the sky caught the smoke rings you blew from your lips

One*~

S
ilence is a typewritten eulogy for things better left unsaid.
words are cesspools of vapour, and our hands
tridents against the inky vultures of the night.
you told me to duck when they swooped, and they left gaseous trails
and the smell of burnt matches in the heavens.
the sun was a lighter, but you held it too close.
the clouds were the rings of smoke you blew from your lips,
as fragile as the wings of a moth
in mid-december.
bits of onyx embedded in place of your teeth,
your tears were fiery gradients, but i only saw you cry once. 
weakness was something you never really wanted to show.
and you said that silence is one of those things that the wind cannot take away. 
 
'invincibility is not a choice,' you used to tell me, when it rained
and you used to stone the sky. 'it's a burden, a dismissal, a way of telling you that life
is a war and you've just gotta
plough through the battlefield
and plough through the pain.
plough against the cannons
and the calling of the sky.'
you eyes hazed over when you spoke, amethysts set in gold, but you were gruff as you stepped out of my door and told me to watch out for those snowlines.
and you stood by my porch all evening,
breathing smoke. i thought of you as a dragon grounded to earth, the way you'd curse inertia
and the way you'd always smile when you heard the heavens screaming. 

the heavens were always screaming. 

Two*~

Promises are meant to be broken, like rain is meant to fall. 
'it's only natural,' you'd breathe, every time i told you to quit. 
but the ash fell from your lips like speckled stardust 
and you'd laugh when i glared. 
anger was a foreign concept to you. 
your laugh was a metronome and your smiles 
spun me through autumn skies where the wind would never touch the ground. 

'i'd quit,' you said softly, 'if the sky would let me. but it catches my breaths and tells me 
that i'm alive. it's like 
leaving footprints behind you when you walk. 
you want them to stay forever.' 


'i want you to stay forever,' i'd say.

so you told me you'd never leave. 
'i'm invincible, you know.'

Three*~

Human beings have always been a pretentious species
and all lies have some amount of truth within them after all.

you told me you were invincible,
and you said you never lied. 
i guess you broke your promise with that one,
both your promise and my heart.
you watched it fade
like an aztec ruin, rust against rust, 
and dust against shaded contours of misery.
you watched my walls collapse 
within--
within--
within--
me.


your snuff box is broken; it only sings faded rhymes.
like my words you could not read
and my warnings you didn't understand.
the best kind of music was your voice, didn't you know?
it shuffled all my brain cells until i felt i 
wouldn't survive. 

'metronomes aren't meant to croak,' you always said.
you said you were
invincible,
but i guess that, too, was a lie.

i pretended i didn't know about the ash-trays that lined
the underside of your bed.
i pretended i couldn't see every time you swallowed the sky. 
forty-two times every day. 
fifteen thousand times a year. 
i saw you shrivel up, your eyes turned to soot, 
and i stood by your side as the heavens wailed
songs of invincibility. 

you told me that if i stroked the sky for long enough it would fall
in shingles around my head.
like jaded eyes, or icicles we used to tap against
on frostbitten monday mornings. 

'will there be any more mornings?' i asked you as the tears fell, 
clinking like tiny hourglasses against your skin.
'there will be for you,' you breathed, 'but not for me.
i'm still invincible, you know,'
you said. 

you died believing you were invincible, and that day i learnt
that death is invincible, too. 

Four*~

Breathing is illusion-ary warfare.
it's coughing up smoke and false designs. 
i tromped the world searching for a smoke-ring blower,
but the only one i knew was buried beneath loose soil and dirt, 
beneath the snows and the humus and the lilies that grew--
seasons and cycles pass, and we turn our lives;
like the spokes of bicycles, we trawl and crawl and crumble,
but we never learn. 
i still stand by your grave every morning, and breathe 
smoke. 
leaves wither, leaves fall. 
but i know i am 

invincible. 

matchsticks stamped beneath my feet, they are
the epitaphs upon your graveside. 

Comments & reviews · 3
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User avatar
Aley
Review
Aley wrote a review · Fri Jul 10, 2015 4:35 pm

Hm.

Okay, so back like, a while ago, you asked me how to improve this, I'm here with my response:
Simplify.

Basically you've got a really good voice, good sections, and a good motion to the story and the poem, but it's very repetitive. Some of these parts just aren't necessary. I'd suggest you go through the poem and highlight your ideas, and where those ideas repeat. Print it out and really look at where you're trying to tell the reader about smoking, and where you use the same metaphors repeatedly. Then, when you're done with that, consider limiting them down to just one. One place to say one idea. That's going to help you develop the poem quicker while maintaining the flow. If an idea needs to be a cue, then go ahead and repeat it, but for the most part, this isn't a story so we don't need the repetition of that.

Next, simplify your style. You're trying to be really visually pleasing with the whole Capital first letter of each section being bolded, and stuff, but honestly, it's just fanfair. The poem holds it's own without that, and while you might want to keep it for a fancy style somewhere else, here, it just makes the poem look like it needs some glitter to avoid showing off, which it doesn't. The poem is good, so let it stand on it's own two feet and don't bother wrapping it in wrapping paper. Leave the italics for just when the smoker is speaking so it's not confusing the reader to thinking you give the opening line to him every stanza, unless that is, indeed, what you've done.

So overall, go over the poem and consider what you really need. One of the things Audy taught me to do with my poems is read it, then set it aside and rewrite it. This will show you what is important and memorable about the poem and give you an idea of what sections need editing. If you completely forget a stanza, you probably don't need that stanza.

Simplify is honestly the only thing I can really tell you. This is a really good poem. It's got the emotion and the story to fold together and that takes your eye and your knowledge of the rest of the story to change or improve.

Aley

This is wonderful. You have so much imagery and emotion poured over your words its hard not to drown in them (that's a good thing). I loved this poem. Not only is it beautiful in its personal aspect, but it shows a side to smoking that may be able to help others' eyes to its harms by the harm it caused you and the one you lost. The rebellion that you describe in the little parts of her personality is amazing; as well as the fact that you take it on at the end of the poem. The only thing I have to say about fixing it at all is that some of your lines would've been better off capitalized. It would make it simpler to read with better efficiency and comprehension of what was taking place in each stanza. Overall I thought this was a great piece.

User avatar
rhiasofia
Review

Well, Pompadour, I hate to see this lovely poem still left unreviewed. I read it twice yeasterday, cause it was so nice. And although I'm worried that I'll have nothing to critique, I'll try my best to give a constructive review.

you told me to duck when they swooped, leaving gaseous trails
and the smell of burnt matches in the heavens.

Alright, so here, I know what you meant, but this is something that you could maybe find a better way to word. The discrepancy here is that it could be read as whatever swooped left the gaseous trails and smell, which I know to be the correct one, but it could also be confused as the "you" mentioned being the one to leave the trails and smell, y'know. So maybe something like "you told me to duck as they swooped and left..." or even leave the "when and just add an "and" after "swooped".

bits of onyx embedded in the place of your teeth,

I think that here you could just say "in place of your teeth", cause that's how that phrase normally goes. It flows a bit nicer.

but you were gruff as you stepped out my door and told me to watch out for those snowlines.

It would be a bit better with an "of" after "stepped out".

i guess you broke your promise with that one--
your promise and my heart--

this stanza is a bit dash-heavy, so maybe consider changing the first one to a comma. I think it would be a bit more aesthetic, and also decrease the amount of jarring full-stops here.

your snuff box is broken. it only sings faded rhymes.
like my words you could not read and my warnings you didn't understand.
the best kind of music was your voice, didn't you know?
it shuffled all my brain cells until i felt i wouldn't survive.
'metronomes aren't meant to croak,' you always said.
you said you were invincible, but i guess that, too, was a lie.


The whole rest of your poem makes lovely use of enjambment, then here, each line is a full sentence. I felt like all of the lovely flow you'd built up in the rest got torn away from me, which was rather sad.

Breathing is illusion-ary warfare.

I wondered if you had a purpose to hyphenating this? If so, I'd love to know it.

ALright, everything else is perfect. I adore reading your poetry. You have such unique descriptions, such vivid imagery, great diction, and your titles are always awesome. This was poignant and perfect. The last stanza absolutley blew me away, it was my favorite bit by far.

Great job, and keep writing!



It is dangerous to be right in matters on which the established authorities are wrong.
— Voltaire