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Tomorrow- Chapter Eleven

I arrange to head to the shop with Poppy tomorrow before heading to bed. It’s my second night in the dormitory and I still can’t sleep; I lie on my back, looking at the ceiling and listening to the sound of other people’s breathing. Suddenly, my heart rate quickens. I listen closely. I can hear someone moving, putting on shoes. A bed creaks as someone else gets up. Turns out I’m not the only person awake. Then I remember.

I wait until Scarlett and Matt have left the dormitory before slowly getting out of bed, trying not to make the bedsprings creak. I stop myself from picking up my heavy black boots and tiptoe across the dormitory floor. I hear someone shift and my heart rate practically doubles until it feels as though it’s going to fly right out of my chest.

When I reach the door of the dormitory, I turn the handle slowly before creeping out, trying as hard as possible to prevent the bright light of the corridor from infiltrating the dark dormitory. Once I’m out in the corridor, I breathe a sigh of relief before remembering that, now I have to make it through the bewildering maze of corridors and doors without being seen. Thankfully, the corridors are deserted. I would have thought that, in a place like this, there would be someone on corridor patrol every night. Then a sinister thought occurs to me; perhaps they have other ways of knowing where we are.

I hurry through the corridors, peering cautiously round each door before I walk through but, until I reach the entrance hall, I don’t meet anyone. As I approach the entrance hall, I can hear a babble of voices through the heavy door. I hide behind the curtains of the nearest window. Childish but effective. The babble of voices gets louder until the door opens and several people stomp through.

“The time is coming-“ Someone says loudly.

“Hush! Someone will hear you!” Another voice hisses loudly.

“But we must act now.” another voice says.

“No, we do not want to risk weapons and agents.” An unmistakeable voice says and I nearly fall out of the window sill. Charles Grey.

“When will the Hitches girl be ready?” The first voice asks. With a jolt, I realise that I am the Hitches girl.

“Soon.” Another voice adds.

“Well, we need her too…”

What they need me to do, I never find out because, by that time, their voices have all died away. I stay on the windowsill until I hear them go through and shut the door at the end of the corridor. Slowly, I creep over to the door and open it a crack. Once I’ve established that the coast is clear, I slip into the entrance hall and up the stairs onto the landing. I tiptoe down the landing, sticking like a limpet to the side of the wall in case there’s anyone in the hall below. Once I reach the spiral staircase, I break into a run, stopping when I reach the trapdoor.

I ignore my urge to push it open and stand on the tower with the wind buffeting my body and tangling my hair. I don’t even need to open the door a crack because, thankfully, Scarlett’s voice carries well, even through wood. I stand with my ear pressed against the wooden door, trying to find out what they’re up to.

“-we must keep it a secret for a bit longer.” Scarlett whispers, her voice cutting through the still silence like the blade of a knife.

“But Scarlett, honey,” Matt whispers back, “Almost everyone knows.”

“Yes but, people can’t talk about it until its public, can they?”

“They can think about it though.”

“Who cares what they think?” She hisses, “As long as they don’t say what they think, I don’t care.”

“But I love you-“

“And I love you but there’s a difference between loving someone and everyone else knowing that you love someone.”

“What difference?”

“Look, trust me, it’s easier this way.”

“But-“

“Don’t you enjoy the danger of sneaking around?”

“Yes-“Matt says and then I hear the awful sound of them kissing. Feeling nauseous, I turn away. I’m slightly disappointed with Scarlett; why would you sneak out in the middle of the night to talk about love of all things? If you’re going to sneak out, at least talk about something meaningful like overthrowing governments and that sort of thing. I did not expect the heartless Scarlett to have a heart. Honestly, I am extremely disappointed in her.

I creep back down the stone steps, leaving Scarlett and Matt to suck each other’s faces off. I’m glad they haven’t made it ‘public’ yet; this way, we don’t have to see them eating each other in the common room every night.

I make it down onto the landing. Suddenly, my hearts thumping loudly in my ribcage. People are talking in one of the rooms leading off the landing. I tiptoe over to the door which has been left slightly ajar and press myself flat against the wall, straining my ears to listen in on someone else’s conversation for the third time tonight.

“- And how’s the Matt boy coming along?” A voice enquires and, with a jolt, I realise that, unless there’s another Matt in this place, he’s talking about the Matt who is currently up in the tower enjoying a rendezvous with Scarlett.

“Badly. Very badly indeed.” Another voice says ominously.

“Will he be suitable?”

“I doubt it,” The other voice says, “He shows little promise. His stamina is appalling and he follows his heart not his head.”

“Will he be a hindrance to the cause?”

“Yes.”

“Shall I?”

“Dispose of him? Yes, he knows too much to be allowed back into the world.”

“Where is he?”

“Dormitory one.”

“We’ll get the new kid, Elizabeth, to dispatch him. Good training for her.”

“Will she do it?”

“She has no choice-“

I’ve heard enough. Not caring whether or not they hear my thundering footsteps, I sprint along the corridor and fly back down the stairs and along the maze of corridors to the dormitory. Before I push the door open, I try to steady my breathing. I push the door open and tiptoe over to my bed and fling myself onto it.

I do not sleep for the rest of the night. How can I? I spend the remainder of the night trying to work out how I can get out of doing what I have to do. I hardly know Matt but, that doesn’t mean that I can kill him. What if Scarlett finds out that I killed him? Well, she’ll rip my throat out with both hands. I would rip my own throat out. I suppose that, you think that you can kill someone but, the second that someone orders you to actually do it, you balk, knowing that you can’t do it. Well, I’ll have to do it. Either I do it and one of us dies or I don’t do it and we both die.

I hear Scarlett and Matt tiptoe in and I wonder when I will be told to kill him and destroy their lives. Does the boy who just crept in after kissing his girlfriend know that, tomorrow, he might be dead. Somewhere deep in my soul I know that, I could warn him and tell him to run but, that would jeopardize my policy of self-preservation. Does Scarlett know that, she might have kissed him for the last time? All I know is that, if I have to do this, Scarlett can never know that it was me.

I listen to Scarlett whispering to Matt, telling him to meet her at the same place tomorrow night. Will I be lying in wait? I will ensure that they are completely and utterly ignorant of what I am going to do; if they find out, then I will be killed. Whose life is worth more; mine or Matt’s? Who would help the world more, me or him? I long to say me but, in my heart I know that the answer is not me. Somewhere, at the very back of my mind, a voice is telling me that, I could just tell Matt to run away from all of this and then he’d be free. However, the logical, pragmatic part of me tells me that it’s a stupid idea and that I’ll just have to get on with it.

When the sun finally raises its sleepy head, I dress in haste and run through the corridors to the only person who seems to hate the world more than me.

Comments & reviews · 4
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User avatar
Deanie
Review
Deanie wrote a review · Fri Oct 24, 2014 7:59 am

Hi there 90skid!

You should be very happy :D You get my 1250th review!

I like how in this chapter we are getting back to the mission side of things, and because of her sneaking around Elizabeth now knows what is waiting for her in the future. It gets more exciting that way and definitely suspenseful. Knowing you have to do something terrible before you do it gives you plenty of time to ponder what might go right or wrong. I think she did a good job of weighing her options and you showed us her thoughts perfectly. I also enjoy seeing how this facility which is supposedly creating spies and workers for the right reasons and for justice also has a bad side to them. It makes you question what is right and wrong, and that makes me happy to see. We don't get much of the characters here, but then again this chapter clearly revolves around plot and that is also perfectly fine.

Suddenly, my heart rate quickens. I listen closely. I can hear someone moving, putting on shoes.


I would put this the other way around. I think she should hear someone moving and putting on their shoes and only then should her heart rate quicken, in reaction to what is happening. Having it in this order makes it seem like her heart rate is quickening before she hears anything strange happening.

before remembering that, now I have to make it through the bewildering maze of corridors and doors without being seen.


No comma need here. Just like I have mentioned with you placing a comma after the word 'but', you don't need one after the word 'that' either. It stops the sentence from flowing well.

I hurry through the corridors, peering cautiously round each door before I walk through but, until I reach the entrance hall, I don’t meet anyone.


I would change the word the second usage of the word 'through' so that it makes a bit more sense. Something like: peering cautiously round each door before I enter, until I reach the entrance hall. After that point the last comma can really be changed into a full stop instead to avoid this being a run on sentence.

Suddenly, my hearts thumping loudly in my ribcage. People are talking in one of the rooms leading off the landing.


Again, you should really swap around the order of this sentence so that she hears the people talking before her heart starts thumping loudly. Another thing to consider is the fact that this is the third time this is happening tonight and I already feel like we've seen this all before. I've heard her heart quicken due to sounds and now, as a reader, I want something new. Instead make the people walk down the corridor, so she has to quickly hide, and then she can hear what they are saying. Instead of her listening through the door again like we have already seen and heard about. Try to make each situation new and maintain the readers interest.

Yes, Elizabeth has to kill someone and that is something worth pondering. But I was surprised to see all her thoughts about the fact that she is going to kill someone. Shouldn't be questioning the intentions of this facility if they think that dealing with someone who doesn't turn out to be useful to them is killing them? How good can their intentions really be if they are okay with murdering one of their own? Now that is definitely some food for thought, and I feel like Elizabeth's thoughts should be on this.

As well as that, if I were her, I would be feeling a bit scared. What has she gotten herself into? If she doesn't preform well, it means they could possible murder her too? Now that doesn't sound like fun at all to me, and it means that everything you do in this facility is to be the best. She is no longer safe where she is, and that would make me scared. Especially if the false sense of security was given to her before. Oh and, seeing as Charles is her friend, I think it would be fitting for Elizabeth to wonder if Charles knows anything about all this.

Either I do it and one of us dies or I don’t do it and we both die.


Technically, Elizabeth doesn't know this is true yet. Yes, it is likely, but would they really kill someone who they are training up for a huge mission and they can't get anyone else? No, they wouldn't, and that is logical thing about this. They would be less likely to kill her if they didn't do it, but she doesn't even know if they will offer her such drastic consequences. Don't write this in until they have said it themselves and given her this ultimatum.

Does the boy who just crept in after kissing his girlfriend know that, tomorrow, he might be dead.


This is a question so it needs a question mark at the end instead of a full stop.

Somewhere deep in my soul I know that, I could warn him and tell him to run but, that would jeopardize my policy of self-preservation.


All of the commas in this sentence are unnecessary and could be removed. I also think that the words 'and tell him to run' could be cut from the sentence to make it flow better and sound less chunky.

Somewhere, at the very back of my mind, a voice is telling me that, I could just tell Matt to run away from all of this and then he’d be free.


No comma needed after the 'that' (for reasons previously mentioned.)

I feel like this is another great chance for Elizabeth to think about her parents murder. She could even be comparing herself to the men that killed her family, and think of how she has to kill Matt. That type of comparison is likely to tear her up inside and it would be a great addition to the internal conflict we are seeing her face here. Yes, it's a cruel thing to do to your character, but then all authors have to be cruel sometimes and I am sure you could do it!

Does Scarlett know that, she might have kissed him for the last time? All I know is that, if I have to do this, Scarlett can never know that it was me.


No commas needed after both times you use the word 'that'.

This was a good continuation of the story and I wonder what she is going to do now that she has been thrown into this situation. I am assuming that Elizabeth is running to Charles at the moment, and I am curious and eager to find out what he is going to say! So, I best read on. Keep on writing like this ^.^

Deanie x

thank you for the review :) I'm sorry that I get a bit comma-happy as I write more and more :)

Aw it's no problem!

Chapter eleven, here comes a review!

Suggestions

Does the boy who just crept in after kissing his girlfriend know that, tomorrow, he might be dead.
I think you mean to place a question mark at the end of this instead of a period.

Just suggestion, you don't have to follow it and well, I say this often enough. xD

Lovely Things
I creep back down the stone steps, leaving Scarlett and Matt to suck each other’s faces off.
Oh, my, gosh. This whole paragraph... xD xD xD Hahaha, I think I just died laughing!!! Awesome paragraph.

An Overview
So overall, this was a good chapter, awesome plot twist with the whole killing bit. I can't wait to read the last chapter you have posted!!! :D

Keep writing,
turtlethatroars

User avatar
BrumalHunter
Review

Salutations for a second to last time!

I am so glad that I have been granted the privilege to write the second review to most of your chapters, as that means I can get them out of the Green Room. It is a pity and a shame that your chapters have had to wait this long to receive their due reviews, but that cannot be helped. At least they are receiving them now!

The story is becoming especially interesting now. The readers have all the time known that the organisation is basically a school for assassins, but it also seems to cater to the needs of the students as children and adolescents as well - a strange thing to be sure, but a good thing nevertheless.

I am especially intrigued by this "mission" the heads of the Double O (I can never quite remember the organisation's full name, so I shall be calling this from now on) has assigned to Relizabeth. And the fact that she is eavesdropping on these heads in order to learn more of her mission definitely puts her in danger, but not only does this strengthen the bond between the reader and her, the protagonist, as it increases their fear of her being caught, but it also provides the reader with valuable information regarding the story; it is why authors have been using the eavesdropping technique for so long.

And that Matt and Scarlett are in love (aww... they even have matching double t's...) has also been foreshadowed by their shared glance in the previous chapter, after Pete asked Poppy out.

Your work is becoming ever better. That is certainly a good thing, and you must keep it up.

This review courtesy of
Image

Thank you for the review :) I'm glad you think my works starting to get better.

User avatar
ThirdBetrayle
Review

Hey!

Great plot line you have going here, the ending of this chapter really revealed what you're gearing this story towards and I think it's fascinating.
Your use of the first person, present tense was pretty good. However at certain points in your story you switched it around to second person present tense. By that, I mean, it seemed like you stopped the story and directed the questions towards the readers themselves, as if it were a conversation.
I don't know if that was intentional, but I thought of it as being a bit confusing. I feel like having the main character question themselves in a thought (italic) would not only be more interesting in the sense that we (the readers) would know how the person is processing everything, but it would also keep in line with the rest of your story.
There are some places where punctuation's were incorrectly placed so a quick skim through of this chapter would probably fix that.
I also felt like a lot of things were rushed. Like I didn't get a chance to experience or understand the emotions that the main character was dealing with until the very end when s/he began contemplating murder.

I loved the ending of the chapter because it brought out the selfishness in the character and made her seem even more human-like/realistic in emotions. Heck, if I was in her place I would consider killing in order to save my own life as well!
I think you did well with this.

Write on!!!

Thank you for your review and thanks for taking the time to read it :)



I love how we all band together to break things...
— Kelpies