E - Everyone

The Book Man, Chapter 75 (Revised)

75 KISSING

It took a long time for them to mass their scant forces after Morrow awoke and rallied them with the ringmasters’ help. The uninjured circus-folk scrambled to douse their fires, collect their tent poles and chains and cookware, and groom their ponies. The injured circus-folk tended to the injured beasts and quarreled over food. The babble of their conversations washed over Christian as he slipped through the crowd toward the wagon to see Conrad.

“That’s my piece of cheese, now, I saw it first—”

“Fight you for it.”

“Idiots. Don’t you think you’ll get enough fighting when we leave?”

As the two strong men began punching each other over the piece of cheese, the contortionist who had called them idiots slipped in and stole it. Christian skirted around them and pressed on.

“Does it hurt when you walk on it?”

“Yes, but—”

“Might be able to splint it real quick—”

A tiger grunted and roared as its handler pulled away its bandages to check the gash on its leg, so close that Christian jumped. The handler patted the tiger’s head and laughed.

“Easy now, my beauty,” and then to the accountant, “She won’t hurt you—”

Christian hurried away. The crowd was nothing compared to the Fair, but packed into the small space of the cobblestone courtyard, running back and forth between fires and piles of shoddy weapons and the mermaid’s pool, it seemed he would never escape it. Finally, however, he squeezed through a final arguing pair and stumbled out of the crowd. He straightened himself on his cane only to find Liza standing in the wagon doorway.

“Good,” she grunted at the sight of him. “He was making a big stink about not seeing that you were alright, threatened to get out of bed again and find you himself if I didn’t do it for him. Come on up.”

Christian could not think of anything to say that might not antagonize her further, so he decided not to say anything at all as he followed her into the wagon.

The balloon-artist’s left leg now ended at the knee, where a quickly-whittled branch had been strapped as a makeshift prosthetic, but at the sight of his friend, he sat up in bed without his muscles trembling.

“You’re alright!” he said hoarsely. He tried to get to his feet, but Liza pushed him back down.

“Oh, no you don’t. You promised you’d stay in bed until it was time to move out.”

“Which it almost is,” Conrad said, but he stayed on the bunk and let Christian come to him instead. The two men clutched each other’s arms. Tears trickled down the balloon-artist’s face and into his beard.

“I’m sorry, lad,” he said. “I’m so sorry. It was supposed to be me that did all this. If I could’ve just—”

He pursed his lips and stopped speaking, but Christian said, “I’m glad you got me into it.”

For although his hip still ached and he walked with a limp, had it not been for Conrad showing up at his door the night of the first hellhound, he never would have had an adventure, never would met Minerva or Narodnaya or the ringmasters or Morrow. Never would have gotten unstuck from his static life.

There was a knock on the doorframe, and Mr. Catcher appeared outside the wagon with Minerva on his arm. The two garden gnomes that had joined them on the night they’d brought the wagon to the park—oh, it felt like a lifetime since then—squatted beside them.

“Knock, knock,” the old man said. “Someone wanted to say goodbye before we all moved out.”

“Well, come in and have a sit,” Liza said, moving things around to make seats for them all.

Mr. Catcher helped Minerva into the wagon. The garden gnomes hopped up after them. “She’d gladly come along, but she needs her rest. Our friends here are staying with her, just in case.”

“Can’t you?” Christian asked. The garden gnomes bounced in place and folded their arms.

“Not that I don’t think you’ll do a lovely job,” he told them. “But, Mr. Catcher, couldn’t you—?”

“There’s no need to worry,” Minerva said. “I really feel much better. Here.”

From the folds of her tunic she pulled the slingshot she had used to scare off the crow that had attacked Christian on his first night in the park. She handed it to him and said, “I’d feel even better if I knew you had this. I know it’s not much, as far as weapons go, but—”

“It’s as much of a weapon as I’d ever care to handle,” Christian said, slipping it into his pocket. The plan would require him to handle a much deadlier weapon in a much deadlier manner, but he shoved the thought from his mind. “Thank you.”

Mr. Catcher patted Minerva’s hand.

“I’m sure you are much better, but we’re not going to risk it. I’d stay myself, but I’ll never live it down if I sit here safely by the fire while my sisters ride into battle.” His voice shook as he added, “And I’d rather not have to wait here to find out what’s happened to them if—if anything does happen to them, you know.”

“Nothing will happen to them,” Liza said, her anger melting into concern for the old man and his sisters. “They’re impervious to trouble, you know. I’ve never met anyone quite like them.”

Mr. Catcher’s mustache curled into a prideful smile. “Thank you, my dear. They are singular, aren’t they?”

Minerva touched his arm and said, “Can’t I at least come with you to the edge of the gardens?”

The old man shook his head.

“I’m afraid not. Best to move as little as possible, with an injury of this caliber, and the edge of the gardens is a much farther trek than the far side of the courtyard.”

At that, Liza’s lips pursed in renewed anger, but she remained silent.

“Alright,” Minerva said humbly. “I just thought I might ask, while we were discussing it.”

Christian’s mouth had gone dry again; his heart thundered in his ears.

“Then I’d better do this now,” he said, and before he could lose his nerve he leaned forward and kissed her on the mouth. His nose bumped into hers, and his hands fluttered uncertainly at his sides, but her lips were soft.

When he drew away again her eyes were wide with surprise (Mr. Catcher looked rather triumphant), but then a smile curled across her face and she asked, “Would you do that again?”

“Oh,” said Christian happily, “well, if you insist.”

They stood there kissing each other until Conrad laughed and rapped his friend on the back of the head.

“Ouch,” said Christian.

“Plenty time for that later,” the balloon-artist said, “not that I’m not glad it happened.”

Liza’s lips pursed together tighter and tighter until they loosed and let her voice explode into the wagon, surprising everyone except her husband.

“Didn’t you hear him?” she asked. “An injury of this caliber, he said. Don’t you think your injury’s of a greater caliber than hers? But she’s not going into battle. She’s staying here and resting like she’s been told.”

“Now, Liza—”

“Don’t you dare ‘now, Liza’ me, Conrad Smithson!”

Her shouting blurred into the background as Minerva looked at Christian with burning eyes.

“Is he going into battle?” she asked.

He thought he knew what was coming, but he said, “Yes. Liza wanted to take him home. I guess he wouldn’t let her.”

She stood straight and tall, though she wobbled a little without support, not yet used to balancing her body with only one arm.

“Then I’m going, too,” she said.

Mr. Catcher frowned. “My dear, I wouldn’t advise—”

“You’re going,” Minerva said. “You can hardly run ten paces without losing your breath, but you’re going. And he’s going, on one leg, and he hasn’t even healed as much as I have. And Christian’s going—” tears welled up in her eyes, but she went on—“and I’m the Caretaker, and I was supposed to keep the fairies safe in the first place, and I didn’t, and if everyone else is going, with all their injuries, then I’m going too.”

Mr. Catcher gestured helplessly at Christian, but a giant, stupid grin blossomed across the accountant’s face. He leaned down and kissed her again joyfully, and when he pulled away she looked utterly astonished (though not unhappy, by any means).

“What was that for?” she asked.

“Do you know,” he said, “you are absolutely the bravest and most beautiful and most wonderful person I’ve ever known, and I love you for it.”

Her cheeks pinkened, but she passed over his pronouncement and said, “You’re not angry? She’s frightfully angry that he’s coming.”

Christian nodded. “But you’d come even I was angry, the same as he is. At any rate, I’m glad. If I’ve got to go into battle, I’d rather have you with me.”

“Well, then,” she said, and she smiled and gave him a kiss of her own.

Mr. Catcher blinked and adjusted his glasses as they grinned at each other, oblivious to Liza’s shouting.

“Well, well,” he said to himself. “If that isn’t the funniest turn I ever saw in my life.”

Comments & reviews · 4
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User avatar
Valkyria
Review

Hello, Blue!

Continuing the story, this chapter picks up the pace, and we get right back into the flow. It was really good to see Minerva and Conrad again.

But, oh, my heart! I squealed when Minerva and Christain kissed! They are such a cute couple. Honestly, I thought this chapter was going to be about Morrow and Tirion, but we already had two chapters dedicated to them.

Also, I am so, so glad Christian was 100% on board with Minerva going into battle too. It's refreshing to see that. Unlike Liza.

I'm sorry, but I cannot bring myself to like her. Even though I understand where she's coming from. I think that her being angry the whole time she came into the park just wore thin on me. Or maybe it's just me.

Overall, this was a sweet chapter. I wonder if in the upcoming chapters, they'll become this awesome power couple in the battle. That will be so cool.

Best,
Valkyria

Liza is definitely more developed and more sympathetic in later drafts...that I never finished :cries: One day perhaps I'll resurrect this project!

User avatar
TimmyJake
Review

Timmy here!

This is gonna be a quick review, because I can't think of much to say. When I read the title of the chapter, I went "hehe, finally." And then started to read through, and kept reading through, and kept reading through. At about halfway, I started scratching my head, and then finally he smooched her. It was about time. Anyway, yeah. So that is over and done with. Very good. At least he won't have to be concerned over that anymore. Minerva is his. Taken care of. Now all he has to do is beat Goblin's butt. And that should be easy compared to getting the courage for this chapter. :D

Morrow awoke and rallied them with the ringmasters’ help


Okay, this sentence makes it seem as though everyone is standing in a perfect army square thingy, holding their swords and cheering to some rallying speech. And that's cool and all, but then the next sentence begins to unfold the actual scene, and it's not anything like what the first sentence implies. What did he rally them to do? Fight over cheese? Put splints on legs? (like that wouldn't have been done before. Legs hurt 100% of the time, so a splint probably would have been put on before now, I think) The checking of wounds and stuff I get, obviously. Putting on fresh bandages before their second battle - and the most important of them. I feel as though their troop, while it's very enthusiastic, isn't very optimistic about the approaching battle... like they know they don't stand a very good chance, just looking at their actions and how they talk. I mean, if they are desperate enough to have a guy with only one leg and a girl with one arm going out there, then they are pretty desperate indeed. I wonder what Morrow will say about it, or if he will even object.

she grunted at the sight of him


I am sorry, but I have been with Liza for a long time now - almost 50+ chapter since I met her. She no grunt, I think. :P

uncertainly at his sides, but her lips were soft.


I am thinking that the last bit after the comma should be it's own sentence, because I was reading it through and going "Whaaaaa? - that was in a weird place. You were talking about his actions and awkwardness, and then it went over a speed bump and went onto something else like snap!

across the accountant’s face.


I almost think you can ditch the accountant tagline there. He isn't one no more. :D

“Do you know,” he said, “you are absolutely the bravest and most beautiful and most wonderful person I’ve ever known, and I love you for it.”


I know that I am not someone to be quibbling over grammar and punctuation with you - a future English Teacher and stuff - but this started out as a question and I read it as a question, with that tone of voice and everything, and then the ending kind of jerked me because it ended with a period, but I can see how it should be a period at the end because the ending should have a period, but now I am just rambling on because I don't know what it wrong there or right. So, yeah.

“Well, well,”


Slight redundancy. Minerva started her dialogue just before him with Well.

I think that is all I have for you on this chapter. I loved the whole deal with Liza. It seemed very much like her, because as much as she wants to keep Christian safe and as much as she has grown to love the place as well, she loves her husband more. So it makes sense that she would throw such a big fit over Conrad insisting on staying, even though is leg just go lopped off. I think, in the end, she will grasp a sword or something herself. :)

Better take back that slingshot, Minerva. You're gonna need it. <3
~Darth Timmyjake

Better take back that slingshot, Minerva. You're gonna need it.


Which is what happened originally, and then I realized...she only has one arm, so how is she going to work a slingshot?

Perhaps I should use a word other than "rally." I meant--like, they had time to rest up and whatnot (good note about the splint, by the way), but now it's about time to get moving, so he would just tell them, "Hey, guys, get your butts in gear, because now it's time to go." I mean, he wouldn't WORD it exactly that way (heh, heh), but that's basically all he did. It wasn't a big rallying speech like he gave back the Sunforest--these people have already decided to come back with him, after all.

So, knowing that, do you have a suggested replacement word?

Erm, synonyms? And finding words isn't my strong point... xD I shall think about a word. :D

User avatar
Rosendorn
Review

And again.

(Clearing out the Green Room from back to front can you tell?)

Pronouns. Your biggest issue here is pronouns. In a group this large it gets very confusing very quickly to use the same pronoun to refer to different people (He thought he knew what was coming, but he said, for example. I have no idea which he is which).

It might seem like overusing names, but it's better to use names every time you switch talking about a person than it is to use pronouns in such a way that leaves readers unable to pick out the antecedent. Right now, I thought "her husband" was Liza's husband because Liza was the last woman mentioned, and I'm sitting here going "So you have a newly formed poly couple?"

The tangling I was seeing before, between the potential perspective switches (blame pronouns again!) and not being able to keep track of which character was which have continued from the previous chapter.

You also overuse tags. One particularly glaring example is ""Ouch," he said". We do not need "he said", as it removes all sharpness from the exclamation. We'll know who says it regardless, because we know that Conrad has done an action against Christian.

I unfortunately felt less emotions from this one than I did the first part I read simply from the confusion for who was who. When it's difficult to tell who's in the scene, it's even more difficult to feel emotions for them.

Hope this helps. Let me know if you have any questions or comments.

~Rosey

Knight Dragon, here to review.

As the two strong men began punching each other over the piece of cheese...

Um...Really? How big is this cheese? Is it valuable? Are these people starving that badly? (It didn't seem like they were going hungry to begin with.) I'm just failing to comprehend the absurdity of it. (And are we really going with the 'strong men are idiots' stereotype?)

Finally, however, he squeezed through a final arguing pair and stumbled out of the crowd.

You make it seem like, throughout the entire encampment, not a single soul is not bickering about something. Okay, a) that seems improbable, and b) in any army, that'd be throwing up MAJOR red flags for the commanders. Any force without unity cracks easily under pressure. I feel like you're setting yourself up for a "Suddenly they all banded together against the enemy" situation. So a word of caution in that regards.
A simple solution would be to add a few lines or phrases about non-nit-picking and preparation devoid of conflict. Show some unity.

The balloon-artist’s left leg now ended at the knee, where a quickly-whittled...

I've mentioned the hyphens before, so that's just for future reference.

Liza said, her anger melting into concern

Wait, why is she still angry? I could understand maybe still upset that Conrad keeps trying to get up, but even then, that's a long time from the last incident. Unless of course she's mad at Mr. Catcher and I don't have the backstory.

“But you’d come even I was angry,..."

I feel like you've left a word off, but I can't quite place it. Minor attention needed, please.

I feel like you might have taken the kissing just a bit too far. This was probably what did it:
They stood there kissing each other until Conrad laughed and rapped his friend on the back of the head.

I mean, I can understand if he kissed her one more time, but an elongated one/multiple? Not so much. They went from bashful flirting to passionate flaunting in one sentence? Just a thought to consider.

Hope this helps!

Oh! Yes, I was missing an "if" from that sentence.

Liza is angry for multiple reasons, one being that Conrad grew up as part of this world (she did not) and never once, in thirty-odd years of marriage, told her about it. Another being that she decided she wanted to go home, now that she's found him, but he's refusing to go home when there's a battle to be fought. She's just mad at him all over the place at this point, basically. But I still have to work on that. She's given me more trouble than any other character.



All truly wise thoughts have been thought already thousands of times; but to make them truly ours, we must think them over again honestly, till they take root in our personal experience.
— Johann Wolfgang von Goethe