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From the boy that is not supposed to exist

by Panikos


I've not done a short story for a long time. Seeing as I've only spent about two to three hours on this, there's bound to be mistakes, and I'm not sure if it's as clear as it should be. Constructive criticism would be much appreciated.

______________________________________________________________________________

It comes back to me in the nighttime.

I hate the darkness. It reaches right inside of you, fingers scuttling over buried memories and nocturnal fears, and yanks playfully at the corners of everything that lurks in the back of your mind, picking every scabby worry open into a scar. There’s no escape from it; closing your eyes only locks it in, giving it a smaller space tear open. I try turning the light on sometimes, even though my mum tells me to keep it off.

‘Don’t be such a baby, Reece.’

It was dark when it happened, you know. I can’t remember seeing much – just oblong silhouettes, rearing up out of murky blackness, forming a cage around me. A line of light jutted out from beneath the closed door to my left, reminding me that a world existed outside of where I was, but I barely noticed it. She kept grabbing my face, turning me away. My vision blurred together after a while.

‘Stop crying.’

I didn’t need to see, I suppose. There was movement all around me, mapping out an image in my mind. Long nails bit into my skin, pinning me into place, whilst wet, slippery lips latched onto whatever part of me they could reach, fences of bone tucked beneath them. Rabid hands were everywhere, grabbing fistfuls of my hair, neck, arms and thighs, tearing at my waistband and clamping over my mouth whenever I tried to cry out. I struggled to count these hands, sure that they couldn’t all belong to her – she had two, just two, and I’d seen them only hours ago writing smooth lettering upon the whiteboard. They couldn’t be hers.

‘Stay still.’

I don’t know how long it lasted. It seemed like hours before she peeled away from me, the innocuous odour of her perfume clinging to my nostrils. With shadows pooling into her face, I couldn’t discern her expression, but I felt her delicate hands settle upon me in the darkness, brushing me down and buttoning my trousers as I lay there, a limp, broken marionette. I could only squirm as she leant towards me, sinking her fingers into my hair and pressing her lips to my ear.

‘No one will believe you.’

My legs could barely hold me upright, let alone heave me from the store cupboard. I had to lean against one of the tables, fingers clamped over the edge, whilst my numb brain lathered, rinsed and repeated a memory that wouldn’t wash away. The darkness had even spread to the classroom now, seeping through the windows and turning everything to ash. It wasn’t real.

‘What are you doing here?’

A cleaner stood by the classroom door, her wrinkled brow hunched into a scowl that carried through to her dark, pouchy eyes. It’s possible that I murmured a steady, quiet response to her question - ‘maths work. Ms Thompson was helping me with maths work’ – but it’s equally possible that I ignored her entirely, drifting past her stout form without a backward glance. I don’t suppose I’ll ever remember.

By the time I made it home, the sun had vanished, sinking secretively below the horizon before I was ready for it to. I barely registered the warmth as I stepped into the hallway, just as I hadn’t registered the volleys of rain lurching from the sky as I wandered home. It wasn’t until my father spoke that I took notice of anything.

‘Can’t you ever get home on time?’

Sometimes, when I’m lying awake with the darkness clawing at me from the inside out, I wander to the door of my parents’ bedroom, a thousand untold memories clotted in my throat. I get as close as I can to the door without touching it; once, my fingertips almost brushed the doorknob. And then, before my hand can grasp the handle with confidence, the darkness dives into the deepest corners of my mind, yanking forth memories that I barely realised I had: my mother cursing my silly tears; my brother cackling over my ‘girlish’ worries; my father insisting that I man up.

I take a step back.

For now, I keep my bedroom light on.     


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12 Reviews

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Thu Oct 16, 2014 11:03 pm
Dbrd231 wrote a review...



I really don't know how this makes me feel; it's just so much feeling that it's numbed me out and left me in a state of blank wondering. 'No one will believe you.' That is the phrase that bothered me the most when I read that, the words that hit me the hardest; it made be realize just what a horrible thing had happened. Trauma for a boy of an unknown age, where if he had been a teen he would have been playfully punched by his buddies and told "Hell yeah's" and "Lucky bastard's" while he still only felt this sense of terror and stress, and as a younger child looked upon with skepticism.
The lack of clarity is a bit confusing at times (like at the beginning, I couldn't tell whether it was his mother or the teacher talking), but the emotion is palpable and translated into my own emotions. While I personally have never been hurt in such a way, the way this is written made me feel like he did; all that fear and guilt and need to keep it a secret, and the weight of his silence magnifying the trauma.
It is a wonderful work, but it needs just a little bit of tweaking to clear things up. I like it. :)




Panikos says...


Thank you! I agree, it does need work, but I'm glad that the emotion was there. That's what I wanted to capture the most. :)



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Wed Oct 15, 2014 7:56 pm
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GoldFlame wrote a review...



Hey, Pandemonium! This'll be a quick review because my schedule's gotten a bit fuller than planned.

You have an amazing style. Everything flowed so well, my eyes just skated down the page; I didn't look away the entire length of the piece. The paragraphs were the perfect length, broken frequently enough to sustain my attention and broken infrequently enough to maintain a steady pace, and the imagery was--I don't have another word for it--gorgeous. I could go on and on about the symbolism, how every idea slid into the next, and how much the italicized phrases contributed. I could go on about the way the piece got fresher with each rereading. You rendered me speechless.

It's hard to believe that you haven't done a short story for a long time. I really sympathized with the narrator, despite having met her a few minutes ago; I wanted to know if she ever recovered. Her voice was so solid, the dialogue so natural ... I've half a mind to ask for a sequel, haha.

And kudos for transforming a cliché topic into something so unique! I don't think I've read flash fiction like this before. (Or a short story? I've never understood the divide between flash fiction and shorts.) The description burst with sensory detail and I could visualize everything effortlessly.

Onto the nitpicks!

the night time.


Nighttime's a compound word, or you could hyphenate it, if you want to go for a classier look.

There’s something about the darkness.


This really turns me off. Who knows how many times I've read descriptions about darkness: tendrils of darkness, stifling darkness, shadows extending fingers. If I was familiar with your style, it'd be different; I wouldn't be concerned because I'd know you'd twist it into something unique. I'd be clapping my hands. :D If I wasn't familiar with your style, though, I'd be expecting a maze of clichés, ambiguous description, and over-the-top imagery. There's also the fact that it sounds vague—almost like the narrator's unsure of herself, or she's trying to massage her thinking muscles. She loves the night and she doesn't know why. It lines up too well with the previous sentence: "It comes back to me in the night time." The vocabulary's simple, the phrases stripped bare of imagery, and the result's a black-and-white contrast to the following paragraphs.

The following paragraphs are so beautiful. Build on that!

It reaches right inside of you, fingers fluttering over buried memories and nocturnal fears, and tugs playfully at the corners of everything that lurks in the back of your mind, picking every scabby worry open into a wound.


The atmosphere's fluctuating. Dark, light, dark, light. Maybe I'm making mountains out of molehills, but the change from "nocturnal fears" to "tugs playfully" to "lurks" to "picking every scabby worry" feels too ... abrupt. The commas aren't sufficient transitions.

I'll go ahead and kill a couple flamingoes with one stone:

1) "Reaches" and "fluttering" are enemies, as far as description is concerned. They hate each other. And I caught them fraternizing.

I like the contrast it provided, though--what with "reaches" being vague and "fluttering" being specific.

2) "Buried memories." Ooh. I like this. It makes me think of graveyards and zombies, tombstones etched with words like "the day I lost my first tooth." XD

3) "Tugs" contradicts "lurks." Light tugs and shadows lurk. That was probably the point, I guess, but the verbs are both so vivid that when I was reading, I felt like they were engaged in a kind of tug-of-war. Maybe "dwells" as a replacement.

4) "Scabby" is such a graceless word, and "wound" is such a graceful word. I'd try changing one of the two ... maybe "wound" to "scar"?

All that aside, though, I loooved the description.

closing your eyes only locks it in, giving it a smaller space to explore.


This isn't really a nitpick. I just felt like the narrator's contradicting herself again—"but closing your eyes gives it less room to explore"? Ain't that good?

And daytime's crowded with smells and sights and sounds, and there's not much space for reflection, but with your eyes closed ... there's more space, isn't there? (Or am I being obtuse?)

I try turning the light on sometimes, even though my mother tells me off.


I think you forgot some words here: "...my mother tells me to keep it off."

It was dark when it happened, actually.


"Actually"? Was something mentioned to contradict this statement?

much – just


Square the hyphen and you get -- , otherwise known as an m-dash. Programs like Word automatically correct that to — .

The symbol in the quotes is an n-dash. It's used for joining quantities in a range: "pages 16–27."

A line of light slithered out from beneath the closed door to my left, reminding me that a world existed outside of where I was, but I barely noticed it.


When someone says "a line of light," I think rigidity—a beam so straight you could match it to a ruler. I don't think "slither." "Slither" is a word for things that slither.

My vision blurred together after a while.


The word "together" is typically used to describe multiple objects: "pieces of my vision blur together." I think it's sound cleaner if you clipped it here.

There was movement all around me, mapping out an image in my mind.


The movement isn't mapping the image; the narrator is. "There was movement all around me, and through it I could sketch a vague image of the room. (Notice I clipped the preposition "of," because prepositions are like adverbs in the respect that they don't lend much while casting the illusion that they do. I also switched "in my mind" for "vague," and as for replacing "map" ... I don't think the character's exercising the word's full potential. Map! C'mon, man. Swirls of ink. Feathered quills. Dusty scrolls and yellowed parchment. I love that word.)

fences of bone tucked beneath them.


I like how you left room open for interpretation, instead of elaborating on it and ruining the enigmatic atmosphere (as elaborating on it would do). Fences of bone. Tucked beneath skin. It tells me that the bone's guarding something ... which is neat, because people usually regard bone as being guarded by flesh. It also tells me the narrator's thin. Not eating-disorder-thin, but thin enough that their ribs poke through their skin.

Rabid hands were everywhere


This is such a unique description I think you should expound on it. Rabid ... bat blood. Cujo. Stephen King. See where your train of thoughts take you. XD

I'd also recommend replacing the verb--"flurried," maybe.

My brain struggled to count these hands


Why not just say "I struggled to keep track of the hands"? Simpler clauses pack more punch.

the innocuous smell of her rosy perfume clinging to my nostrils.


Detail emphasis is especially delicate in description. It's easy to include too much information.

Try "the innocuous odor of her perfume lingering in my nostrils." (I replaced "smell" because it looks too weak; it detracts from the sentence's powerful effect.)

shadows pooling her face


You need a preposition here. Maybe "on" or "into."

a limp, broken marionette.


This evokes so many delicious images. Hair trailing behind her like marionette strings. Arms wooden, bent rigid at the elbows. I'd love for the narrator to elaborate.

putting her lips to my ear.


"Putting" doesn't sound right, not next to "sinking" and "squirm." Maybe "placing"?

whilst my numb brain lathered, rinsed and repeated a memory that wouldn’t come clean.


"Whilst" is so extravagant; it doesn't fit next to a reference to shampoo. Or it's just me? I'd recommend changing it, anyhow--maintaining a modern tone. Just to stay consistent.

I'm also confused about "come clean." The narrator might've not meant it as an idiom, but it that's how it translates: cough up, spit it out, cut to the chase. Maybe "wash away" or "swirl away" or something along those lines.

A cleaner stood at the classroom door


I'd recommend going a little more specific here, replacing "cleaner" with "janitor" and "at" with "by."

sinking secretively below the horizon before I was ready for it.


The narrator's missing a few words here: "...below the horizon before I was ready for it to." It sounds messier, but it's grammatically correct.

the seeping, household warmth


Simpler phrases pack more punch: "the warmth."

the volleys of rain lurching from the sky


When someone says "volleys," I don't think lurching--stiff, jerky movements. I think hurling and smooth arcs.

The conclusion was my favorite part. It was sad, beautifully-paced, and impressed such a delicious sense of finality.

Keep up it up! I can't wait to read more short stories from you! :D




Panikos says...


Thanks for all the critques! You were very thorough.
However, you seem to be of the belief that the narrator is female. Did I not make it clear enough that he was a boy?



GoldFlame says...


Believe it or not, I've been doing that a lot lately. XD

I did think it was curious that the narrator was wearing trousers. Gosh, I'm really sorry! I feel so dumb.

No problem, btw.



Panikos says...


It's fine! I just found it quite curious. ;)




Poetry is like a bird, it ignores all frontiers.
— Yevgeny Yevtushenko