Chapter 2.1 - for my LMS, 1400 words-ish. All spellings are British English!
_____________________________________________________________
And Ashka created the beastlings, horrific creatures in the image of humans, so as to reveal how great his first creations wer- Linna snapped the book shut and made to throw it to the other side of the storeroom, then thought again and placed it back in the crate with a frustrated growl, biting her lip. She hated the religion of this place, how it didn't allow her to have a normal life, one like a human. She tried periodically to read the millenia-old scriptures, but had never managed to finish them. They made her feel filthy, unnatural. There were days she wanted to be rid of her ears and her tail, just so she could be normal. So she could be like a human.
She didn't despise humans, unlike most of her kind. She could understand their revulsion when they saw the ears, the tails, the slitted eyes, the fur next to smooth skin. She felt it herself when she looked in the mirror in the morning and the evening. It wasn't a comfortable feeling, knowing that she was only looked at with a normal gaze because she presented herself as a human. If she thought about it, then she could remember the glares and the stares and the insults she had received as a child – but no, she didn't think about it. She didn't need the memories. She didn't want the screams in her mind.
And yet still, they came. It was the imperative imposition of memories, she thought, that if you had a stray thought, they would latch on and leech off of you until you were all memories and no thought. As she was dragged into the past, it wasn't the first time that she despised her own mind.
Rattling. That's what her young mind had chosen to remember. The rattle and clatter of their primitive caravan as they made their way through the forest. It focused upon the small things – the things she knew she could handle. So she remembered the sliver of light peeking through the door that they could never fully shut, and the vibrant colours of their quilt that she had lain on, sulking. Well, she thought she had been sulking, at least. She wasn't sure. But she was inside, and that was where she stayed. Her parents were outside, and the murmur of their voices barely disturbed the noise of creaking wood. They had been hushed, her parents – hushed movements, hushed words. Quiet. Now she was older, she recognised the actions of the hunted. Before she could linger on it, the memory swept her along again.
Her mind was no longer sure on how long they had been traveling, but now they stopped, halted by a harsh call. She made to come out of the caravan, but there were three knocks on the ceiling. Even years later, she could remember the meaning of that – humans. That meant danger. That meant don't come out. That meant hide, and do not show yourself until they had left. So she hid. She pressed her tiny, thin body into the hidden compartment in the wall of their home, and waited, pressing her ear against the wood to try and hear.
“Dismount from the vehicle, please.” Their voices were polite, but harsh. Innocent until proven guilty was the policy for humans. Only once they were sure that they were dealing with beastlings would it be guilty, with no chance of being proven innocent.
Her small hand, still possessing nails that looked like claws at that point, was laid flat against the wood, and felt the vibrations of her parents carefully descending from the caravan.
“The hats. Take them off.” There was an overwhelming silence in which Linna counted the heartbeats echoing in her head. Her name hadn't been Linna then, but she couldn't remember what it was. Boom. Badum. Boom. Badum.
She heard rapid steps – someone running away – then two pairs of steps, and then the clanking as the soldiers (at least that was what she assumed) made chase.
And then they were gone.
She couldn't remember the last words she had said to her parents, but she could remember the last sounds she heard from them, a muttered message to “Stay there. Stay hidden. Then run.” that she knew the humans wouldn't have heard.
And then the scream.
She sucked in a breath as she stumbled from the memory, unsure as to whether she was truly falling, or whether it was the subtraction of the sensory input that left her reeling. Staggering through the doorway into the shop, she perched herself on the stool behind the desk, leaning on it to stablise herself. One breath. Two.
The door to the store opened, framing the shop's owner. Linna started from her chair, hurrying over with a large smile.
“Helzo! How was the trip up north?” Her rattled nerves settled as the large man returned her embrace with one arm a large suitcase occupying the other. As he let her go, he lifted the suitcase and shook it at her. There was a series of heavy thumps and her face lit up. “More books? You're amazing!”
He chuckled in response, opening up the suitcase and handing her his new finds. “How have sales been?”
“Perfect! The new shipment of books came a couple of days ago, and I've been sorting it out between sales.” She ushered him into the storeroom, to show him the crates, trailing off into a babble of conversation.
*****
The first note of change was when the man came through the door smelling of gunpowder. It wasn't the light, tickling scent that came after gentlemen who carried guns – this filled the room and forced itself down her nostrils as if it wanted to ignite her from within. She barely dared breathe for fear that she would cough. She didn't know if the owner could smell it, but she hid it, not wanting her sensitivity to give her away.
“How may I help you, sir?” she asked, her voice sounding almost strangled to her ears. She fixed on his welcoming features and jet black hair, those midnight eyes that drunk in the light and demanded more.
“I'm on official business, I'm afraid. I'd just like to ask a few questions.” He used a clipped, military tone, and her eyes finally moved past his features to his attire, stopping on the insignia that marked him as a corporal and on the crisp folds of his uniform. His posture, though relaxed, was impeccable, and she couldn't help thinking that they did indeed train them well.
“I'll try my best to help you, sir.”
“We're investigating rogue beastlings.” A spike of icy fear rammed itself into her stomach, irradiating anxiety down her limbs, urgent enough to hurt. “Would you have heard of anything helpful?” He held a notebook in hand, pencil at the ready, unaware that he had just thrown her into a contained panic.
He met her eyes gravely, seeming to drink in more than the light, but her secrets and her past, and everything that haunted her on the days she walked through crowds of humans, pretending to be one of them. It was if he saw the tail and the ears, knew she picked up every sound from across the street and smelled the overpoweringly dusty odor of gunpowder.
But gunpowder. Her mind spluttered to a halt, then raced forward again. The lady had smelled of gunpowder – such a strange scent for a lady to be carrying – and now there was this man, who seemed to have bathed in the hateful stuff. She glanced at his hands, seeing fine black particles lining underneath his nails. Maybe he was a gunman. Maybe there was something else at hand here. She made herself a note to check whether she was ready to flee. It could never do any harm.
She let her eyes widen in fear, holding her hand to her chest in a picture of consternation. “Rogue beastlings? Without masters? How horrific!” Sitting on her stool, she allowed herself to appear faint with worry, a harmless shop-girl with little knowledge of the world outside. “I haven't heard of any rumours around here. I should hope not! This is a respectable place.” Her hands fluttered nervously.
The man smiled genially. “Don't worry, ma'am. We're just investigating possibilities. You're at low risk here.”
She nodded, relieved. “If possible, maybe could you...” She shook her head. “No, it's silly.”
“Ma'am?”
“Well, I was just wondering whether you would mind terribly, when you continue your investigation telling me if you do hear any rumours. Else I won't be able to sleep at night for fear of one of... those attacking me.”
He nodded. “Of course, ma'am. We'll publish the results of our investigation anyway, but if it reassures you...”
“Oh, it would.” She allowed herself to look relieved, though she wanted nothing more than to run, run, run to the ends of the world and hide. To be rid of the fear.
His eyes slid over her with something less than welcoming, his eyes swallowing her for a moment in time, but before she could catch a hold on it, he tilted his hat at her. “Have a lovely day, ma'am. If you do hear something, just report it to the constabulary. They'll handle it.”
A nod brought her head up, then down, but inside, she was far away, a child hearing the screams of her mother again. The door shut with the light jingle of the bell above it, and she slid off of her stool. Into the storeroom and up the stairs – mechanical movements, requiring no thought. Five steps down the corridor, first door on the left. The snick of the key in the lock as she shut the door was the final card on a deck piled too high. Her fear billowed out, tearing a sob from her chest, sliding her to a crouch on the balls of her feet. Another rocked her forward. She didn't want to die.
End of chapter
Continue to next chapter Beastling : Chapter 4Points:
Time spent:
IP address:
Canary word: Present
Possible AI signals:
Original Text:
Are you sure you want to delete this comment? This cannot be undone.
Mark this comment as a review? Points will be awarded to the poster.
Your comment was posted, but it wasn’t long enough to count as a review. Reviews need about four complete sentences (at least 250 characters). Try writing another review that explains your thoughts in more detail — the author will appreciate it, and you’ll earn points for it.
You have so many amazing reviews already that I feel like I have nothing to add. I'm gonna read through until I see something I can comment on.

Loving this novel so far!
**Noelle**
Guess who?
This feels really redundant and should just stop at 'life' for a greater impact.Specifics
1.
2.
3.
4. All I'm getting from Linna when the owner returns is excitement which makes me think perhaps she doesn't have to hide from him? Does he know who she is? There's a nice thread of curiosity building there.
5. I feel like we need to know where the owner has gone as the cut from talking to him to someone entering the store feels like we're missing a large gap of time.
Overall
I've not many comments on this chapter - it was nicely written. The memory is a bit jerky and not the smoothest transition but getting that flicker of back-story makes it worthwhile. Maybe something more concrete could set her off though - what is it which links the memory to her present day? A similar smell? A rattling sound? Why does that particular memory come to her and is it one she thinks of often or is this a shock for it to be invading her senses all of a sudden? You seem to suggest the latter but it feels like the last time you saw your parents would be a really familiar, over-played memory.
It was really good to find out about the beastling's stronger senses and I really enjoyed the exchange between Linna and the gunpowder man. The chapter also ended on a strong point with us getting to see Linna's breaking point and in this part we finally got more of that emotion we were looking for and stepped a little further into her head. I'd have still liked to see a longer exchange with the owner or at least a sense of where he has gone, whether he went out or upstairs to put things away or is just in the storeroom. It's a distraction we don't need.
See you at the next chapter!
~Heather
Xilla! Xilla, Xilla,

This is your best chapter so far. Your descriptions are finer with a better grasp of realism and your imagery is very effective.
I feel there is something a little awkward about her speech, but it might be more that I want to attribute the voice of a properly terrified shop assistant rather than the pretense she gives off. To clarify, I'd have her repeat "of" in her line about the beasts potentially attacking her. It would indicate fear and also revulsion.
Her interaction with the owner is good although slightly awkward. Isn't she worried that when he touches her he might knock a hair pin loose or anything?
The flashback is in part effective and in part not. While I like the format I feel that the way you include things like "now she knew" etc still in italics. I feel like a flashback should be all flashback. In addition to this, the flashback is an opportunity to drown in sensation. She's younger then, her fear and her senses would be high without the ability to reign them in. Think about the texture of the wall she presses against, the feel of soft cotton of the quilt under the fine hairs of her legs, the sound of dirt thrown to the side as the caravan moves slowly onward. I know Linna wouldn't have noticed all of these things at once but a bit more description like you have when The Man appears would be really effective here.
Your pacing is still on point, and you're really good at ending on points that I want to continue reading on. Nice work!
Til the next chapter,
- <3
Me again
A couple of grammatical errors I noticed:
You repeat "despise" in paragraphs 2 and 3.
You talk about rattling in Linna's flashback, so I would perhaps change that word here, and add a comma after "arm", otherwise it's kind of confusing.
As far as I saw, everything else was basically flawless. The flashback/memory part started off a little weird. You italicized it but the prose you used made it sound like Linna was merely thinking about the memory, rather than reliving it. But then it sort of transitions into her reliving the memory when she starts talking about how she was sulking, and it makes more sense to be italicized there. I don't know, maybe it's just me, but it felt a little off.
Yet again another brilliant chapter. I'm stoked we finally got to find out more about Linna and her history! But were her parents killed or merely taken prisoner? I'm not quite sure about that part. Are we supposed to know that yet? It would be pretty cool if it turns out they're alive, but maybe a little cliche at the same time. I'm okay with cliche usually though if it's done right. Seems like everything these days can be a little bit cliche.
I digress.
The description of Linna's terror when the man asks her about rogue beastlings is fantastic. It was almost like I was feeling it too! The way she acts feint about the very idea of rogue beastlings is fairly intriguing also. Are they really that bad? I must know more about these beastlings! I still feel like I know next to nothing about them other than the fact they are humanoid-animal creatures who are viewed and treated as trash.
Come on, throw us a bone here, will ya?
Anyway, keep writing!
-Hawk
Hehe, thanks for the review~
Okay, those questions I'll answer xD
Her parents are dead. Well and truly dead, aaaannddd pretty gruesomely as I just decided right this instant after thinking about the screams and how to damage her more, thank you.
SO.
Rogue beastlings.
Yes, they are incredibly bad for the country that she lives in. So basically, the beastlings are a species that have been entirely subjugated by humans, and who, in human eyes, only live to serve them. Either a beastling has a human owner, it's being sold, or it does supervised manual labour for the state. They're disposable. So for humans, the idea that a beastling might be a rogue and living among them is absolutely unacceptable and must be stopped. They're not allowed to be their own person. So if Linna was found under normal circumstances, she could be killed on the spot or enslaved. But these aren't normal circumstances. Keep reading to know more on that, but I already dropped hints.
Hope this answered some questions!
yes, yes, thank you!
Auxiiii you have no clue how excited I am to review this~ <3
This sentence is a little "tell-y" for me, in a situation where you don't need to be tell-y because you're showing everything perfectly fine. The reader can easily see that the religion wouldn't allow Linna to lead a human life due to the biases and rooted beliefs systems. You even support it again with the next couple of sentences, which effectively show what this one is telling—so again, I think you could cut this sentence short or edit it so it's a little less redundant.Okay, okay, so let's start with the beginning. I like how you're working in tidbits of worldbuilding with the book excerpts without making them straight-up quotes before the chapters, just parts of books that Linna's sorting—but I can't help but feel like it's a little clunky in the execution?
It feels good as a concept, but I think in this chapter specifically, the book sentence and the first Linna sentence are both rather long, and they bleed into each other. It might be more effective if you kept the first Linna sentence shorter, maybe with just a simple, "Linna snapped the book shut." I think that would help bring the reader back into Linna's thoughts more swiftly, and might help portray more of her irritation with the book itself.
Other than those, I don't really have any nitpicks left for this chapter, so let me talk about some of the characters and concepts! So.
Starting with Linna—I really like how this chapter pulls us back into her past for a bit and gives us some background on how she lived as a child versus how she's living now. It creates a practically vorpal line to give us the contrast, and adds some backstory to this character who we obviously didn't get to know too much in chapter 1, it being chapter 1 and all. My only problem with this is that I'm not a huge fan of long flashbacks, but you still managed to keep me interested in the story through that! (It also probably helps that the flashback didn't come in a time of stress or interaction, so not much was interrupted.)
I also love how you show that Linna can be talkative, too, because we haven't seen much of that out of her (considering the only other people we've seen her talk to were the woman and the cub from chapter 1). And then the notes of fear at the end—you're unfolding her character quite nicely, and it makes me eager to see where she's going as far as character arcs are concerned.
Also, have I mentioned how much I love love love the concept with the gunpowder? That alone gives some pretty nice background into these people who are so obviously looking for beastlings like Linna, hiding among the human populace, and it ties together chapters 1 and 2 and lets the reader know that it wasn't just a one-off or two-off mention, it was an actual plot point and ties into the very next chapter.
As for the man, we haven't seen much of him yet but you've got me so hooked just by how he's acting compared to the flash of personality we saw in the last chapter—I will say that neither he nor Linna appear to be absolutely stellar actors or liars (judging by what we see in the text), but he's better, and that's probably a good thing to add that extra spice of conflict.
What did I say? I'm totally hooked, I can't wait to read more <3
ditto to all of this ^^
asdfhjklo I forgot the thank you for the review, babe <3
AND THE GUNPOWDER! The gunpowder is my baby-bae and it will follow us everywhere~
Hey, I'm here to review this deserving piece.
I would just want to start it how I like seeing a creative made of religion here. So the beastlings have something to do with religion or vice versa. It sets a nice tone of the world building. "Millenia" is spelled "millennia", though.
I don't think it's necessary to specify what time she looks in the mirror, so you can just say, "She felt it herself when she looked in the mirror anytime."
"... knowing that she was only looked at with a normal gaze..." sounds a bit wordy. I think you could deliver the same meaning with "acknowledged"? This is just a suggestion like the one before.
Well, this is another way to use the word "made", I'm supposed, which is nice since I dunno it could be used this way. The intended meaning for it is "go or prepare to go in a particular direction" here, is it?
Before I'm going to go to the second part, I have a confusion. So the human soldiers did something to Linna's parents and now, she herself could understand their revolting against beastlings? I'm not sure what's the foundation of her dislike over her own species, but shouldn't she feel - even a bit - hatred towards humans for what they had done to her parents? I feel like she should unless there's an explanation you've yet to revealed.
Now on to the second part.
I'm not fully sure until the part when you said "Sitting on her stool, she allowed herself to appear faint with worry, a harmless shop-girl with little knowledge of the world outside..." that this is in Linna's perspective. I suggest to change the first "her' to "Linna" to clear that up.
... and I'm too lazy to nitpick further.
So, the storyline. I get that we've seen Linna encountering the corporal but right now I dunno where the story is heading to. I just don't feel like there's a focus in here although the flashback is interesting and the event between Linna and the corporal is so too. Perhaps this chapter is needed as a platform for the flashback although Lina's encounter with the corporal doesn't seem so. Regardless, the concept of beastling is interesting, so expect my arrival again!
Hey Lightsong!
You said some of my phrases were a bit wordy - well, that's just my style. I'm a little wordy, but I chose the words that best convey the scene I see in my mind. So normally, if there's an alternative, and I didn't chose it, it's cause my mind didn't fit it to the situation.
Haaaa, Linna's hatred toward her own kind is really complicated. Without revealing too much of what I'll tell later, she never actually encountered any of her kind when she was young. Also, she did hate humans for a while, but that turned around after a while. But that'll be told of later on.
For the moment, in my head, readers associated the bookshop with Linna's POV, and elsewhere with the man's POV. Also, before that bit where you realised we were in her POV, I said of the scent forcing itself down her nostrils, so I made (yet another) assumption that the reader would've realised then.
Storyline-wise : the main focus is definitely Linna meeting the corporal, though I really wanted to expose more of her background too. This part of the chapter definitely has a split focus, the second part will hopefully only have one.
IF you hadn't realised : the corporal is The Man in the last chapter. I don't know if that gives you any more hints to the storyline. Well. You'll just have to keep on reading, won't you? ;p