Warning: This work has been rated 16+.
[A/N: I'M NOT GREAT ON DIALOGUE SO IF YOU COULD HELP ME WITH THAT, THAT WOULD BE GREAT. OH AND SORRY ABOUT THE FORMATTING, I TRIED TO FIX IT.]
"... by the life that courses within my blood
..."
The wind continued to pick up speed, blowing leaves and stray
pieces of trash through the middle of the streets. Rain pounded to the ground
with one large slap after another, filling every gutter and ditch. However,
inside - sitting dry and warm - a middle aged mother snuggled deep into the
folds of the blanket that covered her shoulders. Beside her blazed a raging
fire, filling the library with a ghostly glow. In her lap sat a tattered,
leather bound book, the pages smelling of ink and dust. Gently she caressed the
edges of the paper, feeling each page press back into the softness of her skin.
This is what she loved, and as long as she held a book in her hand, the world
could be ending and she wouldn't care. Caught up in these sensations of reading
she never noticed the near-silent footsteps that filled the empty room.
Staggering towards her, half-drunk was a tall young man. His face curled and he
grinned maliciously as he reached to his hip to grip the hilt of his knife. His
breathing labored as he continued his struggle towards the woman; she would
satisfy everything he kept pent up the past few days. Still, she didn't notice
him, even though he now stood behind her, clenching and unclenching his fist. He
could smell her. The sweet scent of cherry and vanilla filled his nostrils. It
sickened him how women would think nothing of others when they sprayed blast
after blast of their God damn perfume.
One hand rose into the air and he
held the blade of the knife above her head. With one deafening scream he plunged
it into her scalp with as much force as he could muster. It barely pierced her
skull but went in deep enough to cause the woman to drop the book and fall to
the floor. She withered in pain as warm-sticky blood oozed from the top of her
head; gluing an eye shut. He wasn't finished. With another scream - more out of
frustration then fear - he pushed the blade into her side. All she could do was
whimper as he continued to stab her over and over again until finally, all was
quiet. Covered in blood, he lied there in the fetal position, ashamed at himself
for what he had just done. But he couldn't help it, when he had the crave he had
to feed it. Coming to, he knew what was left. With one swift movement he ripped
her blouse open, revealing her bare breasts. He mumbled something under his
breath and thrust the knife in between her ribcage. Going from the sternum to
the top of her belly button he made an incision as deep as his hand. Reaching
into the gapping wound, he felt around until his fingers found what they sought,
her heart. Regretfully he gripped the organ and gave it one large
twist-and-pull. Now in his hand he could feel its warmth disappear into a
coldness only claimed by the dead. Stabbing a syringe of cryoprecipitate and
other solutions into the heart, he placed it into a lunchbox of ice that he had
brought with him. Afterwards he got to his feet, whipped the blood from his
hands and silently walked back towards the library door, sober from the
adrenaline.
-----
Dawn broke through the trees, the softened
light of the yellow sun spread across the floor of Guinevere's bedroom creeping
to her bed and blanketing her with its warmth. Groggy, Guinevere reached a hand
up to her face, rubbing her eyes with her palm. There was a soft pitter patter
as rain slowly rolled off the leaves of the large oak outside her window. It was
late summer. The air was stuffy and the breeze brought with it a chill
indicating that Autumn was on its way. Six months. That's how much time had past
since Guinevere left her home back in Rio Rancho to come live with her
grandmother. Sometimes she felt as if she made the wrong choice about leaving,
like somehow it made her childish by running away. However, she just had this
feeling like it was the right thing to do. Turning onto her side, Guinevere
picked up the old clock she bought at the local thrift store; 7:45. Damn she was
late. Tossing the bedsheets off of her, she jumped out of bed and rushed to the
bathroom, grabbing a towel along the way. Mornings were never her forte but if
she wanted to land this internship she was going to have to get used to it.
Three years. That's how long she had studied her ass off to be able to apply as
an intern to the medical institute of Kentucky in Lexington. When Guinevere got
the letter from Doctor Harrison, it was like time stopped. It had always been
her dream to become a world renowned forensic medical examiner and this
internship was her first stop to accomplishing that dream.
Back in her
bedroom she stood in front of her closet trying to decide the best thing to wear
on her first day. Her grandmother always said that your appearance is the first
judgement given to you by a person whether one wants to admit it or not, it's
what attracts others to you and if you make the wrong first appearance then you
set a bad first impression. Even if you're the kindest person alive, how you
look is how people are going to perceive you and Guinevere wanted others to
perceive her as someone they could take seriously. Someone who was dedicated to
her work. Finally she decided on a pair of black slacks and a cream colored top.
She combed out her hair then threw it up in a high pony, and made her way
downstairs. As soon as her feet hit the bottom step the strong scent of freshly
brewed coffee rushed over her, making her mouth water with anticipation.
Caffeine was one thing she could not live without.
"Good morning my
sweet Ivy."
Elise Boyer sat at the kitchen table reading the daily news
and gingerly sipping her ritual black tea. At the age of 58, she was still a
striking woman, with fine auburn hair and delicate features. Rather young to be
the grandmother to a 20 year old granddaughter it was her own mistakes of having
a child at the age of 15 that allowed this fate. And it was due to this prospect
that many believed Guinevere to be Elise's daughter, well that and the fact that
Guinevere shared much of her grandmothers characteristics.
"Morning Oma,
anything new to report?" Guinevere fluttered over to her grandmother's side and
planted a kiss on her cheek, stealing one of her breakfast biscuits along the
way.
"Well, Ann Riddle locked herself out of her own house again this
morning and walked up and down the street howling like a dying cat until the
Petersons went to her rescue. I'm surprised it didn't wake you." Elise replied,
taking another sip of tea.
"Yes, but Mrs. Riddle tends to lock herself
out many times a week, it's nothing new. I'm just surprised that woman hasn't
learned to stash a spare key somewhere on that porch of hers." Guinevere stifled
a laugh as she poured herself a cup of coffee.
"It's because that women
is so air-headed. How Roger even put up with her appalls me, but as they say,
love is blind."
"Yes it is."
Guinevere grabbed her purse off the
back of one of the bar chairs and slipped it over her shoulder, grabbing both
her coffee and another biscuit from her grandmothers plate as she made her way
to the front door.
"Are you going to be here for dinner tonight or do
you want me to leave yours in the oven dear?" Elise yelled over the top of her
paper in between sips.
"I don't know yet Oma, I'll call you from the
institute later. Bye!" The front slammed shut.
Outside, Guinevere
fumbled around in her bag in search for the keys to the old VW Bug her
grandmother bought as a congratulation gift. It was a nice car, painted pewter
blue it looked like it came straight from a 1940's movie. When her grandmother
first handed her the keys to the vehicle Guinevere cried. It was the first act
of kindness she had seen form a family member for a long time and it softened
her heart. Gave her back the hope in family that she had lost for a while.
Sighing, Guinevere climbed into the drivers seat tossing her bag to the
passengers side and cranked down the windows manually. Starting the car she then
reached into the glove compartment and shifted through the hoard of CDs until
she found what she was looking for. Popping in the over used AC-DC disk she
looked into her rearview mirror, hand on the gear shift. It was then that she
stopped, the hairs on the back of her neck standing on edge.
Hands
clenched tightly against the steering wheel Guinevere looked out the window,
scanning the streets up and down. Slowly her eyes fell upon a simple van. She
had no idea why she felt so strongly inclined to the feeling that the vehicle
was somehow dangerous. Nothing about it screamed out of place, in fact it looked
like any ordinary soccer mom van. However there was something off, she could
feel it. A long time ago Guinevere learned to trust her feelings, and while that
may seem a bit cheesy, it proved useful in the long run. Now, here she sat,
staring at a van that in no way seemed out of place, but yet, to her it was all
completely wrong.
"Snap out of it girl or you'll never make it to your
first day." She mumbled to herself, putting the car in reverse.
As
Guinevere drove down the street, she kept looking back, afraid that in the few
seconds in which her eyes had left the van it had somehow mysteriously
disappeared. Yet, every time she did so, it was right where it had been moments
before. Her feeling of wrongness never went away.
Hello, is
anyone here?" Guinevere closed the door behind her as she walked into a sterile
lab room. "I'm looking for Dr. Harrison, I'm his new intern."
"Why hello
there, you must be Guinevere Simmons, it's a pleasure to finally meet you in
person."
An older man with thinning salt and pepper hair stepped into
the room from what appeared to be a personal office. He was rather tall, roughly
six foot three and he had a beer gut to match. The suit he wore looked hand
tailored and behind the mask of professionalism, the man had an air of cockiness
to him.
"Please, call me Ivy."
"Well Ivy, it's great to have you
here. When I read your thesis statement I knew that you were going somewhere and
I so desperately wanted that somewhere to be here. Now to see you standing
before me I am rather shocked to see how young you are. I would have thought you
to be a few years older," Dr. Harrison walked past Guinevere motioning for her
to follow "either way, here you are. Now as you can tell this is the lab area,
it is to be cleaned everyday after classes. My office is located to the left,
normally I don't allow interns inside but I may have you grade a few papers here
and there in which case you are free to use my desk. Down the hall and to the
right is autopsy, we hold open-to-watch autopsies to students every three weeks,
you'll assist me with them. In fact our next one is tomorrow," Harrison looked
down at Guinevere's slacks, "wear something you don't mind getting dirty. Any
questions so far?"
"No sir, I think I got it."
"Good. Now if you
walk to the end of this hall then make a left you'll find the restrooms to be
the third door on the left. If you turn right, the morgue would be at the end of
that hall. I don't officially have any classes today so you'll be running a few
errands," Harrison stopped, opened the door that lead back into the lab and
walked in, letting Guinevere to catch the door before it shut, "first, I was
hoping you could go pick up some lunch. There's a fine sandwich shop off main
street."
Speechless and a little flustered, Guinevere looked at Harrison
with a raised eyebrow. "Sir I thought I was going to be working on medicine, not
getting your lunch and picking up after you or your classes."
"You will.
However I find it fit that you prove yourself to me first, is that going to be a
problem."
"No sir."
"Good, now I would like a turkey and provolone
on rye, here's a twenty, buy what you will with the rest. See you in
fifteen."
Biting back a response, Guinevere took the bill and grabbed her
bag off one of the work benches. Turning around she left the way she came.
------
With a loud bang the front door slammed
open. Standing in the doorway, illuminated by the moon, he breathed heavily; one
gasp right after another. The lack of light and the occasional flash of
lightning gave the room an preternatural feel. Outside the world seemed ready to
blow away. A smile tugged at the corners of his lips. He laughed, elated. When
he had told himself that she would satisfy everything, he wasn't kidding. The
feel of her blood so warm and sticky on his fingers gave him absolute pleasure.
Stepping across the threshold of the house, he let his bloody clothes fall to
the floor. The cold of the wind caressed his naked body, causing gooseflesh. He
shut the door behind him carefully as not to disturb the peacefulness of the
storm. Looking down at his hands now, he could still imagine the look of horror
on her face as he did to her what he longed to do to all women.
"The are
all scum my son," his father told him once when he was younger, "they're meant
for nothing more then children and food. You remember that boy." Then his father
would clear his throat and spit into a jar, smug.
"Yes father." He'd
reply, clearing his throat and spitting into the jar as well.
That
thought, the one image of that conversation angered him. Bringing tears to the
corner of his eyes . He started to cry; not the I can't hold it back anymore,
but the I'm just trying to be strong kind of cry. Images of an ivory face and
beautiful locks of black curls filled his mind. They tore open the one place in
his heart that hadn't been filled with anger and despise and flooded his body
with overwhelming pain. He fell to the floor in agony, salty tears falling from
his eyes and staining his cheeks. 'No' he thought, straitening up. 'I can't be
weak. Weakness if failure.' With all the strength that was left in his trembling
muscles, he stood and solemnly walked down the dark hall and into an even darker
room, locking himself inside. Leaving his heart at the door.
Points:
Time spent:
Canary word: Present
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Amazing descriptive writing. The introduction was great, you set the setting very well. It's like you were able to actually make yourself the character, you become the character and lived your writing to tell it like a true story that we can live through as well.
Hello, myjaspercat! I'm here for a review.
I'm not sure if this was a stylistic choice, but "Within My Blood" (with the capitalization) might look better for the title as opposed to "Within my blood".
First, let's get all of the little nitpicks out of the way. They will be condensed under the spoiler.
Spoiler
You're going to want to use an em-dash here. Em-dashes can be used to enclose parenthetic statements, like the one that you just used here. Here's a link on em-dashes. I tend to use them all the time, haha.
It would be "goddamn", according to the dictionary.
"Writhed" is typically used when describing pain like this, although "wither" does work as a visual. I'm not sure what you intended, so I am bringing that to you attention.
Correct word is "lay". This is a good cheat sheet on which word to use.
There should be a comma placed after "regretfully".
[...]whipped the blood from his hands[...]
Wiped.
It's an odd rule, but seasons are not capitalized.
Medical Institute of Kentucky is a title, it would be properly capitalized like so.
Be consistent. Use 'one' or use 'you', but mixing it up makes it appear clunky.
This could definitely be a regional thing, but I have never heard a ponytail referred to as just a pony.
Comma before "my".
I think this sentence needs some rewording. It's a bit long and awkward. Perhaps, "She was rather young to be the grandmother of a 20-year-old, but it was her own mistake of having a child at 15 that allowed this fate."
"Form" should be "from".
"It" before "gave". While the omission of "it" could be used in a conversation setting, it ends up sounding extremely awkward in this instance.
Apostrophe is needed in "driver's seat".
"Over used" should be "overused" or "over-used". Comma between "disk" and "she".
Nothing about it screamed out of place, in fact it looked like any ordinary soccer mom van.
Comma after "in fact".
Correction: "Snap out of it, girl, or you'll never make it to your first day," she mumbled to herself, putting her car in reverse.
It needs a beginning double quotation mark.
Comma after "outside".
There seems to be some issues with consistent usage of the vocative comma. It's a comma that you use before addressing someone by name, rank, title, etc. When addressing you, myjaspercat, I would put a comma before and after your name to set it aside from the rest of the sentence.
Ivy, don't get murdered by that serial killer.
Getting murdered is a pretty bad idea, Ivy.
You can also use the vocative comma when addressing objects, although that doesn't come up as often.
There are also some problems with commas in general -- commas being skipped over when they are needed, too many commas being used in a sentence, run-on sentences, etc. Here's a quick KB article on it, although I have some others if you would like to read them.
There were a few issues with paragraph spacing, but I'm not exactly sure what you tried out. Perhaps paste this into Word (Google Docs, or some other equivalent), separate out the paragraphs, and then paste it back into the Publishing Center? If you need any help with this, then just send me a message. I've had some problems formatting in the Publishing Center in the past.
The dialogue between Guinevere and her grandmother wasn't really all that interesting. The main information in that scene between Guinevere and her grandmother mostly comes from the one block of description where the description of her grandmother talks about how she had a child at 15. Now, I don't expect that info to come out during dialogue (especially this early, in an introduction to the characters' dynamics), but I do expect something more than information about a character who isn't our main crew. I would rather look a bit more into Guinevere's life instead of something about Ann Riddle.
However, with the serial killer obviously targeting women, that does make me think that the mention of Ann getting locked out foreshadows her eventual death.
Added onto this, the dialogue tags need some work. Especially when it comes to capitalization and commas. This was a good source that I found on it.
For catching little grammar errors and awkward sentences, I've found that reading aloud sometimes helps; it forces me to adhere to the little breaks that come with commas and the inflections that come with dialogue. Sometimes even changing the font helps, since your brain gets so used to the font that you are already using and skips over errors.
I cannot tell if this is a formatting issue, but it was a bit difficult to tell when scene breaks happened. Perhaps use an asterisk to signify it? It's a stylistic choice, but it can help with the readability of your chapter.
Back to an area in the very beginning of the chapter!
This detail was not mentioned previously. In fact, he was mentioned as drunk while grabbing a knife at his hip. I'd add in the detail of the lunchbox sooner, rather than later. It seemed a bit convenient at the time.
One thing: I'm kinda looking forward to the explanation behind the name that Guinevere uses? Her names sounds like it's out of an Arthurian tale (well, it is, haha) but her nickname does sound very much 21st century. Unless there was some sort of reason in the narrative to have two drastically different names (and there very well may be), then I'd probably just stick with one.
The dialogue between Dr. Harrison and Guinevere was fine, if a bit uninteresting. It looks like it's going to set up some situations that the main character will get herself into (running errands with a serial killer on the loose, to name a blatant example).
As far as the story goes, I'm not sure how I feel about it so far. I'm not very familiar with the horror genre, just to throw that out there. The foreshadowing seems a bit blatant. The two perspectives could turn out to be interesting, added in with the inserts from the serial killer. It could either heighten the suspense or form a sympathetic relationship between the serial killer and the reader.
It's around 1:50am for me, so I think I'm going to finish this review right here. Sorry for not delving into the actual meat of the story as much as I had planned to!
I hope that you will keep on writing,
-Castor
thank you so much for your review. I will totally keep this in mind when I write the rest of this and go back and edit it.
I want to say thank you again, your review helped a lot as I went back and edited my first chapter. About the two different name things: Ivy is pretty much a nickname. For example, my mother's name is Andrea but she goes by Andie. While Guinevere is my character's name, she prefers to be called Ivy. That's why you only see the name Ivy in dialogue [or at least I hope so, I may have slipped it in else where on accident] anyway, thank you so much again.
No problem!
I'm actually very speechless after I read this. This was... amazing! It's been a while since I've found a story that has detail and care put into it! I'm in love with this story, and I can't wait for the next part (if there isn't one at the moment)!
But I did point out one flaw. In your sentence,
"You will. However I find it fit that you prove yourself to me first, is that going to be a problem." At the end of the sentence, the correct punctuation would be a question mark instead of a period. But I don't really think that's something you should sweat about.
All in all, I'm in love. The plot, the characters, and everything else in between, is perfect.
Thank you so much. Funny thing is that I have been mainly writing this at night, like literally in the middle of the night, while listening to post punk rock and stuff like that yet I have found this to be my easiest piece to write. I am working on chapter two and if you want I can keep you posted when I update. thank you for your review. I appreciate it.