Warning: This work has been rated 18+ for language, violence, and mature content.
very brief context: this is smack dab in the middle of the story, napleonic era london. thomas, our perspective character here, is gonna leave his evil psycho boss vincent, but he's got one last job to do.
evelyn is a person that thomas has promised to protect
abraham truman offered to provide evelyn with a home earlier in the story
oh yeah and verena's like thomas' imaginary cat buddy. don't worry about it too much
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Vincent simply looked at him for a long time. Measuring. Calculating. Scheming. As he always did.
Then he took a deep breath and sighed. “Fine,” The Rat said.
What?
“But I want you to do one last job for me.”
One last job. That was it. Then he was free? It was that easy?
“Who is it?” Thomas asked.
“A nobleman. Big house at the end of Cross Lane, near the bend on the southwest of the river.”
Thomas paused warily, scanning The Rat’s face for some sign of deceit. It couldn’t be that simple. Vincent wouldn’t let him go that easily. But there was none. That was all he had to do. One last person. Then… he was free.
“Fine,” he said. “But… one thing.”
Vincent cocked his head.
“I don’t… want to kill more than I have to.”
The Rat raised an eyebrow, his cold eyes not leaving Thomas’s. “I can get Barker in.”
-
Finnigan Barker was a thirty-four year old ex-army rifleman, discharged after his left foot was shot off. He was good at his job.
“Here?”
“Yes.”
Thomas took the lead, his companion hobbling behind. They were headed into a tenement building, one across the street from the target’s house.
Curious eyes followed them as they walked through the open door and into the premises. Eight families lived here, and it showed – the floor was covered in grime and dirt, and the ceiling was held up by half-rotted wooden beams.
They were going up three flights of stairs.
“Help me out, would ya?” Barker said, indicating his leg and holding out his hand. Thomas begrudgingly took it and led him upwards, the wooden boards creaking underneath their feet.
“So,” Barker said, pausing every time he had to put weight on his peg leg, “Black Murderer. Last job for ya, huh?”
Thomas grunted affirmation, not looking back.
“And I get to be the one actually doing it.” Barker waited for a response. Thomas didn’t give him one. “Why – no, how are ya leaving, anyway? Nobody else gets to.”
“I asked nicely,” Thomas said, earning him a snort from Barker.
“What’re ya gonna do after, mate? Got any plans?”
“Live.”
“Solid.”
They reached the top and went down the hallway. According to Vincent, the room second to the right was the one they wanted. A family of seven lived there. The father was under Vincent’s control. Thomas knocked on the door and heard voices inside.
“It’s them.”
“I know – wake Daryl an’ Kristen.”
Footsteps came closer, and Thomas was greeted by a man his late forties, baggy eyes and scruffy beard.
“Hey there,” Finnigan said.
The father’s wide, gaunt eyes flicked over to Barker to acknowledge him then jumped back to Thomas. “You’s the two sent by – by-”
“The Rat, yup,” Barker finished for him. “We’ll just need your room for a little bit.”
“Th-that’s all?”
Thomas nodded.
“Alright, alright-” the man stepped aside to show his wife and five kids, all staring at Thomas. “C’mon, let’s go.”
Thomas and Barker stood clear of the doorway. One by one, the family shuffled past them, giving nervous backward glances at they went. The father made to speak to Thomas, mouth opening and closing, then decided Barker was more approachable.
“The Rat, he – he’s not gonna ask fer anything after this?” he said.
“Nope,” replied Barker. “You’ll be fine.”
“You… what are you going to do in there?”
Barker exchanged glances with Thomas. “Uh…”
“Business,” Thomas said.
The man gave him a jerky nod and followed his family down the hallway.
“Right,” Barker said, “Let’s see what we got here.”
The two walked in to face five square metres of empty floorboards, and one single open window.
Barker scratched his head. “Well,” he began, unslinging his rifle bag from his shoulder, “there’s our window, I guess. I’m gonna need somethin’ to sit on, though.” He thrusted the gun into Thomas’ hands. “Take this – gonna go see if one of the people here got a chair.”
Thomas nodded, Barker limped out, and Verena appeared, looking up at him.
This is it, hmm? You’re going to be free.
The cat padded over to the window and lightly jumped onto the sill, beckoning him over.
Come.
Thomas obliged, setting Barker’s rifle against the wall.
Pretty house, isn’t it?
The window looked directly into the target’s office, just as Vincent had said, and from here Thomas could tell the owner was tidy man. One large desk stuffed with papers and ink. One comfortable-looking chair. As far as most London dwellings went, it was fairly well off. As far as nobles’ houses went, though… he would’ve thought the place belonged to a middle-upper class family.
Finnigan asked you a good question. What’re you going to do after?
“Help Evelyn,” he said.
No, after that. When all this mess is over.
You have no clue, do you?
He imagined himself, the infamous Black Murderer, serial killer and mass murderer, accomplice to blackmail and extortion and torture, working as somebody’s janitor.
“No,” he answered, his mouth tightening into a small smile. Verena sighed.
Well, you’ve still got time. You can cross that bridge when you come to it.
Uneven footsteps from outside. Barker returned with a chair in hand, and Thomas moved aside for him get seated by the window.
Thomas held out his rifle bag. The man accepted it, unzipping it as he looked outside.
“Will you be able to make the shot?” Thomas asked.
Barker stopped in the middle of dusting the gun off to stare up at him.
“Will I be able to make the shot? Will I be able to make the shot?” he repeated, indignant. “Are ya really askin’ me that right now?”
“Yes.”
Barker took a deep breath. “Sir,” he began slowly, “this is a Baker rifle. This is the rifle the Army’s usin’ right now. The only one, actually. These things have ninety percent accuracy at three hundred yards, or two hundred ‘n’ seventy metres if ya wanna be French about it. An’ if you’re good – I knew this guy, Plunket, right – that cunt could hit targets at four hundred yards. And that house,” he said, turning to point a finger at the target’s office, “is not even a hundred yards away. Sir, I could hit this guy’s goddamned pinky nail if I wanted to.”
Passionate, isn’t he? Verena said.
“Only making sure,” Thomas said, keeping his face carefully emotionless.
The room fell into a comforting quiet, just the two men and the sounds of urchins and hawkers drifting up from the street below. Barker didn’t seem to like it.
“So, our guy… name’s Truman, yeah? Why’s Vincent picked him out for you?”
“Don’t know,” Thomas answered.
That was the honest truth. He wasn’t stupid – Vincent was The Rat. The Rat wouldn’t pick this particular man as his last assignment unless he had a very good reason. There would be a hitch, something that’d likely hurt him – or Evelyn. The moment Thomas had left Vincent’s office, he’d reached out to all of his contacts, Vincent’s informants, asking about the nobleman named Abraham Truman. He’d returned to the office that night as Vincent slept, rifling through his dossiers. Vincent had papers on the King, the Lord Mayor of London, thirty-four men in the House of Lords, five major chartered company owners at the London Docks, ninety-two nobles, and hundreds of middle and lower class citizens across the city.
And yet, there’d been no Abraham Truman to be found.
So Thomas had to rely on the broken scraps of knowledge given to him through unreliable sources – he was from around Dorset, he was an old man, he had money, he’d been in a war, he enjoyed crumpets. Anecdotes and hearsay. Factoids. Trivial, irrelevant, useless. All of it he’d dismissed except one thing – this Abraham Truman, whoever he was, was one of the nobles funding the Crows.
The questions had scratched into his thoughts like vermin ever since.
Why had this man drawn Vincent’s attention, make him target a benefactor of the Crows? Why couldn’t he be blackmailed or bribed, like every other nobleman before him? Why had he been chosen as Thomas’ last job? Why? Why? Why?
The whys kept itching in the back of his head as he told Barker he’d go keep watch on the ground and he made his descent down the tenement stairway, Verena slowly dissolving into mist as the job took priority.
Why?
Vincent was The Rat. There would be a hitch. There was always a hitch. But what was it? Why this person?
Why?
Why Abraham Truman? What had he done? Why did Thomas have to be involved? The questions felt like they were being branded into his bruised brain as he reached the last flight of stairs, exiting the tenement building to look at the target’s house, up at the window where Barker would shoot him. What would he do if something went wrong, if Barker missed? Run into the building and finish the job. There were few civilians walking around. He could see manservants through the windows of the lower floor, all harmless. It’d be easy, though he’d probably have to help Barker leave depending on how fast the militia came.
Voices, coming from the target’s office. Truman was in there now. Thomas’ ears perked up as he caught snatches of what the man was saying… help, home, arrange – heard a girl’s voice giving its reply…
And then he knew why.
No.
It’d take too long to go back up – Thomas bolted towards the house, roaring at Barker to not fire, shoving Truman’s people aside, shouting a warning to Truman as he took the stairs three steps at a time, hoping against all hope that either of them would hear him – but it was too late, and when he slammed the office doors open Abraham Truman was already face down on his desk, a big fucking hole where his brain used to be, and Evelyn Whitehill was already splattered with blood and staring at him and something slammed into him from behind and everything became a blur.
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Hiya, Jyva. Pan here to review as promised. I don't really have any nitpicks for this piece so I'm going to keep my comments on the more general side, explaining what I think works well and what could be improved. Let's get to it!
What I liked
Your writing style! It's varied and rhythmical, never dwelling on details any longer than it needs to. You've no idea how refreshing it is to read something so clear and to-the-point. Like this bit:
If I was adhering to the by-the-book rules of writing, I'd be yelling 'show don't tell!' right now. But this is a reminder of why those rules can and should be broken. I love writers who aren't afraid to tell when it's appropriate - you fill us in on a general overview of the character, then you get straight into the scene. Which brings me to another point; your pacing is excellent. I was never bored at any point in this chapter; you manage to dwell just the right amount on Thomas's internal thoughts and the conversation he has with Barker, but you also ramp up the pace nicely towards the end, when the tension and panic kicks in. It's really well pitched. When I read it, I almost forgot I was supposed to be reviewing because it sucked me in so much.
The whole thing is really well polished, to be honest, and even though I'm picking this up at page 275 I still feel like I have a good grasp of the situation and the characters. Barker's voice is really well defined - I get a clear sense of his character, even though we know very little about him and I suspect he's no more than a passing extra. Thomas strikes me as very starkly drawn as well, though his personality and predicament does seem slightly on the tropey side. Verena injects some great originality, though. An imaginary companion seems an odd thing to have in a novel like this, but it's handled deftly and didn't seem to stick out as unnatural to me at all.
So, the million dollar question. Would I read the rest of the novel? In a heartbeat.
What to improve
Good as this is, there are a few things that you could tweak. I did originally see 'janitor' and thought it a bit of a hiccup in realism, seeing as in modern-day Britain we rarely use the word, but I've looked into the history of it and it does seem that it was used in Britain as of around 1708, to mean 'a caretaker of a building, especially a school'. So you're good on that one as far as historical accuracy goes.
My main issue with this chapter is that Thomas seems to take a long time to actively (as far as the narrative goes) start thinking about why the Rat has targeted Truman. We get barely any sense of his suspicion for the first half of the chapter, but once Barker asks why Vincent has picked him out you go in for a long passage that summarises all of the research Thomas has done and all of his unease and suspicion. It escalates rather quickly, and I feel like we should feel his uncertainty from the moment he's asked to take the job. At the minute, I can't help but think 'you travelled all the way out to this building and it's only now that you realise that you've been tricked?'
It might help to rejig the order of the chapter around just slightly. If you shift the summary of Thomas's research to earlier in the chapter - maybe to where it would naturally occur, before he meets Barker - we'd get a sense of his suspicions sooner rather than later. I don't think the chapter would suffer if you presented it more chronologically, because I did feel like the transition between the conversation with Vincent and the introduction to Barker was quite sudden. If you had a brief scene in between that showed Thomas mulling over the prospect of the job and the research he'd done into Truman, it might give the reader a better sense of the time passage between the two scenes, as well as making Thomas's suspicions abundantly clear from the start. It's a thought, at least.
My other suggestion would be to include more description of other senses. I generally like how sparing you are, but I felt that you could've had a bigger focus on what Thomas could smell, hear and feel during the second scene. When I first read this, I actually didn't notice when Thomas left the tenement building, which led to me getting pretty confused at the end. While that misunderstanding might have partially been due to my generally terrible attention span, I think it's also to do with the fact that you hardly describe the transition. You don't mention how the temperature drops as he steps out of the door, or the sounds of the street outside, or maybe the rain flecking his face. You don't even describe how the street looks, come to think of it. Because you don't signpost it, it's quite easy to miss the change.
I'll leave the review here. Overall, I think this is a really solid segment and I'd definitely be interested to read the rest of the novel, but Thomas's suspicions need to be better sustained throughout the piece and you could do with exploiting the senses more in your description. Still, your dialogue is great, your characterisation is good, your pacing is mostly excellent, and I was engrossed the whole time I was reading. You're onto something good.
Keep writing!
~Pan
oh dang, i somehow missed the notification that i got a review on this. thanks for the in-depth critique, appreciate it
oh dang, i somehow missed the notification that i got a review on this. thanks for the in-depth critique, appreciate it
You're welcome!
Holy crap....this was absolutely...there isn't a good enough word to describe it! Okay, so I'm interested in your book now....but I'm not sure if you'll publish it. So I'll just have to go with this.
First of all...why did it take so long for this Thomas guy to figure out that Abraham Truman...wait...President Lincoln....President Truman....I know what you did there!XD But anyhow, why did it take so long for Thomas to figure out Abraham Truman was Evelyn's protector? And WHY in the world would "The Rat" go after him. I know I'm asking questions this guy has already asked, but still....why!? I honestly have no idea at this point.
This was surprisingly intriguing, so I think you did well. Sure, maybe there was one or two things spelled wrong, or a comma should be somewhere but isn't there, but I have no reason to go through your entire story and find every line that needs a little help.
I liked how you provided great detail and the imagery of this world was persistent, the only thing I ask is you maybe put in what these people look like? Now, I know that was a stupid question because this is the middle of your book, but maybe tell the audience what they look like, rather than putting the task on the readers of what they look like by themselves? It's your choice though, so you don't ave to take any advice I give you.
But other than a few problems I needed to point out...you're all good! I literally shrugged there while typing this!XD Oh god!XD
Anyways, I look forward to seeing more from you in the near future!
Keep up the fantastical work my friend!
Yours truly,
~ Lake