Warning: This work has been rated 16+ for language, violence, and mature content.
It was a Thursday. The first time she visited was on a Thursday. No reason for that to stick in Viggo’s mind, but it was going to. There were going to be two years’ worth of spending Thursdays thinking about her on the other side of that everything-proof glass. That Thursday visit was going to change everything.
He had no regular visitors. He hadn’t had that many people in his life to begin with. He had been a private man, not a loner, but he had kept to himself. His father had been long dead, his relationship with his mother had been distant. He had been on friendly terms with his colleagues, thought clearly not their friend. Even his girlfriend of three years had dropped him with scarcely a thought.
The visit was unexpected, and he was ready for anything as he prowled into Visitations, ready for an ambush, ready to fight for his life. There wasn’t much civilization left in him at that point.
“Booth 5.”
The prison guard propelled him forward a little too roughly. Viggo didn't care. Rules of the game. Prisoner vs. guard, there was no cutting slack. He stumbled and sucked in a deep breath when he saw his visitor.
Nyssa Malik. Talk about a blast from the past.
He let himself be settled into the bolted-down chair. While they chained him down, he studied her. Those five years hadn't been kind to the cheerful crime lab tech he had known. He tallied the years, realized that she was twenty-nine. She didn’t look it. Her sunken, bruised eyes were a stark contrast to her pale. She had swapped her jeans-T shirt combo for a strict, black and white pantsuit. Her body, once petite, round, had lost all its happy fat. And she sat hunched, her face adverted.
He didn’t recognize her. Once upon a time, he had counted her as one of his few friends. Nyssa would touch him, would look up right into his face, green eyes bubbling with light.
At the trial, hers had been the last words he had heard, “Rot in hell, bastard.”
Low and vicious – and, years later, they were still etched up there under his skull.
She reached for the receiver first. Her hand was shaking. It worsened while he let her stew. He didn't keep up the pretense for very long. He wasn't cruel, he had never been, and he was curious. Anything that could break the tedium was welcome.
He put the receiver to his ear and waited. He could hear her, he could hear her breathing hard. He just waited, undisturbed by the silence between them.
“Good afternoon, Mr. Carlsen.”
Her voice was cold, impersonal. It made him feel wretched – made him wish she would spit her hate at him again instead. He didn't allow his feelings to show.
“Afternoon, ma'am,” he mumbled, as scrupulously polite as ever.
Relief flashed in her eyes, relaxed her shoulders and it was another piece of the puzzle she dangled in front of his nose. Why the relief? He was giving her the cold shoulder. Why not hurt or resentment? Why relief? He couldn’t resist mysteries.
“My name's Ines Valdez. I work for Arthur & Brandt.”
Now, that was a surprise. He kept it concealed as well, but Nyssa seemed to read it in him. Something flickered in her eyes, something very much like her long-lost sparkle. He hadn’t shared anything with anyone in so very long. He decided to play along, “Law firm?”
“Yes. Civil rights. You know the kind, you were a cop.”
He nodded ever so slightly. He had noticed the minute clenching of her jaw as she said the part about who he used to be. It didn't hurt the way it used to. In fact, it made him think…just think…
“I want to represent you,” she said.
Like hell she did.
The world had no doubt changed in the five years he had spent behind bars, but Nyssa Malik was no lawyer. She held a degree in marine biology or something of the sort. Hell, he would have done a better job of defending himself. He had the criminal law degree, and he had taught her what little she knew on the subject. He distinctly remembered explaining some of the finer workings of the criminal system over coffee. She'd had a way of looking at him when he did, as if she was lapping it all up. It had made him feel…
He slammed the door on those memories and those feelings. They felt foreign to the thing he had become. They belonged firmly in the past.
He wished he could rub his eyes. He was exhausted. Seeing her was draining.
“What do you really want?” he asked.
She winced. His tone was dry, arctic-cold. He wasn’t a kind man anymore. He didn't have the strength, he didn't have the energy to pretend. She leaned closer and finally met his eyes. His breath caught.
The green, the deep forest green…Nothing could dull it, not even the thick, scratched, stained glass. It was painfully vivid, and it held an appeal he couldn't deny. He was the one in chains, but she was begging him – begging him!
“I believe you,” she told him.
Three words. Just three words – meanings, thrown together and forming one that shouldn't even have mattered, so vague it was. But he had been waiting to hear them. For six years. He had been waiting for six years. And now, here she was, telling him stuff he had thought he didn't need anymore. Turned out, he did need them. He still did. After everything, no matter the changes he had undergone, he still needed for someone to believe him.
He let it sink in. She believed him. He was silent for too long maybe, because she lifted her free hand to the glass between them.
“Peter,” she said, a world of gentleness to her voice. “Viggo.”
His nickname – so many things in that word. He blinked, suddenly brought back down to earth. He was still in jail. She was still lying.
Not about believing him. He knew her. It didn’t matter how long they had been apart, what had happened to him, to her. He knew Nyssa Malik. She wouldn't lie about that. But she was lying about something else. She was passing herself off as his lawyer and he didn't understand why.
Then, she did something, answering him with her body rather than her words. She had been staring into his eyes, trying – he knew – to convince him, but the guards rotated behind her and she slanted them a look of panic.
Privacy.
That’s what she wanted. She wanted privacy for their conversation. The real conversation. He couldn't imagine what she wanted to tell him. Everything had long been said between them. What more could she tell him? What was it that scared her so much? He told himself not to wonder, not to care. But…Damn his curiosity!
“I’m ready for a change of lawyer.”
Her face softened with relief. Her eyes filled with tears.
“Thank you,” she said with feeling. “Thank you, Viggo.” She balled her fists, still tense, still pale. “I’ll be back in a couple of weeks, once I’ve taken care of the paperwork.”
***
She came back two months later. They met in the private visiting room lawyers used. They chained Viggo down again in a chair facing the wall, as was regulation. But when the door opened again, he twisted his body around, so he could watch Nyssa come in.
She dragged her leg as she walked. The limp had been barely noticeable, back in the days, and only when she was too exhausted to cover it up. Her eyes took in Viggo, paused on his black eyes. She faltered, a troubled expression flitted across her face, then it hardened again. She dismissed the insisting guard in a terse manner that was new. She had changed – a lot. Pain had wrought so deep a transformation that she was like a different person altogether.
“Are you okay?” he blurted the instant they were alone.
He couldn't help it. He told himself it was idle curiosity.
She reacted like the question stung. “I'm fine.”
Lie. He had enough cop left in him that he knew that right away. He didn't pursue the matter, Lady Truth had long kicked him out of her service. He snorted.
“You?” she asked, her eyes on his bruises.
He shrugged with his whole body, his rolling muscles a silent threat. But she didn't even seem to notice. She was caught up with her own messy thoughts.
“What do you want, Nyssa?”
She launched herself in a sloppy apology, “I'm sorry. I'm sorry about everything. I know you were telling the truth. You were framed – just the way you said you were.”
She dissolved in tears. She started crying so hard – Nyssa, resilient, bubbly Nyssa. Sobs raked her, working through her clenching, twitching muscles as if her little body couldn't hold all that misery anymore. He pulled on his chains. He didn't know what he would have done if he hadn't been held down. Slapping her held as much appeal as comforting her.
But the rattling startled her out of her bout of despair. Sniffing, clearing her throat, she wrestled her unhappiness under lock and key. A heart-breaking sadness lingered in her eyes, but she was once again calm and composed.
“It was my fault, you know. I did the DNA-testing. I was the one who matched the hair with you.” He knew that already. He remembered her taking the stand. He remembered how she had brazenly met his eyes and sent him straight to hell. “It was planted. The hair. It was planted. I should have seen it. I guess I did see it. I just didn't want to.”
She was barely breathing between words. He decided to interrupt before she collapsed. “Nyssa…”
She drew up, back so straight it had to be uncomfortable. “Don't call me that. Call me Miss Valdez. Anybody could walk in on us.”
“Why…” He shook himself. “Why should I…?”
He tilted his head, considering. She was planning something long-term. She was using a fake id. She was posing as his lawyer. It wasn't about apologizing – at least, not just about apologizing. What the hell did she want?
“Inessss,” he said, letting the S’s slither out of his mouth. “What do you want?”
Her next words tumbled out of her like she was puking them, “Russ did it.”
Russ. Detective Russel Pierce. Former partner. Former best friend.
It didn't come as the surprise it should have been. Five years was a long, bitter time, enough to give you thoughts of betrayal and a touch of disillusionment. And Russel had always been odd, all normal and sleek on the outside, but not so clean once you looked him up-close. He had been eerily good at putting himself in the suspects' shoes. He had also been a shameless womanizer who pursued women with an intensity Viggo had always found a little bit unsettling.
So, yes, maybe Russ had done it. Viggo accepted that the way he had learned to accept all the unpleasant facts of his life. He waited for the pain, the sting of betrayal. Nothing came. He still looked like a man, but he had as much of an ability to feel as the cold concrete walls of his cell.
Meanwhile, Nyssa kept talking, a little green in the face, “I know he did it. I…I know he killed again last year. A stripper from RD, downtown. I knew he was having an affair with her. Maybe he went overboard during sex. She was strangled. That's what he does when he gets rough. He puts his hands…”
She let out a little keening sound, lifting her hands to her neck. He did his best not to notice. He didn't…He couldn't start…He was in jail, for heaven's sake! He had a right not to care, he had a right to be selfish!
“He…He killed her,” she went on, eyes lowered. “I know that. We found hair clasped in her hand. A DNA match to a former boyfriend who had been stalking her. Real piece of work. Could have been him, but the scene…It was so neat and that hair…The strand was just too clean. I was…It was weird. Deja vu. You know the feeling. I was back working the Defoe murders.”
'Defoe'. The name socked him in the stomach. It reminded him of Helen, Brian and the kids, of the worst time in his life. His body was still there, but the Defoe case had killed him – had killed the good, naïve guy he had been.
“It kept nagging at me, and nagging. I kept looking into Crystal Sarasian's murder, even after the case was closed. She was seeing Russ. He was keeping it on the down-low because we were together at the time. But a man fitting his description was seen with her that night.” Her throat worked. Tentatively, guiltily, she met his eyes. “That's when I messed up. I'm sorry, Viggo. Peter. I'm sorry, Peter. I went to Levowsky. It was too soon. I didn't have enough proof. Not only did he dismiss it, but he forbade me to go anywhere near both cases – or anywhere near Russ.”
He stared at her unblinkingly. “He wouldn't have. He trusts you.”
“Not anymore. I messed up. After you got…” She gulped, looked away again. “I started drinking. It was pretty bad, I made mistakes. He stopped trusting me. So, I believe you, but I've got no proof. No proof, no credibility. No nothing.” Nothing. Nothing?! Rage swirled in the pit of his stomach. “I’ve stopped drinking. In case you're wondering. Two months sober.” He hadn't been wondering actually, but he should have. “Not that it changes anything. If I insist, they'll think it’s drunken paranoia. There's nothing I can do.”
She sure took the easy way out. She had found a great excuse not to act. He sank all his censure into two simple words, “You're outside.”
Simple words of blame to her simple words of trust.
She shrugged a little. “Yes, I am. But I might as well be in prison with you.” She laughed mirthlessly. He felt like throttling her. She thought she knew anything about life in jail?! “Russ is spying on me. All the damn time. He goes in and out of my flat as he pleases. He…”
Her voice broke for real now and she crossed her arms, trying to rub some warmth into her bare forearms. She was scared. Just speaking of Russ scared her. Viggo made a dispassionate note of her fear. His old self would have been skeptical, maybe a little sickened at the idea of Russ killing people, of Russ framing him, of Russ stalking a young woman. His former self would have felt pity, compassion toward Nyssa.
But he didn't experience anything of the sort.
Heart, dead. Mind, working. He needed more information to lay his own plans.
“Are you safe?” he asked.
“Safe,” she echoed. “No. He's going to kill me. Eventually, he's going to kill me.” Her voice held no self-pity, no alarm. It was a plain, matter-of-fact truth. “I know too much. But he's playing with me right now. Cruel games. I amuse him.” Cruel games. He refused to think about it. “Safety's a relative thing, isn't it?”
She was smiling – a dismal twist of her mouth. He tried to mirror her expression, sharing in her wry sense of humor. His facial muscles protested the strain. They couldn't quite manage a smile, and hers faded away. She reached for his hand, where it was cuffed to the metal table. Her touch was a jolt of electricity. He hadn't been touched – not that way – in years.
“God, what happened to us?” she whispered.
Tears filled her eyes.
“You're thinking about running away, aren't you?” he asked.
She didn't answer. She didn't need to – he knew. He knew because, after five years of imprisonment, running was the only thing on his mind. He didn't know if it was a plan, a picture or a dream anymore but, when he lied on his back in his cell, alone in the dark, it was all he could think about.
“Yes.”
Some of her tension drained away. At least, they had that in common: the dream, that was a picture, that was a plan.
“Then why are you here?” he asked.
Dangling a truth they couldn't prove, dangling a freedom he had lost.
She leaned over the table, toward him. Her voice dropped to a whisper, one he barely made out, “I want us both to run away.”
A tremor went through him. Running.
“I'm sorry, Viggo. I wish I could give you exoneration, I wish I could give you everything back. I wish I could give you your life back, but I can't. What I can do is get you out of here.”
“How?”
Her eyes narrowed, little lines appeared at the corners of her mouth, the way they always did when she was puzzling something out. “I haven't hammered out all the details yet. First, I needed to ask. Do you want me to…do it?”
“To break me out of jail?” he spelled out.
She nodded slightly, nervously. He relaxed back into his uncomfortable chair. God knew he wanted to say yes, but he couldn't. He had learned to suspect a trap anywhere, at any time and from anyone. Nyssa Malik appeared to be telling the truth. But maybe she was a paranoiac drunk, maybe she had a grudge against Russ. Or maybe Russ had sent her to torture Viggo. He didn't know. He just didn't know.
“I don't know.” Her eyelashes fluttered, covering what she thought, what she felt, her crushing disappointment. “I want to see that girl's case file and whatever you've got on the Defoe murders.” If only to make sure she wasn't completely delusional. “And I need to think about it.”
Think about…Fuck, so many things…Her little bombs made his head was spin. And it was getting to him. Everything she had said, it was finally catching up to him. What if she was telling the truth? And what if Russ killed her? If she was telling the truth, Viggo would be losing the only person who believed in his innocence!
“You can't wait, though, can you?” he asked. She looked up, her face lighting up like a lamp. “You’ve got to go in hiding, out of his reach.”
“There's nowhere I'd be out of his reach. He's a cop. I…I tried to…ask for help. Nobody listened. I tried to leave, and he found me again – and again. I think, next time, he’ll kill me.”
“Then…” He felt a strange reluctance and had to stop, to marshal his thoughts. What was left of his morals stung, but it was as much for her sake as for his. “Then, you need to lure him into a false sense of safety.”
“To…?” She frowned.
“He's all about control. I remember how he was. He despises the women he has sex with. He can’t see them as a threat.”
“You want me to…” She seemed to wither. “To sleep with him?”
“I want nothing,” he bit out. “You come here, blabbing nonsenses about freedom and breaking me out. I wasn’t asking. And there aren’t hundred ways to go from here. Either you get the fuck away…” She opened her mouth to shoot that possibility down, “You're bright enough to do it.”
She shook her head. “I can’t.”
It was despair. She wanted it to be guilt but really, it was despair bringing her to him. Whatever he could have felt, it helped him steel his heart against it. “Then, you’ve got to sleep with him.” He sounded harsh, he knew it, but he could see no better, no safer way. “It’s the only way he’ll relax his guard. Then, you can either break me out, or investigate him.”
“Investigate?” she repeated with that frown.
His lips complied this time and curved into a smirk. “You don't think that he has only done it twice, do you?”
Her eyes widened. Her lips formed words, although she didn't vocalize them, He will know.
He shrugged. He couldn't care. “I said nothing about it being safe.”
“There’s no such thing as safe,” she retorted sadly. “I'm going to die anyway, I've known that for a while.” She closed her eyes – tight, very tight, and she let all the air out of her chest. “But I want to see you out of here before I do.”
“I'll think about it.”
“Alright.” She called the guards to be let out of the room. The last thing she said before they led her away was, “You, think about it. I'll send the paperwork over.”
Maybe she would. Maybe she wouldn't.
To know whether Nyssa and Viggo decide to run away together, read Chapter 1.2.
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Umm, I think you've changed this chapter a lot since I read it the initial time?
Wow you reveal a lot of information so upfront, yet somehooowww you GET AWAY WITH IT JUST BARELY I THINK!!
I do love how the characters are very believable as always. That is the real special talent of your writing. Making these characters true representations of contorted emotions and old haunts of past incidents having wounded and bitten and shaped them, torn them out weary a little bit and left them rugged
Things that you revealed too much? Nyssa foreshadows, "I know I'm going to die etc." I mean I'm fairly sure at least something very bad will befall her at the very least.
And that Russ did the murder not Viggo. But you toed the line okay.
The part where you really showed too much I think is when you show us how deeply Nyssa feels for Viggo, and tell us outright that she desires to run away with him. She should have withheld more emotion, and just knowing that she desires to have Peter exhonerated and give him his old life back is almost the same as knowing she Peterry much wants to bang him and be his wife. LOL
I guess at this point you may not be changing it anymore though?
I didn't change all that much in this chapter. The next one, on the other hand...That's almost all new stuff.
I don't think I can make any more changes, though. I've tinkered with this novel so much that I've lost track a little. Normally, at the end, I've got the story a folder full of timelines, character arcs and ATPTRKs (at this point, the reader knows). Here, I don't, my approach was more, uh, romance, what's to keep track of? Which, as it turns out, was pretty dumb. So, I don't dare change things again.
"she Peterry much wants to bang him and be his wife. LOL"
That almost killed me.
Man, it must have been a long year, because I feel like I hadn't seen a third of that chapter before ).0

Happy that the joke SCORED
Oh btw... Are you writing a new project or anything now?
Yep. Fantasy. It's called Bitter Oracle but I'm writing at a snail's pace because I'm working on something in French at the same time, doing the outline of a comic with a friend and I've still got work and school going on, so hm, yeah.
Wow!!!!!!! I'll never know how some people can manage so much going on like that
I don't know about others, but I've renounced sleep and I make check-lists. I typically don't do everything I'm supposed to in a day, but I work faster and more effectively. And I don't sleep, so...so many, many, many hours a day!
Hmmm. I never reviewed this one originally, and I might never have read it, so I don't know what kind of revision this got or how it compares to the original. So I guess I'll just have to leave what thoughts I have.
You have a strong start, especially with the opening scene. Right away we have some conflict: Viggo, in prison even though he's innocent and mistrusting of old friends because of the way they all abandoned him. We also see through his viewpoint that something's wrong with Nyssa, so there's some sort of conflict in her life even aside from this immediate conflict with her lying and Viggo not trusting her. But we also get enough glimpses of the past to start getting attached to the characters right away: you don't just drop us into a dramatic situation with no context (although I could be saying that because I've read the whole thing already).
I'm kind of torn on the way Viggo already clearly cares about Nyssa. I know he tries to deny it to himself, like "just curious," but - on the one hand, I think it's nice to see these remaining glimpses of his humanity, and it makes a more believable build to him really caring about her again and learning to trust her than if he was super dead inside. On the other hand, I feel like it comes across a little more strongly than it should right now - again, I could be saying that because I've read the whole thing, but at this point it seems kind of obvious that he's 100% going to learn to be friends with her again, because we already know he's more concerned than he lets on.
Otherwise, reading through all the past reviews gives me enough of what happened in this chapter originally to say: probably a major improvement. You give us enough to get interested and start caring about the characters without overdoing it with tons of backstory and set-up. A great start to revisions!
Thanks
Hello,
This is a great beginning to a novel. The plot is really firmly established, the characters are pretty well-explained, the major conflicts and the antagonist are all in place, and the stakes are obvious to the reader. There’s even a good bit of back story to give the characters some texture and help the readers start to care about them. You also do an amazing job with pacing; you know just the right amount of facial expressions and descriptions to add to help the reader experience everything and still keep the plot moving forward. Amazing job there.
Two overall critiques really quick before I get to the line-by-lines. First, you could use more setting descriptions. I know it’s in a prison and that Viggo’s speaking to Nyssa through glass, and he hates it there, and the atmosphere is unfriendly, but I don’t know if it’s a minimum-security unit or maximum-security. I don’t know what the makeup of the prison population is, what the wall colors are, what his room looks like and what the few items he’s allowed to have in there are, if it’s in the Midwest or along the Coast, what time of year it is, etc.
Secondly, I think the story could benefit from a scene or two of him going about his day in jail before jumping right into the instigating event of the story. I want to see the homeostasis of him being miserable in jail, maybe the other prisoners disliking him because he used to be a cop and he might even have arrested some of them, see the guards looking down on him because he was a cop and he should’ve known better, see him being lonely because no one comes to visit him and everyone dislikes him. It would set up the original conflict while allowing us to have a greater understanding of the main character and the setting of the prison.
Now, to the line edits:
Try to avoid “had had”s, they read pretty clunky. Changing “he had had” to “he’d had” can usually solve the problem.
“He hadn’t expected any visit and so he had been cautious. The human-shaped beast he had regressed to had prowled into Visitations, ready for an ambush, ready to fight for his life.” In this paragraph, you’re transitioning from more of a summary-paragraph into an actual scene. The transition could be a little smoother if you give more detail, so it’s more clearly a scene right away. Perhaps with something like, “He hadn’t expected any visit, so when the guards told him…” and show the scene of him finding out he has a visitor so we can see him being cautious and putting his guard up.
“It wasn't like Nyssa.” You do a really great job with sentence length variation, so you don’t have to give this a paragraph all its own for it to have an effect. It’s a bit much in a paragraph all by itself. It’ll do fine at the end of the last paragraph.
“He put the receiver to his ear and waited. He could hear her, he could hear her breathing hard. He focused on that, waiting, undisturbed by the silence between them.” You could have skipped this paragraph and gone right from him being curious and reaching for his receiver to her talking. But I’m really glad you added this paragraph, because it created this great tension for the reader. Suddenly, I’m on the edge of my seat to find out why this person who went from being his friend to hating him would come to see him. It’s wonderful pacing. Really well done.
“…he felt like a cat one dangles a puzzle in front of.” Maybe I’m just not familiar with the saying, but this didn’t make any sense to me.
“’You know the kind, you were a cop.’” Try to keep expositional dialogue to a minimum. Maybe she would tell him a cop, even though they both know it already, but it just feels wrong to the reader.
“He nodded ever so slightly. He had noticed the slight clenching of her jaw” Don’t use both slightly and slight so close to each other.
““I want to represent you.”
Like hell she did.” Ha! I love this.
““Peter,” she said, a wordless gentleness to her voice. “Viggo,” she corrected.” I’m not really sure I understand what you mean by wordless gentleness, since it is word-ful, since she’s saying “Peter” which is a word. Sorry if this is too literal.
“He was still in jail. She was still lying.” Love the parallel sentence structure. Really well done.
““I will send the paperwork over. I will be back in a couple of weeks.”” When people talk, unless they’re mad or trying particularly hard to add emphasis, they talk in as many contractions as possible. People are lazy like that. She should say “I’ll send the paperwork over. I’ll be back”, unless she’s trying to convince him to believe her, then she might say “I’ll send the paperwork over. I will be back…”
“It had lost all of that happy fat that had softened down her face.” I really like this description.
“He didn't worry about people anymore and it was more like idle curiosity, anyway.” Is he lying to himself here? Because, by the way he is so aware of her and can take such note of changes in her appearances, even after years or months, it seems like he does care about her. Because it’s written in third person limited, you should probably make it clearer that this is Viggo thinking that he doesn’t care about people anymore, and not the narrator telling us a fact that contradicts the way Viggo’s acting.
“He had never seen anyone cry so hard.” This seems hyperbolic. Was he never in daycare as a child? Did he ever go to a middle school dance? Never watched a Nicholas Sparks movie with his ex-girlfriend?
“Russ. Detective Russel Pierce. His former partner. The best friend who had turned his back on him so swiftly” I’m not sure this is the best way to introduce Russ. Is there any way you could mention him before this, just so the reader can see him as a character before he becomes so important to the plot?
I think Viggo accepts a bit too quickly that Russ is the killer. I think he should be a bit more surprised and be a bit more skeptical.
““He...He killed her. I know that. We found hair clasped in her hand. It came from one of the bouncers at the nightclub. A former boyfriend. He had been stalking her. He was a real wretched bastard. He made a very credible killer. But there was something strange about the scene. It was too neat and that hair...The strand was too clean. I was...It was weird. Deja vu. You know the feeling. I was back working the Defoe murders.” I like this paragraph because you can feel how panicky she is to get it all out. The short, choppy sentences work really well.
“It just reminded him of the worst time in his life.” Worse than now, when he’s in prison?
In dialogue, Nyssa says ‘Viggo’ too often. People very rarely say the name of the person they’re talking to during conversation.
Once again, this story is really well done. I like the characters and the backstory, I like the plot of Viggo escaping, I love how Viggo is so callused but not in a cliché way, and I like how well you describe what Nyssa looks like and how that gives us insight into her character even though we don’t have access to her mind like we do with Viggo. I can’t wait to see where this story goes!
Hope this review helped. Happy Review Day,
tgirly
Hi and happy review day.
I have been seeing this story in the green room so I decided to check it out and I like it. I like the chatacters and their interesting backstories. I want to know how Viggo landed in jail and I will keep reading to hopefully find out. Speaking of Viggo, he reminds me of Gibbs from NCIS don't ask me why he just does. As far as the length goes I don't think you could have split it up again so it is what it is. I can't wait to read more.
Good Job and Keep Writing!!
Maybe the blue eyes...
I don't have a problem with the length, but maybe that's just me. So far, I really like the story. The suspense developed through the first few paragraphs drew me in, and you gave just enough information to keep the readers interested, but withheld enough to keep them guessing. I didn't see any grammar or spelling mistakes, so good job on that. It makes me a little frustrated, because I cry a lot when I read sad stories, but it's a good frustrated. I can't wait to read the next chapter.
I just want to say, this story deserves so much more recognition than it's gotten so far.
-MarianaChristena
Thank you, MarianaChristena.
I hope you enjoy the rest. Don't be afraid to keep tissues near your computer, those two have crappy lives. And I'm really glad to hear that I don't make that many mistakes.
I actually edited this chapter. It's now cut in two parts so the length is less inconvenient than it was in the beginning (be careful to read Chapter 1.2 before you go on to 2.1 or you'll be lost).
As tigeraye mentioned, this is long. For the next chapter you post, consider splitting it up into smaller pieces so that reviewers won't be discouraged from reading. Because this is really good stuff, and it deserves many more views.
I'd also suggest changing this to 18+ because of the f-bombs and other mature references.
That's a particularly nice start to your novel. It's simple, easy to grasp, and introduces two main characters (who possibly have a romantic relationship, which was my first impression). The "everything-proof" glass must be the glass dividing a prisoner and a visitor, and it makes more sense for a prisoner to remember something as inconsequential as the day he was visited because his life is so monotonous. At this point, I'm wondering what Viggo did to get himself in jail, and what the girl did that was so important when she visited him. All in all - very nice set up.
Again, great. You don't dump the reader with information of how these two know each other, but instead use clues from Viggo's reaction and the last highlighted line to suggest that she was once a prominent person in his life. You never dip back into the past, but maintain the current course of events.
This confused me because I initially supposed "tech" was short for "technology," not "technician." You might want to simply write out the latter.
So, if she was at his trial, does that mean Viggo's been in jail for five years? I was under the impression that he always knew her as a bubbly person, and so I was startled when it said that she said this. It doesn't seem like she's changed as much as I thought she did over five years, if at the trial she was already bitter. I'd suggest making the transition between happy-and-bubbly-and-lovely & cruel-and-hateful-at-the-trial a little more smooth.
The interaction between these two is so good!
Aw yeah, there's the romance. The relationship between these two is getting very complex and I love it.
It's technically three, but literally two. It would be weird if he said "You are outside," so I'd suggest changing three to two.
This guy knows his stuff. He's not trusting, and I like that about him. He's witnessed too many traps in his time as a cop.
I suggest sticking those together in the same paragraph. I thought Wood said the second line.
This could have used more descriptions. It's described in such a simple manner that it hardly seems important, when such a thing as this really is.
Did you mean to say "ever?"
Dang. This is great. The ending with the earthquake was a completely unexpected way to break Viggo out of jail, and there's some romantic (in the literary sense) importance in the way he, the innocent, was spared from the prison of criminals.
You're particularly excellent at explaining background things without dumping them out all at once. Most of the explanations were executed through Viggo's interactions with other characters and lots of information could be gathered through dialogue, which was still written in a realistic fashion.
I've hardly anything but praise. Let me know when the next chapter comes out, because I'd love to read what happens next.
I never got around to thanking you. Sorry. I've published the entire story now.
Hello.
So. Solid voice, engaging narration, interesting plot.
I feel this is revealing way too much at once, too much future and not enough present.
The setup is a romance novel, with a guy and a girl introduced immediately. We get an easy reveal of a giant betrayal, setting up the plot within a thousand or so words. We have the past lovingly dolled out— I really find you've hit a nice amount of past memories here, so kudos for that— and the future basically spelled out, but there's just something... off.
I think the best words I have are, I can't see an actual present conflict in the first two scenes. There's the potential for conflict, there's the potential for everything falling apart, but there's no loose threads right there. Everything is locked up air tight and the plan is working. I was waiting for something to go wrong, and started to get a little bored nothing was.
Voice will get you very far, and this voice is incredibly well hammered out, with a high amount of engagement, but in the end, this neat little line of ducks in a row just doesn't do it for me. You introduce some conflict later on, but by that point it's already a bit late. I've lost the engagement I had before. I kept waiting for some sort of twist, some sort of hitch, and... it wasn't fast enough.
Overall, this was beautifully written, but too polished. Keep the voice and keep the engagement, but roughen up the fabric a little. Make me actually believe something can go wrong. Have something go wrong early. Make the dots harder to connect. Something that feels less certain, because right now the first two scenes make me wonder what the point of continuing to read is.
Hope this helps. Let me know if you have any questions or comments.
~Rosey
Thank you.
It really annoys me that nobody has liked or reviewed this yet, because this is an amazing piece of writing. When I first looked at this chapter, you had me scoffing because of how long it was, but it was more than well worth the read. The plot is inanely gripping, between Russ and Viggo and the series of murder and the terrible effect the murders had on Valdez. There was a lot of intensity between their conversation that really pulled me in. I love the message behind it of how many lives can be ruined by a murder. You told a fantastic story, your characters are very unique and interesting, and overall I want to say that I really loved every bit of this story.

There were a couple things plotwise I didn't really understand -- namely, I think you gave this Russ character too much clout for a measly detective. I mean he was partners with Valdez, so they would be in the same position of power, right? If she knows he murdered someone else, why does she need to pose as a lawyer instead of getting him arrested? If he was the sheriff or something, that would make more sense. Something more minor that bugged me was Wood only getting ten years for strangling his girlfriend. Yet he was in the same part of the prison with serial rapists and mass murderers. The earthquake seemed a bit too convenient at the time, but I can't think of anything else you could do instead. Charlie still being alive is also a really interesting plot point you decided to include.
This was a little bit long. I think you could've ended chapter one after Viggo talks with Valdez, then have Viggo and Wood and the earthquake be chapter two. A lot of people get dissuaded when works are too long and it takes longer to get people to look at it. Usually you want to cap a writing about 1500-2000 words, any more and you can upload it as different parts after doing reviews to earn points.
Some of the dialogue between Viggo and Wood felt a bit wooden, but all nitpicks aside I thought your characters were outstanding, the plot was interesting, and you didn't drown out the story with too much detail and prose. I really enjoyed this a lot, thank you for sharing
Thanks. I'm very glad you took the time to leave a comment. And thanks for being so kind.
Since English isn't my first language, I'm always worried my dialogue will sound less than natural - using too many expressions or not enough, "aren't", "are not", etc.
You'll get how Russ discredited Nyssa. Just wait a few chapters! As for Charlie, I kept him for the end like a sparkly bow on top of the cake (mixing up my idioms, I know).
And I know the earthquake is kind of a deus ex machina but, as I saw it, I had two choices: they either went all Prison Break on the readers or Viggo got lucky. Since how he broke out really isn't the point of the story, I decided to make it huge and unrealistic.
Well, thanks for everything. I'll try posting shorter chapters from now on. No point in scaring reviewers away.
Make sure you pm me when you upload the next chapter so I can read it
Sorry, I never did do it. I was still getting used to the website. I've published the entire story now.