Heya, rosette! Ink here for another review, so let's jump into it!
I'm seeing a lot of short, choppy paragraphs. Usually, I'm a fan of short paragraphs because they make information easier to digest for me (and presumably, for other readers too), but this is just not flowing well. There's not a lot of information to worry about when you're first setting the scene, so making the paragraphs so short isn't improving anything. Instead, it's just chopping up bits of information that would be better introduced together. Obviously, all you need to do is use larger paragraphs and perhaps reword and connect a few of the sentences to improve the flow.
I guess I'm kind of taking this review chronologically because now I need to say a little something about the dialogue between Maddie and 'goddess girl.' The exchange is tense, so for that part, you're definitely winning. However, this is not how most people talk! I've found that many people share the same problem with writing dialogue; they try to make it too formal. Writing dialogue, in my opinion, is totally different from writing other aspects of prose. In the narrative, it's totally okay to go ham with the vocabulary (avoiding purple prose, of course) and make it as eloquent as you please. Dialogue is a bit different. You can't just write what you want. The characters are in charge of it. You have to design a speaking style for each character that's realistic for the area and time period and realistic for the personality of the character. Given that Cedar Ravine is fairly modern and a town in America, people aren't going to be particularly formal when speaking.
"Surprise," I finally said. "He is my brother."
The dialogue is fine until about here. I can't tell how Maddie is saying what's she's saying. I like italics for that, but I don't think that's what you need here. I think either changing it to
"What a surprise," I finally said. "He is my brother."
or just
"He is my brother."
"I could ask you the same."
Here's where the 'too formal' complaint comes in. I think it's more realistic to say, "You're one to talk." or something along the lines of that.
"Oh, no. You're mistaken there. I do want to be here."
I don't know a lot about this lady, but she speaks fairly formally. I think that you should either adjust her speaking style a bit or have Maddie notice that she's more eloquent than most people.
I'd said too much.
Duh. I wouldn't include this. It's already so obvious.
This chapter had its issues, mainly with flow and dialogue, but I think you did great things with the tension! Despite the problems, I really enjoyed this chapter. You managed to pack a lot into a small amount of space, and I admire that. I'm looking forward to the next installment of chapter 6!
~Ink
Points: 2200
Reviews: 235
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