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Young Writers Society



See Me (1)

by Twit


ONE

Once upon a time there was a cage and I was in it.

‘Morley!’ Quennel bellowed. He propped his booted foot up on the side of the cart and tugged at the laces.

I stretched out a finger and dug it into the faded patch on the toe.

‘Get off,’ Quennel snapped, and kicked the cage so the bars rang.

‘That patch needs repatching,’ I said, still lying with both arms out between the bars. ‘It’ll be a patch on a patch, but not a patch on a new boot.’

‘Morley!’ Quennel bawled, and Morley stumbled out of the inn door.

‘Sorry,’ he mumbled, hurrying to the cart and climbing in. I clutched at his ankles but he shook me off.

‘I told you to go in and pay the landlord half an hour ago. What the hell have you been doing all this time?’

‘I’m sorry,’ Morley muttered, looking at his boots.

Quennel hauled himself up into the cart’s front seat. ‘It’s always like this, isn’t it, I tell you to do something and you always manage to mess it up or take twice as long as any normal person would. I mean, what is the matter with you? Why do you always manage to cock up every responsibility you’re given? I might as well ask the Raven to handle things.’

‘I am yours to command, oh my master,’ I said. ‘Say the word, unlock the door, break the chains and I shall run your empire with grace, poise and finesse.’

Quennel slapped the reins on Shallie’s big brown bottom and the cart lurched forward. ‘And it’s not like it was even that good of an inn.’ Quennel’s voice was penetratingly clear in the still air. The track wound through the black wet trees and the only sound aside from Quennel’s voice was the rattle of the cart wheels and the slow steady drip of moisture from the black tree branches. ‘The beer was sour, the maid was old and I know that bed had fleas.’

‘They liked the Raven, though,’ Morley ventured.

‘Well of course they did.’ I could hear the eye-roll in Quennel’s voice. ‘Everybody pays to see the Raven. That’s why we have her, remember?’

I bared my teeth at the back of Quennel’s pale head and thought about chainsaws. Morley pulled his coat tighter about himself, plucking at the buttons with his long twitching fingers and customary look of misery. I reached out and pinched his ankle, and he squawked in surprise.

‘Hey Morley,’ I said. ‘You know something?’

‘What?’ he said warily.

‘I thought of another blonde, brunette and redhead joke.’

Quennel gave a snort of laughter. ‘Oh Lord, not another one. Where did this one come from? A dream or a mad fit?’

‘Want to hear it, Morley?’ I asked, ignoring Quennel.

‘Um,’ Morley said. I knew he didn’t want to hear it, but Morley wasn’t brave enough to say no to anyone, not even to the freak in his own freakshow, so he said, ‘All right. Tell me,’ and I grinned.

‘So there was a blonde, a brunette and a redhead, and their names were Quennel, the Raven, and Morley.’ I scuttled my fingers over the toes of Morley’s shoes. ‘Blonde, brunette and a redhead. And they were hiding from the magistrates because the blonde and the redhead were running an illegal still and peepshow, and the brunette was coerced against her will and it was all very cruel and terribly illegal. And they were hiding in an old barn when the magistrates caught up with them, so they decided to hide in these old sacks. The magistrates came in, swords and lanterns, and searched the barn and they found the old sacks. They kick the first bag with the brunette in, and the brunette says, “Woof!” “Ah,” say the magistrates, “it’s just a dog.” They kick the second bag with the redhead in, and the redhead says, “Squeak!” “Ah,” say the magistrates, “it’s just a mouse.” They kick the third bag with the blonde in, and the blonde says, “Potatoes!”

I giggled, and Morley sighed.

‘Where’d that one come from?’ Quennel asked derisively. ‘Heard it in a dream?’

‘Oh no,’ I said. ‘No no no no no. I saw this one in the stream where the wild roses grow.’

‘Last one you said got told you by a flying horse,’ Morley said.

I sat back in the cage and wrapped my arms around my knees. ‘Morley my lamb, my mind goes to so many different places I can’t be expected to keep track of them all. Quid pro quo, merci beaucoup and insha’allah merciful effendi.’

Morley sighed and huddled down deeper inside his coat.

The black dirt path went deeper and deeper into the trees, and the air seemed to get even colder. My breath smoked out of my nose and I wrapped my blanket tighter around myself, squinching down as small as possible to try and cover my bare toes. The chain around my ankle chafed, as it always did when it got cold, and I worked a fold of the blanket between it and my skin. Now my toes poked out.

‘Exposed toes,’ I said. ‘Toes exposed.’

‘She’s cold,’ Morley said to the back of Quennel’s head.

‘So’m I,’ Quennel retorted. ‘It’s winter. We’re in a forest. Of course we’re going to be cold.’

‘Don’t you think,’ Morley ventured, ‘maybe it would be best not to travel in the winter? We could stay in Jardinille or take a ship back to Ennesey... Or not,’ he added quickly, as Quennel turned around to stare scornfully at him. ‘Or not. Travelling around’s good as well, it’s better because this way we get to reach new towns and places that haven’t seen the Raven yet so they want to see her so they pay to see her so we get money and...’ He trailed off.

Quennel raised an eyebrow. ‘Don’t think so much, Morley. It doesn’t suit you.’ He turned back to Shallie’s bottom. ‘We travel because the law says that if we don’t move on, we get shut down. If we get shut down, we don’t eat. It’s as simple as that.’

‘What happens if I freeze to death?’ I inquired. ‘What if I just keel over one day, clean as that, two and two equals four, so long and all the rest your Majesty?’

‘Raven, if you even think about dying, I’ll flog you with the horsewhip.’

‘Oh but master,’ I protested, ‘where’s the originality in that? You’ve done it so many times before. You need to find some other way of expressing yourself. Maybe try sticking me full of needles and dropping me in a vat of hot treacle, or blowing me out of a volcano covered in chocolate sauce—that’s me that’s covered with chocolate sauce, not the volcano—only do you have volcanoes here? I mean, I haven’t seen any, but that’s nothing because there I never saw any back home either but they were there, Vesuvius and Mount Etna and Katrina or was that something else? But it doesn’t matter because they might be here too only not in this here, the here where I’m here, but they might be here, I might have seen them in the stream but I’ve forgotten but they might be in—’

‘Shut up!’ Quennel bawled.

‘...itty-bitty living space,’ I whispered.

‘Be quiet!’

‘Are we there yet?’

‘No! And if you don’t be quiet I’ll take you out and flog you right now!’

I sighed and rested my head on my knees. The rough weave of the blanket grazed my cold cheek and I closed my eyes, listening to the sound of the forest, but although I hoped for more, all I could hear was the rumble of the cartwheels.

‘Can you hear me, Raven? Do you understand?’

‘Yes master,’ I said, and clenched my fists in the blanket.

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2631 Reviews

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Sun Jun 24, 2012 2:17 pm
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Rydia wrote a review...



You remember me and you know how these things go down. I talk at you, you listen and somewhere along the way writing takes place.

Specifics

1. Your first sentence is a killer in the most beautiful way possible <3

2.

‘That patch needs repatching,’ I said, still lying with both arms out between the bars. ‘It’ll be a patch on a patch, but not a patch on a new boot.’
Some slightly awkward phrasing here. Instead of 'I said, still lying', why not try 'I said, lying still with both...'. It has a much stronger flow and the ambiguity of it is nice too.

3. Oh god you make me laugh. You really do. Darling, I forgot how much your writing delights me! You mustn't let me forget this again, da? The character of the Raven is witty and wonderful as ever and the blend of our world and theirs so beautifully perfect.

4. This Raven is different, isn't she? Is she? It seems a while since I last read a piece by you but she feels more certain of herself, even more... there somehow. I don't know if it's only because my memory is poor or if you've changed something but wither way, I love her. I love Morley and Quennel too but not as much and I love how perfectly that little story of the Raven's and their reactions gives you their characters.

5.
‘...itty-bitty living space,’ I whispered.
There's this writer and there's this other person. Orts and fragments of daily life. Let me think now. I know this one. You see, this writer was Virginia Woolf and this other person was unimportant but what Virginia Woolf did in Between the Acts[/i] was strain for that connection between our world and the literary, was try to give every piece of daily life she could. I could talk a lot more about it, in fact I gave a presentation that lasted longer than it should but I'll shush now and simply say that for just a moment you reminded me of her. What you do is different but I think you both had something of the same idea.

[b]Overall


This isn't how reviews are supposed to go but it's how they do with you and I. Sometimes you have less perfect pieces and I flounder more, other times you write exactly what I feel in my soul and only wish I could express.

Sign me a book when you're published?

Heather xxx




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Fri Feb 17, 2012 4:06 am
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Kit says...



I am actually enthralled. I shall put on my hat of enthrallment. The characterization is very strong. The narrative is compelling, and it has some grit without being turgid. Now for some shredding.

It’s night, the sky blue-black, and as dark as the inside of my mother’s womb.


I am slightly confused about internal Raven. From her dialogue, I think of her as fake crazy hawk-from-a-handsaw Hamlet, with the mocking her captors through both literal and metaphorical bars. Or possibly like Firefly's River, because they have five letter names meaning something natural, share three of those five letters, and could quite possibly be a combination of genuinely inscrutable and actual crazy. Part of this confusion is the doubling descriptions, if it is part of pur heroine's charms, do continue and use more deliberately to demonstrate intent for the nitwits like myself. My conflict with the above line is that flesh is not opaque, and is usually of a reddish translucent, which jars against the blue black. For an omniscient, I would say that is too many words to say it is night, but if the doubling description is Raven's thing, by all means blossom it. Wait, unless Raven's mother was blue/dead when Raven was pulled out of her. Ooo, that's creepy.


The streetlamps flicker vague orange shadows on the concrete and sometimes a car blares past, swerving to avoid me standing in the middle of the road, one foot on either side of the white line. The wind bites through my red hoodie and ruffles my fringe, carrying in its mouth the cold salty scent of the sea.


You're using sense imagery! Take me, I'm yours! Wait, why are the roads concrete instead of bitumen?

The streetlamps flicker like candles and go out. I crane my head back, staring up at the sky, and there he is, swooping out of the dark, a white ghost made from the starlight.


Starlight....Starlight....Why does that sound familiar? Like something from my Australian childhood?

The beat of his wings blinds me and my eyes water, but then he lands and I run to him.

There's a dream I can remember, I've dreamt it many nights, a magical creature comes to me, a black stallion horse of flight....And then we're flying through the sky tonight, my friend beats his wings to a song of power and might...oh no. Oh no!

He tosses his head, hooves scraping on the concrete, and I run my hand down his neck, then up, stroking his face. He snorts impatiently and demands, Well? Are we going or aren’t we?


He scrapes his hoof over the pavement and strains up at the stars as I climb onto his back.


He nuzzles at my neck, he surely wants to ride, I climb onto his back before he checks I'm holding tight....OH GOD NO!


http://www.youtube.com/watch?v=fkOxWss2 ... ata_player

**shudder**
Okay, I'm not saying this section was inspired by a song from the pop girl band franchise of an Australian/Canadian children's show 'the Saddle Club',certainly they weren't the first ones to come up with dreaming about flying stallions, but I am saying that in 500 years when they are teaching Twit Studies instead of Chaucer, they will make that comparison, and I will laugh.

I would be interested in how the physical informs the dream in that respect, Raven's experience of horses probably involves stenches, poo, piss, parasites, randyness, colic, mange, matted hair, kicking, all the non MyLittle aspects of ponies. Would this inform the mythical, or is the horse transformed much as she is, retaining the wit that is the badge of misfortune? We shall see.

He tosses his head, hooves scraping on the concrete


He scrapes his hoof over the pavement and strains up at the stars as I climb onto his back.[/quote


Deja description, non?



‘Morley!’ Quennel bellowed. He propped his booted foot up on the side of the cart and tugged at the laces.

 

I stretched out a finger and dug it into the faded patch on the toe.

 

‘Get off,’ Quennel snapped, and kicked the cage so the bars rang.

 

‘That patch needs repatching,’ I said, still lying with both arms out between the bars. ‘It’ll be a patch on a patch, but not a patch on a new boot.’


Not too dense, good observations, well choreographed. If you want more word play in Raven's dialogue, it wouldn't feel out of place.

Quennel’s voice was penetratingly clear in the still air. The track wound through the black wet trees and the only sound aside from Quennel’s voice was the rattle of the cart wheels and the slow steady drip of moisture from the black tree branches. ‘The beer was sour, the maid was old and I know that bed had fleas.’


Double description, black wet trees/black tree branches. Strictly speaking, "black tree branches" is superfluous, if it says "branches", they will seem to belong to the aforemensioned trees, but again, depends on what effect you are after. Rotting leaves? Fun smell?

I bared my teeth at the back of Quennel’s pale head and thought


Love this line.

‘So there was a blonde, a brunette and a redhead, and their names were Quennel, the Raven, and Morley.’ I scuttled my fingers over the toes of Morley’s shoes. ‘Blonde, brunette and a redhead.


I will say, it is one of my pet peeves when people use hair and eye colour as characterization but in this unstance, I loved it, it was the least awful awkward way I have ever seen it used.

And Lucky! From Waiting for Godot, Raven could also be a bit Lucky. I enjoy the rhythm in her dialogue, which will keep it from sounding too contrived.

MORE! GIVE US MORE OR I WILL HORSEWHIP YOU WITH AN ACTUAL HORSE!





Put me in the fqluote generator. I say wise things.
— RigoTheHacker