Catalina

“You’re ready to go on stage, Mr. Timberg,” the lady whose name I can’t remember said, as I prepared to speak my mind in front of a bunch of snotty eight-year-olds. “Remember…they’re only third graders. I know you can be quite abrasive…please, keep that in mind.”

The way I saw it, heading onto the stage that evening, I had two stories prepared to tell. One is quite the tale. The other one is about a hippopotamus falling in love with a swan. Figure that one out yourself. “So if you don’t want me to tell that story…?”

The arrogant, long-legged teacher smiled. “Tell that story instead.”

I didn’t want to tell them that story, I wanted to tell them that story – and who was this lady to stop me? She disappeared onto the stage as the crowd full of pregnant mothers and bored fathers started to clap and cheer for her, stopping when she held up the microphone. “Alright, students and teachers! We have a very special guest for you this evening! As you know, the best-selling children’s author Michael C. Timberg is here with us tonight!”

They love me, I thought to myself as they cheered and applauded at the sound of my name. They’re about to love me even more.

The teacher waited for the crowd to calm down before continuing. “He’s been writing since he was your age, which shows that it’s never too early to start a promising career in the literary arts. He took time out of his busy schedule to tell you all about his up and coming story, A Hippo's Love. So please, give a warm welcome to Michael Timberg!”

As the audience erupted once again, I began to wonder just how many lies this woman was going to pump out – swear to god, if it wasn’t against my moral code to hit women, I would have smacked her then and there. My book in my left hand, I carried my old bones onto the stage, taking the microphone from the lady as she walked backstage.

I took my seat, grabbed the microphone as the roaring, snorting crowd calmed down once again. “Alright, first things first, I was paid to be here by your principal. There is no way I would come into an elementary school cafeteria to talk my rear-end off in front of a bunch of brats and moody pregnant women for no reason,” I said. “Secondly, no, I’m not at all busy; I hardly go anywhere unless it’s to take my walks up to the mailbox to collect my royalty checks. Thirdly, no, I was not a writer all my life and I hate writing. I don’t despise anything more in this world than writing.”

Just then, I heard scattering, clattering footsteps. The schoolteacher who I will now be referring to as Prissy Missy marched up to me. “What are you doing!?” she screeched into my ear, her saliva dripping off the back of my bald head.

My lips slightly stuttered. “Telling them the truth,” I said into the microphone before slamming my copy of A Hippo’s Love onto the stage floor. “I was not always a writer. I used to be a cop. It was my dream job. I loved doing it and wanted to do it the rest of my life, ‘til my bones turned to dust and I couldn’t walk anymore.”

“This isn’t anything graphic, is it?” Prissy Missy screeched into my ear, filling my nose with her onion-flavored breath.

“Oh yeah, it’s graphic alright,” I sarcastically responded into the microphone, not turning my head from the crowd.

My guard down, Ol’ Prissy managed to slither the microphone into her fingers. “Alright, third graders, I apologize, but Mr. Timberg is going to have to-”

I snatched the microphone right back from her and rose to my feet, kicking A Hippo’s Love across the stage. “I bet you all are wanting to hear about how I went from being one of the best officers in the state to writing stupid children’s stories. Well, let me back this up a bit. 1980. The country just elected a movie star into office named Ronald Reagan. You kids know him? Died a few years back. Anyway, I was on a call to this woman’s home. I kept asking my partner about her name because it ran a few light bulbs in my head. Anyway, it was a domestic dispute. We knocked three times, finally, someone opened. We showed our badges to this brown-haired woman and it was clear to both me and my partner that this woman…well, she was piss drunk.”

“Don’t curse please,” Ol’ Prissy said, not even bothering to whisper this time.

“Since when is piss a swear word?” I asked back, removing the microphone from my lips and rolling my head towards her.

“It’s just not a nice word,” she whispered, slowly smiling and nodding her head, as if I were one of those kids in the crowd.

After a brief pause, I nodded and swiftly turned my head back towards the crowd, putting my mouth up to the microphone. “Alright, where was I?” I asked the crowd, straightening my brown jacket. “Oh yeah, that’s right. The woman was piss drunk. Now there’s another woman with her, a beach-blonde babe wearing nothing but a-”

“Mr. Timberg!” Ol’ Prissy screeched.

“So she’s dressed in non-revealing attire, having worried all day long about whether or not she was following the school dress code, because you know, that’s what people do. They’re both drunk as hell…sorry, I mean, drunk as heck, and they start arguing again. What were they arguing about? I don’t know, I can’t even remember. But we had some words with them, they started shoving each other and we threatened them. We told them they’d better stop or I’d throw them in the jail cell. So they listened, started apologizing and making amends. Now everything seemed fine by me. Couldn’t arrest two people for being drunk inside their own home, right? So…I…I…we went outside…and…”

All of a sudden, the forty degree day turned into a thirty degree day.

The woman put her hand on my shoulder. “Are you alright?” she asked, seeming concerned over my state of mind. I guess liars can still feel sympathy for others - funny, huh?

I grabbed her cold palm and threw it off me, ready to continue my story. “We only stepped outside for about two seconds when we heard a bunch of loud booms. We grabbed our pistols and headed inside. Dead. Her blood and guts and brains all over the floor, and the smell...oh, the smell. As my partner detained the brunette, that’s when it gets interesting. I gazed over the shot up body and I realized, I knew who this woma-”

I tapped my microphone with the palm of my hand three times – no noise came out. I stared blankly at Prissy Missy who stared back at me, silent as a mime. All of a sudden, a pasty teenager came from backstage and handed her a microphone. “Everyone, give a round of applause for Michael Timberg!” she said with a wide smile, the two of them beginning to clap me off the stage.

***

So I wasn’t at all surprised when two days later, I got a letter in the mail saying I was banned for life from New Passion Elementary School. What surprised me was when two weeks later, while I was comfy on my recliner brainstorming some ideas to write about, someone started a’ knock, knock, knocking on my front door. I put my pencil and notepad aside and reluctantly got up to open it.  “…The hell do you want?” I asked the brown-haired murderer.

“I’m Ellen Bordinos. I’m a woman who you arres-”

“I know who you are. I don’t like you.”

“I wanted to talk to you,” the dark-eyed demon meekly said. “Can I come in?”

I rolled my eyes and motioned for her to come in. “Take a seat, but not on my recliner,” I said as she walked inside, closing the door behind her. “So…why are you here?”

“This is a nice place you’ve got here.”

“Thanks for dodging my question, but this ain’t a presidential debate. At least I hope not.”

“You know, you can learn a lot about a man from his home,” she said, eerily gazing around my living room. “You strike me as a…Jamie Foxx sort of man.”

“Alright. Now you’re gonna tell me why you’re here, and you’re gonna tell me who the hell that is. You wanna keep racking up questions?”

“I wanted you to accept my apology for my actions.”

“…Did I hear that, right? You killed a woman, Ellie.”

“I know I did. And that’s why I’m here. For you to accept my apology.”

I snickered. “Oh, and I accept your apology for murdering someone. I forgive you for costing me my dream job. Obviously, this is just some movie or television show where we can murder innocent people and everything is peachy, right?”

Ellie’s eyes glowed with a fierce surprise. “Michael! I was drunk! I loved Sophie and you know that I love Sophie! I would never, ever want to hurt her!”

“Well that’s just what you did, isn’t it? You killed her! Put some lead in her, real good, didn’t you?”

Ellie crossed her arms defiantly. “A brute as cold-hearted as you upset over some…some stranger? No…no, that isn’t right.”

“This isn’t about her, you cost me my dream job! I took the blame for Sophie dying, I did! I was the one who got fired! I was the one who took the blame for you.”

“…No…no…you’re lying. I was there at the cafeteria when you got pulled away like a child…I was in the crowd. Before they cut your mic…you said something…you knew this woman. Who was she? Who was Sophie to you?”

I underestimated this woman, I’ll admit that much. “…Sophia was my first girlfriend back in high school,” I admitted after a long pause, taking a deep breath and clenching my fists. “Hadn’t seen or spoken to her since graduation. I was the one who broke up with her. Alright? That’s it. Now you can leave.”

Ellie shook her head, her cheeks flaring up all pink. “Michael, I am not leaving until you forgive me for what I did. I’ve spent the past five years since I got out getting everyone involved to forgive me. All of Sophie’s relatives, your ex-partner, and…and even the judge who threw me in jail!”

I snickered, wiping the sweat off my forehead and crossing my arms. “Well, maybe the judge should apologize for not giving you life. You killed a woman who deep down, I may have cared about. You ruined my career, you ruined my life, you ended Sophia’s life and you ruined her family’s life! Don’t you feel even the least bit guilty? You kill one person and all of a sudden, it’s a domino effect. You’ve got ten, twenty, maybe even thirty people around her who are all hurtin’ because of what you did. I left that house for two seconds. Two seconds! That’s all it took for you to shoot her in the heart! To kill her, to murder her like the monster that you are. I think you’re lying to me. Do you know why? You said you got my ex-partner to forgive you, but she died of cancer in ’85! You want my forgiveness? Ha! Yeah, right – go jump off a bridge.”

I was too upset at the time to see how upset she had become. Her whole body trembling like a fissure, she ran out of my home before I could see her cry. I got what I wanted, and then some.

Feeling a cramp in my stomach that served as a reminder that I wasn’t getting any younger, I sighed and returned to my writing.

***

The next evening, I got a call to the police station from an old friend of mine from the force, Bert Colene. Lanky guy who proves that all young people aren't idiots. They assigned me to mentor during my last days on the job. His defining characteristic? The one thing he cannot stand for the life of him, more than anything else is murder. Both his parents were shot dead in front of him when he was just eleven-years-old. That memory still grips him like a cancer each and every day.

I walked inside and he shook my hand, the expression on his face showing signs of obvious inner-turmoil and frustration. “How you holding up, Mike?” he asked me with a long sigh.

I shrugged. “So and so. Getting banned from elementary schools. Past keeps coming up to me. Do you know that yester-”

“Mike, Ellie Bordinos is dead,” he suddenly said. “She killed herself…she jumped off a bridge this morning, apparently.”

“…Dead. Ellie Bordinos. The woman who shot Sophie. Dead.”

“Yeah…are you alright?” All of a sudden, the thirty degree day turned into a twenty degree day. It all felt so surreal…I became overwhelmed by a whirlpool of raging, caging emotions. I clutched my head and shut my eyes in the asinine disbelief of it all. “You know…she had a fifteen-year-old daughter.”

I opened my eyes, staring at Bert in confusion. “So what, she had a baby in prison?”

Bert nodded, putting his hands in his pockets. “Yep. Her name is Catalina Burgess.”
“Catalina. Where is she now?”

“She’s living with her father.”

I scrunched my face, my eyes twitching in my attempt to contemplate the idea. “Her father…I thought you sai-”

Bert grinned, taking his hands back out of his pockets and crunching them up together. “That’s where it gets good. Her father is a former prison guard.”

I stared blankly at him, before ducking and shaking my head in disbelief. “Bert…you’ve gotta be-”

“Come on,” he said, patting my shoulder and starting down the hallway. “We’ve gotta go check on her. I’ll tell you more in the car.”

***

Bert took me into his police cruiser and drove me up to a small white house that looked like it had fallen into disarray. “This is…” I started, unbuckling my seatbelt.

“This is Catalina’s father’s home. Ellie and him were never married,” he said, killing the motor and unbuckling his seatbelt.

“You already told me that.”

“I think it was just a one night thing.”
“Told me that too.”

I could sense Bert’s annoyance with me, even without him saying anything about it. I suppose he is a lot more proficient in hiding his emotions than I am. “…Are you ready to do this?” he asked, stretching out his arms.

I shook my head in defiance. “Nah, I wanna do this myself.”

Bert looked at me, then out the windshield, then back at me in a weld of confusion. “Oh…okay. Erm…why?”
“Because, you’re a cop. I’m not. It’ll work better that way. Plus…they know me.”

Bert scoffed. “They know me too,” he said.
I looked at him bewildered, scrunching up my face. “What?”

“Nothing. Go ahead.”

We sat there in silence for several moments, as I stared at him staring out into the distance. “Now I know there’s something you’re not telling me,” I told him as I exited the car, slamming the door shut.

I walked right up to the home and started a’ knock knock knocking on the front door. A bald, muscular black man in his early forties opened the door. “What the hell do you want?” he asked in a voice far from friendly.

“My name is Michael Timberg. I’m a police officer. I was the one who was there when Ellie was arrested.”
“I know who you are. I don’t like you. I don’t like cops. I don’t trust cops.”

I scratched my bald scalp and sighed. “Well, I’m not a cop anymore, actually. Ellie made sure of that.”

“You talk a lot of trash about Ellie. You know she’s-”

“Dead. I know. That’s why I’m here, but believe it or not, I’m not here to talk to you. I’m here to talk to Catalina Burgess.

“Well, I’m her father, Tyrone Burgess. And she’s locked herself up in her room.”

“May I come in and talk to her?”

“Let me tell you something. Ellie wanted people to forgive her. She told me that you were the last one. She goes after you; tries to get you to accept her apology so she can finally find her peace, and the next thing I know, she’s jumping off a bridge.”

“Sir, if you are accusing me of-”

“You know what I think? I think you killed Ellie. I think it’s your fault that she’s dead, and I think you’d best get out of here before I…who is this?”

I turned around to see Bert fast approaching us, his badge in his left hand. “Police officer,” he said, holding up the tan piece of metal. “I’d like to check on your daughter’s wefare. I understand her mother took her own life recently, an-”

Tyrone crossed his arms and smirked. “Do you have a warrant or something?”

“No. It’s just called being a decent human being,” Bert said, sheathing his badge and crossing his arms.

“Don’t act like you don’t know what he told me on the way here,” I said. “Three separate times, 9-1-1 calls have been made for suicide attempts by your daughter. We want to make sure that she’s alright. No funny business or anything like that.”

A single drop of sweat gushed down from Tyrone’s forehead. “You know what? I was here thinking you’re just stupid. Yeah. That’s what I’m scared of, man. I think she might be trying to kill herself. But I don’t trust cops and I…I’m too scared to check on her myself man.”

“Then let us check on her,” Bert suggested. “Come on. We’ll be in and out.”

After we stood there in the silence of the cold autumn day for the longest of whiles, Tyrone finally nodded his head.

***

“Still know how to jimmy locks, Mike?” Bert asked as he twisted the knob to Catalina’s bedroom door.

“Come on! Open up, Catalina!” Tyrone yelled, knocking on the door to no avail. He scoffed before stomping his foot on the ground.

“A cop never forgets the tricks of the trade,” I reminded Bert. The lock was fairly simple to undo, and I managed to get the door ready to open in just a few seconds.

With the sight I saw next, I wish I hadn’t.

On the bed lie an adorable young girl with long red hair, wearing a white t-shirt and a blue skirt. Blood dripped out of her drooping lips; her eyes rolled to the back of her head. “Call 9-1-1!” I yelled as Tyrone rushed to look for a phone. Bert went to check for a pulse.

“This isn’t good, come on, Catalina!” he said, beginning CPR. “Don’t die on me, goddamnit!”

All of a sudden, the twenty degree day turned into a negative five degree day.

***

So, yesterday was Ellie’s funeral. After a few heartbreaking eulogies, I folded up a letter and placed it in her casket. Tyrone approached me seemingly out of nowhere, a depressing scowl under his nose. “Look, Michael, there was someth-”

“Save it,” I told him.

“I know you’re going to blame yourself,” he said. “I want you to kno-”

“Look. Tyrone. Ellie and Catalina…” I took a deep sigh, clenched my fists and swallowed a wad of saliva. “…I’m going away for a while. I’m not sure where to. I think I just need time to think. You won’t see me anytime soon.”

This whole time, I was so angry with Ellie that I had never stopped to really think. Sophie dying was on me leaving that house, but my foolish pride wouldn’t let me reach that conclusion. I needed someone to blame, and that someone was Ellie. Instead of admitting my guilt, I attempted to tell my story to a bunch of eight-year-olds, hoping they would see nothing wrong with what I did and that I could in turn, see nothing wrong with what I did. The reason I couldn’t forgive Ellie was because I couldn’t forgive myself. I finally realized that Ellie wasn’t the monster – I was.

I almost left the sanctuary, before I twisted my head and saw Tyrone reading the letter I had left in Ellie’s casket. The note had just three words written in large font.

Comments & reviews · 6
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acm
Review
acm wrote a review · Sun Oct 25, 2015 1:49 pm

I saw this last part in the green room, so I thought I would read the other parts first before reviewing, and I'd just like to say, I loved the ending. It was very powerful and really tied up the whole part, and I felt like I could really connect with the characters through their emotions, especially at the very end in that moment of realization. I also like the dialogue. In a lot of other stories I've read on here, I couldn't really see it happening in real life, but it was all really realistic. The only thing I would change was the setting descriptions.

In a lot of places, I had to rely on what the narrator said and I couldn't tell what the house or the stage looked like. Maybe you could go back and think about how the narrator's house looked like. What were the walls painted like? Was there any carpet? Some of the details may seem irrelevant, especially with the fast moving plot, but having some small descriptions would really help.

Other than that, I thought this was absolutely perfect! I can't wait to read more of this!

thanks friend. Yeah, I guess I could've described the settings more thoroughly, but when I read I tend to picture settings, and character descriptions on my own instead of what the author says. I know not everyone is like that, but it carries over to what I write sometimes. thanks for reviewing, its appreciated :p

You're welcome! Sometimes I find myself doing the same thing.

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burninhell
Comment

Hello,
I think the best way to start off this review is by saying that I absolutely love this! It was fast paced and your character development was amazing, I feel like by the end of the chapter I was able to see different sides to Mikes character which made it more interesting. I also like how there are so many questions raised by the piece, some of them answered, others not.
There were a couple of little things that I think maybe would have improved it a little bit. In parts I think that a little more description could have helped with the overall effect of the piece, just to make it easier for the reader to picture in their minds. An example of a place where it might have been good is where Ellie comes into Mikes house and says 'You know, you can learn a lot about a man from his home' Except all that the reader knows about the living room is that it contains a recliner.
Another little thing that could be done, but is completely not necessary, I'm actually only making the point out of curiosity, is more depth into Mikes thought process. A lot of the time it was like we had to grasp what he was thinking through his actions and what he was saying. However this also creates more mystery around his character which works well in this piece.
But neither of these points can take away from how amazing this piece is. I'm left with so many questions about it. So I'm now off to go and read the second part and find out if Catalina died. The suspense is killing me! :)

No idea why that's gone through twice, sorry.

thanks friend. This is my favorite of the three stories, heheh.

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burninhell
Review

Hello,
I think the best way to start off this review is by saying that I absolutely love this! It was fast paced and your character development was amazing, I feel like by the end of the chapter I was able to see different sides to Mikes character which made it more interesting. I also like how there are so many questions raised by the piece, some of them answered, others not.
There were a couple of little things that I think maybe would have improved it a little bit. In parts I think that a little more description could have helped with the overall effect of the piece, just to make it easier for the reader to picture in their minds. An example of a place where it might have been good is where Ellie comes into Mikes house and says 'You know, you can learn a lot about a man from his home' Except all that the reader knows about the living room is that it contains a recliner.
Another little thing that could be done, but is completely not necessary, I'm actually only making the point out of curiosity, is more depth into Mikes thought process. A lot of the time it was like we had to grasp what he was thinking through his actions and what he was saying. However this also creates more mystery around his character which works well in this piece.
But neither of these points can take away from how amazing this piece is. I'm left with so many questions about it. So I'm now off to go and read the second part and find out if Catalina died. The suspense is killing me! :)

User avatar
Carlito
Review
Carlito wrote a review · Sun Aug 16, 2015 2:12 pm

Hello! Here as requested :) (Sorry for the delay!!)
Let's get this out of the green room :)

I have mixed feelings about this piece. I think the overall arch is interesting and it was executed pretty well. We can talk more about specifics later. I struggled with the MC at first. He starts out as such an appalling character, I was sitting here getting mad :p - but as the story goes on I can see why he is the way he is. He sort of reminds me of Peter van Houten from The Fault in Our Stars. It took me a little time to understand the whole situation with the two different women. I think I got it at the end, but perhaps a little more development about who each of them are and his relationship with them might be warranted. We can talk more about that later, too. :) The prose itself was pretty good and I enjoyed the story more the farther I got.

Let's talk about some specific things :)

In the whole first section when he's talking at the school, to me, he comes off as an arrogant ass and I really don't like him. Like I said before, I get it by the end, but there are two ways to look at this. Starting off with an unlikable character might make people read on because they want to know why he's such jerk. It also might make people turn away because if they fundamentally don't like him, why do they want to spend the next (however much time) with him? So that's something to think about.

“You’re ready to go on stage, Mr. Timberg,” the lady whose name I can’t remember said, as I prepared to speak my mind in front of a bunch of snotty eight-year-olds.

The part in bold is much too long. It reads very wordy. And this goes with what I said in the previous paragraph. After I read this the first time, my impression of Mr. Timberg was: 1. he's disrespectful towards women. and 2. he hates children. Now if there was some context for this it might be okay, but this is the first line and my first impression. As a woman and as a child-lover, I'm not so sure I want to hang out with Mr. Timberg for the rest of the story. It's fine if this is his view of the world, but think about whether or not you want this to be the first impression we get from him. Maybe he seems disinterested or annoyed with being there right off the bat or is looking forward to a beer the second he gets off stage. That could show a similar idea (that he's really not enthused about being there) without putting off such a poor first impression.

The way I saw it, heading onto the stage that evening, I had two stories prepared to tell.

The slashed part isn't necessary.

Figure that one out yourself.

Can you do this without the 'you'? Generally, you don't want to reference the reader because no two readers will think the same way and thus come up with completely different ideas or interpretations.

The arrogant, long-legged teacher smiled.

Why is she arrogant? Is this just the annoying narrator being judgmental? Because so far there's zero evidence that this teacher is arrogant. And what do her legs have to do with anything? It seems a little contradictory - that he's calling her arrogant yet is noticing her long legs (which men commonly associate with attractiveness).

I didn’t want to tell them that story, I wanted to tell them that story – and who was this lady to stop me?

All of the "that story" stuff - here and before this is super confusing. You might be intending for it to be that way, but I was confused as I read it.
Who was this lady to stop him? - um. she hired you..... (Okay, I'll try to leave this narrator alone now and quiet my inner angry feminist :P)

They’re about to love me even more.

What makes him think that?

“He’s been writing since he was your age, which shows that it’s never too early to start a promising career in the literary arts.

He's speaking to third graders, but parents are also in the audience, so is talking to the kids or the parents? (I'm thinking about the 'since he was your age'.)

A Hippo's Love.

I love this title :)

As the audience erupted once again, I began to wonder just how many lies this woman was going to pump out – swear to god, if it wasn’t against my moral code to hit women, I would have smacked her then and there.

1. This sentence is really long.
2. You should capitalize 'God'. (Assuming you're talking about the Christian God).
3. Content wise - what? How many lies the woman has told? I'm confused. How has she been lying thus far? He wrote a children's book. He's here to talk about said children's book. All she's done so far is talk to him about what story he's going to tell and introduce him. And that last bit about his "moral code" and hitting women.... Um, what? That felt kind of out of left field to me.

taking the microphone from the lady as she walked backstage.

He knows her name. Why not use it?

“Alright, first things first, I was paid to be here by your principal. There is no way I would come into an elementary school cafeteria to talk my rear-end off in front of a bunch of brats and moody pregnant women for no reason,” I said. “Secondly, no, I’m not at all busy; I hardly go anywhere unless it’s to take my walks up to the mailbox to collect my royalty checks. Thirdly, no, I was not a writer all my life and I hate writing. I don’t despise anything more in this world than writing.”

If this is all true, then why did he write a children's book and why did he agree to come? What did he think he would be doing when he agreed? I'm not sure if that's ever answered or explained.

Prissy Missy screeched into my ear, filling my nose with her onion-flavored breath.

If she's screeching, wouldn't the audience be able to hear her too? (I think of screeching as fairly loud...) Does she want the audience to hear her?
And if she's behind him, talking into his ear, how is his nose being filled with her breath? The air isn't exactly moving that direction (unless I'm not picturing this correctly). I mean, sure, he could smell her breath, but I feel like it's a bit of an exaggeration to say it fills his nose.

I sarcastically responded

I think "I responded sarcastically" sounds better - the image is a little more clear.

“I bet you all are wanting to hear about how I went from being one of the best officers in the state to writing stupid children’s stories.

Why does he think that? They all came to hear him talk about his book, not his life story.

I kept asking my partner about her name because it ran a few light bulbs in my head.

This sentence is confusing. What's "it"? The name? I he knows her name, then why is he asking about it?

“Don’t curse please,” Ol’ Prissy said, not even bothering to whisper this time.

I don't quite understand why she's not trying to put a stop to this when he's clearly off-topic and doesn't want to be there.
I get that you're trying to set up a situation for him to tell his story, but this seems like a weird way to do it. Teachers and administrators want to protect their students and this guy is kind of belligerent and is very rude, so I'm really surprised they haven't escorted him off the stage in some manner. I'm also curious about what the reaction is of the kids and the parents. (I accidentally said "hell" once in front of some kids and it was like Christmas had come early for them, and he's way worse :p). This guy is kind of off his rocker, so I'm a little surprised parents haven't gotten up to leave or that there isn't whispering going on or something like that.

I asked back, removing the microphone from my lips and rolling my head towards her.

His lips are touching the microphone? Not only is that gross, but he'd be next to impossible to understand with it that close. You should hold a microphone out a little ways from your mouth. (Same thing the paragraph after the next one - he puts his mouth up to it again).

“Mr. Timberg!” Ol’ Prissy screeched.

I don't understand why she hasn't stopped him yet.

“So she’s dressed in non-revealing attire, having worried all day long about whether or not she was following the school dress code, because you know, that’s what people do.

How does he know that about her? That's a lot of assuming for a woman he's seen for twenty seconds so far.

They’re both drunk as hell…sorry, I mean, drunk as heck, and they start arguing. What were they arguing about? I don’t know, I can’t even remember.

They just started arguing? I thought they showed up because they were arguing? They calmed down, opened the door, and immediately started arguing again when they saw the police standing there? Seems a little improbable.

But we had some words with them, they started shoving each other and we threatened them. We told them they’d better stop or I’d throw them in the jail cell.

Now you might be keeping this overly simple for a variety of reasons, but this seems like an overly simplistic way of describing it. "We had some words with them" makes it sound like they were arguing right alongside the women. "we threatened them" just sounds bad. And for domestic disputes, police generally have to do a little more than say "stop or you're going to jail!" I'm not an expert on policing by any means, but I would assume they would try to separate the people fighting (like physically break up the fight) and then talk to both people individually and then make a plan of sorts to keep them safe (like they need to not have contact for 24 hours, or one of them needs to go home). Obviously if one or both of them couldn't calm down or something, then arrest would be brought up.

I guess liars can still feel sympathy for others - funny, huh?

I'm still really baffled about why she's letting him tell this long story that has nothing to do with why he's there. And I'm also really baffled about why this woman is a "liar" and why he has this view of her.

while I was comfy on my recliner brainstorming some ideas to write about,

I'm confused about why he's doing this when he said he doesn't like writing.

“…The hell do you want?” I asked the brown-haired murderer.

This is a little too abrupt for my taste. I would describe the person at the door and then say it's the brown-haired woman he was talking about earlier.

I rolled my eyes and motioned for her to come in.

I know they have to talk because of plot, but I'm a little surprised that he allowed her in his home when he has this strong of feelings about her. Maybe go into his thought process a little about why he made this decision instead of slamming the door in her face or telling her to meet him at some neutral location.

“…Did I hear that, right? You killed a woman, Ellie.”

Since when does she have a name?

“I know I did. And that’s why I’m here. To accept your apology.”

Wait, what? I thought she wanted him to accept her apology? When did he ever apologize to her and what does he have to apologize for? Is this a typo?

I loved Sophie and you know that I love Sophie! I would never, ever want to hurt her!”

How would he know that?

A brute as cold-hearted as you upset over some…some stranger? No…no, that isn’t right.”

Read that bold part out loud. It doesn't make sense to me.

“This isn’t about her, you cost me my dream job! I took the blame for Sophie dying, I did! I was the one who got fired! I was the one who took the blame for you.”

Does he ever explain why he did that? Did he have some sort of prior relationship with these women? Why else would he take the blame for a serious crime he didn't commit?

I’ve spent the past five years since I got out getting everyone involved to forgive me.

Got out of what? Prison? I'm a little confused about the time line here. How long ago was the murder? I thought the guy took the blame (which means he would have gone to prison). So how did she get locked up? And how old are they now, cause if you get put away for murder, you're not getting out for a long time (if you even get out).

I was too upset at the time to see how upset she had become. Her whole body trembling like a fissure, she ran out of my home before I could see her cry.

That first sentence makes it seem like he's telling us this story retrospectively, and I haven't gotten that vibe elsewhere int he story. And if he was too upset to see her reaction at the time, how does he know what her reaction was (enabling him to tell us about it)?

Feeling a cramp in my stomach that served as a reminder that I wasn’t getting any younger, I sighed and returned to my writing.

This is more of a pet-peeve thing, but I'm personally not a fan of big prepositions in sentences. I think the sentence would be stronger without the part before the comma. If you feel like it's important information, you can keep it, but write the sentence in such a way that you don't need the comma. (Hope that made sense :p)

They assigned me to mentor during my last days on the job.

I think you forgot 'him' in this sentence. "They assigned me to mentor him during..."

I’m here to talk to Catalina Burgess.

I'm not sure why it's his job to check on her. He didn't have a positive relationship with her mother, he doesn't know her, she doesn't know him - so why is it somehow his duty to check on this girl?

“Police officer,” he said, holding up the tan piece of metal. “I’d like to check on your daughter’s wefare. I understand her mother took her own life recently, an-”

Tyrone crossed his arms and smirked. “Do you have a warrant or something?”

“No. It’s just called being a decent human being,” Bert said, sheathing his badge and crossing his arms.

Again, I'm not convinced a police officer has this authority.

So, yesterday was Ellie’s funeral. After a few heartbreaking eulogies, I folded up a letter and placed it in her casket.

Their last conversation wasn't all that positive, so why did he decide to come to her funeral? I would like a little more of this thought process about this and how he decided to come? Did he feel it was his obligation? Did he forgive her (if so, why)? Does he feel responsible for her death?

This whole time, I was so angry with Ellie that I had never stopped to really think. Sophie dying was on me leaving that house, but my foolish pride wouldn’t let me reach that conclusion. I needed someone to blame, and that someone was Ellie. Instead of admitting my guilt, I attempted to tell my story to a bunch of eight-year-olds, hoping they would see nothing wrong with what I did and that I could in turn, see nothing wrong with what I did. The reason I couldn’t forgive Ellie was because I couldn’t forgive myself. I finally realized that Ellie wasn’t the monster – I was.

I want more of this thought process and how he came to this conclusion.

Overall, it's an interesting idea and story. I think one big thing you can do to take it to the next level is include more description. Right now it almost feels like a report of events. I want more feelings and thought processes. The story is in first person which makes that sort of thing easier to do in many ways because we're already in the MC's head. I feel like there's plenty of room to get us to sympathize more with the MC. You start to get there at the end, but I still don't quite feel it because he's so undesirable at the beginning.

I'll leave things there for now. Let me know if you want me to elaborate about anything, if anything I said was confusing, or if you have any questions! :)

Thanks for the review. Yeah, the main character is a bit arrogant and egotistical, and even hypocritical. At one point he tells Bert to stay in the car because "he's a cop," and then a few minutes later tells Tyrone at the door to let him see Catalina because he's a cop. Old men are sometimes like this, stubborn and stuck in their ways, but he has a soft spot. He agrees to check on Catalina and attended Ellie's funeral because of the guilt he faced when learning that he told Ellie to jump off a bridge, and she did just that.

Does he ever explain why he did that? Did he have some sort of prior relationship with these women? Why else would he take the blame for a serious crime he didn't commit?


I'll try to touch on this in the next part, as well as why Ellie got out of jail so soon. Basically, he had no choice. The police department saw him leaving the two alone in the house as inexcusable.

They just started arguing? I thought they showed up because they were arguing? They calmed down, opened the door, and immediately started arguing again when they saw the police standing there? Seems a little improbable.


bleh, I didn't think of that. I guess I'd want to reword that to say that they resumed the argument they already started to having.

%u201CA brute as cold-hearted as you upset over some%u2026some stranger? No%u2026no, that isn%u2019t right.%u201D


A lot of your questions are answered in the next part, while Michael takes more of a backseat for Bert to assume the role as main character, who I think is a bit more likeable. I hope you read and review it once it's done, but you don't have to if you don't want to, it's cool. Thanks again.

My last quote glitched up...I was wondering if you could explain how the line %u201CA brute as cold-hearted as you upset over some%u2026some stranger? No%u2026no, that isn%u2019t right.%u201D doesn't make sense, because I don't really get it. Thanks

Hey! To me it reads really funny and it doesn't make sense. I'm not sure what you were trying to say with that line.

If you want me to review the next part, remind me when you post it and I'll get to it asap :)

User avatar
LordZeus
Review

Hi, Zeus here to review. I have got to say, it is a nice story. It was Fast paced, with enough happening throughout the story to keep the reader occupied. However, you didn't speciFy whether Catalina had died, although you did suggest it. I would have liked a line saying or example, 'Alas, the poor girl was dead'. I think that would ascertain things For the reader. Also there is your title. I Catalina survives, which, From your story, seems highly unlikely, I have no problem with the title. Catalina was in the story or such a short time that it seems unnecessary and weird to me to name the whole story aFter her. A title which is has more to do with the entire story would suit it better according to me. That last one was just my personal opinion, so please don't take oFFense at it. All in all, it was a good story, and I will read the next one as soon as I get the time. Keep writing!
-Zeus

Nah, you're good. Part of being a writer is to not be offended by criticism! Your question of whether or not Catalina survived will be answered in the next part. Thanks mate.

User avatar
shaon
Comment

nice story, has a great moral to it. I don't what more to say to express how deeply moved I am by this story... but then, everyone is moved by death, somehow.... anyways, keep up the great work.

Thanks and yeah, death is a powerful theme. Although in this story, there's more to the deaths than meet the eye.

Yes... Off course... I am sorry if I sounded as if I was discarding the importance of other the aspects of the story. There are many things to appreciate: the intense human emotions such as regret, denial of reality and many more. And even the story-line, the complexities of each character... It's my laziness that didn't make me type about all the things that I truly appreciated. Why did I emphasise death? That's because, in by our story, light has been shed on many subsequent losses which are seldom ever portrayed in such distinction. It was inappropriate of me to comment like that, but, I am sorry.

aw, you have nothing to apologize for. When I write, I don't like to force everyone to see the same thing I envisioned. You get what you get out of it, and its cool that you picked up on the theme of death, which is a strong theme throughout the whole trilogy. Thanks for all the comments, I really like reading them!



Noelle, you can lead a writer to their computer and give them coffee, but you can't make them write.
— CowLogic