence more specific as to in this occasion.

I glare at him and turn back to the bag. I look at it and imagine that it’s Charles. I punch it once. It swings violently to the left. I punch it again and it flies to the right. I punch it in the centre and it flies backwards


After a while I generally understood that when she punched to the right, it would swing to the right, and so on. You didn't really need to spell it out for us three times, and that could be cut down on. It's unnecessarily excessive.

“Ok, we’re going to head over to the shooting range now, ok?”


Ok in a sentence twice? I suggest you cut one of them out.

I think Elizabeth has never shot a gun before. That would be believable because she has a fear against them, and where would she ever have gotten one before? So, now she is holding a gun, which she has never done before, and is expected to shoot it. I want to know what the cold metal feels like against her soft skin, what the kick feels like after she has shot it and how it surprises her a little. How she can't imagine ever having a little bullet hit the target, and as she imagining it hitting the target, the only image in her mind are bullets going through her family's heads. Take the time to become super descriptive here, because it is a big event and moment in this chapter, and whole novel! I feel like Elizabeth needs to be a bit more of a beginner at it as well, seeing as she has never done this before. I don't know what shooting for the first time feels like, but research and asking around can always help!

I see my father’s eyes catch mine from across the field but, I know that I’ll never see him again


No comma needed right there after the 'but'. Putting a comma there doesn't do anything and disrupts the flow of the sentence. This is just an example for multiple sentences throughout the chapter because you've suddenly started doing this. Those commas need to be removed :/

Hm, really? They both escape by bush? When I read Charles's story, I thought to myself it's so much like Elizabeth's! Which is fine, because then they have a reason to relate. But I felt like they could still see the same thing, and yet escape in different ways, meaning Charles's didn't get out by bush. It just felt too samey and uncreative. I wanted something new, different and exciting to read from Charles's side of things. Did he put up a fight, or did he watch, helpless, afraid, and saving his own skin? Let us know, and fire up the action a little with it!

I felt a bit confused as to why Charles's suddenly leapt up when the training leader came by, and shot at the target. It seemed too random and I wanted to know his reasoning. Was it Charles's way of laying down who was in charge between him and the training instructor, or was he trying to get a bit of his anger out after recalling his story? Something else?

I should go soon. Then, I remember what happened the last time I was in that field and suddenly I don’t want to go there too soon.


A little bit repetitive here. Get rid of the last three words and replace them with 'anymore'.

I felt it was a little too easy for Elizabeth to find her father's file. It was all so... convenient! And convenient isn't good when writing a novel, because then it becomes a smidge unrealistic. So what you need to do is make it hard for Elizabeth, but not unnecessarily difficult. Have her come into this room, read a file of an agent who was terminated. Think back to how her father was accused of being a spy. Then feel the need to rifle through the papers, and eventually come across one from her father. That would work well enough :3

Lastly, when is Elizabeth going to sleep and rest? She's been up and running for two days straight now, doing intense sport and taking an emotional toll as well. And she's done all this without coffee or tea. I know it's hard to keep basic needs in mind when writing a story, but don't forget about them!

I am looking forward to reading the next part of this story! Keep up with it, and even though I have a lot to catch up with, I think this story is growing well ^^

Image

Deanie x

Chapter six, here comes a review!

Suggestions

It’s a mini version of the room next door;
I think if you say it's a mini version of the gymnasium, it would be less repetitive.

Only one suggestion and as I always say, you don't have to change anything. :)

Lovely Things
I like the descriptions in the first paragraph!
I decide that she looks like a rat; a drowned rat.
Nice simile!
My heart rate goes up by another couple of beats.
;) Haha, I like how you keep hinting at them liking each other.
I liked how when they were sharing their stories, they comforted each other. :)

An Overview
Wow. Powerful ending. Like. I'm left speechless and want to keep reading!! Great job with this chapter!!!! :D

Happy review day and keep writing,
turtlethatroars

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BrumalHunter
Review

Salutations. (I shall be saying this in the greeting with every one of my reviews, so whether it becomes tedious or not, it will remain.)

So, it seems that this chapter is as staccato as the previous one. Oh well... I have used much of my previous review to address that aspect of your writing, and if I rant on and on about the same thing, my reviews will be useless (not to mention that you will eventually wish that I would simply bugger off) to you. I have therefore decided to focus on the other aspects.

The villain (and if he isn't, then you did a poor job of not portraying him that way ;) ) you described in the first chapter is certainly scary, intimidating, frightening and all of those other adjectives relating to fear, but there is another one, which is not as positive (if you can consider somebody looking menacing positive): cliché. Not only does he have a scar, but an eyepatch as well. In my experience, you can use one of these, but not both. In doing so, you might just create a character who does not seem intimidating, but rather ridiculous. Giving him all of these features also makes his image slightly overwhelming and creates the idea he is some villain a character is describing to the police in a comedy: "Oh no, officer, he had jet black hair, and... uhm... a scar, and... uhm... well... oh yes! He also wore an eyepatch." As you can imagine, thinking of all the things which makes a character frightening and combining them, does not necessarily make for a frightening character. A bit more originality is required.

“So glad you could join us.” He shouts.

The first full stop ought to be replaced with a comma and the He must not be capitalised.

“Well, what’re you waiting for; the grass to grow?

To link up with my previous comment, more originality is required. (Although it should not be surprising that a cliché character uses clichés in his speech.)

“Brilliant, Isla, you can take Elizabeth round today.”

Isla is the Italian word for "island", so if ever Elizabeth wants to insult said girl, she can claim that she must have been the size of an island when she was found in order to deserve a name like that.

I reaches over to my arm and looks at the number on the armband.

O_o - reach

Wish I knew who Big Brother is.

Here he is! (Sorry, I couldn't resist.)

In fact, sometimes, my lies are so convincing that, I even manage to convince myself that they’re the truth. Sometimes, I don’t even know how much of my life is true, what with all of the lying I do.

Lying to oneself and actually believing the lie is a tragedy, yet she is actually proud of it?

“Ok, we’re going to head over to the shooting range now, ok?”

Did he really just use "okay" (but spelled differently, of course) twice in the same sentence?

I whip my head around to see the scared man standing behind us.
[/quote]
Typo: scarred


Finally, we come to your conclusion. You have the skeleton of a good ending for your chapter, but you need to give it more body and make it more dramatic. Even just things as simple as sentence structure can make an amazing difference when it comes the quality of one's writing. Work more on these aspects, and you will be pleasantly surprised by how much you will have improved. But if you want to improve, you must dedicate yourself to studying English. You have the talent, now you must simply add the diligence.

This review courtesy of
Image

Thank you for the review :) I liked the link to the Big Brother profile :)
I'm currently editing my work and I'm picking up on a lot of the things that you're picking up on so hopefully my next draft will be much improved.

This chapter had a lot of problems in terms of believability. The writing is, as usual, good, and I like seeing new characters as well as hearing Elizabeth’s thoughts about them and getting some character development with her fear and hatred of guns and developing loathing of Charles, but the chapter also ran my suspension of disbelief through a wringer.

At this point in the story, I’m having a really hard time suspending my disbelief about what’s going on, because part of me’s screaming that Elizabeth is a fifteen-year-old girl who’s malnourished, starving, has been awake all night, has just been attacked by several people bigger and better trained than she is, and hasn’t eaten anything but a piece of stale bread since the story began at least a day ago. HOW is she still going??

The easiest solution to this would be to spend longer with the make-over process. She goes to the cottage and gets totally pampered. Nursed back to full health, puts on a ton of weight because suddenly she’s getting proper nutrition [obviously they’d put her on a workout regimen once she’s healthy enough]. She’d stay small and thin, most likely, but she’d fill out and her hair and skin would start to look better. They could fix her teeth. Then, once she’s healthy and looks better as a result of being healthy, they declare her ready and go through the actual makeover process, dolling her up and presenting her to the guy in charge. Solves all these little niggling problems, even the sleep deprivation one—healthy fifteen-year-olds can skip a night of sleep once in a while and be more or less fine, if sleepy—with relatively little effort. You could even skip a lot of the nursing-back-to-health simply by saying that she lost track of time because there were no clocks and she had nothing to mark the days, or something.

A lot of the passage during which Isla leads Elizabeth into the gym and Charles gives her the kit to change into is very listy, and could easily be summarized in a sentence or two since it’s not all that important in the grand scheme of things.

How does Elizabeth know what her usual heart rate is? Hasn’t she been on the run for five years?

Also, wow. This treadmill things sounds like an awesome way to get Elizabeth killed. Again. Forcing her to sprint for half an hour with no prior conditioning, sleep deprivation, five years of malnourishment and starvation… Does Charles want her dead? He seems to. He keeps forcing her into situations where she gets hurt—pushing her off a twenty-foot drop (which could kill her if she landed wrong, which is likely since he PUSHED HER), having a bunch of people ambush her at once, and now this…

Is she hitting that punching bag with no wraps or gloves? OW! Seriously, have you ever punched something hard? It hurts. A lot. And if she doesn’t know what she’s doing and hits really hard, she could break her fingers, thumb, and/or wrist very easily. Scraping skin off her knuckles is going to be the least of her problems.

And now she’s firing guns without proper ear protection? ANOTHER OW. Gunshots are LOUD when you’re the one pulling the trigger. Even with the proper equipment to protect your ears, they’re really really loud! Firing one with no protection whatsoever would HURT. Also, guns recoil. Shooting a rifle feels like a hard punch right to the shoulder. I’ve never shot a pistol, but pistols still expel bullets with an awful lot of force—and an equal recoil. You’ve watched people shoot handguns in movies, right? The way the gun sort of jerks back and up after the shot? That’s not just a stylistic Hollywood thing—that’s because after a gun fires, the gun itself snaps back, HARD. Someone who’s never touched a gun before firing multiple rounds from a pistol, with her eyes closed and no preparation or prior training? Is not going to be able to hold the gun steady. I wouldn’t be surprised if it flew out of her hands or went wild and hit somebody. And no matter how far they are in the future, I’m pretty sure they still can’t beat Newton’s Third Law.

Again—is Charles trying to kill her?

So by the end of the assessment section, my suspension of disbelief was thoroughly trashed and basically nonexistent.

I like Charles’s story, though. The only thing wrong with it is formatting—it’s another massive chunk of text. Break it into smaller paragraphs for easier readability. And after building up so much hate for him, it’s kind of nice to see Elizabeth realize he has a broken side, too. I don’t think it’s realistic for her to suddenly not hate him, but the complexity of sympathy/hatred is something you can play around with and it’ll add a lot of depth to her character.

I’m wondering what the point of the smell eval was? Will sense of smell become important to the plot later on, or was it a test of a more psychological nature? Both? Neither? It made a lot more sense to me than the physical portion of the assessment, so all I’m curious about is the motivations behind it and I’m still firmly engaged with the story. Although I was surprised that they’d let Elizabeth see the results of her assessment, considering how poorly they’ve treated her so far.

Seriously, what is up with this place’s security? It sucks. Since you’ve brought attention to that, I’m guessing that it sucks for a reason, and I’m super curious. I mean, giving the potentially-unstable, apparently vital to your plans teenager who’s already suspicious and prickly and used to being totally self reliant evidence that you HAD HER FATHER KILLED seems like a really bad idea to me. It can’t be on purpose. Especially since the person who killed her father is apparently in charge of her training. I mean, I'd guessed already that they were more in line with the government than they appeared, but I didn't expect them to be THIS obvious about it.

So, either OO is totally incompetent, or there’s some even more convoluted, chessmaster-y plot going on. Either way, this is a good way to end a chapter because now I’m going WHAAAAAAAT and itching to read the next one.

Because it's going to be a series, the security part should develop more as it goes on. I like the idea about her putting on weight though before letting her go out into the world so to speak. I think that that would make her strength in the fight scene before seem slightly more believable.

yeah, as i said, the security failures are SO OBVIOUSLY intentional on your part that as a reader, i'm content to pin the blame on OO being either incompetent or very tricksy rather than just going "this is a plot hole!" and getting annoyed. like, it's very clearly a purposeful choice and not just lazy writing making things Convenient, if that makes sense.

like, that's the difference between the bad security and the unbelievability of the physical assessment. the bad security feels like a plot point, and something you did on purpose and are in control of whereas the physical assessment feels like a lack of research or failure to consider realistic consequences for things.

so as a reader, i'm totally on board with you re bad security, because it's clearly intentional. but i'm not on board with unrealistic consequences for putting a starving girl through the stuff in the physical assessment without resulting in broken bones and possibly heart failure from having to sprint and not even noticing the recoil when she shoots a gun. (esp. because, as someone who has actually shot guns%u2014albeit rifles, not handguns%u2014recoil is hard enough to leave bruises, especially if you've never done it before. first time i ever shot a rifle i had an awful, almost black bruise on my shoulder the size of my fist.)

I've only shot competition pistols so I haven't really experienced recoil. Yeah, like I said, I think I'm going to add another chapter before the makeover where I have her being fed up. Because it's the future, I suppose that they could have something which makes it easier to put on weight.



You can do it, serpent king!
— Rhett McLaughlin