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Thank you everyone for the reviews ^^ I see that "showing" and not "telling" is a pretty big deal around here xD I'm working on it. The novel gets done quicker when I write what comes to me. If I swerve my path to satisfy others, the story will no longer be mine if you know what I mean. I'll take the advice and synthesize in the end and I'll give you guys another try. But I really like my story
, xD and I think it reaches up to my current expectations for a draft.
Hey there,
I'm sorry, this took forever, but now I'm here, so I hope you'll forgive me for letting you wait for such a long time.
Preface: I thought the preface was alright, but it didn't do much for me. I wasn't quite sure where it was heading and it didn't make too big an impression on me. I wasn't sure what it was saying about the story as a whole or in what mood it was supposed to put me. Think about those two things, perhaps and then look at it again and see whether it does, what you intend it to do or not. Might be me though, I've never been good with prefaces.
Chapters
Generally I think you might want to put another space between the chapters and perhaps make the titles of your different chapters bold. Just to structure this a little more for the reader. That's just a nitpick though.
Whichever person you choose, I would work on distinguishing the different characters from each other. This you can achieve by using slightly altered vocabulary and just changing the general tone and mood of the chapters.
Maybe thinking about the characters and how you would like them to come across a little more would help.
#1 Here I like your description of music and how it makes Jade feel. However I would have liked to get to know Jade better in general. What's she like what makes her tick? Further I thought you did a lot of telling. Maybe try to show us how much her parents love her and how she tries to be a good elder sister. Maybe give us a situation with her family.
#2 I did notice this was a different perspective, especially in the beginning, but it somehow became similar when the twins too lost their parents. Especially in relation to a concert. Just that the children were the protegees and not the parents.
I did rather like the different feelings he has about music compared to Jade, though. Nice contrast.
#3 In all three of the chapters so far you speak of something happening "that day". Two things about that: 1) Things don't always go bad in one day, often they come slowly, creep upon you and hang over you for a long time, before they climax. 2) It's all retrospection. Having your first three chapters in retrospection will not hook your reader. We want to know what's going on in the present, you can fill us in on the background in between.
Also the stories of all three of your characters are very similar at the moment. This doesn't really make it more interesting either.
#4 Again born into a wealthy family, again that day, again pain ...
I think it's kind of clear what I have to criticize. This may sound like a lot, but I fairly enjoyed reading your writing. I'd have this read through by someone to pick out the last few mistakes, but there weren't too many of those and I liked your writing in general. Fluent, light. Very nice.
I hope this helped you out a little bit and sorry again for being so late.
All the best and happy writing,
~Kalliope
Sorry it has taken me so long to get around to this! Guess I was more busy than I thought but here you go:
Preface: I didn't find much of interest in your preface. There's not enough to hook the reader or st least not enough of a hook that it remains nestled in their mind throughout the reading of the other chapters. I'd suggest that it needs to be longer and give more hints, more dribbles of information for the reader to latch on to. Otherwise, you might as well remove it because as it currently stands, it doesn't seem to serve a purpose.
Chapter one: There's too much telling as opposed to showing for me to really feel as if I get to know the characters and I think the view of family life it displays (or at least the relationships within it) is a little too perfect. True, the good is highlighted once a person is lost but the flaws need to still be there, squirming at the back of the mind. Your characters need to be more human for your reader to feel the right depth of sorrow at their demise.
Jade is alright. She's a little plain and I'm not sure that I liked her presenting the whole 'the rain masks our tears' realisation as one that is solely hers. But my only real critique of her is that she's a little flat at the moment. However, I'm sure more characterization will come with time.
Chapter two: I liked this one better. You have a more flawed and generally more moving and emotive situation here. The characters are easier to relate to and the general tone of voice is much smoother and more interesting. This chapter flows better. I think you still need to check your grammar and try to move further in the direction of showing; introduce Mr Redwin more so he doesn't feel quite so disconnected. It would also then mean more to the reader that it is he who brings the news. And draw that out a little longer. Stall a touch. Don't tell us straight away that his parents are dead.
Chapter three: By now the dead parents story line is starting to get dull. You've got a good use of very different situations with their scattering of links and a touch of mystery but your characters need to be more distinct. I liked King, he sounded very different but Leila could be Jade merely placed in more desperate circumstances. Give them habits and actions that place them apart and establish them as unique individuals.
Chapter four: A reasonable character but once more she felt similar to all the others. Perhaps it's because they're introduced so close to each other and there isn't the time to reall outline one before another is brought to the front but really that's my only comment on this chapter. The plot was good. A little cringingly sweet in some places for my liking but that's probably just me
Overall: I think you should lower the number of characters you introduce at a time and try to really show the reader what makes them different. This can be through a change in writing style or a very different way or acting/ thinking. But I'm liking the plot. The mystery surrounding the deaths and disappearances is nice and I think the parallel nature will work, you just need to set up each story completely and maybe let one or two run for a while before introducing the others.
Hope this helps a little,
Heather xx
Hey!
Well, seems like you've already received quite a bit of feedback on this piece. *sigh* But I'll try my best ...
What do you mean by 'time appeared to become quick'? It doesn't really make sense, as nice as it sounds. Do you mean that time appeared to be going faster? How, and why did it seem to be that way?
Seemed to quicken the pace of the aching pain? That makes sense but sounds kind of awkward -- maybe you should reword something like this: The frigid raindrops that hit our bare heads only made it worse.
And wait a second ... your heads are bare? Are they bald?
This is kind of a strange simile ... I can barely see the relationship between waves/divers and rain/heads. I think you should choose a new simile with more relevance to the previous sentences.
Let's get this straight: they're cold and aching, yet feeling a sudden rush? You might want to elaborate more on that -- is the cold making them clear-headed, or is it just adrenaline?
What heart-pounding moment?
I think 'counter parted' can be hyphenated.
I'm not sure 'faithful' is quite the right word here ... how is her decision faithful? Faithful to what, exactly?
I think it should be 'look to me for guidance'.
This is an okay preface. I'm kind of interested as to what it's about, but I felt that it was kind of over-done -- phrases like 'valiant mission' and 'undying love, hope and faith' are probably what makes it seem that way. Things like that work, I guess, when we actually know what valiant mission and whose undying love, hope and faith you're talking about, but since we don't, they just seem silly and unnecessary.
This is an interesting premise, but poorly written. "Tingled with and eerie feeling"? I would suggest proof-reading your work before you post it.
Hmm ... try a reword: My beloved parents, whom most people as the musical protégées Elaine and Carl, were the most wonderful people I knew.
No, really? I think the second sentence here is kind of silly -- you should just say something like "they taught me the essential, practical skills any girl should have, but the most valuable skill they had given me was the gift to create music."
Repetition. I would suggest replacing the second 'pleasure' with 'joy' or some other synonym.
This whole bit could be compressed into something smaller and less info-dump ish. Like, you could say something along the lines of: "Mama and Papa noticed that my sister and I were attracted to the unique sounds the instruments would make, how we could tell apart the swift, sweet notes of the flute from the grand chords of the piano at a young age."
You forgot to put a period.
Whoa, whoa ... they're opening their presents without their parents there? If this is normal for Jade, like if that's what they do every year, then you might want to mention that. If that's not the case, it's a plot hole that needs to be fixed.
Um ... that's very noble and dramatic and all, but also very unrealistic. Wouldn't she be wondering where they were? Wouldn't her head be spinning with questions after reading that?
I don't like the last bit of that sentence -- there's no way that rain can run down your heart unless you've been horribly wounded (ewww that's morbid XD) and it doesn't really work as a metaphor.
Overdramatic. Your life and you aren't gone -- and if it feels that way, you should specify in your writing that your life isn't actually gone, it just feels like it.
You switch tenses here; 'seems' should be 'seemed'.
1. You say 'raindrops' way too much in this part.
2. That last sentence is kind of ... silly. Like yeah, it sounds dramatic and noble and sad, but really, who would recover that quickly from their parents' death? How could the rain heal her broken heart moments after she gets the bad news?
The comma after 'large' is unnecessary.
I don't think you need to have the 'and'; I think it could just be 'single rare moments'.
Ugh. How many times in one piece of writing can you go on and on about the purity and love and truth that you character feels? A little is okay, but the amount you have now is overwhelming and cheesy.
You say 'face' twice ... I think it would be better as: I remember the tears that rain down her red face and the instructor's smirk.
Typo here ... I think you'll be able to see it.
I think you can get rid of the second 'broken'.
'Written' sounds awkward ... you might find a better word, like irreversible.
This is odd; it's casual and up until now the writing has been anything but. It's all broken glass and tears and ink and then suddenly, 'hmm'.
Replace the semicolon with a comma, I think.
For effect, you might replace the comma with ellipses ('...').
Should be: "How could I have been enough of a fool to believe such a lie?"
Don't you mean, call me back down?
A small act of violence? Didn't she kill him? That's not small.
This sentence doesn't really make sense ... read it over and maybe you'll see what I mean.
Light blue hair?
This is okay, but I think you could reword: The tiniest of mistakes earned me chores on top of chores.
Replace the semicolon with a comma.
Period should be a question mark.
Same as above.
I think the comma should be a semicolon ... ?
Kind of an odd sentence ... how can you cough grossly?
Semicolon should be a colon.
There's ' at the end, so shouldn't there be quotation marks at the beginning too?
No comma.
You say 'case' twice ... you could say: I slowly and carefully took out the smooth white case from my ragged bag and opened it.
***
Whew! That's quite a long story. In the future, you should break it up into separate posts -- you'll probably get even more reviews because it won't look like a huge menacing wall of text. ;P
I think this has potential. I do suggest proofreading before you post and something that bothered me was that all the girls basically followed the same mold: kind and sweet, loving, but then driven to violence/rebellion by the evil of others. And what happens in each story is practically the same, which can get boring and repetitive. But I'm not going to go into detail here because other critiques already have ...
Well, good luck! Sorry if I was a little harsh in my review ... you can PM me anytime if you have any questions/comments.
Cheers,
- Camille<3
Thank you for reviewing my story. I never changed prologue to preface and well, I guess that made it a dead target
I wrote these paragraphs in october when I first started, and in all my 37 chapters, I think I've improved. Hopefully I can get them up for you to review. I'm working on fixing my intro ^^
Here as promised!
Nit picks:
I quoted the prologue title to ask if you really need one. We don't know anything about these characters, we don't know who they are or who's narating. Ask yourself if it'll work. This is an artical somebody gave me about prologues, and I find it helpful.
A second note on this prologue, it feels like an exerp. That's another reason I don't think this is needed.
Something about this line I don't like. I believe it's the "shall we" at the end. Showing flashbacks like this is fine, but be very careful with your word choice.
Delete the "Hmm. Let's see." at the beginning.
Evil is not a good word to use; it's flat. And, this line in general doesn't feel like it has much of a point other then to say this.
"Sudden" twice in one sentence. And again, this feels rather flat.
I'd like to see more of what happened here.
A little too much repetition.
These sentences feel detached from each other and everything else; what is "it"?
A general comment about the next chapter: You delete the "Ray" from "Papa" about half-way through. It's confusing.
Overall: An interesting idea, but a little flat. I haven't seen music-based magic, so I am curious as to how this will work, but the exicution is telling, not showing. Give word-for-word description of what they're talking about. Put the last line of Peter Pan in and then have a scene about the flute. Let us hear the audience gasp when Akina gets slapped. Get the picture?
You characters are very similar. All come from diplomat's/traveler's homes, all are forgotten in one way or another and all of them are depressed in almost exactly the same way. Almost all of them are abused.
My tip: Expand this, big time. Don't summerize everything that happens, give us the important dialogue in a scene. You can summerize some stuff (like the three days King spends in the closet) but give the important bits center-stage with a scene of their own.
As requested!
Prologue
I think this is too short and limited at the moment to work as you might want it to. One of its main problems is that its very hard to know who the character is -- other characters are mentioned but themselves specifically -- and also it is so short I wonder if you'd be able to move this into one of the main narratives instead.
Multiple POVs
I agree with Gryphon here. It doesn't help your story that you use multiple POVs and short chapters. I think it's a better idea to begin with one, and continue their own personal story until introducing a swathe of other characters. Otherwise it is instantly hard to keep track of the story, and it's difficult to get to know any of the characters themselves.
Third-Person?
You're also using first-person for all of them. So I'm reading a collection of first-person narratives, and I'm getting quite confused. Have you considered using third-person instead? Third-person is much more suited when you have a large number of characters whose POV you want to represent. I think it would really improve your story to switch.
Back-Story
There's a lot of dumping old background information about the characters in these first few chapters. It can make it boring. I want to know what's happening to these characters NOW. I can learn about what happened to them in the past and how they feel about it later. The first few chapters need to HOOK the reader. Try and include more action and dialogue and things happening at the start, and introduce the background of your characters later on.
Casual, Informal Tone
A lot of your lines look too informal and casual to be in a serious story.
Some examples:
Using "Hmm" definitely does not work, even as the voice of a narrator. Remove! The first example isn't needed at all. Try and avoid a casual tone while writing, I know your characters are all narrating in first-person but it just turned me off from your writing when this happened.
Things I liked
For your age, this is good writing. (I'm not trying to patronise you.) Mostly you have a good command of grammar (although I'd recommend reading over your piece because there are mistakes in some places) and I haven't got too many complaints about the actual standard of writing. I think you can improve in your decisions on what to write though: which tense to use, how to organise your POVs, how to introduce your characters, how to introduce your story, and things like that.
Good luck with future writing and editing!
Hola Angels.
I don't get as to how time can become quick when the bright light of day fades away. It's rather vague.
You've kind of repeated yourself here. If they've been running for days, then it is not obvious that they would be sore and tired?
But why would they bestow her with such a task? Why do they trust her so much? Elaborate.
Why would the narrator want to re-live the past though? This bit here would work better if you had established as to what this evil is and how their lives are made miserable because of it. Show it, don't tell it.
What exactly is perfection?
Summary:
This was quite bland to read. I only had a look at the prologue and chapter one, but it didn't exactly capture my interest. You have some good ideas, but you tend to "tell" rather than "show".
1)Show, don't tell
From what I've read, you state your ideas/messages too directly. It's way too obvious about its meaning, leaving the reader with nothing to search for. You need to provide more specific examples to allow the reader to "work" out what's happening to get a full understanding of what's happening. For example: What exactly did the narrator's parents do that demonstrates love? Don't just directly tell us that, show us it. Describe it. Give specific examples + details.
2)Don't give the entire life story of your narrator
Do we as the audience need to know every single detail about the narrator? What purpose does it serve? It doesn't seem to build up to any theme or idea. It's just a mangled attempt to make us feel for the narrator, but in fact, it actually repulses us since there's no actual purpose to it and that the entire piece pretty much tells about the narrator's life. Keep it varied. Have some action/dialogue to break up this monotonous narrative. Use the five senses to help establish mood. And lastly, have some actual conflict in chapter 1 or else you wouldn't really have a story.
3)What's the purpose of having angel mythology in this piece?
I don't exactly get as why you are using angels in this piece. What purpose/theme are you trying to portray here? You need to work in more angel mythology into the piece as I didn't really get the feeling that they were angels, they seem much more like regular humans to me.
And is Heaven perfect? What about God himself? If so, show to us as to how that's so. Elaborate.
So yeah, I hope this critique has helped. PM me if you need more specific help.
Take care.
Alleria.
Hey there, Shina! (did I spell that right?)
Well, I'm here as I promised. I've only did the prologue and the first chapter cuz I have to get off in a few but I think you write fairly well and there were but a few things I think you could work on.
This is unbelievably short for a chapter, but I'm not saying there's something wrong with that. As I said, you write well and I would like to see your talent being taken advantage of. Give us more action instead of telling us what your MC's been through. And I see this story is from several perspectives. I recently wrote a story in several perspectives and a really good critiquer told me that I should flesh out one character before I spring another on 'em. Those weren't his exact words but his advice plays true here. Right now I can't see King, I just know what he's been through and that's about it.
All in all, this is a good start but I think this can be better.
Ta for now,
~Angel
Well, hello there and welcome to YWS! I'm GryphonFledgling and I'll be your reviewer today!
A couple things right off the bat:
1) You're 13? *oogles* Your writing is so much better than mine at 13... *is jealous*
2) Omigoodness, but this is long. A good idea would be to have each chapter be its own post. It just makes for an easier reading experience on a computer. My suggested breakdown for this would be to have the prologue and Chapter 1 be one post, then Chapter 2 its own post, Chapter 3 its own post and so on and so forth. It just makes the reading a little more manageable, considering you can't put a bookmark on your exact place on a screen like you can print.
And on to the critique!
Your writing is good here. I didn't notice any glaring grammar issues or spelling problems. (perhaps another will come behind me and find them) The only capitalization thing I noticed was that father, mother, papa, mama, etc., when being used as proper names (ex. 'It made me feel as though I too were on an adventure like mommy and daddy.'), need to be capitalized. You do it a few times and power to ya, but overall, you don't.
Another reason you would probably want to separate the chapters in this post is, since they are all in the same post and are all telling the backstories of the characters (all involving abusive caretakers in some way), the characters all sort of run together. We don't get enough time to get to know them as a person and watch them live their life before we are told another person's story that is almost the same thing. My advice to you would be to start out the story in one person's POV, have them tell their story until they meet the next person and then let that person tell their story.
For example:
Ch. 1 ~ Bob
Call me Bob. I grew up in a tough neighborhood; one where the kids on the street would mug you as soon as look at you. I learned to hold my own in a fight there. I learned not to trust anyone. At least, not until I met her. See the backstory? This would be what your chapters are here in this post - exposition leading up to the actual action.
I was just walking down the street, wary of pickpockets, when I heard someone crying. I normally ignore stuff like that, but this sounded like a little girl. I poked my head into the alley where it seemed to be coming from and there I saw her. Her knees were pulled up to her chest and she had her arms wrapped around them. She had long blond hair and she pushed it aside when I called her. This is where he is meeting the second POV character. See how I told some of the action from his point of view before I changed point of view?
Ch. 2 ~ Alice
My parents were the best people that ever lived. They cared for me and my little sister and loved us with all their hearts. But they were bad judges of character. The bodyguard that they hired turned out to be a serial killer. I was the only one of my family who survived and I ran away.
It was hard to live on the streets. I didn't have any food and I drank water from puddles until I learned how to go through the dumpsters like the others did. But they didn't like me intruding on their territory and so they beat me. I almost died. Melodrama aside, this is again backstory. It's telling what the character went through before the story actually started.
I was ready to give up. I decided to just sit in one spot until I died. It was too much effort to go on. So I sat and cried and waited to die. But I had only been there for an hour or so before the boy came. Ding ding ding! The characters have met! Backstory is over! Now action continues! (Not to say that you can't have more backstory pop up occasionally, but for now, it is mainly over.)
He called to me and I jumped, pushing aside my hair to look up at him. He was short, but taller than me when I was sitting down, and the sun was behind him, so all I could see was a black outline of his shape. He asked me if I was okay. I shook my head. He squatted down beside me and then I could see the blue of his eyes and the way his mouth seemed etched in a permanent frown.
"C'mon," he said, holding out his hand to me. "Let's get you something to eat at Old Bill's." Bob's quite hospitable, isn't he. Rather out of character for him, but I'm just trying to move the story along.
And thus the story moves on. Perhaps I'd introduce Old Bill's point of view in the next chapter, but instead of having his backstory, I'd let him remain mysterious and just talk about how he sees the kids. Then they all get trapped in some situation together and it can turn out that Old Bill was a secret agent or a wanted criminal or just the little old man he seems to be.
So, my recommendation would be to pick a starting POV character, have them tell their backstory and then have them proceed with the story until they meet the next POV character, or at least let them have their own story. Perhaps they're not supposed to meet for a while (though I assume they are soon, considering the prologue had them all together) and you want their stories to continue on separate tracks for a while. By all means do so. Just let one character hold the POV for a while until we see their story continue before you switch on us.
Whew, that was long. Did that make any sense? I hope so.
There were probably a bunch of specific things that I missed (helping you with grammar or sentence structure, character development and voice or whatever - YWS is great for learning that stuff) but story post is so long that it is impossible to get it all in (look at how long this review is already and I was mainly talking about one thing). So I would definitely recommend breaking this up into different posts. It's actually good for you too, considering then you'd be able to get better critiques from your readers as they could pay more attention to detail.
If you do break them up, by all means let me know! I'd love to come back and review each chapter a bit more thoroughly and give them the treatment they deserve. As is, I hardly talked about specific chapters at all.
Hope I helped. This has a lot of potential and I want to see where it goes!
Keep on truckin' and welcome once more to YWS!
~GryphonFledgling