Tani

by singhvaibhav

Published October 18, 2017

E - Everyone

In singhv

A veneer of malice clings to her face, with incorporeal coercion she tries to contort her face to emulate a deep demure smile, cells of her face in constant quandary awaiting being designated to a certain emotion.

Inclemency of the weather was clearly reflected in his eyes, as the wind blew rambunctiously and trees swung jocundly, frivolous phalanx of dust moved in incomprehensible circles. He was silently waiting for a speck of dust to ravage his apathy feigning eyes so that he could transfer the weight of those eclectic emotions that were brewing in his chest onto the viscous wind. He could not comprehend her musings as they were standing 10 meters apart ,her back was towards him, Facing the bus station.

Is he standing there with fear in his eyes and fervour in his gait, Trying To weave his sentiments into a comprehendible sentence And efficiently navigate it through the voracious wind, Or is he standing there impatiently stifling his Visceral desires, scouring his eyes in search of a surreal anomaly or a tangible aberration somewhere so as to obtund the intensity of her presence, Or is he simply rearing pleasure from the fact that he can observe the quotidian activities of his immediate surroundings microscopically without having to glean any prudent or glibe inference.

Has he left ? Did he leave because the cauldron of emotions memories sensation had transpired into an arduous Labyrinth, Was it the violent wind that made him leave or was it the silent pain crawling through his skin.

He was a sloth who detested change, he was living, no he was existing on daily basis, taking one day at a time, existing barely without rhyme or reason, aimlessly ambling through life. Until the enhanced form of change i.e transformation had knocked on his door, he had resisted which in scientific terms is referred to as inertia.

She was loquacious, lascivious, detested stability. She lived inside a house whose precarious walls were composed of ecstacy, she seldom left her house as she knew difficulties and realities were lined up outside to confront her, and she had no doubt that in this war between reality and denial who would persevere. She laughed a lot as it is a known fact that its difficult for difficulties to navigate their way through soaring laughter, she slept a lot too as when we sleep we are in a semiconscious state now the difficulties could infiltrate dreams but they wont be as effective in eliciting a response, as compared to when we are conscious, when difficulty can materialize into panic, but in between these two states when she was suffering from sobriety difficulties, realities and their collective outcome regret haunted her.

Was it the sense of disembodiment from materialistic things of a particular place that had materialized into a void in her chest and placed a weight on her throat which was impending the flow of words, or was it the pain of once again being lonely and not alone midst beauty, midst treachery, midst mockery, midst ecstacy, the pain which could be gulped down with cheap alcohol, or could be ejected orally or through the nostrils in the form of smoke, or was it the explicit fear of his absence that was making her quiver.

He derived sustenance from the halo of alacrity she carried around towards ubiquitous activities, at the risk of being quixotic he mentally played a scene from the movie hummingbird where jason statham says to the nun that we have got enough in here ( pointing to a bag full of cash) to get us away for good, but the nun refuses, and he says that I was alive for a summer and now I wont exist in your absence. He would delve into himself and fervently scour every nook and cranny of this devalued vessel housing insentient objects performing redundant activities, for a sentence larded with the truth, outlined with melancholia dipped in reverie dried with the winters stinging wind ,sprayed with vernal bloom and delivered in a tone which would be pregnant with temerity, as he silently percolates in the violent wind, his acquired negativity slowly transpires into self doubt and scepticism which curtails the process of arranging words into meaningful sentences, he says to himself would the wind do me the favour of ensconcing my spiel so as to prevent its defilement from inconsequential spicules of matter, the wind is saturated with facets of numerous sentences, words uttered to no one in particular, words uttered to oneself, words leading to conversations, words ending conversations, and how would the wind prevent these words from pervading my spiel. He says nothing and silence prevails.

Daunting rays of sun slinked through the dilapidated window and gently caressed his decrepit face, as he opened his eyes a tear rolled down onto the soiled sheet, he glared at ceiling silently demanding from it a reason to lift his arthritic body up from the soiled sheet. To carry out his ablutions and to get dressed he would have to go through a series of intricate movements in a well defined order so as to obtund pain and discomfort, he intently observes himself in the mirror under youthful radiance of the sun, he carefully moves his fingers through time wrought lines of his face and ferociously removes a flake from his dried skin, he slowly walks with a leather bound notebook in his left hand and a ballpoint pen in his right breast pocket, each step inflicting an iota of sharp pain hence contortion of the face, he looks at his far right and sees his younger self carrying lilly's in his arms and a subtle radiance emanating from his face which is generally achieved in a love triumph.

On this day 32 years ago she had returned, he could never forget that moment, she had released him from her embrace, with dubious tears in her eyes, intense desperation in her crackling voice, intermittent sobs she had said “ I searched for myself in the puddles of water, but they were repelled by my countenance, they were dancing with the wind, I looked into the elevator mirror under semi lucid light and I immediately realized that I was disfigured, it wasn’t apparent but it was pernicious, it was as if the outer most layer of my skin had putrefied and was falling of, it carried with itself all the sensations, emotions that I had felt through you, you yourself were now being scraped off of me and were now dissolved in the sterile elevator air, the cloak of warmth that had ensconced me in your presence was now dissolved, my frail nerves were now exposed and I could feel everything that the sterile air carried anxiety, desperation, melancholia, anger, boredom, sadness, helplessness, pain, grief, emptiness, hopelessness, death, they were like concentrated burst of electricity moving through me, no matter where I went the air around me was profound with every facet of emotion that I had piously tried to block, and the eclectic layer of heavy clothing did not dampen the torture, when my body finally became numb, there was a lingering sense of loss, like the presence of a phantom limb, at that point I knew that I had lost you forever, I was free to go back to my previous normal life ( which was quiet abnormal to be honest ) and I don’t want to go back “.

In the graveyard he settled down on the wet grass adjacent to her grave, opened his notebook, he started creating her portrait first in his mind’s eye and then on the lifeless paper, hoping to instill life into it and in himself.

Comments & reviews · 2
User avatar
Brigadier
Review
Brigadier wrote a review Review · Oct 19, 2017

Hey there singhvaibhav and welcome to YWS! I'm just dropping by real quick so let's just take it from the top.

A veneer of malice clings to her face, with incorporeal coercion she tries to contort her face to emulate a deep demure smile, cells of her face in constant quandary awaiting being designated to a certain emotion.

There are very few redeeming qualities about your piece and this is not one of them. I always like to start at the top line and break it down for analysis, because this is what the writer is putting forward as his best foot. This is the line that is supposed to have a hook that will just enchant me and I'll want to read the entire piece and ignore the unfavorable parts.
But obviously that is not what happened because here I am complaining to you about them. Storm has covered the aspect of purple prose and how this is all a bit much, but really I'd just scrap this and start over. All ideas start out good, it's just the accessories that ruin them. You can keep your rather flamboyant imagery descriptions but you need to rope them in a bit before they can have a real emotional impact on the reader. Currently everything is just confusing.

Inclemency of the weather was clearly reflected in his eyes, as the wind blew rambunctiously and trees swung jocundly, frivolous phalanx of dust moved in incomprehensible circles. He was silently waiting for a speck of dust to ravage his apathy feigning eyes so that he could transfer the weight of those eclectic emotions that were brewing in his chest onto the viscous wind. He could not comprehend her musings as they were standing 10 meters apart ,her back was towards him, Facing the bus station.

1. Before we get into the serious things, like how this just keeps going downhill with the amount of description around a rather menial task, we need to talk about grammar. You have so many typos by the second paragraph, that I was just forced to say something. Normally I would hold off on a discussion like this until the very end because in most cases there isn't that much to fix. You have spaces in between periods and commas, things that are capitalized that need to be under case and some sentences that just don't even make sense. These things are enough reason to drive a reader away from your piece so you might want to be more careful about this in your edits.
2. We should also talk more about confusion because it took me three read throughs to even slightly figure out what was going on in this paragraph. That shouldn't be happening. You understand that a good story means a reader doesn't even have to focus that hard on all the little elements and they still know what's going on. You're dashing around with all these big words and pretty colors but the plot is being neglected. From what I've seen so far, I don't even know if there is a plot. There's like a guy at a bus station with the chick he's in love with but then the trees are making love???
It's just that there's nothing solid and it's flapping around like a tarp in a tornado.

Is he standing there with fear in his eyes and fervour in his gait, Trying To weave his sentiments into a comprehendible sentence And efficiently navigate it through the voracious wind, Or is he standing there impatiently stifling his Visceral desires, scouring his eyes in search of a surreal anomaly or a tangible aberration somewhere so as to obtund the intensity of her presence, Or is he simply rearing pleasure from the fact that he can observe the quotidian activities of his immediate surroundings microscopically without having to glean any prudent or glibe inference.

1. I'm just copying the whole thing down here to make it easier on both of us. Once again you've got a lot of grammar issues and now some misspelled words. Those are still putting me off but I've already kind of lectured you on that. The thing that really, really bothers me about this paragraph, is that it's all one sentence. Now I don't know if you were trying to do this on purpose or if it was just a mistake with the formatting, but it looks like crap man. And I saw you do it twice near the end. Like just no. You don't make one line of dialogue into an entire paragraph unless the paragraph is only three lines long. That is way too much info.
2. I think I'll just go ahead and skip down to the part that's really bothering me. I'm really starting to repeat myself because the issues are just repeating and that's no longer a good review.

On this day 32 years ago she had returned, he could never forget that moment, she had released him from her embrace, with dubious tears in her eyes, intense desperation in her crackling voice, intermittent sobs she had said “ I searched for myself in the puddles of water, but they were repelled by my countenance, they were dancing with the wind, I looked into the elevator mirror under semi lucid light and I immediately realized that I was disfigured, it wasn’t apparent but it was pernicious, it was as if the outer most layer of my skin had putrefied and was falling of, it carried with itself all the sensations, emotions that I had felt through you, you yourself were now being scraped off of me and were now dissolved in the sterile elevator air, the cloak of warmth that had ensconced me in your presence was now dissolved, my frail nerves were now exposed and I could feel everything that the sterile air carried anxiety, desperation, melancholia, anger, boredom, sadness, helplessness, pain, grief, emptiness, hopelessness, death, they were like concentrated burst of electricity moving through me, no matter where I went the air around me was profound with every facet of emotion that I had piously tried to block, and the eclectic layer of heavy clothing did not dampen the torture, when my body finally became numb, there was a lingering sense of loss, like the presence of a phantom limb, at that point I knew that I had lost you forever, I was free to go back to my previous normal life ( which was quiet abnormal to be honest ) and I don’t want to go back “.

1. Ideally, this would have been the paragraph where you pulled everything together and the reader finally got a sense of the tragedy taking place in the lines above. This would have been the place where you had the opportunity to fix all of the mistakes that you might have made in the previous parts. But instead, this part just went farther downhill. In a prose piece, there are two things that you should be focusing on above all else, the beginning and the end. Your ending paragraph is one sentence, and even though it's sort of a run on, it's nothing like the next to last paragraph. You really want to have some shock value here and not the sort of shock value that you're currently presenting. I got lost about six lines down and I couldn't get back out of the web you were trying to weave there. It's suffocating and it needs to change.
2. Now you can have dialogue that takes up this many lines but it needs to be separated out into sentences. That aspect of this will be pretty easy to tackle but really I think you need to have some variety with the material, have these two characters exchange something. She can have her long speech about all the things he's done and how much pain is being passed around in the plot, but you need some buffers. He needs to say something. The narrator should not be standing there like a puppet just taking abuse and being as confused as the rest of the audience. If you want realistic interactions, these two characters are actually going to have to communicate with each other. You can't just slap down some random thoughts from each, there has to be an actual process and tags to show that they are together in some way.

Overall, this was confusing. That is the sentence that I have used the most to describe your piece but it does still have the ability to be mended and turned into something great. This is a first draft. All first drafts, no matter if you're Stephen King or a 3rd grader, are crap. They're rough for a reason and you're just throwing your thoughts out there.

If you've got any questions about this review, my inbox is always open. If you're looking for advice on how to revise specific parts of your piece, message me and I'll see if I can get a workshop together for us.
Have a nice day.
~Liz

User avatar
inktopus
Review
inktopus wrote a review Review · Oct 18, 2017

Hi, singhvaibhav, and welcome to YWS! Storm here to review your story, so let's jump right into it!

A veneer of malice clings to her face, with incorporeal coercion she tries to contort her face to emulate a deep demure smile, cells of her face in constant quandary awaiting being designated to a certain emotion.

This is what is often called purple prose. Purple prose is not desirable in the least because it tends to obscure the meaning of the story through a nearly opaque coat of fancy sounding words. You can use a wide range of words and flex your vocabulary, but so many in succession make it look like you're trying to write an academic paper, not a short story for others' pleasure. I think walking you through this sentence will show you a more acceptable level of description to write at.

Green text: it's fine how it is
Red text: Delete
Blue Text: I will talk more about it below

A veneer of malice clings to her face, with incorporeal coercion she tries to contort her face to emulate a deep demure smile, cells of her face in constant quandary awaiting being designated to a certain emotion.

The entire last half of your sentence needs a combination of cuts and rewording. I think "she tries to contort her face to emulate a deep demure smile" can be changed to "she tries to contort her face into a demure smile."

The last half of your sentence is unnecessarily clouded with extra and more complicated words than needed.

"cells of her face in constant quandary awaiting being designated to a certain emotion."
I don't think there's a way to keep most of the words and clarify it at the same time. I think you need to find a different way to describe this. Try to keep it a little more simple.

This is the only time I am going to point out your instances of purple prose because most of the story can be considered purple prose. I hope my suggestions can help you with fixes in this story and future writings.

Now onto the meat of the matter!

You switch tenses multiple times throughout the narrative. You started in present tense, then you switched to past in the second paragraph, and you continue to switch throughout the course of the story.

Daunting rays of sun slinked through the dilapidated window and gently caressed his decrepit face, as he opened his eyes a tear rolled down onto the soiled sheet, he glared at ceiling silently demanding from it a reason to lift his arthritic body up from the soiled sheet.

So where is this guy now? He was at a bus stop thinking about a movie for some reason, and now he's in bed?

It was incredibly difficult for me to follow the flow of events in this. Was the woman, in the beginning, the woman whose grave he was sitting next to at the end? Why are we supposed to care about these people? We see nothing of their relationship, and all we know is what you outright tell us. There is no way for the audience to form an opinion on the characters because we don't get to know them as people.

Overall, I found this very difficult to read. The purple prose was almost like trying to see the bottom of the mud pit; the prose being the mud, and the plot being the bottom. You also go off on this tangent about a scene from a movie, and I don't really understand how it pertains to the story. It really distracts from the plot. I think that this could really benefit from clearer language, most of all.

I know my review was really harsh, but don't get discouraged! Everyone can improve their writing, and I wrote this review to help you improve yours. If you have any questions, I'm happy to answer them for you in a PM or a reply to this review!

~Storm



I have the opposite of charisma…. no-rizz-ma
— Gen