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Hey, Rosey!
I really enjoyed this piece.
*cracks knuckles* Now we review!
I dunno. This bothers me. I picture gray us being lackluster and dull, not pear-like.
I didn't know she was tuned into her magic. Tell us. ^_^
Should be, "....in the garden, and the wind...
Change the comma to a semi colon.
Change an to a.
Sorry this wasn't very helpful. I hardly saw any errors.
-Sakura
OK well, um this still needs some work. I feel that you need to read this aloud before your post. Reading aloud is something you will hear from everybody. People still tell me to do that, and I do. It helps get some of the awkward wording and grammer mistakes. Overall this was interesting. I felt you had a good idea and the story flowed well.
What I would work on is writing proper sentences. A few times you left out a verb or you just left out a few words that were vital to the sentence.
Other than that everything was fine. It was a good read. PM me when more comes out or if you need anything else reviewed. Hope this helped
I know full well it's been chewed up. I'm just looking for an opinion or two more, since the overall comments were split.
Oh-kay, nice to know that stuff is relatively easy to fix. It just needs another re-write. And some more thought......
Some of the stuff I put in is foreshadowing to later events.
I think I won't post anything else until I really get some nitty gritty details ironed out.
Thanks to everybody who reviewed this!
Woah, I see this has been chewed over a few times by some very good critiquers. Talk about having a hard act to follow! :p
So I gather from your request you would like me to concentrate on the plot. Let's see what I can do for you. ^^
Gate=gait.
As a first sentence, this is cramming a lot of information into the reader's head from the get-go. What I suggest you do is create an image with the first sentence, but tone down on the information. You're trying to catch the reader's imagination, rather then send their processors into overdrive, if you know what I mean? ^^
Hrrmmm. I think you should deepen the character's background. We don't know where she comes from, her status among royalty, or why she has magic.
This confused me until I read on. I didn't know what to make of this sentence. It's probably not a good idea to confuse your reader so early, as it is more likely they will be deterred in the beginning before they get pulled into the story.
How does that work? Wouldn't that make him her half-brother? For Ranya and Kerani share a father, as far as I can tell, and for Hasin to be Kerani's full brother he would have to share the same father with Ranya. Since you have Ranya stated as a half-sister, then you should make that clear with Hasin too.
You're in a palace, so describe it. Was the air stifling? Or cool? Were there servants? Here is your opportunity to bring in the other aspects of the culture, like Andy (Squall) suggested. Another way to do this is through the dress of the women. Are they veiled? Do they wear soft slippers, and have soft skin unused to labor? Or do they have callouses from writing, or even, can they write at all? You can give great insight into the culture just through a few characters. How did Hasin's clothing, manner, and social standing differ? This would give an outline on what the attitude between the sexes are.
Also, backtracking a little here, you could further describe the servant's quarters. Are they slaves, or are they payed? Are they working off a debt? Are they comfortable or in poor condition? This would give insight on the social layout.
Heh, wouldn't she have to meet her host at some point?
It is polite, he is the emperor. ^^
Overall, you have a lot of information in this piece without giving much insight. What you need to do is leave out the minor information that could be filled in later, and really give both your characters and your culture more depth. It seems interesting, but there are a lot of questions unanswered. Is magic common? What about these gods, are they feared or adored? What is Ranya's social status once you strip away her engagement? Why was the younger sister chosen?
What does everything look like? You need to show is the scene and the characters. So far you have just information, dialogue, and Kerani's thoughts.
But don't think it's not good, I actually enjoyed this. It seems like an interesting beginning of a promising story.
I'm sorry this crit is a little rushed, but I have my mother kicking me off the computer. If you have any further questions, don't hesitate to PM me. ^^
-Nutty
Hey there Unicorn.
OK. You do not need to state that it's a desolate land. You've already shown us that it's desolate (desert like) with the canopy (obviously they would need one because it's hot) and the gold mesh screen. Also, "world rocking slightly from the gate of her elephant" doesn't make sense. Rephrase it. And how does that part flow on with the rest of the sentence?
You thank someone for that? Aren't you meant to thank someone for their assistance instead? It's much more meaningful.
There is no dependant clause here so the sentence seems incomplete.
Are you able to elaborate on this more? (eg: What does Ranya think about needing all that protection?)
Of course cities don't move silly -.-
Plural form for wind as I'm pretty sure that these wind occur frequently. Also, haven't you've already stated that it was windy before? And why would the villagers leave during such conditions? Explain.
How did she knew from her brother? Also, "farmable" land is not even a word. I suggest that you try to be more specific as to what you mean by "farmable" land. (eg: pasture?) Shrinking also doesn't seem to be the right word to use so find another word for it. And haven't you already established as to how the drought's severe?
Please don't describe emotion in such a tangible way. It is redundant and out of context. You would be better off using actions or dialogue to portray that.
Tital bay is beautiful? How?
Do we really need to know what the dome looks like? If you had created a strong enough impression of your society, then the audience would had been able to picture even the most little of details.
"Afar" not "far". There should also be a "te" after "markets".
Tuned out her magic? Can you be clearer please?
Overall impressions:
I like the idea of having a fantasy taking place in a society where they are confronted with drought and famine, but your execution is bland.
There was this interesting idea of royal protection VS family protection, but there wasn't an attempt made at exploring the theme deeper. You've basically mentioned it and then move on to another idea. Why didn't you show the interactions between the two and establish contrast? Why did the main character believe that her family makes her more safe than having heaps of imperial guards? Is it because her family actually know her and have spent most of their life raising her up to be the women she is now?
From "A gust of wind blew more dirt in her face. Curse this drought!" to "Kerani was the only one there related to him by blood, and now she was the one left out of this ‘family’ gathering."it was quite a chore to read. This is because there's so much redundant detail and information in there that has little to do with the main character nor does it help move the story forward. It read more like some tour guide explaining the surroundings along the way instead of a novel. You do not need to describe everything. You are better off choosing key details that are in some ways connected with the main character and showing more of the interaction between the main character and her half sister on their trip.
For the last third of the piece, you need to reconsider your dialogue and expand on details at various points in the piece to ensure the dialogue works. For example, why does Lady Vyoma want them to call her mother? I have a feeling that Lady Vyoma is that type of person that demands respect, but I never got that feeling. Also, they are of royality right? So why isn't their dialogue more formal? It seems off at the moment (in fact, for the entire piece, the main character's dialogue doesn't have that tone of formality in it). When the main character, Hasin and Ranya were discussing about ways to rectify the drought, I find it kind of forced. This is because you haven't fully established as to why the main character and Ranya would want to purge the drought since a majority of the piece read like a tour guide's explanation on the area.
Lastly, what more can you show about your society? Yes they are in a drought at the moment, but what else? Have you considered arranged marriages? Sexism? Terrorism? etc? Society isn't as simple as being influenced by one conflict or idea, it's much more complex than that. (Your society seems to draw parallels to that of India, Iran etc).
I think you should read go to this: http://www.tki.org.nz/r/ncea/eng3_1Bv2_25jan06.doc
Read the excellence piece in that, not because of the fact that I love it, but learn as to how everything that's written in it is relevant and ties in closely with the main character. Just explaining as to why your piece is flawed isn't going to help much in the long run. It's better off to learn by example as well as through critiques if you wish to become a better writer.
Right now, you have too many ideas (some that are redundant). This in turn puts a hamper on your main character and your piece since the audience will struggle to engage with the writing.
Anyways, that's all I have to say. I hoped that this critique has helped and I wish you good luck Unicorn.
Andy.
OK, whoa. There's a lot of information flying through the reader's head in the first
paragraph. I'm still reeling from it. Ok, you NEED to cut back on that. Plus, a bunch of
it is randomly spaced out. I think you should also try to dig deeper into your character's
emotions. So far the characters' actions have all been mostly superficial, being happy
at someones return, being unhappy because of a drought. So far, so simple. The plot
needs a bit more oomph to it too. If you can fix that, you'll have a pretty good story. I
love the last few lines. Letting her memory drift away...nice wording and imagery.
The 's is because of Kerani's magic. It's Ranya's joy, not Kerani's.
I know about the sister. She is a brand new character (this draft is the first one she's shown up in), so some flatness it to be expected.
I have fun exploring characters in new lights in later chapters/events. Since one of the biggest problems I saw in the first draft I posted was trying to do too much, I toned it way down.
I'll have to figure out a way to make that line describing Shenora better.
Other then that I've edited most of the things you've pointed out.
Thanks!
Here as requested!
Replace the comma with a semi-colon, it makes more sense.
Insert 'the' before 'grit.'
This reads a bit clunky. I think you should take out the whole 'fifteen years' so it simply reads:, 'It didn't matter that Ranya was only a year young than Kerani.'
If you can't find anywhere else to put Kerani's age, why not try, 'It didn’t matter that Ranya was only a year younger then fifteen year old Kerani.'
Yeah. I think that sounds better.
Comma after palace.
There's an unintended rhyme of 'gust' and 'dust' in here, which makes it read a bit silly. Change 'gust' to 'puff' or 'spur' or something like that.
Curse this drought!
This should be in italics as it's her thoughts, presumably.
Personal preference, but I think you should change it to, 'Kerani coughed, praying that they would reach Shenora today.' Otherwise, it makes it seem like the coughing and the praying are connected.
Doesn't make that much sense. Break it up and rephrase it as: The capital of Kemmer was supposed to be green. Apparently, it didn’t move and it had places to take baths in.
Would make more sense as 'when she realized what had just gone through her mind.'
The 'too' in front of 'severe' is redundant. Nix?
I'm not sure what you mean by this. I don't see how a thrill of joy can go down someone's nerves. Did you mean that a thrill of joy defeated her nerves? Or did you simply mean something like, a thrill of joy sped through her body. Something like that.
I'm not sure why you're using an apostrophe here. Don't you just mean 'Ranya' ?
Exciting has a 'c' after the 'x'.
See above edit on the spelling of 'exciting.'
Don't you mea, 'Tital Bay' ?
Again, don't you just mean, 'Ranya' ?
Insert 'that' before 'markets'. You'll see what I mean.
Tuned out her magic?
'At' should be 'of'. You don't catch a glimpse at something, you catch it of something. Oh and I think the second part would make more sense if you rephrased as 'even if they couldn't see the lady herself through the screen,' or something like that. I know what you mean, but it's a bit ambiguous.
'Gotten' is bad English. Replace with 'received' or something like that.
Why imagine? I think it would be easier to say, 'Kerani knew that Ranya would be quivering with excitement.'
Replace 'this gate' with 'it', to avoid repetition. So it reads, 'It was in much better condition' etc etc.
This would make more sense if you switched the sentence round so it read, 'Kerani noticed a man standing under one of them, as her elephant knelt.' Because otherwise, the reader might have forgotten what 'them' is, but if that particular segment is included after you've mentioned the structures, there won't be any problem.
Ranya placed it for her.
Oh right, sorry. Ignore that comment above where I asked what 'tuning into magic' meant. I forgot for a second that this was a fantasy fic. Silly me.
I'm not sure 'trotted' is the right word, it holds the wrong connotations.
Are = Our.
.
Hasin sighed and let go of her.
Nix the 'very'. It's redundant.
Change the comma after 'eyes' to a fullstop, and capitalise 'if'.
Ha!
Huh? This sentence doesn't really make sense, you'll see that if you read it aloud. I think I know what you mean though, to make it coherent, put a comma after' that'.
Comma before sister.
Comma after personally.
Comma after changed.
Titled = tilted. Easy mistake to make. Oh, and I think you should replace 'in her memory' with 'from her memory'.
Overall thoughts
I liked it, Rosey! I must admit something to you: I normally dislike Fantasy Fiction, to put it mildly. But I enjoyed reading this, which is a very good sign as I barely venture into this forum. This was much, much better than the first draft. You've improved so much with showing instead of telling, and I have to commend you on your characterisation. Your characters are so real, so convincing, and it's only the first chapter. I already love the character of Kerani, she's spunky and won't let anyone push her around. There was good narrative control and I liked hearing her thoughts about her bratty sister. Your dialogue is also good; realistic and authentic, not too melodramatic.
I think the sister could be improved on, the stereotype of the bratty, superficial sister has been done quite a few times. I wouldn't mention this to you if you had more serious issues with the plotline to work on, but since you're a good writer, I just thought I'd point it out. I know these are early days, and you still have plenty of time to develop these characters and make them yours, I'm just being nitpicky as I like your work.
Show characters in different lights when you get a chance. A character in question can also be a villain. Show them interacting with different people, seeing the world through their own perspective, having their inner monologues, contradicting themselves(yet make sure these contradictions apply consistently and make sense), changing into different directions, having crises of faiths, justifying themselves, making decisions and taking actions of their own, taking chances, making mistakes, trying to make up for them and, the most important of all, getting in different conflicts, be they large-scale, personal or interpersonal.
Okay, I'll stop my rambling now. You've done a very good job with this and it's very polished. I hope to read more soon.
Good luck!
-Sarah