The Book Man, Chapter 6 (Revised)

by BluesClues

Published February 20, 2014

12+ Mature Content

In The Book Man

6 THE FAIR

Though the binding seemed to help Conrad at first, he leaned heavily on Christian’s arm as they made their way across the street. Out in the starlight, he looked much worse than the accountant had thought: ashen, his face drawn in lines of pain. Christian watched him out of the corner of his eye. It had been a terrible idea to go to the park. He should have kept the balloon-artist still and called for an ambulance, though he didn’t know how he would have managed it when Conrad was so determined to move.

A heavy padlock hung from the bars of the park gate.

“Now what?” Christian said.

The balloon-artist dug in the pocket of his waistcoat and pulled out a large bronze key.

“Naturally,” Christian said.

Conrad’s hands shook as he tried to jam the key into the lock. After a moment he asked, “Could you do it?”

Christian took the key from him and felt for the keyhole. He had just found it when a dog snarled down the street.

“Quick,” Conrad said.

One glance was enough for Christian to see the giant dog bounding down the pavement toward them, followed by two other monster-dogs—hellhounds?—and a trio of crows. His throat constricted. He turned back to the lock, but he had lost the keyhole. His hands shook so badly he dropped the key. The hellhounds and crows had halved the distance between them—the dogs bayed triumphantly—

“Quick, now,” Conrad said again. He was watching their pursuers with narrowed eyes, leaning against the stone wall of the park for support as he waited for Christian to open the gate. “What I wouldn’t give for some iron to swing—”

Christian found the keyhole again and unlocked the gate. He pushed it open just enough for the two of them to slip through and dragged Conrad inside, closing it behind them with a clang of iron as the nearest hellhoundopened its jaws to snap at them. The beast tried to brake, but it slid into the gate, yelping piteously. Smoke roiled up from its hide where it touched the bars. It leapt away, still yelping, and retreated with its companions in tow.

Christian’s legs wobbled like jelly. He clung to a tree and stood with his forehead resting against its trunk until his pounding heart calmed.

“Conrad,” he said finally, but he felt sick and had to stop talking. The balloon-artist looked at him. Christian breathed deep through his nose until he felt up to speaking again. “What—the hell—is going on?”

Conrad smiled faintly and said, “He swears.”

His friend was in no mood for jokes.

“I mean it.”

The balloon-artist didn’t answer. Instead he looked down at his leg, where blood bloomed across the strips of the t-shirt Christian had bound him in. He swayed and began to fall; Christian, forgetting his nausea, darted forward and caught him. He slipped the balloon-artist’s arm back around his shoulder.

“Where to?” he asked. Explanations would have to wait until the injury was taken care of.

Conrad pointed ahead. Christian squinted, but all he could see was trees.

“Are you sure?” he asked.

Conrad nodded.

“Well, alright,” Christian said, and they continued onward.

He couldn’t understand why his friend had been so adamant about coming to the park, but at least the balloon-artist had been correct about its security. The hellhounds had not been able to get inside. But that was little comfort, for Conrad’s breathing was ragged and his leg was bleeding and his body bore down on the accountant’s shoulder like an anchor. And the park, though apparently safe, was horribly dark. Frightening shapes loomed out of the shadows at them until they were close enough to see—a bush, the massive stump of a tree of a fallen tree, a stray cigarette butt left smoldering on the ground.

Yet somewhere far off there was noise of revelry, so distant Christian felt it could not be coming from the park. It must be there was a party somewhere in town. But he could not think why this would be, nor could he remember hearing any such sound before coming through the gate. At any rate, it was better than the baying of the monstrous dogs and the pounding of their paws on the pavement.

The two men wandered on toward the noise. It became more distinct as they neared the center of the park: shouts of laughter, tinkling music like that of a carnival, roars of flame, and the whimperings and snarlings of various unknown creatures all mixed together. Lights flashed ahead, briefly bathing the trees in different colors. Bubble-like butterflies that looked like they were made of balloons floated about at eye level and alit momentarily on Conrad’s hunched shoulders.

Through a wall of hoary oaks, Christian saw crowds of people milling about amongst silk trappings and fire.

“There?” he asked.

Conrad nodded again, too worn to speak. He leaned more heavily than ever on Christian’s shoulder; the accountant’s legs buckled under their combined weight, but he headed for the lights and voices. What he saw when he reached the tree-line made his eyes widen in wonder.

It was as if every festival in the world had been mashed together in one place. Vendors sold sweetmeats and cotton candy; artists in booths showed their paintings and prints; calligraphers offered their services; weavers sat busy at their looms. Wise men from varying nations told the stories of their peoples to eager listeners, each with a cooking pot beside him, ready to dole out food with his tales. Children ran everywhere, quarreling, laughing, shrieking at the feats of sword-swallowers and fire-jugglers, but none of them seemed to be attached to the adults also wandered through the carnival..

Christian started forward, but there was a squeal from underfoot. He looked down in surprise to see a squat man, the size of a garden gnome, gazing up at him with wide blue eyes. They stared at each other for a moment, equally astonished, Christian’s foot frozen in midair, and then the little man squeaked in fright and waddled away as quickly as he could. Christian blinked several times and set his foot down.

“What—is—it?” Conrad asked with an effort. In the light of the fires before them he looked worse than ever, and sweat beaded on his forehead. “Why’d—we—stop?”

“Nothing,” Christian said. “Where—?”

The balloon-artist pointed a shaking finger.

“Rovers,” he said, and then he groaned and crumpled against his friend’s side.

“Conrad—Conrad! Hey.” Christian shook him, but he was unconscious. “Hey. Hey.”

He cursed and looked where his friend had been pointing. Rovers? Grouped together on the western edge of the clearing were perhaps a dozen vardos, their horses unhitched and grazing in a makeshift corral. Their owners stood outside the caravan over cast-iron pots with bellies big enough to fit a man. The women called out to passersby, offering palm-reading, fortune-telling, and homemade cures for disease and baldness and a bad love life (a strange combination, Christian thought). Their husbands and sons challenged other men to games of dice and cards. Despite that, the crowd was thinner here.

He edged toward the caravan, dragging Conrad through the crowd. A wiry woman with a mane of dark hair caught sight of him as he approached and asked in a thick accent, “You want your fortune told?”

Christian shook his head.

“Come,” the woman said. “Best palm-reader you will find in any Rover camp. I can tell you when you will fall in love, when you will die.”

“I’d rather leave that to fate,” Christian mumbled. The woman nodded.

“Wise man, you are. Best left to chance after all.” She grinned, a bright grin that made her swarthy face look younger, and when she spoke again her speech sounded different. The thick accent had vanished. “So what do you want?”

Christian’s shoulders ached, his legs shook, but with a final burst of energy he pulled Conrad out of the crowd and laid him on the ground in front of her.

“My friend needs help,” he said. “Please, he’s been hurt. A massive dog or—actually I’m not sure what—”

Her smile vanished.

“The balloon-man,” she said. She glanced around the clearing as if expecting at any moment to see a hellhound bounding toward them. “Bring him in.”

She pulled a curtain back from her wagon’s entrance and disappeared inside. Christian hoisted Conrad back up and half-dragged, half-carried him after her.

Inside, the wagon was lit by kerosene lamps and hung with scraps of fabric. The effect was bright and cozy, a nice place (Christian thought) to spend a stormy afternoon reading by lamplight.

“Put him there,” the Rover said, gesturing to the bunk against the back wall. Then she turned away and went digging through a bookshelf full of bottles, muttering to herself as she went. “I’ve got rose water, I’ve got linseed oil… Willow bark… Thyme oil, yes, I’ll need that—”

Christian laid the balloon-artist on the bed and tried to stay out of her way as she rushed back and forth through the tiny space, gathering herbs, oils, gauze, and scissors. She cut away the bits of Christian’s t-shirt and the leg of Conrad’s trousers and cleaned the blood away. Then she handed a towel to the accountant. He looked at it dumbly.

“Come on,” she said, flapping the towel at him. “Take it. I’ve only got two hands.”

He took the towel but stood there wringing it anxiously instead of doing anything useful. The Rover sighed.

“Hold it against the wound,” she said. “Tight, now, you hear? Need to keep him from bleeding out while I make something for the pain.”

“Oh,” said Christian. He approached the bunk and pressed the towel against his friend’s leg, feeling sick as it slipped against the balloon-artist’s blood. Conrad’s breath came in shallow wheezes.

The Rover swore.

“Comfrey,” she said. “Comfrey—of course I don’t have it. You, you know what comfrey looks like?”

“Me?” Christian said.

She blinked at him as if he was an idiot. He felt like one, at the moment.

“Yes,” he said. “Yes, I know what it looks like.”

“How about calendula?”

“Calen—?”

“Pot marigold.”

“Yes,” Christian said. “I’ve got it at home.”

She plucked a basket from a high shelf and said, “There’s an herb garden on the far side of the rose beds. I need comfrey leaves and calendula petals for a poultice, quickly.”

She took the towel from him, shoved the basket into his hands and said, “Go on!”

He was so flustered by the whole situation that he fell backwards out of the wagon without even thinking to ask where the rose beds were.

Comments & reviews · 12
User avatar
TimmyJake
Review
TimmyJake wrote a review Review · Jul 5, 2014

Timmy here for a quickie!

Everything I say seems to be redundant throughout each chapter. It feels like I keep saying, This is so amazing, Blue. Blah, blah, blah. It almost feels like I do all of this praise for self-gratification, like it gives me a good feeling when I see that my review has 2800 characters(Wowee!) instead of 2300 characters(pooey), giving you the same amount of help in the long-run, but just talking on and on and on.

Seee? There, I did it again. I started talking. You really need to reprimand me one of these days, ya know.

*Puts on spectacles* What do we have here? Ooooh... Circuses and hellhounds. Now this is getting interesting.

Okay, I am going to be redundant, but anyway, here goes! This was your best chapter yet. In some of the earlier chapters, I got the fleeting feeling that your dialogue was little empty sometimes(not often), without action or thought during. This chapter has dispelled all of that from my mind. The dialogue was perfect. Every word meant something, and was important. And the action throughout was just amazing... Not too action-packed--containing still dialogue, some room for thought, etc... But everything entwined together so perfectly... I dunno if I can even find something to nitpick, really. But I will try my best! *salutes*

Out in the starlight, he looked much worse than the accountant had thought: ashen, his face drawn in lines of pain


Errr... That didn't seem very... realistic? Or maybe just true. The stars wouldn't be the biggest lights out there. The moon would be. And speaking of lighting, are there any streetlamps around?

two other monster-dogs


monster dogs or monstrous dogs?

a stray cigarette butt left smoldering on the ground.


This will be the dumbest nitpick ever, but I think that "stray" and "left" kinda say the same thing, only in different ways. What if you took "left" out?

Hey. Hey.”


Exclamation mark at the last "hey"?

linseed oil…


Not quite sure, but isn't this supposed to be capitalized since its a proper noun?


Done with nitpicks. Conrad does a good job being the lame leg of the party. He got unconscious and his now being taken care of so wonderfully, but a wild "rover"(I absolutely adore how you described her, by the way. It was such an amazing description) and Christian. He didn't seem to be of much help at the end, being kind of... lost, as it were. Lost in thought. But he is trying to help his friend, and that is all that matters now.

I wonder what he finds at the rose beds, or if he even finds them, ehh? :)
~Darth Timmyjake

Well, "linseed" is not actually a proper noun; it's a kind of plant. But I will take out the word "left" in that sentence about the cigarettes. It's such a little thing, but it's the kind of thing editors and agents would notice. Good catch :)

User avatar
Messenger
Comment
Messenger commented Comment · Jun 3, 2014

You didn't . . .

Christian apologized and squeezed between two women who looked like ringmasters to get away.

they looked like ringmasters to get away?

Christian apologized and squeezed [between two women (who looked like ringmasters) to get away.]


But I get your point.

User avatar
Hannah
Review
Hannah wrote a review Review · May 25, 2014

So I suppose this will be the last we see of each other until you get to revising your later chapters! It seems sad, and for that reason I read this chapter intending to savor it a bit more instead of reading through with the desire to get to the next!

I wonder what the point of chapter 8 was -- will these character show up later in the story? I suppose they will, because otherwise you wouldn't have spent so much time on them for something that could have been summed up in a few words -- how he got delayed. I like the idea of twin-looking fellows. Haha, do you only write about men!? I realized the gypsy woman is basically the only woman we've seen so far. hmmm. I liked the vivid colors of the circus men and the clear scene you set up between the two fighting circus tents -- that was a great way to create space, and if that was your only intention -- making space and distance while Christian moved -- you could definitely keep the details without all the lagging behind in dialogue that doesn't move the story forward! (:

An empty pedestal didn’t seem like much of a tribute to a king. But as another balloon-butterfly drifted past, it dawned on Christian that perhaps the absent statues, like the balloon-animals, came alive at night to roam the park grounds.


For this section, I wonder if you could let the reader figure this out for themselves instead of having Christian's thoughts explain it to us. For example, present all the information in order: the writing, the empty pedestal, and then the horse grazing beside it. Instead of showing Christian's revelation, just show him thinking about whether the horse will feel like stone. We're smart, we readers! We don't need everything explained out to us~ Writing like this will engage the reader more, because we'll feel like we're expected to think and draw conclusions instead of receive conclusions already drawn.

And yes, I want to know who that woman is!!!!!

Thank you! I don't mean to write men so much, but it just sort of happens that way. There are a few more women in the story, but. Yeah. Mostly men. (On that note, the two ringmasters DO show up later! Also I put that bit in because my novel-writing professor wanted to see something more specific about the Fair than just "this sort of stuff was at the Fair," like he wanted to see some specific people or something.)

I'll definitely try that bit with the statues/the horse, because I've been having trouble--like I want to get it across and have Christian realize that it happens, but at the same time this is too soon, but then if I don't do it here maybe it just doesn't come up and then when it does people are confused...

Also (again), I currently have all the way through Chapter 20 revised! So you can go all the way up to there before waiting for me to catch up (I'm trying to get more revised this week).

Thanks for the review!

User avatar
Pompadour
Comment
Pompadour commented Comment · Mar 31, 2014

This isn't a review. I'm just here to quote my favourite part!

The two ringmasters were so shocked at his pronouncement that they let go of him and stared at him wide-eyed. The blue ringmaster’s monocle popped out of his eye. For a moment there was an uncomfortable silence between the three men, during which the ringmasters swelled up like toads, and then they let loose their indignation.

“Not like a circus! How could you say—?”

“But everyone wants to go to a circus!”

“Can you believe it, Ronin?”

“Not a whit, dear Finn. He doesn’t know what he wants—”

“Not like a circus!”


I haven't laughed so much at something I've read in a long time. I love these guys!

User avatar
GreenTulip
Comment
GreenTulip commented Comment · Mar 30, 2014

------totally didn't mean to post a review twice. =_= freaking computer =_=

EEEEEEEEEK! NO NO NO! THIS WASN"T SUPPOSE TO BE TWICE!

User avatar
GreenTulip
Review
GreenTulip wrote a review Review · Mar 30, 2014

I'm back again.....

So Chapter 8! I found this one enjoyable to read. The banter is what could be placed between my friends and I. We are group of 5 people in which 4 people write but 3 people draw. So I can imagine us having a banter like the ringmasters. I agree with Lauren though- they don't necessarily need their own chapter, you can put them in previews chapters or tie them into the next one. But it does provide something to smile at either way.

So chapter 9! I liked this one. It is well done, but one thing confused me...the horse! Is the horse alive or not? or is he imaging things? But I love how you ended it.

User avatar
Lauren2010
Review
Lauren2010 wrote a review Review · Mar 30, 2014

Back again!

Page Eight
The banter between the Ringmasters here is delightful and fun, but I have a hard time seeing what use it has for the story as a whole. If we're to see them again, then I can probably get behind it. But as it stands, it looks like this scene is just here for the heck of it. It definitely doesn't need its own chapter, so I would suggest either cutting it entirely (nothing will be lost by removing it, as far as I can tell now, and there might be easier ways to establish the eccentricities of the carnival without devoting an entire scene/chapter to this Ringmaster banter) or folding it into the next chapter.

Page Nine

Christian sensed a magic much deeper and older than the one that brought the balloon-animals to life and the children from their beds.

Okay, this is a lot of information out of the blue. I don't remember (it could have easily happened) the balloon animals coming to life, so that's something that needs to be addressed earlier in the story (of course unless I'm just forgetting in the time since reviewing the earlier chapters and now).

It's also super important information that the magic is what brought the kids out of their beds. First, how did Christian find this out? Did someone tell him? Is it obvious? How is it obvious (we need to see it just as much as Christian). Someone needs to answer that question somewhere along the line, and in a way the reader can see and understand as well. Also, will the children remember being at the carnival? Or will it be like a dream? If their parents look into their beds in the middle of the night, will they see someone there? Or will it be empty and cause a panic?

The rest of this chapter is lovely! I really like the gardens, and the statues coming to life. There's a lot of imagination here and it comes together really well. I love the ways you describe things through Christian's eyes, and how he views the world. His character is starting to come together nicely, though it is a concern that this isn't happening until chapter 9. Not every reader will stick around this long to start to get a sense of the person they're reading about. You might be able to better accomplish this by simply concentrating more on character/plot development earlier on in the story, or by starting the story close to the inciting action (Conrad and the hell-hound) and working from there.

Thanks for another delightful read! Keep writing!

-Lauren-

Oops! Do you know, that line that caused the confusion is actually from an earlier draft and I totally didn't catch it. The children ARE dreaming it but I don't think that comes up now.

Cool! I'm super intrigued by the whole carnival atmosphere, and I can't wait to find out more! ^^

User avatar
Messenger
Review
Messenger wrote a review Review · Mar 30, 2014

And I'm back! You know you are providing me with plenty of material to get points for my team! But in all honesty I was searching for a book to read on here and you have what I was looking for, and this is just an intriguing and interesting story with likable and mysterious characters.
And I have to say before I read this chapter that I am already expecting something interesting to happen in the gardens. After all the place is magical!!


Bahahahahah Those circus dudes are funny! Hopefully they show up later because they seem like good characters. Now onto the serious act of picking flowers :P


Gaaah!This park is so cool! It's like Gulliver's travels! This place is fascinating! I just . . .just . . . AMAZING!!! I can't explain it. Your park is just so exciting. i would love to live in it except that there are ya know, mean crows and creepy ladies chucking rocks, and hell-hounds romping around, but it is so fun. The horse was hysterically funny. I kind of imagined a black-colored Max from Tangled. And the chance that the statue could be wondering around?
>.>
<.<

I can't wait to see who this new lady is! This is so exciting Blue!

~Messenger

User avatar
Deanie
Comment
Deanie commented Comment · Mar 26, 2014

Hello Blue, me again.

Another interesting chapter. You have such a lovely way with description, and it's always so interesting to see what he encounters at the park. For example the two ringmasters and how they have such differences in opinion, but then one when it comes to the circus.

My only problem reading this now is that in all honesty I want something to happen soon. Maybe not now, but maybe after he has the herbs for Conrad. Something adventurous or new or exciting... I don't have really have a review for this chapter, more just me saying I hope something is "happening" soon!

Deanie x

User avatar
Tenyo
Review
Tenyo wrote a review Review · Mar 6, 2014

Part eight

Hah! Ronin and Finn, I love them so much! They're hilarious, I hope they stick around to become part of the plot.

Also I'm starting to wonder if this is where Conrad learned his skills, or maybe even if this is where he's from. Then there is the curiosity of what his wife thinks he's doing when he stays out late at night and comes home smelling of gypsy camps and festival foods.


Part nine

For a guy who spends most of his time in doors reading books, Christian seems to be finding his own feet in this place quite well.

However I think maybe I've misunderstood. Have they gone to another world or has all this sprung up in the middle of the park? That part with the statue makes me think the latter, but I can't imagine how all this could be happening and nobody notice. What I imagine to be an urban park would be too small to hold two circuses, a camp, a maze, and whatever else might be coming.

Descriptions

More beautiful descriptions! I like, very much. Especially since you keep that simple, quaint style of writing that I mentioned previously while still having a range of ability in what you write, and that's really good. It takes more experience than people realise to develop and maintain a unique style, so for a young writer (yes twenty three is still young) that's great.



I'm going to take a break, I'll come back to part 10 later. If I forget feel free to prod me and remind me to do it!

User avatar
WallFlower
Review
WallFlower wrote a review Review · Feb 23, 2014

Hi there :)

You have a very interesting story. I like your tone of voice and style of writing. I only had a couple nitpicks.

Chapter 8

Fire blasted from the mouth of the juggler—


Personally, I would change this too "Fire blasted from the juggler's mouth—." To me it sounds more flowy. :)

I loved the two ringmasters! They were hilarious characters :)

Chapter 9

He wound his way along the cobblestone path with his head wagging left and right as he searched for the herb garden.


This word doesn't seem to fit in the sentence. Maybe change it to "shifting" or "eyes scanning" instead.

Hope my review helps! :)

~WallFlower

Thanks for the review! Glad you enjoyed it :)

Wait, hold on, this is totally random ... but I recall that Tolkien used the word "wagging" a lot, specifically in the Hobbit. Whether he was describing Bilbo's head or his stomach when he was starved ... agh! Awesome reference. :D

That's probably where I get it from, tbh. Now that I think about it, yeah. That is almost definitely where I get it from.

User avatar
Iggy
Review
Iggy wrote a review Review · Feb 21, 2014

I feel like I spend too much time fangirling instead of critiquing, so let me try to find some thing to tear apart.. found one!

The bubble-like balloon-butterflies


Well, bubbles and balloons are rather similar.. being round and floaty and airy and all. ;) Maybe just stick with one so you don't overdo it? Just a suggestion!

Now and then he stumbled across stone pedestals that sat empty as if some artist had meant to make statues for them but never had the time or inclination


You could use a comma after "then" and "empty." ^^

“Sorry,” he said again. He continued on his way, out the other side of the grassy area, wishing the horse would follow. It would have been nice to have some company.

He continued on through the maze.


So you use "continue" pretty close to each other. Spice it up and use some synonyms, or describe the way he walks, maybe? ;)


Okay! There! Those might not be the best nitpicks, but I did try. ;) My biggest suggestion: take the focus you put on imagery, double it, and apply the second half to character in-depth. I want to know how Christian feels. I mean, Conrad is unconscious! How does this make him feel? God knows what will happen if he doesn't get back in time with the stuff the gypsy needs. Doesn't this affect him at all?

Other than that, beautiful, as always. I do love the focus you put on imagery and describing the scenes! It's just amazing. You never overdo or underdo it; it's always perfect. I just love the way you tell a tale. You don't take too long to get to a point or focus strictly to a plot line. For example, chapter 8. The Ringmasters. That wasn't necessary for you to include, but you did, because not only was it short and sweet, but it shows us a bit more about the mysterious people in the park and who, or what, they might really be. It also shows up how strange they appear to Christian. I look forward to seeing more of them, and seeing who this woman is!

*runs off for next installment*

Just to clarify (and I know this isn't even a big thing), was it clear that the bubble-like butterflies he keeps seeing are balloon-butterflies? Like, would you get that if I just said "the bubble-like butterflies" there? Since they were landing on Conrad's shoulders and we've already seen balloon-animals in general? I have a stupid tendency to underestimate my readers on tiny details.

Iggy replied · Feb 21, 2014

It was not clear at all xD I had to reread your reply twice to get what you meant lol

Okay, because there was a point later in the story where Christian realized they were balloon-butterflies and my sister was like, "But we already knew that???" So I deleted it but maybe I do need it, but earlier.



Be steadfast as a tower that doth not bend its stately summit to the tempest’s shock.
— Dante Alighieri