12+ Mature Content

The Book Man, Chapter 59 (Revised)

59 THE ROVER KING

The accountant followed Rowan through the clearing toward a footpath that crossed the stream and went off into the woods. The ringmaster shook her head as they went.

“Poor woman. Scared stiff when she got here. All alone, no idea where she was—tried to beat Graham off with a stick, when he went to help her up.” She chuckled at the memory. “And then, when we finally found her husband in that wagon, well—he was passed out on the floor! Oh, she was upset. She loves him something awful, I can tell—though I must say, he’s acted quite the ass, never telling her about any of this. It’s much too much for someone to take in so quickly, and on her own, no less. But she’s adjusted well, all things considered. Fits right in here.”

Christian listened with half an ear, but now that he knew Liza was safe, his focus turned to Morrow, finding him and getting back to Earth as quickly as possible. He and Liza had already been in the Otherworld for far too long, almost a full week. Perhaps the portal wouldn’t even be open; perhaps the fairies had given up on them, thought they were dead. What would it mean if the portal was closed, never to open again? He would never see Minerva again, or the Book House, or his cat.

No, he told himself. The fairies were still on Earth, at Goblin’s mercy should he launch another attack; surely they would hold out the hope that they would return with the Rover king in tow. He shook himself mentally and held himself straighter. He could not let himself think things would turn out so badly.

But, remembering Narodnaya’s wheezy laughter when they’d spoken of the Rover king, he cut through Rowan’s monologue to ask:

“Rowan, what’s wrong with Morrow?”

The ringmaster paused mid-sentence and halted abruptly.

“Wrong with him? Nothing’s wrong with him.” Then: “Might find him in his cups, that’s all.”

She walked onward.

Christian stood rooted to the spot for a moment. Then he jogged to catch up, saying, “When you say in his cups—”

“You’ll see, Mr. Abernathy, you’ll see.”

Oh, dear, Christian thought.

The path wound through the forest, not far but out of sight of the clearing, and ended at a cabin that looked like it had been there forever. Creepers climbed up the sides, moss clung to the roof, and there were cracks in the mud that had been daubed between the logs to seal up crevices. Weeds grew against the cabin walls, so high in some spots that they blocked the windows.

“This is Morrow’s house?” Christian said.

“Yes indeed,” Rowan said. “Be a good fellow and stand back a moment, would you?”

She did not bother to knock but instead rammed her shoulder against the door until it opened. Christian looked at her uncertainly.

“Sticks,” the ringmaster said.

Inside, the cabin was full of dust and gloom. Little light made its way through the grimy front windows; the back windows were curtained against the daylight, and there was no fire in the grate on the right wall. As Christian’s eyes adjusted he saw strings of garlic and herbs hung from the ceiling, but they were in need of replenishing. The only furniture was a rough-hewn wooden stool in the corner past the fireplace, a low table in front of it, and a cot on the opposite wall. A collection of empty bottles stood on the table.

There was a dark lump stretched out on the cot. Rowan went over to it and shook it until it gave a low moan.

“Let me alone,” it said groggily. Rowan shook it until it hit her hand away and sat up with a sharp “Let me alone, damn it!”

Christian stared. This was Morrow? The Rover king, the hero who had defeated Goblin? His dusky face was reminiscent of the proud, hard face of the crumbled statue in the park maze, but it was puffy in the way of a drunkard’s. His black hair was wild and matted about his head, his clothes as ragged as those of a beggar.

Rowan ripped back the curtains over the back windows and Morrow let out a strangled yell, shielding his eyes with an arm.

“The hell are you doing?” he said. “Let me alone, Rowan, or I’ll slice you to bits, I swear to God.”

He stood up and lurched toward the front door, where a sword in its scabbard hung from a hook. Rowan was faster and pulled it down first.

“With this?” she said. “I think not. How many swords am I holding up?”

“One, God damn it, now give it to me.”

Rowan retreated through the front door and stood just outside with Christian, watching as Morrow tried to follow only to turn back as the sunlight hit his eyes.

“See?” Rowan said. “You’ve just got to know how to handle him.”

“This is handling him?”

From outside, the interior of the cabin receded into darkness. They could hear Morrow thrashing about in agony from the light, then swearing as he ran into something, then kicking at the scant furniture in anger. At last the sounds died away.

“We should be just fine now,” Rowan said, and she strode back inside. Christian followed.

Morrow sat on the edge of the cot with his head in his hands, but he looked up as they entered and held out a hand.

“I’m fine, Rowan,” he said. “Give me my sword. Not gonna slice you up.”

“I should say not,” Rowan said, dropping the scabbard into his hand.

Morrow’s hand rooted around at the base of the cot until it found a half-full bottle of liquid. He pulled it up and took a swig.

“Sorry, friend,” he said, holding the bottle up to Christian. “Need it on mornings when this jackass won’t let me sleep it off.”

“Er,” said Christian, but Rowan said, “Hardly morning anymore, my dear fellow. I should think it’s nearly midday.”

Morrow ignored her. “What brings you disturbing me at this hour, ringmaster?”

Rowan sat on the stool and said, “I sought only to invite you to dinner, although I shall stop inviting you if you insist on behaving so boorishly in company. It’s my good friend Mr. Abernathy who needs you disturbed.” She ceded her seat to Christian with a wave of her hand.

“Him, huh?” Morrow drained his bottle and tipped it over in dissatisfaction. A few drops slid slowly out and fell to the hard-packed dirt floor of the cabin. “So what do you need?”

“You, I’ve been told,” Christian said, looking doubtfully at the drunkard before him. “The fairies sent me to fetch you, you see.”

Morrow leaned forward with his elbows on his knees.

“The fairies, eh?” He fixed his eyes on Christian’s face with difficulty. “So Goblin must be coming back. You’re the Guardian? Forgive me, but last I remember the Guardian was a big black man, name of Bartholomew.”

“Bartholomew’s dead,” Christian said, leaning away slightly to escape the stench of alcohol on the Rover’s breath. “I’ve been sent by his son. He would have come himself, only his leg’s been opened up by a hellhound.”

“My father always said this would happen,” Morrow said. “I didn’t believe him, but—”

He sighed and ran a hand through his tangled hair. Then he stood up so quickly he almost toppled over. Christian and Rowan rushed forward to steady him.

“I’m alright,” he said. “Just need a bit of time to get back on my feet—”

He tried to take a step forward and stumbled. Christian caught him, but his legs buckled under Morrow’s weight; the Rover was stocky and muscular.

Morrow righted himself on Christian’s shoulders and said, “Give me a couple hours.”

“A couple of hours?” Christian said. “But—”

Rowan helped Morrow back to the bed and said, “Certainly, my dear fellow. We’ll keep something warm for you.”

Then she took Christian by the shoulders and steered him from the cabin, saying, “Trust me. We want to give him a while.”

Comments & reviews · 3
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TimmyJake
Review

Timmy here!

Interesting. This isn't really what I had envisioned of Morrow... From what I had heard of him, I envisioned him as he was--but minus the drunken fool. It all makes sense, though. Many people when coming back from war, or something mentally disturbing (or far worse) resort to drinking as a way of getting away from it all. Haymitch from Hunger Games is one. I have a character in LOTS that does the same. And now we have Morrow. I really like how you play it out. Really like it. You make it seem extremely realistic and you constantly bring his drunkenness back into play, reminding us over and over that he is indeed drunk. I like that. Keeps me conscious about his problem. Just him stumbling over chairs or Christian struggling to keep him up is enough to keep it on the forefront of both his character and this chapter.

I noticed that with this chapter, you have the most language yet. At first I thought that wasn't a good thing, and was going to nitpick (Erm, comment) on that, but as I read through I changed my mind. I don't like the language, especially since he took the Lord's Name in vain, ya know, but it really fits his character and seems really him. The only one so far who uses language, and it just seems to... I dunno. It just seems to work with him so well and make his character seem more grouchy and realistic.

She did not bother to knock but instead rammed her shoulder against the door until it opened. Christian looked at her uncertainly.

“Sticks,” the ringmaster said.



hee-hee I just really love Rowan and her casual bluntness. "Yeah, it sticks--so that is why I am ramming the door in without knocking." Makes perfect sense. ^.^ But her character is fully-fledged, and her narrative of anything is fun to listen to. The way she talks and acts is so animated, really. It's really funny listening to her. :D

One thing that I noticed a little missing was Christian's heart sinking. He has been so hopeful that this Morrow is the savior for Earth he had been looking for; that he had the power to save Minerva and the land he was from, but when he shows up all he sees is a babbling drunken fool. He doesn't seem dismayed enough. At first, when he walked in, I thought it started out good with his staring at Morrow, but it never escalated from there, but kind of died off--inserting little doubtful comments and looks throughout, but never showing any actual dismay.

Let me know what you think on that. <----

I could go babbling on myself on the awesome points in this chapter. I admit I was realllly excited to meet Morrow, and I was a little disappointed at first, ya know, because he wasn't the great warrior I was expecting. But then I saw the potential character, and the big journey he would have to take himself, and then I really enjoyed his character.

I think I am gonna like Morrow. He just needs time. :)
~Darth Timmyjake

I hope so. He is my precious baby :D Well, one of my precious babies. The first time he swore, I was like, "You, sir, use foul language...I think I'm going to enjoy writing you."

I think a little more dismay comes from Christian later on, too, but if you think he could use more here then I'll work on that in the next draft. His emotions are something else I've consistently struggled with.

Hello, love! Aurora here for a quick review.

Nitpicks first, ey?
“Poor woman. Scared stiff when she got here. All alone, no idea where she was—tried to beat Graham off with a stick, when he went to help her up.”
“Poor woman. Scared stiff when she got here. All alone, no idea where she was—tried to beat Graham off with a stick when he went to help her up.”

It’s much too much for someone to take in so quickly, and on her own, no less.
It’s too much for someone to take in so quickly, and on her own, no less.

The fairies were still on Earth, at Goblin’s mercy should he launch another attack;
The fairies were still on Earth, at Goblin’s mercy, should he launch another attack;

End of nitpicks. Alright. Let's see. You must have edited this quite well, because I only have one suggestion for you. I get the feeling that this is the first time the reader is meeting Morrow. You do a good job of introducing him, and describe him well physically, and give him a strong character trait (the drunkard thing). Still, I think it would be better if you let us see hints of who he used to be. The gypsy king who defeated Goblin and all that.

This was a comical chapter, and I look forward to reading more.
~Aurora

User avatar
Sampson
Review

I enjoyed the story and I don't want to ne too critical because this is the only piece I've read, but there are just a few things that need to be fixed. For one the grammar isn't exactly perfect. I understand what you're trying to do with the characters and how their grammar isn't exactly perfect, but there are a few little errors that can be fixed without tampering with the story line or dialogue. Last thing, and this doesn't really have anything to do with the story, but most people don't know that "gypsy" is a racial slur, so it'd just like to inform you and anyone else who uses it casually. Over all I enjoyed the storyline and you have good ideas, however there are just a few things that must be tweaked.

I actually found out recently that people have used "gypsy" as a racial slur (I've always seen it used as a complimentary thing, so that was weird to me to find out). But it may make you feel better to know (let me know if you think this is good) that later in the story one of the circus-folks clarifies that actually the so-called "gypsies" in the story are not Romani, but rather what was once known as "Scottish Travelers" or "Tinkers," but of course everyone called them "gypsies" because the average person doesn't know the difference. Like the MC is not in the position to know the difference, you know? Not until they tell him, anyway.

Or maybe I can have the first Scottish Traveler he comes across correct him--I would just have to have him USE the word "gypsy" first and then have her be like, "Uh, NO. No. Do not say that." Because then I can use "Traveler" for the rest of the book. (I like the word "Tinker" better, but I think I remember reading that was also a slur, so I'll have to double-check first.)



When I use caps I do not want you to read it like a little screech, I want you to read it like a 5,000 year old ogre with the strength of 10,000 men.
— avianwings47