Tomorrow- Chapter Five

I don’t go to sleep. Instead, I pick up the clothes and get dressed before examining my reflection in the mirror; I’m wearing a black jumpsuit with black combat boots. I pat my sides and, when I locate a small pocket, I reach inside and pull out a small, rectangular card which is covered in repeating patterns. Then I walk towards the door and test the handle. It opens. I guess Charles didn’t lock the door after all. Before I leave the room, I turn off the light so that the light doesn’t spill out like a fountain into the hallway.I inch out of the door and into the corridor. The corridors dimly lit so I can just about see the door at the end. Once I’ve shut the door behind me, I creep along the narrow corridor, hoping that nobody sees me. Occasionally, I think I hear the sounds of people talking and doors slamming a couple of times but I don’t meet anyone. Eventually, I reach the door. I test the handle before slowly opening the door. Once I’ve opened the door a crack, I inch through it, closing it carefully so that no one hears it slam. When I reach the next corridor, I turn to the first door on my right. In the middle of the door, there’s a screen. I put the card on the screen and it beeps loudly. I jump. The door unlocks and swings open with a click and I walk inside.

I’m standing in a large room. It’s light despite the fact that the large windows are covered with heavy red curtains. The walls are painted off white and the floor is white Italian marble. Large embroidered rugs are strewn across the floor at random intervals and paintings and posters cover the majority of the walls pristine whiteness. In the far left corner, there’s a large TV, which is surrounded by mismatched sofas and armchairs. Judging by the positions of disarray that the chairs and sofas are in, I assume they were all dragged across the room when something interesting was on TV and nobody ever bothered to put them back.

Behind the sofas, there’s a foosball table. Most of the players’ legs are sticking up in the air. The right wall of the room holds a large marble fireplace around which several more sofas and a couple of worn armchairs are arranged. A large hairy dog dozes on the patterned rug in front of the smouldering fire. In the far right corner, there’s a small oak kitchen. In front of one of the large (now shut) windows, there’s a drinks bar. Two discarded glasses, which are half full, stand on top of it, whilst several bar stools surround it.

I stand in the room for a moment, just trying to take it all in. it seems that, in one day, I’ve gone from the homeless orphan to a girl living in a mansion learning to be a rich girl who has the world at her feet. Life is crazy sometimes. I walk over to the drinks bar and reach into one of the cupboards, looking for a glass.

And that’s when they jump on top of me. I feel like I’m about to be crushed by the person sitting on my shoulders; they must weigh at least fifty pounds more than me. I bend over, tipping them over my shoulders and onto the floor. They lie sprawled on the floor for a couple of moments before they leap to their feet. I’m too small to take them on directly so I remember what my Dad taught me about self-defence. He used to say that, if someone’s got you cornered, you should play to your strengths before running as fast as you can in the opposite direction.Somehow, I don’t think that now’s the time to flee. I pick up the glass on the bar and fling it at them. They duck a couple of seconds too late. The glass hits them square in the forehead, scattering shattered glass and liquid over the floor. They fall to the ground, their face covered in shards of glass.

I look up just as several other people dressed in black burst through the doors. I curse myself for not shutting them behind me. I position myself behind the pool of liquid with my fists up, daring them to come closer. One sprints towards me, not noticing the slippery floor. Fool. His legs shoot out from under him and he falls flat on his back into a pool of liquid and shattered glass. He moans and doesn’t get up.

Another one makes his way towards me. He hesitates too long by his comrade on the floor. Mistake. I pick up the second glass and hurl it at him. He looks up just as it smashes into his nose. He moans as a shard of glass flies into his eye. He’s no longer a threat to me.

The other two by the door dither but then a third comes into view, pushing them forwards. They make their way uncertainly towards me. I pick up a barstool and hurl it at them. They dodge it. I swear. I look around desperately for another weapon. My eyes light on a set of knives on the kitchen surface. I pick one up, testing its weight in my hand. When the first of the two’s ten metres away, I hurl the knife, aiming for their outstretched arm. I hit. They howl and the other one runs off in the opposite direction.

The final assailant, who has, until now, been dithering by the door, makes their way towards me. I notice a red-hot poker in the fire. I pull it out and brandish it in front of me like a sword. They pull their mask off.

He has wide set grey eyes and cheekbones which are even more prominent than mine. His hair is light brown and streaked with gold. He was what can be best described as a proud nose. He’s tall and slim and I know him already. It’s the delightful Charles Grey.

“Well fought.” He says, nodding at me.

I point the poker at him. He laughs. “I’m not going to hurt you like you hurt those guys.”

“Prove it.”

He reaches into his black jacket and pulls out a gun, knife and some sort of vial.

“You can pat me down, if you like.” He says, grinning. He has very straight white teeth, I notice.

I nod and put the poker back in the fire.

“You know, Rebecca, or as I should say, Elizabeth, your sheer nerve amazes me.”

I frown at him.

“You seem to be at your bravest when you know that you’re cornered, rather than when you’re safe and part of a group.” He explains.

“I work alone.” I say sharply. I do not need a group to help me fight. Safety in numbers means nothing to me. People just get in my way and stop me from accomplishing what I set out to do.

“Yes, I never doubted that.” He says smoothly, “But, you see, this is a vicious place and, you could do with an ally.” He holds out a gloved hand. “Allies?”

I knock his hand away and spit on the ground. “No.” I say before stalking out of the door.

I storm through the door at the end of the corridor and walk to the door of my room. I turn the handle. It’s locked. I sigh and sit on the floor. I can’t go back to the room with the fire. Charles might still be there. I’m not in the mood for a pleasant chat with him. I decide to wait for a while before going back. Charles should be gone by then. At least, I hope so.

I look down at my feet and try to see the logic in the previous event. Was it planned? Was it a test? Do they, like the government want me dead? Are they going to try to kill me? If I go to sleep now, will they slit my throat? If I go to sleep will I ever wake up again? Is there anybody in the world that doesn’t want me dead? A thousand questions whirl about in my confused and muddled mind. Thousands of questions that need answering but thousands of questions which will never be answered. I don’t even know if I want them answered. Sometimes, you have a burning passion to have a question answered but, when it’s finally answered, you’re dissatisfied with the answer. But then, I suppose that that’s life. You want one thing and then, once you get it, you don’t want it anymore. Life is an endless parade of dreams that are never fulfilled but, those who do fulfil their dreams want more. The more you get, the more you want. And me? I don’t know what I want from life but, right now, I want to make it through to the morning without having my throat slit. What a pleasant ambition.

I hear footsteps making their way along the corridor. I stand up so fast my head begins to spin. I look around for a weapon to defend myself with. I can’t see any, unless I can wrench the door handle off and use that as a weapon. The problem is that, well, I don’t really have the time to start dismantling doors. I whirl around and begin banging on the nearest door, trying to find someone to let me in. Someone grabs my shoulders. I start bringing my elbows back but then I realise that they’re not really being aggressive. They grabbed my shoulders in a comforting way, not a confrontational way. I twist around to see who it is.

It’s a boy but this one’s younger than Charles. He looks kinder, less mocking, more comforting. His hair’s slightly red and his eyes are sweet and blue. His hair curls slightly around his ears. He looks like the sort of boy girls confide in; not the one they fall in love with.

“You ok?” he says. His voice is soft and calm. It makes me feel calm. I nod and sink to the floor. He sits down next to me. We’re so close we’re touching but, it’s not in a romantic way; it’s more like we’re friends. Friends. I haven’t had any friends for years. I don’t need friends.

I nod.

“Charles can be pretty harsh sometimes but I know that he likes you.”

“Likes me?” I say incredulously, “It’s practically hatred at first sight.”

“Okay, maybe he doesn’t like you,” he admits, “But I think he admires you.”

I don’t know what to say to that so I settle for “Who exactly are you?” I say rudely.

As soon as I say it, I know how rude it sounds. If my mother was here now, she would have had an apocalyptic fit at my lack of manners. ‘First you start attacking someone without a reason and now you’re being discourteous! Were you raised by savages?’ She’d say. Sometimes, I really miss her.

Instead of being rude back, the boy smiles slightly. He’s clearly a better person than I am. To be honest, it’s not exactly hard. “Eddie, Eddie Johnson.” He says, holding his hand, “And I know that you’re Elizabeth.”

I nod, noticing how he doesn’t call me Rebecca. Does he know that I’m not really called Elizabeth? Or am I Elizabeth now? Is Rebecca gone? Who even am I?

I take his hand and shake it. He drops it back to his side. “What is this place?” I ask.

“This,” He says, gesturing around him, “Is the cottage.”

“Yeah, I know, I’ve been told. But what do they do here?”

“They train us.” He says, simply.

“For what?”

“Most of us are trained for direct combat with government agents but,” He lowers his voice, “I’ve heard that some people are trained to go undercover.”

“How many go undercover?” I ask urgently.

“I don’t know. I haven’t met one yet.”

I smile, “Will you show me around?” I say, changing the subject, “I could really use a friend right now.”

His broad face lights up when he smiles, flashing large white teeth. It seems that everyone here has white teeth. Must be part of the deal.

“Sure,” he says, “Do you want to go now?”

I nod and smile in a sweet manner which disgusts me. He holds out his hand. I stop myself from brushing it away and accept it instead. He beckons for me to walk with him down the corridor.

“So, how long have you been here for?” I ask.

“I’m not sure,” He says, before adding, “I think I was born here.”

“You mean you grew up here?”

He nods. Upon seeing my incredulous expression, he adds, “It wasn’t so bad actually. It’s like having a family.”

“You’re an orphan too?”

“We’re all orphans.”

I change the subject, reminding myself that I’m trying to get more information out of him and the way to do that is not by depressing him.

“So, what sort of training do you do?” I ask, forcing myself to look interested.

“Well, most of us just do a lot of physical stuff, you know, like running, shooting, direct combat…”

“Most of us?” I ask sharply. He glances at me. I smile.

“Well, I heard that some people, the people who go undercover, do mental training and stuff…you know like learning how to be a different person, resist torture… that sort of thing.”

“Do you all learn how to resist torture or is it just-“

“Well, yeah, of course,” He says as we pass a large window overlooking a rose garden, “But we only learn basic stuff ‘cause we only know basic stuff about the organisation.”

“Basic stuff?” I ask quickly. “What basic stuff?”

He ignores my tone. “Well, we only know that we’re trying to overthrow the government. We don’t know anything else. You see, it’s not the end of the world if we get captured and killed. We’re disposable.” He adds bitterly.

“‘Course you’re not disposable.” I say reassuringly, touching his arm.

“Anyway,” He says brightly, “You’re one of us now. Another of the orphans trained to make more orphans.”

I smile at him.

“Well, here’s the gym.” He says as we walk into a large room.

There’s sports equipment everywhere. Literally everywhere. Treadmills line the far wall whilst several punch bags hang from the ceiling. In front of the treadmills is a large mirror. In the corner, someone’s running on the treadmill. I walk towards it, trying to see who’s working out at this time of day. All I can see is the back of a brown and gold head. Charles. I turn away quickly and walk in the opposite direction, hoping he doesn’t see me.

“Rebbe-Elizabeth?” He says. I guess he saw me in the mirror. Some wishes just don’t come true. I carry on walking away. “Elizabeth?” I carry on walking. I hear him clambering down off the treadmill. I walk faster. Someone touches my shoulder. I tense up. “What’re you doing here?”

“Eddie’s giving me a tour.” I say, pointing to where Eddie stands, watching us.

“Sure, it figures.”

“What?” I say sharply.

“Well,” He says twisting me around so I’m facing him, “It makes sense. You see, you’re smart but you don’t want a challenge. You want something safe and boring. Someone stupid.”

“He’s not stupid.” I say defensively but I know it’s true.

“You see that? You’re so defensive.”

“I’m not defensive.” I say, pulling away from his arms. I don’t really believe it though.

He laughs and lets me go. I stride over to Eddie. He looks at me and then pulls me out of the door.

“You wanna talk about it?”

“No.”

Suddenly, a bell rings. It’s loud and intrusive. Instinctively, I cover my ears.

“Come on,” Eddie says, grabbing my arm and pulling my hands away from my ears “We’ve gotta get back.”

He beckons to me and we run through the maze of corridors. Thankfully, my constant walking from city to city has left me relatively fit because, the corridors are endless. Eventually, we reach the corridor with steel doors. He pulls out a card and swipes the door of the one I was attacked in last night. I reach for his hand and grip it tightly as we walk into the room.

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Deanie
Review
Deanie wrote a review · Sun Sep 14, 2014 8:53 pm

Hi there 90skid!

I'm back to get some more of your lovely novel :D I love how you are keeping this up and continuing with posting. I better hurry up with my reviewing so I can catch up with the story!

What I liked about this chapter was that you put in some more action in the novel again, and you did it in such a way if just slid in smoothly. I loved it, and I thought it was a great moment. Although some of the guys did go down easily, like tripping and never getting up (maybe this needs some tweaking?) otherwise, it was a brilliant part! I also liked meeting a new character, because let's face it, new characters are always fun! Eddie sounds young, trustworthy, but a bit naïve if he is so open in giving away all this information to a new member. I have a feeling he may fall for Elizabeth (should I be calling her Rebecca anymore? I don't know...) but she may not fall for him!

Another thing I really have to admire you for here is the transition in changing her name from Rebecca to Elizabeth. Countless other storytellers might have tried the same and not been able to succeed. It could easily confuse the reader or make things difficult for us to understand, but you managed to do it with ease and I didn't even notice when I stopped thinking of her as Rebecca and started thinking of her as Elizabeth. So, you should definitely feel proud of accomplishing that!

Instead, I pick up the clothes and get dressed before examining my reflection in the mirror; I’m wearing a black jumpsuit with black combat boots.


I feel like the semi colon could be replaced with a full stop just to make things run better.

I pat my sides and, when I locate a small pocket, I reach inside and pull out a small,


You repeat small here twice. How about changing this to something else to spice things up? Maybe cut out the first one, seeing as it isn't needed.

I turn off the light so that the light doesn’t spill out like a fountain into the hallway.


I would change the second use of the word 'light' is changed to glow, because it would avoid repetition and works just as well. Also, brilliant description of the lighting <3

I inch out of the door and into the corridor. The corridors dimly lit so


I think you need an apostrophe in corridors.

Eventually, I reach the door.


Which door? To where? I didn't know she was looking for a certain door in particular.

I curse myself for not shutting them behind me.


The thing is, you do mention that she shuts all the door possible behind her! So what do you mean by this? Do you mean that she should've locked all the doors behind her?

Also, shouldn't Elizabeth accept the offer at being an ally with Charles because he had done all this for her? And he could easily get her thrown out of the program, and then where would she be. Elizabeth strikes me as a sensible girl, and I think she wouldn't speak so rashly but consider this being the best option and shake on it, even though she still kept her opinions to herself.

Sometimes, you have a burning passion to have a question answered but, when it’s finally answered, you’re dissatisfied with the answer. But then, I suppose that that’s life. You want one thing and then, once you get it, you don’t want it anymore.


This part all seemed a little disjointed. You have a whole lot of 'but' and 'but then' in there, and some of them aren't really necessary. It's hard to establish a flow in a novel sometimes, but cutting out unnecessary words can really help you get there. Here's my rewrite with a more connected flow:

Sometimes, you have a burning passion to have a question answered. But when it’s finally answered, you’re dissatisfied with the answer. I suppose that that’s life. You want one thing and once you get it, you don’t want it anymore.

Compare the two and see the small differences I made. Maybe it might be beneficial in future writing adventures of yours as well! Another thing I noticed about the same paragraph is that you use the word 'answer' an awful lot and it gets a tad repetitive. My suggest would be to make the third usage of answer the world 'results' instead. It works just as well, and isn't too same-y.

He looks like the sort of boy girls confide in; not the one they fall in love with.


Wow, this was a quick jump to make. I am not sure that when I come up to a stranger I immediately wonder if they're someone I am going to fall in love with or not. More so, you can tell if they're over confident (hinting at the girl falling in love thin without directly saying it) or if their eyes are soft and gentle, then it kind of indicates them being trustworthy. I think the smart thing to do here would be to be less outright and do a bit more showing than telling. By using the description and carefully chosen words will help you build the image you want to for his personality a bit.

We’re so close we’re touching but, it’s not in a romantic way; it’s more like we’re friends.


I feel like it wouldn't even be called friendship yet, seeing as they have only just met each other as well. I believe it would be more so sitting in companionship than anything else. I know you are trying to form some sort of chemistry or relationship between them - whether it may be a friendship or love interest I am not yet sure. But either way, this needs to slow down on both fronts! Friendship is a word used too soon here.

Who even am I?


I suggest you cut the second word from this. It doesn't make the question sound as good as it could do.

“I could really use a friend right now.”


Wait a sec, didn't she just say she didn't want to make any friends? If she is intending to simply use Eddie for information or something, then right now is the time to mention it. Right now, after she contradicts herself. Not a while later, otherwise we are left puzzled at the sudden change of heart!

All I can see is the back of a brown and gold head. Charles.


Now, this is becoming pretty unbelievable! Charles can't possibly be everywhere! Yes, they just had a fight in that room. But wouldn't Charles need to make sure all the people who fought are safe. How could he have possibly beaten Elizabeth there and made sure all those guys were okay. I know they have a strange relationship which I love seeing because everyone needs that love/hate relationship, I do feel like he is popping up a little too much and a little too conveniently!

Also, something you need to bear in mind is that she is supposed to be sleeping. Elizabeth needs her sleep for tomorrow, which isn't today and right now she is lacking, like any other human being. I expect her to be a little bit tired, a little bit weaker than usual and feeling the effects of staying up has on her. Don't have her becoming a super woman and doing everything without taking a moment to breathe and boost her energy!

I don't have anything else to say on this chapter! It was brilliant, and the whole plot is moving forwards. I liked the moment of self doubt she has in this chapter as well. Even though Elizabeth may put on a tough front, you have also show us that she is vulnerable. And that was an important side of her character that we needed to see.

Image

Deanie x

Thank you for the review!

Chapter five, here comes a review!

Suggestions

it seems that, in one day,
The "i" in "it" should be capitalized.
opposite direction.Somehow,
Another small thing here, but you forgot to put a space after the period.
He was what can be best described as a proud nose.
I think you mean to say he has, not "he was".
Sometimes, you have a burning passion to have a question answered but, when it’s finally answered, you’re dissatisfied with the answer.
I would change the last "answer" to "results" it's less repetitive and makes it flow better.
those who do fulfil
You missed the last "l" in fulfill.
His voice is soft and calm.
It would be less repetitive if you say his voice is soft and soothing.
combat with government agent but,
Do you mean "agents"?
I was attacked in last night.
It's morning already? I thought it was in the same night.

As always, these are just suggestion, and you don't have to change anything. :) I feel like they will help improve your writing though!

Lovely Things
I creep along,
I like how you use "creep" instead of a boring adjective.
he’s a boy and boys are simple creatures;
Hahaha!!!

An Overview
So overall I liked this chapter a lot, it made me smile. I can see how Charles is starting to like her too. ^-^ It was interesting to see her making a "friend" although she is kinda using him to get to know the place. Good work!

Keep writing and happy review day,
turtlethatroars

User avatar
BrumalHunter
Review

I am back! (Salutations, again.)

Alright, forget introductions, I have done that already. *has at the work*

I don’t go to sleep.

As first sentences for a chapter go, this is not very impressive, but it is rather with the tense in which it is written that I have a problem. Tell me, have you ever read a book which is written in the present tense? If you have, please provide the name and author of said book (and an extract would be appreciated as well) and I shall happily eat my words. However, if you have not, then why are you writing in the present tense?

The past tense is the one which is normally used, and for a very simple reason: when you write a story, you are telling a story to someone. If you are a super-psychic and can precisely see what will happen in the future, then you may write in the future tense. If you are witnessing the events as they unfold (which means your story will have to be told continuously and instantly), then you may write in the present tense. But if you are merely giving your account of events which have already taken place (which is, by definition, what "telling a story" is), then you must write in the past tense. That means all verbs must be in the past tense, and words such as this and these - which would indicate you are at the location where the events are taking place - must be replaced with words such as that and those.

Now that I have adressed that one sentence, allow me to adress it with the paragraph as a whole.

I don’t go to sleep. I pick up the clothes and put them on. I examine my reflection in the mirror. I’m wearing a black jumpsuit with black combat boots. I pat my sides and find a small pocket. I reach inside and pull out the card. I walk towards the door. I test the handle. It opens.

In music, there is a term for what you have done here: staccato. It is Italian for "detached". Each of these sentences show absolutely no sign of thought concerning their structure, and they are very plain and boring to say the least. It is like responding to the question, "How was your day?" like this: "I woke. I ate breakfast. I went to school. I worked. I returned from school." Would that response satisfy you? And I only quoted half the paragraph, but the entire paragraph is like this.


I wish I could really approve of this chapter, but I cannot - not without lying. Your characterisation of Eddie and Charles are good, but that's about it. I really do not mean to be rude, but this chapter is woefully disappointing. This is not writing in its truest form, as an art, but rather just a collection of sentences describing a certain sequence of events. Come on, we both know you can do better than this - much better.

This review courtesy of
Image

Thank you for the honest review. I think The Hunger Games was written in the present first person but I'll have to check that.

The first thing I noticed about this chapter is that the beginning is… well, boring. It’s repetitive; almost every sentence begins the same way. It’s also a list: I do this. I do that. I do this thing. I’m wearing this. I do this. I do that. I go here. It starts to feel robotic fast, not at all like your usual snappy prose. After “It opens,” this gets a lot better and the flow resumes its usual pace. Take a look at the first half of that paragraph though for sure.

I really, really want to know what’s up with the security in this place. It’s terrible. It’s like they WANT to get pulverized—or, if they really are in league with the government like I postulated in previous chapters, it’s like they WANT their would-be assassin teens to find out what’s really going on. Or is this all meant to lure them into a false sense of security? (And this is a “want to keep reading” kind of want, not “too confused to keep going” one)

The main thing that bugs me about the room’s description is that it, like the city before, sounds completely modern to me. This is supposed to be set in a dystopian future, is it not? It shouldn’t read like something I could visit right now, today.

Again, with this chapter, I keep forgetting that Rebecca/Elizabeth is supposed to be starving. She’s been living off stale bread and whatnot for five years, but she can hold off multiple attackers with relative ease? Bigger, possibly older, possibly trained ones? This scene wouldn’t lose much if she lost the fight, you know. “Well fought” is still a viable compliment if someone fights back against hopeless odds and manages to land a punch or two on a better-trained group of opponents. And if she were injured—well, so much the better for showing how dead serious OO is about whatever shady things it’s up to, right?

I love the passage after she leaves the room, though. Wondering what on earth is going on and whether her life is in danger and questioning everything she took for granted so far—it’s lovely. And “What a pleasant ambition” is a great line.

“We’re so close we’re touching but, it’s not in a romantic way” <- Why did you specify this? They’ve just met and he’s comforting her after a traumatic fight. Of course it’s not a romantic way. It makes me suspect that Eddie is going to turn into a Love Interest at some point, because it seems SO much like a dead herring to specifically say it isn’t romantic when, contextually, it’s obviously not romantic in the slightest.

How’s “Who are you?” a rude question?

I like the conversation with Eddie. He seems like the first actually nice person Elizabeth has met since meeting Charles, and quite possibly much longer than that as a result of her situation. But: Why does training for combat and undercover work comprise sports? (I am also not fond of the gender stereotyping going on with the “all boys love sports and talk about them ad nauseum” thing. Most dudes I know? Either couldn’t care less or are casual fans, or maybe play a sport. Same goes for most of my lady and nb friends. The biggest sports fans I know? Women. Every single one of them.)

Er. How old is Charles? I thought he was an adult, but now he seems to be acting like he’s ~jealous~ of Elizabeth for spending time with Eddie and now I’m confused about their ages because I’d been assuming Elizabeth and Eddie were teenagers.

Yeah, I was thinking along the same lines when it comes to the first bit of the chapter. You got any ideas on how to improve it? I think that I need to go back and rework the fight to have her win using her mind (e.g. outsmarting them) rather than her strength.

first thing is distance. if you're in a fight and disadvantaged, you want to stay as far away from your aggressors as possible so they can't hurt you. if she's smaller and faster than them, she could try to escape or at least keep furniture between them and her.

going for weapons that give her reach right away would help too, like if she went for the poker first thing instead of just for charles. or picking up those two glasses and throwing them as soon as she saw the attackers.

basically, in a fight where you're outnumbered and at a disadvantage, you have to find ways to make yourself more advantaged. anything she could do that could give her an edge, she should do. going for sensitive spots, pressure points and soft places. weapons, especially weapons with reach or things that give her range. doing everything she can to keep her distance (if they're a meter away and she has a red-hot poker and all they've got is fists, it doesn't matter much if they're better trained. hitting them with metal that hot is going to drop them pretty quickly).

if all else fails, just flat out trying to get away. her intent really isn't heroics or showing off; she just doesn't want to get smashed. so her interest should be a lot more in saving herself and getting away unhurt than in winning necessarily.

and like i said in the review, if she does all this stuff and loses anyway? that's still something that charles would be totally justified in saying "well fought" about, because she's this scrappy little fifteen-year-old with no formal fight training holding her own against multiple trained attackers who are bigger and more experienced than her. not getting immediately laid out is in itself an accomplishment.

Do you think this fight sequence is any better?
And that%u2019s when they jump on top of me. I feel like I%u2019m about to be crushed by the person sitting on my shoulders; they must weigh at least fifty pounds more than me. I bend over, tipping them over my shoulders and onto the floor. They lie sprawled on the floor for a couple of moments before they leap to their feet. I%u2019m too small to take them on directly so I remember what my Dad taught me about self-defence. He used to say that, if someone%u2019s got you cornered, you should play to your strengths before running as fast as you can in the opposite direction. Somehow, I don%u2019t think that now%u2019s the time to flee. I pick up the glass on the bar and fling it at them. They duck a couple of seconds too late. The glass hits them square in the forehead, scattering shattered glass and liquid over the floor. They fall to the ground, their face covered in shards of glass.
I look up just as several other people dressed in black burst through the doors. I curse myself for not shutting them behind me. I position myself behind the pool of liquid with my fists up, daring them to come closer. One sprints towards me, not noticing the slippery floor. Fool. His legs shoot out from under him and he falls flat on his back into a pool of liquid and shattered glass. He moans and doesn%u2019t get up.
Another one makes his way towards me. He hesitates too long by his comrade on the floor. Mistake. I pick up the second glass and hurl it at him. He looks up just as it smashes into his nose. He moans as a shard of glass flies into his eye. He%u2019s no longer a threat to me.
The other two by the door dither but then a third comes into view, pushing them forwards. They make their way uncertainly towards me. I pick up a barstool and hurl it at them. They dodge it. I swear. I look around desperately for another weapon. My eyes light on a set of knives on the kitchen surface. I pick one up, testing its weight in my hand. When the first of the two%u2019s ten metres away, I hurl the knife, aiming for their outstretched arm. I hit. They howl and the other one runs off in the opposite direction.
The final assailant, who has, until now, been dithering by the door, makes their way towards me. I notice a red-hot poker in the fire. I pull it out and brandish it in front of me like a sword. They pull their mask off.
He has wide set grey eyes and cheekbones which are even more prominent than mine. His hair is light brown and streaked with gold. He was what can be best described as a proud nose. He%u2019s tall and slim and I know him already. It%u2019s the delightful Charles Grey.



Few things are harder to put up with than the annoyance of a good example.
— Mark Twain