E - Everyone

Writing From a Desk in the Dark: Chapter 5

I always give myself away. Piece by piece. My time, my interests, my feelings. A piece given to student council, raw until crafted to become the perfect senator. A piece given to the honors college, worn down into the perfect scholar. A piece to community activists. Never mind that they’ve crafted me into something unrecognizable, used for means far beyond the original intent. A piece to my family, the facade of a daughter who left to go to college two years ago, not the person I am now. A piece for Aaron, molded by me into the friend he wants, supportive yet quiet, someone who cares for him, yet asks only companionship in return and most days feels guilty for asking even that.

And a piece for me. Kept raw, precious because of its roughness, unpolished. Part of this piece are my stories, written from a desk in the dark. Part of this piece are my identities, unwelcome where I live. Here, everyone knows my name, but few actually know the true me. Aaron has seen it a bit, when my exterior cracked. It almost destroyed our friendship.

I’m the only one who knows Orion.

There’s a town I run away to sometimes, up in the mountains, where I can be nobody or anybody. No one knows me there, three hours away from the uni. I can walk down the street without seeing anyone I know, without having to remember who has which piece of me to know how I should act. In this town, I can give whatever name I want for my coffee order, cloaked in anonymity. For once, I can be Orion.

It wouldn’t be a problem if I was vaguely recognizable on my uni campus. Or even a-lot-of-people-know-her-and-she’s-nice recognizable. Instead, I’m campus newspaper photo recognizable, Uni-president-introduces-her-to-the-Board-of-Trustees recognizable. Everywhere I go, people come up to me, calling my name. Maybe they want to talk about student council or they want me to join their club. They want me to help with this protest or come to their party. And I rarely say no. After all, being a public figure on campus never ends with only student council business. But all I can think when they come up is not another piece.

I can’t give them another piece of me, no matter how badly they might need it. If I give away another piece, then there’s none left for Orion. I only have a few pieces left.

I’m already starting to shatter, barely sleeping, either overeating or not eating at all. I avoid my friends. When there’s so many people I have to be around, so many things are expected of me, even being with friends feels like a chore. And my friends haven’t met Orion.

So I write this story from a desk in my dark room in the halls. High above the world, with the sun setting out my window silhouetting the trees, I type this story. Part fiction, part diary, a world where Orion lives. A piece for me. 

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NovemberCrow
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Heya Orion! It might not be autumn yet, but here comes the crow, ready to leave a review on your work!

First Impressions This work reminds me a bit of The Perks of Being a Wallflower, not so much in the content but in the style you use. It really feels like something personal to the narrator - who I assume is you, but maybe it's just a brilliantly crafted alter ego, who knows - we don't have all the information and we don't need it. What we do have is a window into someone's life, a bit like a diary or unsent letters to a close friend.

Salted peanuts - nitpicks, room for improvement
I don't think there's much to say here :D I also didn't catch any grammatical errors. No salted peanuts from me today!

Shiny stuff - highlights of good stuff! :D
ZI'll start with your writing style because I really like it. As I mentioned earlier, you're creating something here that's a kind of window into Orion's life, and I'll tell you, I've always had a soft spot for stories that work like that.
I always give myself away. Piece by piece. My time, my interests, my feelings.

I really like this opening and the paragraph that follows it, where you really show us what it's like in reality. We all put pieces of ourselves into everything we do on a daily basis and this work works great with that!
There’s a town I run away to sometimes, up in the mountains, where I can be nobody or anybody. No one knows me there, three hours away from the uni.

This is another part of the job that I really enjoyed! It's a bit of a contrast to the part of the job that came before. Being able to be a nobody in a place where no one knows you versus giving away pieces of yourself in a place where something is always expected of you.
Plus, the pacing is very natural, which is great considering how easily you jump from one topic to another.

An epilogue - ending thoughts
You have a truly immersive writing style that works great with the genre you write in! I will definitely be looking forward to your work in the future.
Have a nice rest of day/night/whatever is in your timezone and stay safe! :D

- Kay, your local (friendly?) crow

Hello there, human! I'm reviewing using the YWS S'more Method today!

Shalt we commence with the malicious S’more?

Top Graham Cracker - This narrator has been giving up pieces of herself just to satisfy others. It’s easier said than done to stop doing that, because if one does it enough, they become used to it and don’t have the time or energy to stop.

Slightly Burnt Marshmallow - I have no recommendations to make as of right now, but if you would like to edit this, then you may.

Chocolate Bar - I think that I can relate to this, a little. Like how one person can be involved in so many things that it’s like there is no chance to be themselves, because one has to be a different version of themself for someone. I feel like this perfectly describes what it’s like to give up a piece of individuality for a “bigger cause” and to just want that one moment of solitude.

Closing Graham Cracker - Overall, a good chapter on what it’s like to give up pieces of yourself for something else, I enjoyed reading and I can understand that feeling a little bit. I will be sure to check out the previous chapters and…

I wish you a fabulous day/night! ^v^



You can cut all the flowers, but you cannot stop Spring from coming.
— Pablo Neruda