Hello again!
I used to be really into fanfiction and I read fan fiction all the time and one problem I feel happens a lot is that the story doesn't feel like the world. And I guess in some ways it depends on the story the writer is trying to tell, but I think if you're using the character or the world or the idea or whatever the basis is, it should still feel like the original in some way. Well you, my dear, are capturing the Once world really beautifully. This definitely feels like your own unique story, even though you are using some of the "real" Once characters, but the essence of Once is still there. It definitely helps that the personalities of the canon characters are there and maintained, like I can just see Rumpelstiltskin saying everything he just said with that creepy little smile of his :p But your writing (I've mentioned this before) also just has this essence of Once that I don't think you can really teach. I think it's obvious that you're a true fan of this show and that you've really studied the show and other theories as well and it's coming out in your writing in a really natural way. I love that even though you know all of these things about this world and the additions you've made to it, you're not exploding that information on your reader left and right, it's coming out naturally like a real story.
Saying that though, I do have some mixed feelings about everything Rumpel (I'm not going to write out his whole name because gosh that's annoying :p) said about her parents. It's definitely interesting and pertains to the plot so it's not really an info-dump. But, it does get a bit long. Now, I don't know if I've told you this yet, but I'm usually not a huge fantasy person. I don't read much fantasy and contemporary is more my game. So learning about the world and learning all of the back story that's based in mythology or theory or whatever, while that may really interest some readers, that type of stuff usually doesn't do much for me. I love learning why someone is the way they are, but when it has to do with things outside of our modern world, my brain tends to brush it over. Not to say I'm not into this story, because I am. I just like to give that little disclaimer to fantasy writers because some of the things that I comment on or things that don't work for me, could very easily be fine and work for someone that reads more fantasy. I'm not as familiar with the tropes and the way fantasy stories are told the same way I do for contemporary.
Anyway...Enough blabbering
Kaelin’s mother was not better by the next morning, nor did her condition improve the day after that. In fact, it was only getting worse.
Called it.
The "nor" kind of confused me the first time I read it and I didn't quite get what you were trying to say. I think because I'm used to "nor" being used in a sentence. I think "and" would also be fine there. I also think you could start a new a paragraph after this line to give each of these sections a bit more power - what the problem is and what Kaelin is doing/how she's feeling about it.
Stretching out into the cool night, Kaelin reached her hand toward the stars. She had always loved the stars. Some nights, they seemed right at her fingertips. Tonight, however, it felt impossible to reach them.
Love this. The title is starting to come into focus, and I like how this subtly gets at something that's going to happen later (Rumpel saying she needs to figure out a way to get stardust).
There was someone who everyone went to when they had nowhere else to turn. There was one last resort, and he lived close by.
Rumpelstiltskin.
I love that you gave his name its own line. It gives it so much power and emphasis, and I feel like Rumpel would like that It also adds a really nice element of suspense. I felt nervous just seeing the name there because I know what he's like and what he's capable of.
Clearly, the woman who had sold her the Mermaid-tear Elixir had been wrong about what it was.
I kind of like that Kaelin still believes the best in this woman and thinks she just made a mistake. It shows her character. (I on the other hand, am pretty convinced that woman knowingly scammed Kaelin in her time of need).
At daybreak the next morning, Kaelin helped her mother to eat.
You don't need the "to".
Not wanting to waste any more time, Kaelin shouldered a bag she had filled with a few apples and set out.
I feel like I've mentioned this in a previous review, but sentences like these are a personal pet peeve of mine. I don't like long prepositions at the start of a sentence. I think it weakens action. "Kaelin didn't want to waste any more time. She shouldered a bag she had filled..." or you could combine those with a comma and "and". I just think it makes the prose sound stronger.
Two great knocks echoed through the mansion.
If she's outside, how can she know that the knocks echoed through the mansion? I know she would hear the knock, but how would she hear it throughout the mansion if she's standing outside? Even though this is third person, it's still sort of through her viewpoint.
Stepping quickly back, Kaelin clasped her hands together and waited, trembling.
Here's another place where the preposition could be switched around to make the sentence stronger - "Kaelin quickly stepped back and clasped her hands together, waiting, trembling." or something like that.
he gestured expressively with his hands and head.
I'm not sure what this means. How does he gesture "expressively"? What does "expressively" mean here? How does he use his hands and head for this purpose? Give me a little more detail here.
He made a grand gesture with one hand.
Same here. What exactly does this "grand gesture" look like? I have guesses, but for all I know I'm way off...
“Once upon a time, there was a Wolf named Watho,” Rumpelstiltskin began in an overdramatic, storytelling manner,
I kind of love that he began his story with "once upon a time"
Her deal with Rumpel seems pretty fair and do-able for his standards... I'm very curious to see if she'll be able to procure any stardust in time and what will happen if she doesn't. Obviously her mother will die, so I'll be curious to see what happens to her then. But I'm also wondering what Rumpel will do if he doesn't get his stardust, and I guess too, what he's planning on doing with it once he has it...
I mentioned at the beginning how I wasn't sure about all of that info at the end about her parent's back story. I think you need it in there at this point for purposes of plot. But, I also think you could make it a bit more interesting by making it a little more active. You include dialogue tags and actions and everything throughout, but you could include more of Kaelin's feelings or reactions as he goes instead of once he's finished. You could also try to think of a way to make the information she knows a bit more interesting. I think dialogue is way more interesting than a block of describing prose, and her portion of the back story felt a bit dryer than Rumpel's part. Maybe the whole thing could be a conversation or you could somehow show the reader this back story and how everything came to be without it being explicitly explained to us. Something to think about
Overall, another solid and interesting chapter! I'll be back for more soon! Let me know if you have any questions or if anything I said was confusing!
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