E - Everyone

Dreams of Stars Chapter 30 (Once Upon a Time)

Living in Cinderella’s pantry with Gus was entirely different than living in Geppetto’s workshop with Jiminy. Here, Kaelin was a secret—a precious secret to Cinderella, but a secret nonetheless. She became nocturnal, since it was easier to come out at night than during the day and not be seen by the stepmother and stepsisters. As soon as the stepsisters went to bed, Kaelin and Gus would come out and do whatever they could to help Cinderella with her remaining chores. There wasn’t a great amount of physical help they could offer because they were so tiny, but their presence was enough for Cinderella. She talked to them constantly while she worked. There wasn’t anyone else for her to talk to.

Kaelin found it difficult to understand Cinderella’s stepmother and two stepsisters. From inside the walls, she could hear them shouting and screaming at her all the time. The sound petrified her and made it nearly impossible for her to sleep, but she had to endure it because Cinderella needed her. She also couldn’t let Gus know how little sleep she was getting, because he could sleep soundly through practically anything. But why all this shouting? Cinderella was far beyond shouting back, but no matter how she responded to them, it was somehow disrespectful. Cinderella seemed to bear almost all the work in the household, and yet they still told her she was more trouble than she was worth. Why treat her like that? Did they resent having to care for her that much?

Had the orphanage workers resented having to care for Kaelin?

At times, Kaelin wanted to believe that her situation had been exactly the same as Cinderella’s was now. Yet didn’t Cinderella still do a good job in her work? Kaelin believed she had been shouted at all the time because she actually had not been able to do anything well—perhaps all the shouting at her had been justified. She was wary about comparing herself to Cinderella.

Still, Kaelin could compare herself to Cinderella enough to understand what she was feeling. She had an empathy deeper than anything Gus could have, though Gus was also indispensable because of his flawless ability to make Cinderella laugh. Long ago, Kaelin had learned to appreciate the healing power of laughter. She had seen it lift Geppetto out of a very dark place when laughing Sofia had come into his life. Now she was seeing its magic again as Gus restored life to Cinderella’s eyes.

Even so, when Cinderella needed someone to cry with—someone to really understand—she would turn to Kaelin. Very soon, Kaelin discovered that she didn’t have any answers, but she also found that she didn’t necessarily need answers. A tiny hug on Cinderella’s shoulder was enough.

Often, Cinderella had to mend clothes. This soon became Gus’s and Kaelin’s primary way of helping. To Kaelin’s surprise, Gus was an expert at sewing. Kaelin had sewed a bit as a child, but she had long since forgotten it. Gus taught her how again, and he taught her far more than a simple stitch. Often, after they were mended, Cinderella’s stepmother’s and stepsisters’ clothes looked better than before. “My father was a tailor,” Gus explained, “He had always wanted me to take over the family business, so he taught me how to measure and sew from a very young age. After I became a mouse, though, it was obvious that I couldn’t take over the business. There’s not a customer in this world who would buy a vest or a dress from a small rodent, no matter how well-made it is.”

Kaelin laughed because Gus had obviously meant this to be funny, but she could sense a sadness behind his words. He really seemed to enjoy sewing. Surely he was disappointed that he would never own a tailor’s shop.

Whenever they had a break from mending the stepsisters’ clothes (which the girls seemed to tear on purpose to give Cinderella more work), Gus and Kaelin would turn to mending Cinderella’s clothes. This was a greater challenge, since her clothes were nothing but rags, but Gus liked a challenge. He always seemed to know the exact most efficient way to use leftover scraps of fabric. Before long, Cinderella’s dresses didn’t look half-bad.

In a new house with new friends and a new life, Kaelin had thought she might be able to stop thinking about Jiminy and Geppetto sometimes. Not that she wanted to forget them—she certainly didn’t want to forget them—but she hadn’t expected to miss them continually like this. Even with everything else going on, they were always in the back of her mind—especially, she had to admit, Jiminy. Kaelin comforted herself with the thought that she would see them again, but when? When would she see them again?

After about a month of missing them, Kaelin received word from Nova that Jiminy was out traveling. The Blue Fairy had sent him on an errand to meet seven dwarves and a young woman who was wanted by a certain queen. At that point, Kaelin didn’t know much about the politics of the land, but she did know that the queen Nova referred to was not a good queen. As for Kaelin and Cinderella, they lived under a different king and queen. However, they were not too far from where Jiminy was now. He was coming to visit in about one week.

Hearing this, Kaelin went into a state of constant excitement and anticipation. She was practically counting down the hours until his arrival. Now Cinderella and Gus could meet Jiminy! Surely Cinderella would like him. And Gus? Maybe Gus and Jiminy could become great friends. Kaelin would love to see that happen.

Kaelin had talked to Gus about Jiminy before, so now she told him all about the planned visit. Gus grinned. “How would you like to make your cricket friend a special present?” he suggested.

“What did you have in mind?” Kaelin asked curiously. She loved the idea.

“I was thinking something along the lines of a handsome outfit,” Gus replied, “A hat, perhaps. And a cloak.”

“Oh, will you teach me?”

“Of course!”

Thus, whenever she had free time that week, Kaelin concentrated on learning how to sew a little hat and cloak. Fortunately, there were some scraps of matching, heavy brown fabric for them to work with. Gus showed Kaelin how to make a pattern, and she cut out the pieces. Then he showed her how to put the pieces together—and, for the hat—how to make a frame—and she did the stitching. The result was a little top hat with holes for Jiminy’s antennae and a short, brown cloak. Just to be fancy, Gus had Kaelin thread something into the cloak’s collar to make it stiff, and he had her sew a in a short, white pseudo-vest. They used red ribbon for the cloak’s tie.

Once they were done, Kaelin surveyed their handiwork and beamed with delight. She hoped Jiminy would like it. Surely he would be surprised.

The next evening, while Cinderella was finishing sweeping the kitchen for the night, Kaelin heard a single, bell-like chirp from the back door. She ran to Cinderella. “I think he’s here!” she reported excitedly, “He’s at the door! Will you open the door for him?”

Cinderella leaned her broom against the counter and went to the door. She put her hand on the doorknob. Kaelin held her breath and fidgeted because maybe Jiminy wasn’t there. Maybe it was just an ordinary cricket. However, when the door cracked open and a familiar, dark green face appeared—with a familiar smile on the funny, layered mouth—Kaelin squeaked with joy. She ran to Jiminy on all fours, then stood up and hugged him. “You’re here! You’re really here!” she cried.

Jiminy laughed and hugged her back. Then he looked up at Cinderella. “You must be Cinderella,” he said.

“Yes,” she replied, kneeling down to be as close to his level as possible. She smiled.

Jiminy bowed to her, fluttering his wings a little. “I’m happy to meet you.”

“Kaelin tells me you’ve been her friend nearly all her life,” Cinderella said.

“Oh, I-I—” Jiminy stammered, with an abashed laugh.

“Thank you for letting her come. She and Gus have been very kind to me.”

Jiminy looked surprised. “Gus? Who’s Gus?” He hadn’t noticed the other mouse in the room yet.

“That would be me,” Gus replied impressively, sidling forward.

“Oh—a-another mouse…” Jiminy said, and Kaelin was confused to see his antennae droop a little. He sounded strangely disappointed.

“My name is Gustave,” the mouse introduced himself, holding out a paw for Jiminy to shake, “I’m glad to make your acquaintance.”

Jiminy forced himself to perk up again and shook the mouse’s paw. “It’s good to meet you too, Gustave.”

Kaelin might’ve let this pass, but Gus looked so pleased with himself that she couldn’t help it. “But we call him ‘Gus-Gus’ around here,” she added.

“And we call her ‘Suzy’,” Gus avenged himself as calmly as he could, nodding his head toward Kaelin.

“Y-you have nicknames for each other…?” Jiminy faltered, sounding oddly sad again.

Before Kaelin could reply, Cinderella jumped into the conversation. “Jiminy, how are things back at the workshop?” she asked, “Kaelin has told me everything about your friend Geppetto, and poor Sofia, and now Pinocchio.” Kaelin had not, in fact, told her everything. She had left out the part about Geppetto’s long-standing grudge against Jiminy and the reason behind it.

“Ah, well…Geppetto really has his hands full,” Jiminy replied, and something in his tone told Kaelin that things weren’t going as well as they had hoped, “Did—did Kaelin tell you that I’d been assigned as Pinocchio’s conscience?” He glanced over at Kaelin.

“She did,” Cinderella said.

“Well, I’m a poor excuse for one,” he said, mumbling a bit, “He won’t listen to me.”

“As I understand it,” Cinderella began, “People can choose to listen to their conscience or not, and it’s not the conscience’s fault if they don’t. I don’t think the problem is with you.”

Kaelin nodded in agreement, wishing she had thought of that.

“Yes, but you should’ve seen me try to explain the concept of right and wrong to him,” Jiminy argued with a nervous laugh, “I thought it would be a relatively simple concept to explain, but then I realized that there are some things that look right on the surface which are actually wrong, and some things that look wrong which are actually right—if you examine them more deeply. I’m afraid I completely failed when I tried to explain that.”

“What you said just now makes sense to me,” Kaelin remarked.

“Well, I didn’t say it like that to Pinocchio. I’ve had time to think it out by now.”

“I’m sure you’ll get better with practice,” Cinderella assured him, “It just takes experience.”

Jiminy smiled. “That could be. Thank you.”

Kaelin bit her lip, feeling a little displaced by Cinderella and trying not to feel that way. Then she felt a claw tapping on her shoulder. She turned to find Gus there, carrying the hat and cloak they had made for Jiminy. He bundled them into her arms, then turned her back around as if to tell her now was the time to give them to him. Kaelin brightened up a bit. “Jiminy!” she said.

Jiminy looked at her, and she padded forward a few steps with the cloak in one hand and the hat in the other. She tried to hold them in such a way that they would look as nice as possible. “I made these for you,” she said shyly, “With—with Gus’s help, that is—but only because I was just learning. I-I hope you…like them…”

“Really? For me?” Jiminy laughed. He fluttered the rest of the way to meet her, taking the hat and admiring it. “This is really nice!”

“Well, as I said, Gus helped me—”

“Go ahead and take the credit, Suzy,” Gus put in, shoving her shoulder teasingly. He turned to Jiminy. “She did all the snipping and stitching—and with needles and scissors that were far too big for her at that. I only showed her how to put it together.”

“It was for you, so I was just being especially careful…wanted to do something special…” Kaelin mumbled.

Jiminy put on the top hat, carefully inserting his antennae through the little holes. Then he held out his claws for the short cloak. Kaelin gave it to him, and he tied it around his shoulders, straightening the collar carefully. “How do I look?” he said.

Kaelin pressed her paws to her cheeks and lowered her nose a bit. “Oh, you look wonderful,” she said, hoping that her blushing didn’t show in her ears.

Gus tilted his head to one side and examined Jiminy critically. “It’s good, but it doesn’t go with your black coattails,” he remarked, “I think you’ll have to wear either the cloak or the coat—not both together.”

Jiminy twisted to look over his shoulder at the coattails. Then he took off the coat. “How’s this?” he said.

“Now, that works,” Gus decided.

Jiminy stayed for the rest of the night, telling Cinderella stories from the workshop and from his travels, for she was thirsting to hear about the outside world. When dawn came, however, he said goodbye again and took his leave of them.  

Comments & reviews · 2
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User avatar
Holysocks
Review

Hey there! Shall we kick this work out of the Green Room at last? I know I reviewed one of your chapters for this way back, but I'm not sure which it was. In any case I'm jumping in again and it feels weird, so bare with me, hopefully this will be somewhat helpful.

I love the idea of a fairy-tail mash-up, and I did enjoy Story Brooke for the first couple seasons that I saw! So I think it's really cool that you're writing this, and I don't know, there's just something so interesting about fairy tales, so I can for sure see why you'd want to write this. Retelling's are awesome, man.

What I noticed is you tend to narrate everything. Now a certain amount of narration is of course needed, but you do a lot of it, and by that I mean you tell us everything, but you don't really show us a lot of evidence of what you're telling us. You give us a bunch of information but then don't let us see how that's true- and us seeing how those things are true is how we get to love and know your characters. Plus, then you take away that "OMG that's SO him!" moment from us, because we're not the one's that realized it, and instead you told us. I know this is in past tense, but still we're not hearing about the events like we're there very often and instead we're in Kaelin's head for a lot of it. It's good to be in her head, but it's also good to be outside her head to- try to find that balance.

Also I get the feeling that we're not in the same place a lot in this story. I could be completely wrong about that because I've only read two chapters and they weren't even side by side, but I have a feeling it's true. The last chapter I read Kaelin was having some issues with Jiminy- I think he had lied to her about something and did something to her mother but it was a long time ago. Now she's with Cinderella I guess, and although I might have read something like chapter nine and this is thirty, I had the same feeling when I read that first chapter that I read. Things seem to be all over the place- the characters come and go, the settings change frequently. I mean, Once Upon a Time did that a lot as well, but it was a TV series, and those are wildly different mediums than novels. It's just something to think about.

Is Kaelin really small? I get the feeling she's a mouse or something, being in the closet and all- and the fellow as well.

Keep it up!

-Socks

User avatar
Evander
Review
Evander wrote a review · Sat Apr 23, 2016 3:13 am

Hey, Songmorning! I'm back here with another review! I apologize if most of this appears to be speculation, but I do hope it ends up being useful!

Like most chapters, this feels more like a summary than everything else. Even with Jiminy meeting Cinderella and talking to Gus, the rest of the chapter is still just overview of important events that take place. While I've said this before and I'll say it again, it isn't necessarily a bad thing. I know a few authors who do it and do it well, but it's still noticeable and a bit of a drag to read after a while. I, personally, prefer there to be more scene than summary. While knowing the important parts in the passing is great, I'd much rather read the important parts as they happened.

Had the orphanage workers resented having to care for Kaelin?

Perhaps I'm forgetting something, but I thought this topic had been covered already. While the representation of Kaelin's anxiety and self doubt is fantastic, it feels like there needs to be something else there. This is a bit of a weird thing to comment on, because on one hand I really do love the representation, and on another hand it's a bit tedious. In writing, there always needs to be a balance between everything. Maybe pulling on another aspect of her character to focus on would be better.

I remember one review that I wrote, where I talked about how there were too many big emotional hits in a row and I would like to apologize on that front. After watching and reading a lot more media, it actually works in keeping the reader invested. While emotional hits and emotional breaks are nice, they work better with the balance that I was talking about earlier.

"... There’s not a customer in this world who would buy a vest or a dress from a small rodent, no matter how well-made it is.”

While this suits his background, it also doesn't make that much sense. They live in a fantasy land where magic in the norm and girls can turn into wolves, so having a rodent make clothes isn't too big of a stretch. I would be more inclined to believe this backstory if his family didn't want him to take over the business because of his size, but not because other people wouldn't buy it. (Also, wouldn't he be able to hire someone to be the mascot of the business so he would never show his face? Perhaps I'm thinking too much into this, but it would add an air of mystery.)

I do like how there are passing mentions of Snow White and I do like the clarification about the kingdoms, even though I wish that they had been added sooner. Also, didn't Geppetto live in Regina's land? He was called to the meeting about the magical tree wardrobe, so I would have assumed that he would have lived in that kingdom.

Maybe Gus and Jiminy could become great friends.

Ah, she jinxed herself. :P

“Y-you have nicknames for each other…?” Jiminy faltered, sounding oddly sad again.

I do find it a bit strange that she doesn't recognize that Jiminy thinks that she's in love with Gus. While she may be a bit naive, it's super obvious.

Maybe there'll be something else with Jiminy and Gus interacting in later chapters, if he still sticks around before guiding Pinocchio. The current interactions sounds like they're going to set up a fight where Kaelin almost reveals her feelings and then holds them back.

Other than that, I don't have much to say! I hope that you'll keep on writing!

~Adrian, Knight of RED



Have a biscuit, Potter.
— Professor McGonagall