Illness of Flowers

Some people are parceled passengers,
some are speaking mouths,
but others are the ears and earwigs -
the gaping lid of the inner man;
some souls are rattling and cheerfully bent boats,
some are vices, while others visages -
their company a great voyage.

There are people who have wasted the most beautiful things
to make terrible tragedies.

Who was the most joyful girl,
who was the little girl who gave flowers funerals?
Is that not lovely also?
So many want a beautiful and deathly sweet sadness,
neglecting the lovelier thing,
sincere happiness.
Oh, and did their pain truly hurt, just somewhere, in the heart?

O, Pretense! They dream of heartache.
Oh, the heart. O, Heart! O, Hearken!
Listen, O, sad things,
sorrowful stories will be smoothed over,
smoothed over like wrinkles in the bed sheets,
smoothed over like the old weeping shrouds, wet wrappings.
Storytellers will run their hands over these things,
holding their hands and inky pens like doves,
like little dear doves,
who will coo and feed
on heartache.

Never were there truly forever flames,
Honor existing only in their names.
Nothing can be found within the aching ashes,
not one thing is said aloud in the aching embers,
real sorrow is no leader,
leaves no room for making itself beautiful,
for making itself an epic,
a tragedy,
a sad story another will cling to.

Bones of a dear one are not beautiful.

People who do not have true cause for grieving are like children,
playing pretend,
but one must then look in the eye of the new creature:
shattered shock, delight then disappointment,
bewilderment, baby-eyes are a blue well of disappointed emptiness
and shattered trust;
so, people fill themselves with pain of another.

Some people can imagine and find comfort in the hurt,
because if it is not their grief,
they feel it someplace faraway and pleasing;
it is not their life and love turned soiled and flooded and drunk,
they only get to taste a flavor,
not a poison.
It fills them,
a nectar devouring hearts and lives;
pretending it's better than nothing at all.

Until one is part of the show,
it is all entertainment,
no matter how sick or sickening:
Throbbing symphonies, sobbing orchestras,
all aloud and marching through,
parades of tears go breaking,
creating chaos.

Adoring crowds of heartbeats,
of breaths,
of pulses.

Marching and stomping upon threads,
upon fractured feeling,
upon visions;
crashing down and pulling down
happy flags and cleaning rags upon funeral grounds;
seeping moss on marker stones.

O, people who think and dream so deeply,
craving a weak enjoyment of what's not your terrible own.
Grip and groan, and fall after and along,
running past the happiest of days,
seeking out weighty truth and sorrow,
which hurts less than your own;
the lusting heart happily goes on lusting:
for sadness, for fullness, for a mockery of life.

O, mortal heart, thrust into the throes,
gaudy lust for pain, for misery,
O, people, you knows not what the heart sincerely desires,
you mistake pain and misery for greatness,
the mendacious luster tripping an unhappy people all along.

O, sad people, who die inside to fill that emptiness,
the emptiness where joy belongs.

Comments & reviews · 1
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'Ello there, Mandorelute!

Haven't seen you around here, so you must be new. If you aren't, then I apologize but Welcome to YWS. I'm Angel of Death but please just call me Angel.

The title of your poem really caught my attention. Your first stanza was lovely, as were many others, too, but to be honest, I didn't quite like this.

It was written wonderfully. Your vocabulary was exquisite, punctuation, right on. But those are not the only things a poem must possess, as I'm sure you know that, because it seems you have been writing poems for a long time.

Anyways, it seemed to drag on and in the back of mind I'm thinking: When it is going to end? What is this about? You talked of tragedies, death, dying and a whole assembly of things but I could not grasp the meaning of this poem. It seemed like you were trying to hard to make it powerful, to make it beautiful, but in the end I couldn't understand it.

Now this may be just my opinion, but my suggestion to you would be cut away some of the stanzas, find out one thing you want to write about, whether it be dying or tragedy or whatever, stick with that one thing and one thing only.

I must say that I am very fond of your last three stanzas, and I think that you should build the poem around those, but again, that's my opinion.

Overall, this has promise. You seem like an excellent writer and if you just introduce a little control, I am sure this poem would be better than what it is now. I don't mean to be harsh in anyway, so please don't take offense.

If you want me to review this again or if you have any questions, feel free to PM me,

~Angel



Never use your shield as a dinner plate, for that is when the enemy is most likely to attack.
— The KotGR Commander