E - Everyone

The Book Man, Chapter 72 (Revised)

72 GARDEN STATUE

After a while, the whole group quieted down. The injured had been cleaned and bandaged, given sedatives and poultices where necessary; fires had been built and food passed around. Now the uninjured sat in small groups, playing cards to pass the time and occasionally checking on wounded friends and circus-animals. Mr. Catcher stayed by Christian’s side. His sisters got up now and then to make rounds among their troupes, with words of encouragement and flasks of whiskey.

(They did not offer any to Morrow.)

Liza came over and plunked herself down at Christian’s side, staring moodily into the fire the ringmasters had built for him. The moment she sat down, he asked, “What did they do to Conrad?”

She sat for a moment without answering him, kneading her eyes with her knuckles. Then she took one long, shaky breath and said, “Took his leg off.”

“Took off—?”

“Yes. To keep the venom from spreading, they told me. Said it would have spread through his whole body in the next week or two and then into his brain and driven him mad, right at the end. Said he’ll get better, now.”

Christian resisted the urge to vomit onto the cobblestones. Minerva’s arm, Graham Chelsea’s fingers—now Conrad’s leg.

“I’m sorry,” he said.

She pressed the heels of her hands into her eyelids. “This isn’t what I wanted. I don’t know what I did want, but it wasn’t this. It’s too much of an adventure for me. It’s—”

She cast about for words and then gazed it the fire as if hoping it would provide the right ones.

“I know,” Christian said, but she shook her head.

“It’s too much,” she said again. She stood up unsteadily. “I’m going home. And I’m taking my husband with me.”

Christian blinked. “What?”

Instead of answering, she blew her nose into a kerchief and stalked off to the wagon to fetch Conrad.

“Liza,” he called, but his voice was too weak to carry over the crowds. Mr. Catcher clucked at him in concern.

“Don’t you worry, my boy,” he said. “I wager our balloon-man won’t let her take him home without a fight. How about you go see Minerva, mm? Best let them sort it out themselves, and I know she’s missed you something fierce.”

Christian couldn’t help staring anxiously after Liza anyhow, but the old man pulled Christian to his feet, handed him his cane, and gave him a shove in the direction of Minerva’s pedestal.

“Go on,” he said. “She’s in your tent. No arguments, now.”

Christian tested his weight against the cane and tried to take a few steps. With every movement, an ache throbbed in his side, but at least he could walk.

The tent he had left stood shabbily beside the marble pedestal with Morrow the Elder’s horse, Rath, standing guard. The horse whinnied and shook its mane at the sight of Christian and plodded over to meet him. The accountant patted its nose and ducked into the tent.

Minerva was asleep on a pillow propped against a stack of books. A lamp burned beside her. Her curls were tumbled down around her face, damp, but her color was better; a pinkish tinge tinted her cheeks instead of the waxy pallor he associated with death. More books lay beside her, one in her lap with her hand on the page as if she had fallen asleep reading it. Christian tilted the cover up to look at it. It was his mended copy of The Hobbit.

“It reminds me of you,” Minerva said. He glanced up to see her dark eyes open and shining. Without thinking, he put his hand in her hair, drew her close, and kissed her forehead. She smiled at him.

“I wanted to wait at the portal,” she said. “I wanted to be there when you returned. Bartimeus threatened to whack me over the head with his cane if I didn’t rest instead.”

“Your hair’s wet,” Christian said.

“I took fever two days ago, he tells me. I don’t remember.”

A fever! Good God in heaven, Christian thought, feeling her forehead with the back of his hand. Thank God, she was cool now. Thank God he hadn’t been there to see that; he would have been reduced to a panicky wreck, waiting for the fever to break. If it had not, she would have died instead and he would have returned to find her lying on her pedestal like it was a mortuary slab, her face pasty and pinched.

His brow puckered with worry at the thought. Minerva bit back another smile.

“It broke near dawn,” she said. “He says I must rest, but I’ll be fine now.”

Christian’s eyes stung, and he had to sit without speaking for several seconds as he tried not to cry. Minerva touched his face. He looked at her with a weak smile.

“Thank God,” he said softly.

With difficulty he eased himself into a sit beside her. She caught sight of his bandages, pushed herself upright, and said, “You’re hurt.”

“Nothing too bad,” he said, although his hip burned with pain. “Just an imp. An imp horn, I mean.”

He began to tell her the story of the attack, but something whooshed by his face halfway through the tale. He threw his hands up to ward it off and knocked his glasses from his face. Minerva retrieved them and put them back over his eyes.

He blushed. “Sorry. Still a little jumpy from the attack.”

“Not an imp or a hellhound this time,” Minerva said. “A moth. Here, look.”

She caught it as it hovered about the flame of her lamp and cupped it in her palms. It was a large moth with beautiful grey and white patterning and four eyespots: one on each forewing and one on each hindwing.

“You see? An emperor moth.” She held it up so Christian could study it more closely. “They’re my favorites.”

“It’s beautiful,” he said. “I think it’s a female, with those markings. And males fly in the daytime, I read. Colour Identification Guide to Moths of the British Isles.”

Minerva blew gently on the moth until it spiraled into the air above them and then took off in erratic flight through the tent flaps, searching for a place to lay its eggs.

“You really do love books more than anything, don’t you?” she asked.

Christian’s mouth went dry. A voice tugged at his mind as if he had forgotten to do something, but he ignored it.

“More than most things,” he said.

Her cheeks turned pink, but she gazed at him steadily. He remembered the siren kissing him and how he had thought, then, of kissing her the same way, but now that an opportunity had presented itself he could not bring himself to do it. He flushed at the thought. A shouting-match rose up across the courtyard, and one of the shouters was recognizably Liza Smithson. The moment was broken; they looked away from each other shyly.

After a moment he said, “Can I ask you something?”

She nodded.

“The last night I was here—the night the harpies attacked—I came early and waited, and I watched for you to come to life, and you didn’t, not for a long time, and I was sure something awful had happened to you. What took you so long?”

Minerva turned faintly pink and hid her face in The Hobbit. When she spoke, her voice was muffled.

“I wanted you to think I was a real woman,” she said. “I didn’t want you to know I was just a garden statue.”

“But I did know,” Christian said, tilting the book away from her face.

Minerva peeked up at him. “You did?”

“Well—yes. I mean—it was obvious, once I saw you that day.”

Her eyes brightened over the top of the book, but he tilted it further away from her face and said, “I really don’t care if you’re a garden statue. You’re Minerva.”

She closed the book, keeping her gaze fixed on him as she tried to decide the truth of his declaration. Her eyes were on him for so long that a blush crept up his neck and into his cheeks.

“He was right, you know,” he said at last. “Mr. Catcher, I mean. You ought to be resting.”

She gave a faint smile as if she knew embarrassment was his real reason for changing the subject, but she slipped her fingers into his and slid back down onto her pillows without complaint. Christian stayed with her until she fell asleep, despising himself for not kissing her. Then he grabbed his cane and pushed open the tent flaps to head outside.

Comments & reviews · 4
Note: You are not logged in, but you can still leave a comment or review. Before it shows up, a moderator will need to approve your comment (this is only a safeguard against spambots). Leave your email if you would like to be notified when your message is approved.

User avatar
Valkyria
Review

Hello, Blue,

I'm back with another chapter on Review Day!

Minerva's back! Yay! And, we get more romantic feelings from both of them!

After a while, the whole group quieted down.


We start off on a good note. The wounded had been cared for, and there's no more hectic energy.

Liza came over and plunked herself down at Christian’s side, staring moodily into the fire the ringmasters had built for him. The moment she sat down, he asked, “What did they do to Conrad?”


Similar to what Rosendorn said, I feel like you can elaborate more on Liza's feelings. She went through so much; her husband's leg was amputated. Maybe, she looks pale, or there are shadows under her eyes, and her lips were set in a grim line.

“It reminds me of you,” Minerva said. He glanced up to see her dark eyes open and shining. Without thinking, he put his hand in her hair, drew her close, and kissed her forehead. She smiled at him.


Aww!

I'm not a big fan of romance as a genre, but this feels so natural and genuine. I really hope they get together in the end!

Valkyria

User avatar
TimmyJake
Review

Timmy here!

hehe "In which there will be a smattering of romance."

Well, I don't know if that is really what happened. It seemed to be more of a stammering session for Christian. But he was still cool about it, really. I love how those two just seem to go together so well. They just seem like they should be together. So that is how they shall be, yes? In time?

I saw a little bit different of Liza - no, I take that back. It wasn't a different side of her, but more like that she had reached the end of her courage. Everything was growing, gradually becoming too much for her to take. Conrad's leg being taken off was probably the biggest blow of them all for her... her husband, that guy who ran around selling balloons all day... both of their lives were changed forever. Of course, just discovering the park in itself changed her life forever - even if she leaves it, the park will visit her in both in her memories and dreams. But I think that was the final draw. So that didn't seem of character for her to just throw up her hands and say: "I can't take it. I am taking my husband and getting outa here." In character. :D

His brow puckered with worry at the thought.


The woman he loves... (hey, he does!) thinking of her dying, and all he does is pucker his brow with worry? Come on, Christian! Show your horror at that - probably being the worst thing that could happen to him. Wrench his heart and life in two.

I find I don't really have anything else to say on this chapter... I mean, normally I have a bit to say just to ramble on, but in this case... I am just sitting here, thinking hard. Errmmm... there has to be something else, right? But I think you have everything else taken care of perfectly. Besides, Rosey took care of the technical stuff I can never find. :D

~Darth Timmyjake (so, so sorry for short review. :( )

No problem :) Thank you for reviewing, as ever. As a point of interest to me, do you feel like the writing is flat? (Here or throughout, anywhere in the story.)

Erm, no? It's your style, and I love it. Why, has someone called it flat? I shall pound them. <.<

No need for pounding anybody, my dear redneck neighbor. Just making sure.

User avatar
Rosendorn
Review

Hey Blue.

Haven't read previous parts. Just going off what I see here.

Not too sure on the passive voice at the beginning. I can see a point to it, not actually having everybody be described, but there are probably better ways to begin the chapter. It was a nice, neat little summary, but a little too neat in my opinion.

Then there is a problem throughout this whole thing: you summarize emotions in adverbs.

Doing this completely hamstrings your characterization. There are a million ways to "stare moodily into a fire." What does that mean for her? Brows furrowed, tears prickling, lips tense? Or are her eyes hollow, face neutral, mouth open?

You rob yourself of so many little details when you use adverbs in place of physical description to tell readers a character's mood. The two examples I gave are among hundreds more combinations that all reveal something different. People feel emotions and express them differently, which is really what defines who they are.

I also felt a little bit of flatness to the prose, here. There was just enough "he did this. He did that. She did this" that I was left feeling like there was something lacking. I think this is why the passive voice and adverbs stuck out to me so strongly; they were particularly short summaries when you've already been fairly straightforward.

That being said, I do find myself caring for their hardships despite jumping into the story so late. This is a very good sign, especially since something so traumatic happened. It's just a little flat for me.

Hope this helps. Let me know if you have any questions or comments.

~Rosey

It does, actually. I have the biggest problem with character emotions, which is probably because I usually repress my actual real-life emotions so much. So any advice you can give me on this sort of thing is a huge help but tbh I value your opinion so much that I'm completely terrified of your reviews but I guess I'll go read them anyway

Knight Dragon, here to review! (Onwards I press.)

(They did not offer any to Morrow.)

If you really wanted this to be a minor parenthetical note, then I would have attached it to the end of the last paragraph. But it's a really powerful, charged sentence. I'd leave it all by itself like you have, just taking off the parenthesis.

Good God in heaven, Christian thought, feeling her forehead with the back of his hand. Thank God, she was cool now.

The twofold reference to God, starting both sentences, comes across as forced and slightly repetitious. The first one struck me as odd when I read it the first time, like he was being slightly over-dramatic. I'd recommend either adding something different, like "He'd had no idea," or just cut it completely.

A quick note on hyphens. You have two examples that, to my knowledge, shouldn't be hyphenated (circus-animals and shouting-match). I'm pretty sure you use them to connect two adjectives when using them in a sentence like that, not to connect the adjective to the word it modifies. Of course, I could be wrong, but maybe you can cross check me (I found this.)

And I'm starting to notice that you tend to push the emotion of sadness or grief (depending on your perspective and the context) maybe just a little further than necessary. Characters (well, Christian in particular) tend to come across a bit "Oh I'm collapsing into total despair" at times (like when Christian learned about Minerva's fever). Life threatening, perhaps, but would he really be ready to dissolve into tears over it? Wouldn't it just make him sad that he hadn't been there for her? Just something to consider.

Hope this helps!

Thank you! I've actually been having a ton of trouble with specifically Christian's emotions (but previously with not having them come out enough), so any notes on that are really appreciated.

As for the hyphens...once I'm done with all major revisions, I'm going back to figure that out. I just...you know, sometimes I think that something that's two words is actually just one, or I think it's hyphenated when it's not, or...I don't know, I'm really good at grammar and spelling but there are just some words and phrases that royally screw me up. I'll probably have to have someone proofread just for stuff like that when everything else is done.

Mmkay. Ah, the pendulum effect. "You're not doing enough." Okay! Time to overcompensate! XD

Ooh, so they're your addiction, instead of commas. Well, that's good, in a way. It's a much smaller and less confusing arena to deal with. :)



I have writer's block. I can't write. It is the will of the gods. Now, I must alphabetize my spice rack.
— Neil Gaiman